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Roland SH-32 Electronic Keyboard User Manual

1. Parameter Value Patch INS gt REV Series SEr Series PAr Parallel Effects INS FX p 64 INS FX Switch OFF ON Type Refer to Insertion Ef Send Level fects Parameters p Intensity 107 Color Rate Depth Level REV DELAY REV DELAY Switch OFF ON Type Refer to Reverb Delay E Level Parameters p 113 Time FBK Feedback L R Shift Mod Depth HF Damp Mod Rate REV DELAY Send Level 0 127 MIDI Pitch Bend p 85 Range 0 24 Modulation CC 1 LFO1 gt Pitch Sens 63 63 LFO1 gt Filter Cutoff Sens 63 63 LFO1 gt Amp Level Sens 63 63 Filter Cutoff Sens 63 63 Channel After Touch Amp Level Sens 63 63 Filter Cutoff Sens 63 63 Velocity Amp Level Sens 63 63 Amp Attack Time Sens 63 63 Filter Cutoff Sens 63 63 Filter Attack Time Sens 63 63 Arpeggia Arpeggio Switch OFF ON tor Style 11 a 88 a p 74 Grid Type 04_ 08_ 08L 08H 08t 16_ ie Motif oP Cor d UP dnL oti L H _ dn L mode only dn H dn rn L Duration 30 40 50 60 70 80 90 100 120 FUL Ftl Ft2 Range 3 3 octave Tempo 20 0 250 0 BPM Chord Chord Switch OFF ON Memory Chord Form Select 11 c 88 c p 81 Patch mode only Parameter Value Patch Level 0 127 Common Pan L64 63R Control Analog Feel 0 127 p 59 p 61 Solo Switch SOLO
2. Waveform Group Number of Description Variations mM 12 1 12 Often used in creating Sawtooth Wave characteristic synthesizer WAVE sounds Variation 12 is Lease constructed from multiple e detuned sawtooth waves layered together ru 10 1 10 Often used in creating Square Wave characteristic synthesizer WANE sounds The subtle differ Oi e ences in waveforms that a ye variety of popular classic synthesizers had can be ex pressed through switching variations UL 9 1 9 The Pulse group contains Pulse Wave nine pulse wave variations WAVE you can switch through ee with duty cycles ranging e from 5 to 45 setin mul tiples of 5 PL 1 N A With this waveform you PWM Wave can have the pulse width WAVE of a square wave change periodically Use this when you want to create subtle changes in the tone AN 5 1 5 This tone includes few har monics and no unusual o Characteristics The subtle E differences in waveforms ceo that a variety of popular Vis classic synthesizers had can be expressed through switching variations SPECTRUM 20 1 20 You can select waveforms that are difficult to achieve WAVE with general analog syn 7 Da oe thesizers such as voice type waveforms and other waveforms with special harmonic structures and waves with formants NOISE 10 1 10 Select from different noise noise WAVE types including white noise pink noise and noise for which
3. 7 J5 LONG DELAY SYNC Sync type Long Delay synchronized to the BPM Delay Time changes according to the note length corresponding to the BPM setting Parameter Value Description E LEVEL 0 127 Output level of the delay sound Delay Level TIME note 2 Adjusts the time until the delay sound Delay Time p 114 is heard FBK 98 98 Adjusts the amount of the delay sound Feedback that s fed back into the effect Negative settings invert the phase L R SHIFT not in use MOD DEPTH HF DAMP 200Hz 8kHz Adjusts the frequency above which MOD RATE byP sound fed back to the effect is filtered HF Damp out If you don t want to filter out any high frequencies set this parameter to byP H El a 2 2 lt q PAN DELAY Panning Delay This is a delay effect with echoes that pan left and right Lin L out R in R out Parameter Value Description E LEVEL 0 127 Output level of the delay Delay Level sound TIME 0 500 ms Adjusts the time until the Delay Time delay sound is heard FBK 98 98 Adjusts the amount of the Feedback delay sound that s fed back into the effect Negative settings invert the phase L R SHIFT MOD DEPTH not in use HF DAMP MOD RATE 200Hz 8kHz Adjusts the frequency above HF Damp byP which sound fed back to the effect is filtered out If you don t want to filter out any high
4. AO TA uu 1 13 LEG ONLY FR r T LA OO OO OC O OCI MANUAL BANK CHORD SOLO UNISON PORTAMENTO Dr TIA EE e REST CONTROL PATCH TOTOP BACK DER ARPEGGIATOR O INN RAR E D TUNE LOCAL REMOTE FOOTSW CLOCK MIDICH MIDITHR 3ULK DUMP EES Roland ARPEG 2 osc x4 PARTS SYNTH STACK Display Press INS FX or REV DELAY When you press INS FX the button lights up and the Insertion Effects is turned on When you press REV DELAY the button lights up and the Reverb Delay processor is turned on Select an effect type and set the rate To set the Insertion Effects turn INTENSITY to adjust the intensity and use the FX SYSTEM knob and VALUE V A to set the type and other details To set the Reverb Delay use the FX SYSTEM knob and VALUE V A to set the value The effect types and values are shown in the display See Chapter 3 Applying Effects to the Sound INS FX REV DELAY p 64 for details Are you satisfied with the sound you created The sound settings created so far will be lost when you switch off the SH 32 Let s now save the sound into the internal memory See Chapter 3 Applying Effects to the Sound INS FX REV DELAY p 64 for details on effects HINT You can use the Insertion Effects and Reverb Delay at the same time You can also line them up in series or in parallel p 64 Modifying the Sound Saving the Sound E a x Q 5 o Sound
5. MIDI Transmit Receive Setting List Exc Exclusive Message CC Control Change Section Parameter Mod1 Mode 1 Mod2 Mode 2 Remarks Patch Common Level CCO07 CC CC07 Volume Value 0 127 Control Pan CC10 CC10 CC10 Panpot Value 0 127 64 Center Solo Switch CC126 127 CC126 127 CC126 Mono Solo CC127 Poly Unison Switch CC70 CC70 CC70 Sound Controller 1 Value 0 OFF 1 ON Portamento Time CC05 CC05 CC05 Portamento Time Value 0 127 Portamento Type Exc Transmit Receive CC65 Receive Exc Transmit Receive CC65 Receive CC65 Portamento Value 0 63 0FF 64 127 Fulltime Exc OFF Legato Only Fulltime Legato Switch Exc Transmit Receive CC68 Receive Exc Transmit Receive CC68 Receive CC68 Legato Value 0 63 OFF 64 127 ON Exc OFF ON Retrigger OSC 1 amp 2 Oscillator 1 2 Balance CC08 CC08 CC08 Balance Value 1 127 64 Center Pitch Env Attack Time Exc CC26 Value 0 127 Pitch Env Decay Time Exc CC27 Value 0 127 OSC 1 Pitch Env Depth Exc CC25 Value 1 127 64 Center PWM Depth CC78 CC78 CC78 Sound Controller 9 Value 0 127 Coarse Tune Exc CC21 Value 40 88 64 Center Fine Tune CC77 CC77 CC77 Sound Controller 8 Value 14 114 64 Center OSC 2 Pitch Env Depth Exc CC5
6. Appendices Parameter List Rhythm Set Parameters Performance Parameters Parameter Value Parameter Value Rhythm Set Rhythm Set Level 0 127 Performance Performance Level 0 127 Common Common OSC Reserve Part 1 0 32 Control Control OSC Reserve Part 2 0 32 p 59 p 59 p 73 OSC Reserve Part 3 0 32 Rhythm Set INS gt REV Series SEr Series PAr Parallel OSC Reserve Part 4 0 32 Effects INS FX Performance INS gt REV Series SEr Series PAr Parallel p 64 INS EX Switch OFF ON Effects INS FX Type Refer to Insertion Ef p 64 p 66 INS EX Switch OFF ON Send Level fects Parameters p Performance Parameter Source Part 4 Intensity 107 mode only REV DELAY Color REV DELAY Switch OFF ON Rate Depth Parameter Source Part 4 Level Arpeggiator Performance Arpeg OFF ON REV DELAY p 80 glator REV DELAY Switch OFF ON Performance Arpeggio Part SS Type Refer to Reverb De mode only Arpeggio Part Switch OFF ON ELevel lay Parameters p Rhythm Part Switch OFF ON Time 113 Arpeggio Style 1 a 88 a FRK Feedback curry sy
7. gt How to Set the BPM Sync Start Timing p 112 2 VOICE PITCH SHIFTER Shifts the pitch of the original sound You can have two pitch shifted sounds played one above and one below the original sound and change the difference between them Balance D Lin 2 Voice Pitch Shifter Pitch Shift B R in R out Balance D Parameter Value Description INTENSITY 0 127 Amount of pitch shift Pitch COLOR Fin Coa Smoothness of the change in pitch Pitch Mode Fin Continuous Coa Semitone steps RATE DEPTH 0 350 ms Adjusts the time until the pitch shifted Pre Delay sound is heard LEVEL 0 100 Relative amount of pitch shifted sound Balance FEEDBACK PITCH SHIFTER This allows the pitch shifted sound to be fed back into the effect Lin O L out Balance D Gas Pitch Shifter Ma O Balance W Feedback O o R out Rin Balance D Parameter Value Description INTENSITY 0 127 Amount of pitch shift Pitch COLOR Fin Coa Smoothness of the change in pitch Pitch Mode Fin Continuous Coa Semitone steps RATE DEPTH 0 350 ms Adjusts the time until the pitch shifted Pre Delay sound is heard LEVEL 98 98 Adjusts the amount of the pitch shifted Feedback sound that s fed back into the effect Negative settings invert the phase STEREO DELAY This is a stereo delay Balance D Lin O O L out
8. Chapter 7 3 When you have finished selecting a Chord Form press CHORD causing the indicator to go off 4 To save the selected Chord Form number press WRITE and carry out the write procedure p 63 p 73 HINT When the System function FOOT SW Foot Switch is set to c UP you can also use the foot switch connected to the FOOT SWITCH jack to switch Chord Memory numbers p 91 81 Chapter 7 Using the Chord Memory Function CHORD Creating Your Own Chord Forms Not only can you use the prepared internal Chord Forms which determine the constituent notes of chords played using the Chord Memory function but you can also freely create and rewrite them as well GE The Chord Forms pre programmed at the factory are used in Preset Patches and factory programmed User Performances as well so note that when you rewrite part of the Chord Forms the sounds of Preset Patches and factory set User Performances in which the Chord Memory function is turned on change By carrying out Factory Reset p 94 you can get the SH 32 to once again sound exactly as it did when you first took it out of the box 1 Press CHORD causing the indicator to blink r SELECT 2 CHORD The Chord Form number appears in the display 2 Press VALUE V A to select a Chord Form number with the content you want to rewrite 3 Press WRITE causing the button indicator to light The Preview note entry function automatically turns
9. 1 4 is selected the cycle is one fourth of a beat a sixteen note in length weus The blinking of the BEAT CYCLE indicator has nothing to do with whether tempo synchronization is switched on or off but instead indicates the selected LFO cycle rate Other LFO Settings FADE IN KEY SYNC FADE IN Sets the time for the LFO s oscillation to reach the maximum level Press FADE IN causing the indicator to blink then press VALUE V A to set the value from 000 to 127 When you have finished making the settings either press FADE IN once more or press EXIT causing the FADE IN indicator light to go off KEY SYNC Press KEY SYNC causing the indicator to light when synchronizing the timing at which keys are pressed and the start of the LFO cycle HINT Tf KEY SYNC is off while the PWM function is in use the sonic qualities of the attack portion are not constant but instead resemble the behavior of an analog synthesizer s PWM Other Settings settings that can be saved to Patches Settings for Use in Playing Monophonic Sounds SOLO LEGATO These provide useful settings for use with sax flute or other Chapter 2 monophonic tones or in other situations such as when playing solos using only one sound SOLO pa ONLY OO UNISON PORTAMENTO NTROL PATCH Each note played when you press a key is crisp and distinct Press SOLO causing the indicator to light to turn on the Solo
10. 4 G 08 3 6 56a 4 G 08 57 a 4 G 08 58 a 4 G 08 61 a 4 G 08 62 a 4 G 08 3 1 63 a 4 G 16 64 a 4 G 08 65a 4 G 08 6 7 66 a 4 G 16 67 a 4 G 08 68 a 4 G 08 7La 4 G 16 72 a 4 G 16 73 a 4 G 16 74 a 4 G 08 75 a 4 G 08 76 a 4 G 16 77 a 4 G 08 78 a 4 G 08 81 a 4 G 08 82 a 6 G 32 83 a 3 G 08 6 4 84 a 4 G 16 85 a 1 G 16 1 4 4 7 5 1 5 7 6 1 7 3 8 1 86 a 3 G 04 5 6 87 a 7 G 08 C24 88 a 10 G 32 D52 102 Rhythm Style List All data is that programmed at the factory For instructions on carrying out Factory Reset refer to p 94 The Performance Using This Rhythm Style column only lists the Rhythm Styles when the Arpeggiator is turned on at the time the Performance is called up When the content of a Rhythm Style is overwritten the sound of the Performances in which it is used changes No Rhythm Style Name Number Performance Using No Rhythm Style Name Number Performance Using of Grids This Rhythm Style of Grids This Rhythm Style Ur BASIC HOUSE TECHNO 1 32 1 2 5Lr TECHNO HOUSE 17 32 124 BASIC HOUSE TECHNO 2 16 52 r TECHNO HOUSE 18 32 1 1 13 r BASIC HOUSE TECHNO 3 32 3 3 4 7 6 1 8 4 53 r TECHNO HOUSE 19 32 7 4 14 r BASIC HIPHOP R amp B 1 32 5 6 54 r TECHNO HOUSE 20 32 15 r BASIC HIPHOP R amp B 2 32 55 r TECHNO HOUSE 21 32 7 3 16 r BASIC REGGAE
11. Boulevard Andrews Albrook Panama City REP DE PANAMA TEL 315 0101 PARAGUAY Distribuidora De Instrumentos Musicales J E Olear y ESQ Manduvira Asuncion PARAGUAY TEL 021 492 124 PERU VIDEO Broadcast S A Portinari 199 ESQ HALS San Borja Lima 41 REP OF PERU TEL 01 4758226 URUGUAY Todo Musica S A Francisco Acuna de Figueroa 1771 C P 11 800 Montevideo URUGUAY TEL 02 924 2335 VENEZUELA Musicland Digital C A Av Francisco de Miranda Centro Parque de Cristal Nivel C2 Local 20 Caracas VENEZUELA TEL 212 285 8586 AUSTRIA Roland Austria GES M B H Siemensstrasse 4 P O Box 74 A 6063 RUM AUSTRIA TEL 0512 26 44 260 BELGIUM HOLLAND LUXEMBOURG Roland Benelux N V Houtstraat 3 B 2260 Oevel Westerlo BELGIUM TEL 014 575811 DEN MARK Roland Scandinavia A S Nordhavnsvej 7 Postbox 880 DK 2100 Copenhagen DENMARK TEL 039 16 6200 FRANCE Roland France SA 4 Rue Paul Henri SPAAK Parc de l Esplanade F 77 462 St Thibault Lagny Cedex FRANCE TEL 01 600 73 500 FINLAND Roland Scandinavia As Filial Finland Lauttasaarentie 54 B Fin 00201 Helsinki FINLAND TEL 9 682 4020 GERMANY Roland Elektronische Musikinstrumente HmbH Oststrasse 96 22844 Norderstedt GERMANY TEL 040 52 60090 GREECE STOLLAS S A Music Sound Light 155 New National Road Patras 26442 GREECE TEL 061 43 5400 HUNGARY Intermusica Ltd Warehouse Area DEPO
12. OR A gt TIE O TOP 2 osc x4 PARTS SYNTH STACK Roland PHONES OUTPUT SH CO o d PS oe rE COLOR LEVEL TYPE Sam TYPE ELEVEN TIME Pok L R SHIFT FBK MOD DEPTH HE DAMP MOD RATE DEMO PLAY WRITE PATCH H 1 Press ON The button lights up and the Arpeggiator is turned on 2 Press STYLE to light up the button and press VALUE W A to select an Arpeggio Style The Arpeggio Style number is shown in the display 11 a through 88 a When a Rhythm Set is selected you can select a Rhythm Style 11 r through 88 1 36 Display NOTE If you press STYLE again while the button is illuminated it blinks indicating that it is now in style save mode p 79 When you press it again it will return to style selection mode See About Arpeggio Styles p 75 for details on Arpeggio Styles Playing Arpeggio Arpeggiator E 5 3 Press a chord by using the Preview function p 21 or a MIDI keyboard HINT 3 to start playing arpeggio You can also create new 6 The Arpeggio Style of the SH 32 starts playing arpeggio according to the position of Anpepelo Styles p77 the touched key Example Beer MM zz When you select this style and play this cord you will hear this When you select a Rhythm Set in Patch mode p 25 the selected Rhythm Style will be played regardless of the position of
13. Oct 30 2001 Model SH 32 MIDI mp ementatioh Chart Version 1 00 Basic Default Channel Changed Default Messages Altered kkkkkkkkkkkkkk Note 0 127 Number True Voice Serre errr Ss Note On Velocity Note Off Key s Channel s 0 E Bank select Modulation Portamento time Data entry Volume Balance Panpot Expression Hold 1 Portamento Sostenuto Legato Foot Switch Sound Controller 1 Sound Controller 2 Sound Controller 3 Sound Controller 4 Sound Controller 5 Sound Controller 6 Sound Controller 7 Sound Controller 8 Sound Controller 9 General Purpose Controller 5 General Purpose Controller 6 General Purpose Controller 7 General Purpose Controller 8 Portamento control General purpose effects 1 General purpose effects 3 General purpose effects 4 General purpose effects 5 Control Change 15 31 33 94 100 101 oo0000000000000000000000000000000 O X O X O O O X X X X X O O O O O O O O O O O O O X O O O O O Xx RPN LSB MSB Program Change S True Number kkkkkkkkkkkkkk 20 d nm I Program No 1 128 System Exclusive Song Position Song Select Tune Request System Common H System Clock Real Time Commands xO All Sound Off Aux Reset All Controllers Local On Off Messages All Notes Off Active Sensing System Reset 123 127 XOOXO0O 1 OX is selectable 2 Recognized as M 1 even if M 1 3 When the a
14. connect the MIDI OUT connector of your keyboard with the MIDI IN connector of the SH 32 p 16 POWER ON IN mipI out FOOT SWITCH Long ouTPUT R PHONES OSC 1 amp 2 FILTER output CUTOFF RESONANCE RATE DEPTH MITA nose WAVE ER ER CA E E FU FL SPECTRUM A A A A m m e O COLOR go LEVEL E ter or TYPE SLOPE oe GON HF DAMP BPF PKG a MOD RATE Tes se EN KEY apd A A past FBK MOD DEPTH oy AMP ATTACK LEGATO FADE KEY BEAT DESTINATION FORM IN SYNC CYCLE SYNC el 050 1 FILTER PAN ele EEN OR O fix KR 0sc2 AMP A d F NN M RND EEE y 8 2 1 2 1 41 e TE A rT ah BPM BB Bac 4 1 1 3 LEG ONLY p MOTIF DURATION STORE PREVIEW_ OCT__ 0OCT DI MANUAL BANK CHORD SOLO UNISON PORTAMENTO GICM TIAS ARPES TE REST TOTOP BA CONTROL PATCH ARPEGGIATOR OOOMOCOO0OO MOO Tap 3 7z gt Hal O am S id Osc d PART TUNE LOCAL REMOTE FOOTSW CLOCK MIf CH MIDITHRU BULK DUMP 486E FILTER AMP 2 4 Osc 2 Peas des Fola Display Set the channel of the MIDI keyboard Set the MIDI transmit channel of the keyboard to Channel 1 refer to the manual that came with your MIDI keyboard Set the MIDI channel of the SH 32 Set the MIDI receive channel to Channel 1 1 Turn the FX SYSTEM knob to SYSTEM 2 Press 6 MIDI CH 6 MIDI CH blinks and the MIDI channel number appears in the display 3 Press VALUE V A to select MIDI channel n
15. 12 18 dB Adjusts the output gain Post Gain SLICER By applying successive cuts to the sound this effect turns a conventional sound into a sound that appears to be played as a backing phrase This is especially effective when applied to sustain type sounds Divides each cycle into eight parts SLICER SYNC Sync type Slicer synchronized to the BPM Rate set with INTENSITY changes according to the note length corresponding to the BPM setting Parameter Value Description INTENSITY note T p 112 Rate Repeat rate COLOR Same as SLICER Pattern RATE DEPTH Shuffle LEVEL Attack ES How to Set the BPM Sync Start Timing p 112 TREMOLO Cyclically modulates the volume to add tremolo to the sound Parameter Value Description INTENSITY 0 05 10 00 Hz Frequency of the change Rate COLOR tri SqU Sin Selects the way the volume is Wave Type Sw1 SW2 modulated tri triangle wave SqU square wave Sin sine wave SW1 2 sawtooth wave Swi sw2 RATE DEPTH 0 127 Depth to which the effect is Depth applied LEVEL 15 15 High boost EQ Gain Low boost TREMOLO SYNC Sync type Tremolo synchronized to the BPM Rate set with INTENSITY changes according to the note length corresponding to the BPM setting Parameter Value INTENSITY note 1 p 112 Rate COLOR
16. G4 C5 F5 G5 C sus4 42 c C4 G4 Bb4 F5 G5 C 7sus4 43 c C4 E4 G 4 C5 C Aug 44 c C4 Gb4 C5 Eb5 Cdim 45 c C4 B4 E5 G5 5 3 C Mat 46 c C4 Bb4 Eb5 G5 C mm 47 0 C4 A4 Eb5 Gb5 C dim 48 c C4 F4 G 4 C 5 C Maj7 51 c C4 Gb4 Bb4 Eb5 C m7b5 52 c C4 F 4 A Eb5 C dim 53 c G3 C4 E4 B4 C Maj7 54 c G3 C4 Eb4 Bb4 C min7 55 c G3 C4 E4 Bb4 6 7 C7 56 c Gb3 C4 Eb4 Bb4 C m7b5 57 c Gb3 C4 Eb4 A4 C dim 58 c Eb3 G3 C4 2 6 C min 61 c C4 F4 Bb4 Eb5 F 7sus4 62 c C3 Bb3 E4 A4 A min b9 63 c G3 B3 C4 E4 C Maj7 64 c C4 E4 Gb4 B4 C Maj7 b5 65 c C3 A3 Bb3 C4 D4 F4 4 8 Bb Maj9 66 0 G2 D3 A3 Bb3 F4 C5 G min9 11 67 0 F 2 C 3 G 3 A 3 F4 C5 F Maj9 11 68 c Bb2 C4 E4 G4 C7 TLC Ab1 Ab2 Ab3 Eb4 Gb4 Ab7 Vic G 2 GH3 C 4 F4 C Maj 73 0 B2 F 3 A 3 D 4 B Maj7 74 c A2 A3 C4 E4 A min 75 0 F2 F3 C4 G4 C sus4 76 0 A2 A3 D4 G4 Dsus4 77 0 A2 A3 E4 G4 4 4 A7 78 c G1 G4 A4 B4 D5 D22 G add9 81 c B4 D5 E5 G5 A5 B5 D6 E6 G69 82 c A5 C6 D6 E6 A6 A min11 83 c A3 D4 E4 D5 E5 A sus4 84 c A4 C5 D5 E5 G5 AN A min7 11 85 c E5 G5 A5 B5 C6 D6 A min9 11 86 c G 3 B3 CHL E4 G 4 B4 C min7 87 c E3 A3 B3 C4 D4 E4 A min9 11 88 c G3 C4 D4 Eb4 F4 Cmin9 11 104 Parameter List Patch Parameters
17. LEGATO indicator light to go off o E n using glissando and other effects that create a continuous change in the pitch while Legato is on the pitch may not rise beyond a certain fixed point or there may be other limitations on the range over which the pitch can change Layering Sounds for Greater Fatness UNISON UNISON p ONLY OOO SOLO JRTAMENTO DN cH When the Unison function is on then the sound of the currently selected Patch is divided into four separate sounds oscillators which are then layered providing a fatter more substantial sound Press UNISON causing its indicator to light to turn the effect on ore e Patches automatically switch to a single note when the Unison function is used When the Unison and Solo p 61 functions are switched on at the same time then the SOLO indicator to light up es The Unison function cannot be used in Patches that use Oscillator Sync p 55 Applying the Portamento Function PORTAMENTO PORTA TIME PORTAMENTO Portamento is an effect which smoothly changes the pitch from the first played key to the next played key Press PORTAMENTO causing the indicator to light or blink to turn on portamento When the indicator is lit the portamento is applied continuously when the indicator is blinking portamento is applied only when you play legato pressing one key before releasing the previous key GE When using glissando and other effects that crea
18. P 2 8 ETS CH TUNE LOCAL REMOTE CLOCK ON OFF A POWER 4 D blinks and E f TxM appears in the display while 4 D is held down 3 Press VALUE V A to switch the function to select the setting GFF OFF Related Control Changes are not transmitted or received fid MODE 1 MIDI messages primarily System Exclusive messages are transmitted and received fde MODE 2 MIDI messages primarily Control Change messages are transmitted and received 4 When you have finished making the setting turn the power off then on again De e The MIDI Transmission Reception mode setting is a system setting System settings are saved the moment the parameter values are changed Thus these settings are not lost when the power is turned off even without the write procedure being carried out e In MODE 1 when System Exclusive message are being used to transmit and receive information if a Control Change or other message is received then that message is disregarded exclusive messages are always received IS For more detailed information about the MIDI messages transmitted and received in each mode refer to MIDI Transmit Receive Setting List p 115 Changing the SH 32 s Device ID Number When exchanging System Exclusive messages in a large scale MIDI system that uses multiple SH 32s this sets a different MIDI Device ID number for each SH 32 so the messages intended for each unit ca
19. Panel Descriptions FX SYSTEM Knob Selects the INS FX Insertion Effects or REV DELAY Reverb Delay parameters to be set gt p 65 p 66 When this is set to SYSTEM you can make changes to the settings that govern the SH 32 s overall behavior system parameters gt p 90 MEMO When you select a parameter for which you want to make settings the indicator on the left begins to blink indicating that the SH 32 is ready for changes in the settings MIDI Settings Knob Selects the parameter to be set when modifying sounds as the result of messages Modulation Pitch Bend Aftertouch Velocity received from an external MIDI device p 85 MEMO When you select a parameter for which you want to make settings the indicator on the left begins to blink indicating that the SH 32 is ready for changes in the settings 9 ANALOG FEEL INS gt REV SERIES ANALOG FEEL Press this button causing the indicator to light to set the degree to which analog like modulation is applied to the pitch gt p 62 INS gt REV SERIES Press this button causing the indicator to blink to select the way the Insertion Effects and Reverb Delay are connected gt p 64 LEG ATO Y PORTA TIME LEGATO Press this button causing the indicator to light to turn the Legato function on and off p 61 PORTA TIME Press this button causing the indicator to blink to set the time over which the p
20. Parameter Value Description E LEVEL 0 127 Output level of the delay sound Delay Level TIME note 2 Adjusts the time until the delay sound Delay Time p 114 is heard FBK 98 98 Adjusts the amount of the delay sound Feedback that s fed back into the effect Negative settings invert the phase L R SHIFT 50 50 ms Difference between the left and right MOD DEPTH delay time L R Shift You can bring out a sense of spacious ness and breadth by setting slightly differing delay times The left delay time is lengthened The right delay time is lengthened HF DAMP 200Hz 8kHz Adjusts the frequency above which MOD RATE byP sound fed back to the effect is filtered HF Damp out Lin L out Rin R out Parameter Value Description E LEVEL 0 127 Output level of reverbera Reverb Level tion TIME 0 127 Duration of reverberation Reverb Time FBK not in use L R SHIFT MOD DEPTH not in use HF DAMP MOD RATE 200Hz 8kHz Adjusts the frequency above HF Damp byP which the high frequency content of the reverb sound is cut or damped If you don t want to damp the high frequencies set this parameter to byP STEREO DELAY Delay that provides a stereo effect sound Lin L out R in R out Parameter Value Description E LEVEL 0 127 Output level of the delay Delay Level sound TIME 0 500 ms Adjusts the time until the Delay Time delay sound is
21. Patches and Performances O Arpeggio Styles Rhythm Styles These contain the arpeggios basic styles they are used by the Arpeggiator 64 of each kind are provided all of which can be overwritten by the user p 79 Chord Forms These contain combinations of note numbers which are used with the Chord Memory function The unit provides 64 Forms all of which can be overwritten by the user p 83 How Characters and Numerals Are Displayed The display of the SH 32 indicates characters and numbers as follows AB CDE F GH IJ KLIMN Capital DG CIE FIGH VEL fir Small 3 be d E H qh i OP QIR S TIUIVIWIX Y Z capital DD OT UHHH Small L _ letters Ol CU 1 12 3 415 6 7 8 9 0 b Ie Zb 1890 b Chapter 1 An Overview of the SH 32 About Memory Rewritable Memory Patch and Performance settings are stored in what is referred to as System Mem ory memory There are three kind of memory temporary rewritable System memory stores system parameter settings that determine how the SH 32 functions and non rewritable User Memory User memory is where you normally store the data you need User Chapter 1 memory contains 128 patches 2 rhythm sets 64 performances 64 arpeggio styles 64 rhythm styles and 64 chord forms Preset User MEMO Arpeggio Styles Rhythm Styles and Chord Forms are saved as Patch Patch A
22. Press PATCH PERFORM causing the indicator light to go off The SH 32 switches to Patch mode 2 Press BANK The 1 A 4 D and 8 R indicators blink 3 Press 8 R The Rhythm Set bank is selected and the 1 A 4 D indicators blink 4 Press one of the buttons from 1 A through 4 D to select a Rhythm Set 1 A 11U User Rhythm Set 2 B r2U User Rhythm Set B C r3P Preset Rhythm Set 4 D r4P Preset Rhythm Set MEMO The factory programmed User Rhythm Sets contain data that differs from that in the Preset Rhythm Sets 5 Play the MIDI keyboard connected to the MIDI IN connector or use the Preview note entry function to play percussion instrument sounds Tf playing sounds with an external MIDI keyboard be sure to match the MIDI channels p 84 Editing a Rhythm Set Making Settings for the Overall Rhythm Set Here s how to make the common settings applied to all of the percussion instruments in the Rhythm Set 1 Select the Rhythm Set with the settings you want to change 2 Confirm that the Preview function is off the PREVIEW indicator light to go off 3 You can set the parameters shown in the following figure Use the knobs and buttons indicated for each parameter to make the settings In addition some parameters include values that are set by pressing VALUE V A INS FX Insertion Effects On Off gt p 64 REV DELAY Reverb Delay On Off gt p 65 RATE DEPTH CO
23. Programmable Realtime Step Parameters Grid Type Duration Octave Range Motif Styles can be overwritten by the user O Chord Memory Chord Forms 64 O Display 8 segments x 3 characters LED O Connectors MIDI Connectors IN OUT Output Jacks L R 1 4 inch phone type Headphones Jack Foot Switch Jack DC In Jack O Power Supply AC Adaptor DC 9 V O Current Draw 1000 mA O Dimensions 303 W x 228 D x 91 5 H mm 11 15 16 W x 9 D x 3 5 8 H inches O Weight 1 9 kg 4 lbs 4 oz excluding AC Adaptor O Accessories Owner s Manual AC Adaptor ACI series or PSB 1U O Options Foot Switch BOSS FS 5U Pedal Switch DP 2 Foot Switch Cable PCS 31 GE In the interest of product improvement the specifications and or appearance of this unit are subject to change without prior notice 117 Symbols A A scot aR EES 13 21 E NEE 13 21 Numerics A AAA debebeggeehtu dE 14 AR eiaei ria iia 14 71 A RE 57 58 AFTERTOUCH aran dci 86 Aftertouch ricota bs 86 AMP sitiada 12 26 31 45 58 AMPE ATTACK e aii io 87 AMP LEVEL at tai 86 87 enk GE 26 31 45 Amplifier envelope Attack time ensanse ne ae Ee 31 58 Decay time tesis e aa e a i 31 58 Release time innii nanus unaa 31 58 Sustain level nsina akian 31 58 ANALOG EEE i omoniennisrisniiie iisas 13 62 SE EE E 74 Arpeggiator EE 36 44 74 Arpeggio Style En 75 Creating arpeggio Styles cooocnicininnmmmmmmmmm 77 Selecting arpegg
24. SE Balance W Feedback Feedback Balance D Parameter Value Description INTENSITY 0 0 240 ms Adjusts the time until the delay Delay Time sound is heard COLOR 200Hz 8kHz Adjusts the frequency above which HF Damp byP sound fed back to the effect is fil tered out If you don t want to filter out any high frequencies set this parameter to byP RATE DEPTH 98 98 Adjusts the amount of the delay Feedback sound that s fed back into the effect Negative settings invert the phase LEVEL 0 100 Relative amount of delay sound Balance STEREO DELAY SYNC Sync type Stereo Delay synchronized to the BPM Delay Time set with INTENSITY changes according to the note length corresponding to the BPM setting Parameter Value INTENSITY note 1 Adjusts the time until the delay Delay Time p 112 sound is heard COLOR Same as STEREO DELAY HF Damp RATE DEPTH Feedback LEVEL Balance E How to Set the BPM Sync Start Timing p 112 Description 111 H El 7 2 o lt q LONG DELAY Although the effect sound is in mono this delay provides a longer delay time Belay Rin R out Parameter Value Description INTENSITY 0 0 480 ms Adjusts the time until the delay sound Delay Time is heard COLOR 200Hz 8kHz Adjusts the frequency above which HF Damp byP sound fed back to the effect is filt
25. Stop the external sequencer D When you have finished transmitting the data press EXIT Restoring Saved Content to the SH 32 GE Returning data to the SH 32 overwrites the data currently stored in the SH 32 and the overwritten data is lost However you can recover the data originally programmed at the factory to its original state by carrying out the Factory Reset procedure p 94 1 Use a MIDI cable to connect the SH 32 s MIDI IN connector to the MIDI OUT connector of the external sequencer 2 Transmit play back the settings from the external sequencer GE e When using the external sequencer to play back the data make sure to use the same tempo as was used when the Bulk Dump was originally carried out If played back at a faster tempo the settings may not be correctly restored e If the SH 32 s Device ID number used during reception of data during Bulk Dump differs from that used when the Bulk Dump data was saved the data cannot be received correctly Device ID numbers are used to distinguish devices from each other when MIDI messages are being transmitted and received by more than one of the same device Normally however when only one device is used there is no need to change the setting For more detailed information on the Device ID refer to p 93 HINT When recording a song to an external sequencer record to the beginning of the song the settings for the SH 32 s temporary area that are needed
26. To save the settings press WRITE and carry out the write procedure p 63 p 70 p 73 Selecting SH 32 Sounds from an External MIDI Device By transmitting Bank Select messages MIDI controller number 0 and 32 and Program Change messages from the external MIDI device to the SH 32 you can select Patches Rhythm Sets or Performances In other words when you select sounds on an external MIDI device the corresponding MIDI message will be transmitted to the SH 32 causing the SH 32 to select the appropriate Patch etc 1 Use a MIDI cable to connect the SH 32 s MIDI IN connector to the MIDI OUT connector of the external MIDI device 2 Set the SH 32 s receive channel to match the external MIDI device s transmit channel E e For instructions on how to set the SH 32 s receive channel refer to Setting the MIDI Channel MIDI CH p 84 e For instructions on how to set the transmit channel of the external MIDI device refer to the owner s manual for your external MIDI device 3 From the external MIDI device send a MIDI message for changing the sound D nou the Program Change numbers on your external MIDI device are referenced as values from 0 to 127 find the appropriate number by subtracting 1 from the number in the following correspondence chart e If the SH 32 receives no Bank Select messages but only Program Change messages it can switch only to sounds within certain banks such as BANK A B
27. UP Towards higher frequencies dWn Towards lower frequencies RATE DEPTH 0 127 Adjusts the amount of frequency Sens modulation applied LEVEL 0 100 Relative amount of effect sound Balance 109 H El o 2 2 lt q LOFI This is an effect that intentionally degrades the sound quality for creative purposes Lin gt L out R in gt R out Parameter Value Description INTENSITY 200 8000 Hz Reference frequency of the filter Cutoff COLOR 1 9 Degrades the sound quality LoFi Type The sound quality grows poorer as this value is increased RATE DEPTH OFF LPF Filter type after passing through Post Filter HPF Lo Fi OFF no filter is used LPF cuts the frequency range above the Cutoff HPF cuts the frequency range below the Cutoff When set to OFF INTENSITY has no effect LEVEL 0 6 12 18 dB Adjusts the output gain Post Gain LOFI NOISE In addition to a Lo Fi effect this effect also generates disc noise Lin L out Parameter Value Description INTENSITY 0 127 Volume of the record noise Disc Noise Level COLOR 1 9 Degrades the sound quality LoFi Type The sound quality grows poor er as this value is increased RATE DEPTH LP EP SP Type of record noise Disc Noise Type rnd The frequency at which the noise is heard depends on the selected type LEVEL 0 6
28. WE 13 27 52 Master tuning AAA AAA 90 Maximum simultaneous notes emccocinincncnnrnrnrnninninnanoss 44 A DrosdegeebEeee SEELEN 47 Preset Memory EE 47 System MCMOLY oeii nianse taiea saeit liner ise rea i Saes 47 Temporary are EE 47 User MEMOTY EE 47 MIDI A ees sees 84 MIDI CPi AAA RN 84 MIDI channel ue 84 MIDI Connectors acanna 15 44 84 MIDI device ID number NEEN 93 MIDI settings knob e 13 85 87 MIDITARU EO SN ES 92 MOD EE E 85 Modulation Sreet ieie s anien ar 85 MOIT AA E 14 E RE 76 O E 76 Multi Mbre s 0 a e 71 N Note entry buttons cococococononcnnnnononeneninnnnnnnnnrarononininnnnnoos 21 O OEDAVE E 28 54 OctaVe tange desse 76 ON liada 14 36 74 OSCA Nara pt aii nilo 27 52 VE E 12 26 27 45 52 OSCAR RING iii 55 OSCAXASANC rei soose a 55 OSEA E 27 52 Oscillator oe e Bale e aii 26 27 45 Oscillator sicario cio 55 Oscillator reserve comica ir 73 OUTPUT andas ac oia 12 21 OUTPUT jacks minas 15 P PAPEND il as e oee o ates ts 86 PAN Toni io 13 62 A EE OO EAN 46 Part Assign mode sisirin 39 67 71 Part stack fUriction Eet 72 PATCH tee ee 13 20 68 71 Patch How a Patch is organized 0 ccc 45 SC e E 52 Selecting Patches EE 23 Patch mode caida as 20 Peaking filter asirios in 29 PERFORM En 13 20 68 71 Performance How a Performance is Organized 0 0 46 Performance Settings ssis 72 Selecting Performance emcocneoonmrnmmcnrrenarnaanos 71 Performance control channel ee 85 Performanc
29. in a Performance p 59 p 63 Press 1 4 R Part buttons to specify the Part to be set The procedure for making the set tings is the same as in Patch mode You can save settings content to each Performance with the write procedure p 73 When assigning Patches to the Parts in Performance mode both the Patch settings as well as the settings made here are enabled e Sets the volume LEVEL or pan ning PAN for each individual Rhythm Tone percussion instru ment p 59 p 63 e Press a note entry button to specify the Rhythm Tone to be set The procedure for making the set tings is the same as in Patch mode e You can save settings content to each Rhythm Set with the write pro cedure p 70 Sets whether Insertion Effects INS FX and Reverb Delay REV DE LAY for each Patch or Rhythm Set are to be connected in series SEr or in parallel PAr p 64 Press the button causing the indica tor to blink then press VALUE W A to make the settings You can save settings content to each Patch or Rhythm Set with the write procedure p 63 p 70 When assigning Patches to the Parts in Performance mode the settings here are disabled and the Perfor mance settings go into effect Sets whether Insertion Effects INS FX and Reverb Delay REV DE LAY for each Performance are to be connected in series SEr or in par allel PAr p 64 The procedure for making the set tings is the same
30. provides a simple explanation of how to use and enjoy various functions Please read the Quick Start and follow along by actually operating the SH 32 This will help you understand most of what you need to know for basic operations More advanced ways of using the SH 32 or details of other operations are explained in the Advanced Use section Advanced Use The Advanced Use section is divided into 9 chapters Before you read this manual you should read through the Quick Start manual so you re familiar with the basic operation of the unit Chapter 1 An Overview of the SH 32 This chapter explains how the SH 32 is organized the available memory locations and the differences among settings depending on the mode Reading it is essential for understanding SH 32 operational procedures Chapter 2 Creating Your Own Sounds This chapter explains how SH 32 sounds are created together with a description of how the parameters are organized Comprehending the information in the chapter is an essential prerequisite before creating your own sounds Chapter 3 Applying Effects to the Sound INS FX REV DELAY This chapter explains how to make settings for the SH 32 s onboard effects Be sure to read this when adding effects to Patches and Performances Chapter 4 Playing the Rhythm Sets This chapter explains how to play and create Rhythm Sets Read this chapter when using Rhythm Sets Chapter 5 Using in Pe
31. set for the Patch p 57 the cutoff frequency becomes The cutoff frequency approaches the set value as the keys are played with less force When the value set is 63 1 The more forcefully the keys are played the further below the value set for the Patch p 57 the cutoff frequency becomes The cutoff frequency approaches the set value as the keys are played with less force FILTER ATTACK This changes the attack time of the filter s cutoff frequency A portion of A DS R according to the keyboard touch When the value set is 1 63 The change in the cutoff in the attack portion of the sound CA portion of A D S R becomes faster the more forcefully the keys are pressed the rate approaches that set for the Patch p 57 as the keys are played with less force When the value set is 63 1 The change in the cutoff in the attack portion of the sound CA portion of A D S R becomes slower the more forcefully the keys are pressed 2 Press VALUE V A to select the value 63 63 When the value is set to 0 the sound is played according to the value set for the Patch regardless of the velocity The change in the sound in response to your playing dynamics increases the more the value is increased above or lowered below 0 nore You can set the parameter only when the indicator to the left of the MIDI settings knob is blinking 3 When you finish making settings press EXIT to end the procedure 4
32. 1 32 4 5 56 r TECHNO HOUSE 22 32 17 r BASIC REGGAE 2 32 57 4 TECHNO HOUSE 23 32 18 r BASIC POP 32 4 4 7 1 58 r TECHNO HOUSE 24 32 21t BASIC ROCK 1 32 61 r HIPHOP R B 1 32 22 5 BASIC ROCK 2 32 62 r HIPHOP R B 2 32 1 3 23 4 BASIC ROCK 3 32 63 r HIPHOP R B 3 32 24 5 BASIC ROCK 4 32 64 r HIPHOP R B 4 32 25 r BASIC ROCK 5 32 65 r HIPHOP R amp B 5 32 26 r BASIC ROCK 6 32 66 r HIPHOP R B 6 32 27 1 BASIC ROCK 7 32 Dir HIPHOP R zB 7 32 28 5 BASIC ROCK 8 32 8 6 68 r HIPHOP R B 8 32 31 5 TECHNO HOUSE 1 32 5 1 5 7 6 7 7 6 71 r HIPHOP R amp B 9 32 2 8 32 5 TECHNO HOUSE 2 32 72 r HIPHOP R B 10 32 3 1 33 r TECHNO HOUSE 3 32 73 r HIPHOP R amp B 11 32 1 4 34 4 TECHNO HOUSE 4 32 Vir HIPHOP R B 12 32 35 r TECHNO HOUSE 5 32 75 r HIPHOP R B 13 32 36 r TECHNO HOUSE 6 32 76 r HIPHOP R B 14 32 6 2 37 4 TECHNO HOUSE 7 32 77 HIPHOP R amp B 15 32 38 r TECHNO HOUSE 8 32 78 r HIPHOP R B 16 32 Air TECHNO HOUSE 9 32 2 3 Hir DNB 2STEP 1 32 42 r TECHNO HOUSE 10 32 2 2 3 6 8 1 82 r DNB 2STEP 2 32 43 r TECHNO HOUSE 11 32 2 6 83 r DNB 2STEP 3 32 44 r TECHNO HOUSE 12 32 4 1 84 r DNB 2STEP 4 32 45 1 TECHNO HOUSE 13 32 85 r DNB 2STEP 5 32 46 r TECHNO HOUSE 14 32 86 r DNB 2STEP 6 32 47 7 TECHNO HOUSE 15 32 1 5 6 6 8 2 87 1 DNB 2STEP 7 32 5 3 48 1 TECHNO HOUSE 16 32 88 r DNB 2STEP 8 32 Appendices 103 Chord Form List All data is that programmed at the factory For
33. 41D 5 6 7 E IR STEI TUNE LOCAL REMOTE FOOTSW CLOCK MIDICH MIDITHRU BULKDUMP APE CREATE STYLE seras Roland syntHesizen GH 32 The SH 32 s Low Boost function which compensates for smaller speakers and other systems with insufficient low end is set to ON at the factory When using the SH 32 with large speakers or a PA we recommend turning this feature off Use the following procedure 1 While holding down 2 B turn on the SH 32 s power 2 Press VALUE VW to switch the function to gFF Off 3 Turn the power off then on again Copyright 2001 ROLAND CORPORATION All rights reserved No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION For the U K IMPORTANT THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug USING THE UNIT SAFELY INSTRUCTIONS FOR
34. 73 Chapter 5 Using in Performance Mode Making Settings for Each Patch or Rhythm Set in the Parts Here s how to make the settings for the individual Patches and Rhythm Sets in the Performance s Parts 1 Select the Performance containing settings you want to change 2 Press 1 4 R Part buttons to select the Part to which the Patch or Rhythm Set with the settings you want to change is assigned 3 The procedure for making the settings is the same as that used in Patch mode Refer to Chapter 2 Creating Your Own Sounds p 52 when making the settings 4 To save the settings press WRITE and carry out the write procedure p 73 Other Performance Related Settings For more information on the following procedures and settings in Performance mode refer to the pages listed e Using the Effects p 66 e Using Arpeggiator gt p 80 e Using the Chord Memory Function gt p 82 Securing the Number of Oscillators in Each Part Oscillator Reserve When the number of sounds being played exceeds the SH 32 s maximum 32 oscillators then any further sounds are given priority and the sounds from the oscillators currently being played are deleted starting with the least recent sound and progressing in order as more sounds are added To prevent sounds in Parts being played in Performance mode from being cut off due to the sounds being deleted you can set the minimum number of oscillators to be main
35. 87 Chapter 8 Chapter 8 Using the SH 32 with External MIDI Devices When Switching Patches The MIDI messages transmitted by the external MIDI device will be received by the SH 32 to select Patches as shown in the following table When Switching Performances The MIDI messages transmitted by the external MIDI device will be received by the SH 32 to select Performances as shown in the following table Bank Number Bank Select Program MSB LSB Change Number A User 11 18 87 0 1 8 21 28 87 0 9 16 31 38 87 0 17 24 41 48 87 0 25 32 51 58 87 0 33 40 61 68 87 0 41 48 71 78 87 0 49 56 81 88 87 0 57 64 B User 11 18 87 0 65 72 21 28 87 0 73 80 31 38 87 0 81 88 41 48 87 0 89 96 51 58 87 0 97 104 61 68 87 0 105 112 71 78 87 0 113 120 81 88 87 0 121 128 C Preset 11 18 87 64 1 8 21 28 87 64 9 16 31 38 87 64 17 24 41 48 87 64 25 32 51 58 87 64 33 40 61 68 87 64 41 48 71 78 87 64 49 56 81 88 87 64 57 64 D Preset 11 18 87 64 65 72 21 28 87 64 73 80 31 38 87 64 81 88 41 48 87 64 89 96 51 58 87 64 97 104 61 68 87 64 105 112 71 78 87 64 113 120 81 88 87 64 121 128 When Switching Rhythm Sets The MIDI messages transmitted by the external MIDI device will be received by the SH 32 to select Rhythm Sets as shown in the following table Bank Number Bank Select Progra
36. Adding Components One Octave Below the Sound SUB OSC SUB OSC Switches the suboscillator function on and off Press the button the function is on when the indicator is lit or blinking and off when the indicator is off vu Turning the Suboscillator function on does not reduce the total number of available oscillators The Suboscillator function has two operational modes these are switched by pressing SUB OSC causing it to light or blink OCT Mode Press SUB OSC to make the button indicator light A dedicated sub oscillator wave one octave below the pitch current set providing a thicker sound MEMO The dedicated wave that is added in OCT mode recalls the suboscillator wave of the vintage Roland Juno Series synths Now it s easy to reproduce the sound of that legendary synth SUBSONIC Mode Press SUB OSC to make the indicator start blinking Frequency components with special characteristics centered one octave below the main oscillator pitch are added resulting in a rock solid heavy low end GE The Suboscillator function PWM function p 55 Ring Modulator function p 55 and Oscillator Sync function p 55 cannot be used simultaneously Changing the Pitch Over Time PITCH ENV ENV DEPTH PITCH ENV A Sets the pitch envelope attack time Moving the slider up increases the value PITCH ENV D Sets the pitch envelope decay time Moving the slider up increases the value Pitch P
37. DEPTH or LEVEL The functions of parameters that may be set differs according to the effect selected with the effect type For more details refer to Insertion Effects Parameters p 107 w Press VALUE V A to select a value Ge You can make settings for the selected parameter only when the indicator to the left of the FX SYSTEM knob is blinking 4 When you finish making settings press EXIT to end the procedure 5 To save the settings press WRITE and carry out the write procedure p 63 p 70 Using the Reverb Delay REV DELAY This section explains the procedures used when working with Reverb Delay Turning the Reverb Delay On and Off You can set whether Reverb Delay are used switched on or not used switched off in each Patch Rhythm Set or Performance Turn these settings OFF when you wish to listen to the unprocessed sound as you create a sound or when you wish to use external effects processors instead of the built in effects MEMO In Part Assign mode p 71 the following procedure switches each Part on and off and the Reverb Delay for the selected parts is switched on or off In addition you can turn the individual Rhythm Tones percussion instruments in Rhythm Tone Edit p 69 on and off 1 Press REV DELAY to switch the effect on or off The effect is on when the indicator is lit and off when the indicator light is off 2 To save the settings
38. Depth Deviation Rate Depth El Esa TREMOLO CHORUS Tremolo Rate Phase Chorus Rate Chorus Depth CC GPA SPACE D Chorus Rate Chorus Phase Chorus Depth Level a ETT STEREO FLANGER Rate Phase Depth Feedback IT LU 5 E 1 STEP FLANGER Step Rate Phase Depth Feedback L Ceo E STEP FLANGER SYNC Step Rate Note Phase Depth Feedback J T RING MODULATOR Frequency Polarity Sens Balance COU E 5 E LOFI Cutoff Frequency LoFi Type Post Filter Post Gain mono 1 LOFI NOISE Disc Noise Level LoFi Type Disc Noise Type Post Gain mono Lon 5 1 SLICER Rate Pattern Shuffle Attack L I Cre SLICER SYNC Rate Note Pattern Shuffle Attack JL E S Im TREMOLO Rate Wave Type Depth EQ Gain E pa E TREMOLO SYNC Rate Note Wave Type Depth EQ Gain Wo AUTO PAN Rate Wave Type Depth EQ Gain ARA A D 5 AUTO PAN SYNC Rate Note Wave Type Depth EQ Gain oc 2 VOICE PITCH SHIFTER Pitch Pitch Mode Pre Delay Balance ro FPS FEEDBACK PITCH SHIFTER Pitch Pitch Mode Pre Delay Feedback EIS STEREO DELAY Delay Time HF Damp Feedback Balance L d 7 5 STEREO DELAY SYNC Delay Time Note HF Damp Feedback Balance L 1 d 7 LONG DELAY Delay Time HF Damp Feedback Balance LOL d 5 LONG DELAY SYNC Delay Time Note HF Damp Feedback Balance Lo TI RESONANCE DELAY Delay Time HF Damp Feedback Balance COL E LI REVERB Time Type Pre Delay Balance 5 S H GATED REVERB Gate Time Type Pre Delay Balance mono These are effects involving the sound generator that are composed monaurally The sound g
39. Notation Used in This Owner s Manual To make operation procedures easy to understand the following notation system is adopted Characters and numbers in square brackets indicate knobs and buttons on the front panel For example CUTOFF represents the CUTOFF knob and PREVIEW stands for the PREVIEW button p refers to pages within the manual Below are the meanings of the symbols preceding certain sentences in the text GE These are notes Please be sure to read them MEMO These are reference memos Read these as necessary HINT These are hints for operating the SH 32 Read these as necessary gt These provide information from related reference pages Read these as necessary Contents IMPORTANT NOTES coincida iaaa aneen 4 How To Use This Manual oonnoonccnccocococonocnccnnocnnccnnannnanonancn anna nnnannnnnnnannnns 5 Notation Used in This Owner s Manual 5 Main Fedt re Sisesta oeaan h Aaaa Aare E NA Ar rana 11 Panel Desci tte aea aa a aea a ma a a a a aaaeei aeaiiai aaie 12 Front EE 12 Rear Panel tia AL E E A dc deb 15 E T T 16 Connecting External Devices EEN 16 Turning On the POW et mitin iii E ERE A EN E E EE AE Eia E ee 17 Turning Off the POW T seistes erna eee a A e eE EEE E EE R Re aei eie 17 Restoring the Factory Settings Factory Reset EEN 17 Listening to the Demo Songs EEN 18 Quick SO 19 PROGUCING SOUNG WEE 20 Gethne Started isc Edel Ae 20 About the Playing Modes of the SH 32 ODGATC
40. PATCH PERFORM is not lighted you are in Patch mode if it s lighted you re in Performance mode Press the button to toggle between Patch mode and Performance mode 20 Producing Sound Standalone Play of Sounds PREVIEW You can use the note entry buttons on the unit to play notes Preview function O D Ce O TO TOP POWER ON IN MIDI OUT FOOT SWITCH LIMONO OUTPUT R PHONES OSC 1 E 25 n S OUTPUT CUTOFF E AA HI noise WAVE amp a ee 6 FU FU SPECTRUM y LPF HPF opp TYPE SLOPE 12 IO DES g MOD RATE ITCH ENV gt env pwm _ PITCH BY oki eS e TIME IST sHIET BALANCE K Top ef O2 coarse pe ff lt A L o str g Ei FBK MOD DEPTH A A ATTACK ANALOG FEEL LEGATO LEVEL E E 2 E FADE KEY BEAT BPM INS gt BEN PORTA PAN DESTINATION FORM IN SYNC CYCLE SYNC SERIES TIME DE o ae 20 O O O ware PATCH Exit J a e A ve oo oo EXEC PERFORM aS Kiel PART GO So 0015 55 9 H 7 1 IEW OCT OCT GOM f MANUAL BANK f CHORD SOLO UNISON FORTAMENTE RANGE GRID STYLE AJA 2 B 3 0 4 D EALTIME STEP J TUNE LOCAL REMOTE FOOTSW E Gg ET BUK DUME SYSTEM CREATE STYLE syntHesizen GH 32 2 osc x4 PARTS SYNTH STACK OUTPUT Press PREVIEW PREVIEW lights up in red and the buttons you can use in the preview mode note entry buttons light up in orange Press any of the note entry buttons to play a note You will hear the note assigned to the butt
41. POLY Unison Switch OFF ON Portamento Switch OFF LEGATO ONLY FULLTIME Portamento Time 0 127 Portamento Type RATE TIME Legato Switch OFF ON trG retrigger OSC 1 amp 2 Oscillator Switch OSC1 OSC2 DUAL p 52 OSC1 2 Balance 63 OSC2 63 OSC1 OSC 1x2 Mode MIX RING SYNC Pitch Env Attack Time 0 127 Pitch Env Decay Time 0 127 OSCH Wave Form SAW SOR PLS PWM TRI SPECT NOISE Saw Variation 1 12 Square Variation 1 10 Pulse Variation 1 9 Triangle Variation 15 Spectrum Variation 1 20 Noise Variation 1 10 PWM Depth 0 127 Sub Oscillator OFF OCT SUBSONIC Octave Shift 1 1 Coarse Tune 24 24 Fine Tune 50 50 Pitch Env Depth 63 63 OSC2 Same as OSC1 Filter Filter Type LPF BPF HPF PKG OFF p 56 Slope 12 24 dB Cutoff Frequency 0 127 Resonance 0 127 Cutoff Key follow 200 200 Env Depth 1 127 Env Attack Time 0 127 Env Decay Time 0 127 Env Sustain Level 0 127 Env Release Time 0 127 Amp Env Attack Time 0 127 p 58 Env Decay Time 0 127 Env Sustain Level 0 127 Env Release Time 0 127 Env Time Key follow 100 100 LFO 1 amp 2 LFO1 p 59 Switch OFF ON Wave Form TRI SIN SAW UP SQR TRP S amp H RND Rate 0 127 BPM Sync OFF ON Sync Beat Cycle 8 4 2 1 1 2 1 3 1 4 Fade Time 0 127 Key Sync OFF ON Oscillator Depth 63 63 Oscillator2 Depth 63 63 Filter Depth 63 63 Amp Depth 63 63 Pan Depth 63 63 LFO2 Same as LFO1
42. Part is in a stack then Arpeggiator acts upon all of the stacked Parts If you do not want to have the Parts other then the one specified to be played as arpeggios do not stack these parts p 72 Arpeggiator Parameter Settings Basically Arpeggiator parameters On Off selected Style grid type duration octave range motif tempo are set the same way as parameters in Patch mode and can be saved to individual Performances However although the grid type and tempo settings are shared by the arpeggios and rhythm patterns the duration octave range and motif settings are effective only in arpeggios nore Settings for Arpeggiator parameters stored in Patches have no effect on operations in Performance mode That is to say even if a Patch containing Arpeggiator related settings is assigned to a Part in a Performance those settings do not affect the Performance while the settings in Performance mode are enabled Creating Styles You can also create original Arpeggio Styles in Performance mode using the same procedure used in Patch mode If Part 4 R is selected while a Rhythm Set is assigned to it a Rhythm Style is created iS For more detailed information about the procedures used for creating Styles refer to Creating Your Own Styles p 77 Chapter 7 Using the Chord Memory Function CHORD About the Chord Memory Function Chord Memory is a function that allows you to play chords based on pre programm
43. Pf 83 H 2046 Torokbalint HUNGARY TEL 23 511011 IRELAND Roland Ireland Audio House Belmont Court Donnybrook Dublin 4 Republic of IRELAND TEL 01 2603501 ITALY Roland Italy S p A Viale delle Industrie 8 20020 Arese Milano ITALY TEL 02 937 78300 NORWAY Roland Scandinavia Avd Kontor Norge Lilleakerveien 2 Postboks 95 Lilleaker N 0216 Oslo NORWAY TEL 273 0074 POLAND P P H Brzostowicz UL Gibraltarska 4 PL 03664 Warszawa POLAND TEL 022 679 44 19 PORTUGAL Tecnologias Musica e Audio Roland Portugal S A Cais Das Pedras 8 9 1 Dto 4050 465 PORTO PORTUGAL TEL 022 608 00 60 ROMANIA FBS LINES Piata Libertatii 1 RO 4200 Gheorghehi TEL 095 169 5043 RUSSIA MuTek 3 Bogatyrskaya Str 1 k 1 107 564 Moscow RUSSIA TEL 095 169 5043 SPAIN Roland Electronics de Espa a S A Calle Bolivia 239 08020 Barcelona SPAIN TEL 93 308 1000 SWEDEN Roland Scandinavia A S SWEDISH SALES OFFICE Danvik Center 28 2 tr S 131 30 Nacka SWEDEN TEL 08 702 0020 SWITZERLAND Roland Switzerland AG Musitronic AG Gerberstrasse 5 Postfach CH 4410 Liestal SWITZERLAND TEL 061 927 8383 UKRAINE TIC TAC Mira Str 19 108 P O Box 180 295400 Munkachevo UKRAINE TEL 03131 414 40 UNITED KINGDOM Roland U K Ltd Atlantic Close Swansea Enterprise Park SWANSEA SA7 9FJ UNITED KINGDOM TEL 01792 700139 BAHRAIN Moon Stores No 16 Bab Al Bah
44. Rhythm Set is assigned while in Performance mode 77 Chapter 6 Using Arpeggiator ARPEGGIATOR Creating Styles by Playing Sounds One Ata Time STEP This creates styles in a similar manner to using a sequencer s Ste y Recording function Notes and rests are input and recorded one by one 1 Hold down ARPEGGIATOR ON and press VALUE A STEP ON lights up while VALUE A blinks toP appears in the display indicating that the SH 32 is in Step Input standby Additionally the Preview note entry function is turned on automatically PLAY wame PATCH EXIT EXEC PERFORM O MOTIF IC 5 O SA TAP e n BPM Ki REALTIME s CREATE STYLU Press the SH 32 s note entry buttons or play an external MIDI keyboard to input the first note G 02 appears in the display The first note is input to the beginning grid and input to the next grid is enabled A maximum of sixteen notes specifying the sound pitch can be used within one Style The pitches are no longer recorded once you input the seventeenth and any other further notes that have new pitches Although in this case the grid continues but note that the data is blank Be aware that if you input a new note before releasing the note entry button or key on the keyboard for the note currently being input both notes will be input together as a chord at the same grid MEMO When inputting with an external MIDI keyboard the
45. SH 32 switches to Part Assign mode 3 Press 1 4 R Part buttons to select the Part to which the Patch is being assigned 4 Select the Patch with the same procedure used in selecting the Patch in Patch mode p 23 NEM You can also assign a Rhythm Set to Part 4 R a Press EXIT to return to Performance mode To save the settings press WRITE and carry out the write procedure p 73 Playing Sound in More Than One Part Multitimbre When composing songs or performing data the Patch used in each Part may be assigned to the Performance Parts which are then set to separate MIDI channels This type of sound generator in which each Part is performed independently from the others is called a mutitimbral sound generator The following section explains the use of the SH 32 as a mutitimbral sound generator 1 Confirm that the SH 32 is in Performance mode 2 Assign a Patch to each Part see previous sections 3 Next set the MIDI channel for each Part Turn the FX SYSTEM knob to SYSTEM INS e DEPTH COLOR em LEVEL A e Lean 4 blinking Q tvreq zi Ry HF DAMP ELEVE MOD RATE TIME FOK L R SHIFT REV DELAY MOD DEPTH 4 Press 6 MIDI CH to make its indicator blink 5 Press 1 4 R Part buttons to select the Part whose MIDI channel you want to set causing the button to light up 6 Press VALUE V A to select the MIDI channel number 1 16 Set each Part to a differe
46. SLOWSY 1v901 NNL waa L 0000000000 HOLVIDOIAUV HOLVd TOHANOO ESCH dOLOL 1538 ENE TEP EET OLN3WVIJOd NOSINN O10S GHOHD MNVA IVANVIA CHOI EISELE LET Wans all paddy SLOW el NINO ea NVd Y3 I31L9SO0 7 NAS JIDAD DNAS NI WO NOILVNILS30 Wda 1v3g AH ENE ITT ITA UU Os ra BS WI LIIITE IIIIIIUTIII Gei vet xvi E MOTIOS HId30 HI S Gm Y ENE UG ERC 047 ADA ANA HOI WMd As mer 2ONVIva A pr GEL ee DINOSANS O ap O le o MOTIOJ ELE JO ddH ddl I d l A ext SO MNHLIIAS pe OOOO anym SON WW FU Ek ERIKdeKECT EELT Tir HEI ino IdiN NI St ISO S3NOHd Y LNdLNO ONO 1 HOLIMS L004 NO Y3MOd s3uryos suo ANOA 3utrp1e331 sajou SZutdaa 103 asay aen e 2 1 z LUT Gei vet xvi ENTE SEMA Hidad HOLId WMd ANa DINOSANS MES Y LIT ECH eo anum ZEION Mm PU 9SO0 ANS JNVLIO yey Juejg O z2so 121 Information When you need repair service call your nearest Roland Service Center or authorized Roland distributor in your country as shown below EGYPT Al Fanny Trading Office 9 EBN Hagar A1 Askalany Street ARD E1 Golf Heliopolis Cairo 11341 EGYPT TEL 20 2 417 1828 REUNION Maison FO YAM Marcel 25 Rue Jules Hermann Chaudron BP79 97 491 Ste Clotilde Cedex REUNION ISLAND TEL 0262 218 429 SOUTH AFRICA That Other Music Shop PTY Ltd 11 Melle St Braamfontein Johannesbourg SOUTH
47. Snr 5 TR808 Snr 5 TR909Snr4Rvs TR909Snr4Rvs TR909Snr4Rvs Pong SHS Break Gn re TTUTU UT TUT Break Snarez TTUT UUTUUUUY TR909 Snr 7 TR909 Snr 7 TR909 Snr 7 TR909 Snr 5 TR808 Snr 8 TR808 Snr 8 TR909 Snr 5 TR909 Snr 5 TR909 Snr 5 TR909 Snr 7 TR808 Snr 5 TR808 Snr 5 Plastic BD 3 Plastic BD 3 Plastic BD 3 Plastic BD 4 Plastic BD 4 Plastic BD 4 TR909 Kick4 TR808 Kick1 TR808 Kick1 JungleKick 2 JungleKick 2 JungleKick 2 SH32 Kick TR808 Kick1 TR808 Kick1 JungleKick 2 JungleKick 2 JungleKick 2 TR808 Kick TR909 Ki 1 TR808 Kick SH321 TR808 Rim Ragga Rim 2 Ragga Rim 2 TR808 Snr 5 Break Snare2 TR909 Snr 3 TR909 Clap 1 Group Clap Group Clap TR808 Snr 8 Flange Snr TR909 Snr 5 TR808 Tom TR808 Tom TR808 Tom TR808 CHH 2 TR909 CHH 2 TR909 CHH 1 TR808 Tom TR808 Tom TR808 Tom TR808 PHH 1 TR909 PHH 2 TR909 PHH 1 TR808 Tom TR808 Tom TR808 Tom TR808 OHH 1 TR909 OHH 3 TR909 OHH 2 _TR808 Tom R808 Tom TR808 Tom TR909 Crash TR909 Crash TR909 Crash TR808 Tom TR808 Tom TR808 Tom TR909 Ride TR909 Ride TR909 Ride TR909 Crash TR909 Crash TR909 Crash TR909CrshRvs TR909CrshRvs TR909CrshRvs CR78 Tamb CR78 Tamb CR78 Tamb HiBongo LoFi HiBongo LoFi HiBongo LoFi TR808Cowbell TR808Cowbell TR808Cowbell LoBongo LoFi LoBongo LoFi LoBongo LoFi TR626 Shaker TR626 Shaker TR626 Shaker _JungleKick2 TRO 09 Kick9 TR909 Kick9 SH32 Kick Plastic BD 2 Plastic BD 2 TR808 RimLng TR909 Rim TR909 Rim TR909 Snr 3 TR909 Snr 7 TR909 Snr 7 TR909 SnClp1 TR909 SnClp2 TR909 SnClp2 TR808
48. Switch is set to crd you can then use the foot switch connected to the FOOT SWITCH jack to turn the Chord Memory function on and off p 91 Both Chord Memory function On Off settings and Arpeggiator On Off settings can be saved to individual Patches and Performances By selecting a suitable Chord Form for the Arpeggio Style you are using then while both functions are switched on you can create a Patch or Performance in which the designated phrase can be played repeatedly just by pressing a single key Selecting Chord Forms This selects the Chord Form to which the sounds making up the chord being played are registered when the Chord Memory function is used The Chord Form numbers selected can be saved to individual Patches and Performances 1 Press CHORD causing the indicator to blink CHORD The Chord Form number appears in the display 2 Press VALUE V A to select a Chord Form number 11 c 88 c You can also select Chord Form numbers directly by pressing BANK and pressing one of the buttons 1 A 8 R then once again pressing one of the buttons 1 A 8 R In this case pressing the C4 key plays the sound so you can confirm the selected Chord Form Additionally by pressing HOLD causing the button to light up you can have sounds continue to play without having to hold down the buttons Sy For more on the Chord Forms pre programmed at the factory refer to the Chord Form List p 104
49. Sync function p 55 ER For more detailed information about setting LFO 2 refer to Modulating the Sound LFO 1 amp 2 p 59 Creating a Metallic Sound OSC 1X2 RING Ring Modulator OSC 1X2 RING This is the Ring Modulator function Press the button causing the indicator to light to turn on the Ring Modulator this changes the sound producing a metallic tone HINT e The ring modulation effect is only applied to OSC 1 the OSC 2 tone is not changed If the ring modulator effect is not sufficiently evident raise BALANCE toward the OSC 1 end Moving BALANCE allows you to alter the ratio of the OSC 1 sound to which ring modulation is applied and the normal OSC 2 sound Using PITCH COARSE or other controls to create different pitches for OSC 1 and OSC 2 makes it easier to produce the ring Chapter 2 modulator effect nore The PWM function p 55 and Suboscillator function p 54 cannot be used at the same time a Patch using Ring Modulator is active What is a Ring Modulator The Ring Modulator combines the waves from OSC 1 and OSC 2 producing the sum and difference at the output to create a cross of the two signals producing tones with numerous harmonics non integer harmonics not included in either of the original waveforms As the pitch difference between the two waveforms changes the harmonic structure the result will be an unpitched metallic sound This function is suita
50. This is a chorus effect with added Tremolo cyclic modulation of volume i Tremolo Chorus Rin R out Parameter Value Description INTENSITY 0 05 10 0 Hz Modulation frequency of the tremolo Tremolo Rate effect COLOR 0 180 deg Spread of the tremolo effect Phase RATE DEPTH 0 05 10 0 Hz Modulation frequency of the chorus Chorus Rate effect LEVEL 0 127 Modulation depth of the chorus effect Chorus Depth SPACE D This is a multiple chorus that applies two phase modulation in stereo It creates no audible modulation yet produces a transparent chorus effect PAN na Rin R out Parameter Value Description INTENSITY 0 05 10 0 Hz Frequency of modulation Chorus Rate COLOR 0 180 deg Spatial spread of the sound Chorus Phase RATE DEPTH 0 127 Depth of modulation Chorus Depth LEVEL 0 100 Relative amount of chorus sound Balance STEREO FLANGER This is a stereo flanger The LFO has the same phase for left and right It produces a metallic resonance that rises and falls somewhat like a jet airplane taking off or landing eist Feedback Feedback E Rin O R out Lin Parameter Value Description INTENSITY 0 05 10 0 Hz Frequency of modulation Rate COLOR 0 180 deg Spatial spread of the sound Phase RATE DEPTH 0 127 Depth of modulation Depth LEVEL Feed 98 98 Adjusts the amount of the flanger ba
51. Value 0 6 Rate CC17 CC17 CC17 General Purpose Controller 2 Value 0 127 Fade Time Exc CC52 Value 0 127 Oscillator 1 Depth Exe CC22 Value 1 127 64 Center Oscillator 2 Depth Exc CC54 Value 1 127 64 Center Filter Depth Exc CC23 Value 1 127 64 Center Amp Depth Exc CC24 Value 1 127 64 Center Pan Depth Exc CC41 Value 1 127 64 Center Patch Effect INS Intensity CC93 CC93 CC93 General Purpose Effect 3 Value 0 127 FX Patch Effect REV E LEVEL CC94 CC94 CC94 General Purpose Effect 4 Value 0 127 DELAY FBK Feedback CC13 CC13 CC13 Effect Control 2 Value 0 98 Performance Performance Level CCO07 CC07 CC07 Volume Value 0 127 Common Control Performance Part Part Level CC07 CC07 CC07 Volume Value 0 127 Part Pan CC10 CC10 CC10 Panpot Value 1 127 64 Center Performance Part Part REV DELAY CC91 CC91 CC91 General Purpose Effect 1 Value 0 127 Effects Send Level All Exclusive messages are received in both Mod1 and Mod When a parameter is contained in an Exclusive message in Mod1 it does not function if a CC corresponding to the same parameter is received When Edit TxRx is set to OFF the related Control Changes are not transmitted or received Additionally when set to Mod1 Control Changes transmitted only in Mod2 are not received Parameters other than those mentioned in this list are transmitted as Exclusive messages 115 Appendices SYNTHESIZER MODULE Date
52. are not Level SLOPE o 12 E o Ss 24dB oct 12dB oct Frequency Setting the Cutoff Frequency CUTOFF CUTOFF Sets the filter s cutoff frequency Cutoff frequency is the parameter that determines the frequency at which the filter no longer passes that is cuts harmonics with those frequencies Changing the cutoff frequency allows you to control the brightness of the sound The cutoff frequency rises the more the knob is turned to the right clockwise creating a brighter sound The Relationship Between Filter Type and Cutoff Frequency When LPF is the selected filter then fewer higher order harmonics are included as the cutoff frequency is lowered which creates a mellower sound It simultaneously reduces the volume When BPF is the selected filter then only frequencies in the frequency range specified in the setting are output At higher settings values the sounds from waves may cease to be output When HPF is the selected filter then fewer lower order harmonics are included as the cutoff frequency is raised which creates a sharper sound It simultaneously reduces the volume At higher settings values the sounds from waves may cease to be output When PKG is the selected filter the harmonic components that are emphasized change according to the cutoff frequency value Using Resonance to Add Fullness to the Sound RESONANCE RESONANCE Turning this knob mor
53. as in Patch mode You can save settings content to each Performance with the write procedure p 73 When assigning Patches to the Parts in Performance mode the Patch set tings are disabled and the settings made here go into effect This cannot be set Conforms to the Performance s set tings e Conforms to the Rhythm Set s set tings You can also change Patch tones us ing controls other than the sliders and knobs mentioned above You can use controls other than the sliders and knobs mentioned above to change tone settings in Patches assigned to each Part in Perfor mance mode You cannot use controls other than the sliders and knobs mentioned above to change the settings e You can use controls other than the sliders and knobs mentioned above to change the Rhythm Tone percus sion instrument settings 51 Chapter 1 Chapter 2 Creating Your Own Sounds Creating Sounds that Reflect the Position of Sliders Knobs MANUAL In Manual mode you edit parameter values by setting them to the current position of the sliders and knobs When you edit a Patch to change the sound the various parameter values will not necessarily match the positions of the sliders or knobs When working in Manual mode the sound reflects the slider and knob positions which is useful when you want to create sounds from scratch Press MANUAL causing the indicator to light up of the parameters f
54. by performing the Factory Reset procedure p 94 1 Make sure that Performance you wish to save is selected 2 Press WRITE to make the indicator light The Performance number blinks in the display 3 Specify the save destination Performance with the same procedure previously used in selecting the Performance p 71 4 Press WRITE once again The WRITE and PATCH PERFORM indicators blink Once Pt1 Part 1 appears blinking in the display if the settings for the Patch assigned to Part 1 are changed then that Patch number blinks in the display If the settings for the Part 1 Patch are not changed then blinks in the display 5 If the Patch settings are changed then specify a Patch for the save destination If you don t want to save the Patch settings then press the button for the Part that is to be saved causing the button to light up 6 Repeat Steps 4 and 5 to carry out the same process for Parts 2 through 4 7 When you have finished with the procedure up to Part 4 the message Duc Sure blinks in the display prompting you to confirm the save 8 Press WRITE once more to execute the save To cancel the save press EXIT 73 Chapter 6 Using Arpeggiator ARPEGGIATOR About Arpeggiator The SH 32 s Arpeggiator function lets you perform arpeggios chords in which notes are played in succession one note at a time just by playing the chords using the notes in the cho
55. bypass This sets the cycle for the modulation effect only when Modulation Delay or Stereo Chorus is selected units Hz 3 Press VALUE V A to set the value GE You can make settings for the selected parameter only when the indicator at the left of the FX SYSTEM knob is blinking 4 When you finish making settings press EXIT to end the procedure 5 To save the settings press WRITE and carry out the write procedure p 63 p 70 Applying Effects in Performance Mode Unlike in Patch mode where each Patch or Rhythm Set includes its own effect parameters Performance mode uses the effect settings for the Patches and Rhythm Sets that are assigned to Parts specified in each Performance Selecting the Effect Settings Used in a Performance Effect Source For the effect settings used in a Performance you can select one of the effect settings from the Patches or Rhythm Sets assigned to each Part The effect settings selected here are referred to as the effect source When Selecting Insertion Effects Settings While holding down INS FX press the button for the Part to which the Patch or Rhythm Set with the effect settings you want to use is assigned INS FX Parts whose effect settings are used are indicated by the part buttons that light up when INS FX is pressed Chapter 3 Applying Effects to the Sound INS FX REV DELAY When Selecting Reverb Delay Settings While holding down REV D
56. can use the variations in the force used to play the keys of an external MIDI keyboard connected to the MIDI IN connector Velocity messages to modify the sound 1 Turn the MIDI settings knob to the VELOCITY parameter you want to set blinking O fy FILTER ATTACK Dee AMP LEVEL AMP CUTOFF VELOCITY ATTACK Parameters That Can Be Set AMP LEVEL This changes the volume according to the keyboard touch When the value set is 1 63 The volume increases the more forcefully the keys are pressed approaching the volume set for the Patch p 59 When the value set is 63 1 The volume decreases the more forcefully the keys are pressed The volume is lowest when the keys are played with the most force AMP ATTACK This changes the attack time of the volume A portion of ADSR according to the keyboard touch When the value set is 1 63 The time for the attack portion of the envelope becomes shorter the more forcefully the keys are pressed yielding a sharper attack for the sound The time approaches the length set for the Patch p 58 as the keys are played with less force When the value set is 63 1 The time of the attack portion of the envelope becomes longer as the keys are pressed with greater force CUTO FF This changes the filter s cutoff frequency according to the keyboard touch When the value set is 1 63 The more forcefully the keys are played the further above the value
57. depth of the LFO 1 modulation applied to the amplifier level When the value set is 1 63 The sweep depth depth of the modulation increases in the positive direction when a Modulation message is received When the value set is 0 The sweep depth does not change even when a Modulation message is received When the value set is 63 1 The sweep depth increases in the negative direction when a Modulation message is received CUTOFF This applies modulation to change the filter s cutoff frequency When the value set is 1 63 The cutoff frequency increases above the value set for the Patch p 57 when a Modulation message is received When the value set is 0 The cutoff frequency does not change even when a Modulation message is received When the value set is 63 1 The cutoff frequency decreases below the value set for the Patch p 57 when a Modulation message is received 85 Chapter 8 Chapter 8 Using the SH 32 with External MIDI Devices 2 Press VALUE V A to select the value 63 63 When the value is set to 0 then no change occurs when Modulation messages are received and the sound is played according to the value set for the Patch The change in the sound due to the modulation increases the more the value is increased above or lowered below 0 GE You can set the parameter only when the indicator to the left of the MIDI settings knob is blinking 3 When you finish making s
58. filter an amp and two LFOs for each sound all controlled with an analog synth like interface The great freedom in creating sounds presented by this synthesizer means that you are likely to truly enjoy the sound creation process Each of the seven groups of waveforms SAW SQUARE PULSE PWM TRIANGLE SINE SPECTRUM and NOISE which comprise the foundation for creating sounds also contains a number of variation waveforms each featuring a different character With a total of 67 different oscillator waveforms at your fingertips the SH 32 makes it possible for you to create sounds unlike any others The SH 32 also includes four Rhythm Sets two Preset and two User that feature TR 909 808 and other drum waveforms With 32 oscillators far surpassing previous analog modeling synths and four part multitimbral sound you can create songs that combine synth parts and rhythm part all with one machine What s more the SH 32 is also packed with a variety of useful features and functions for creating sounds including a Suboscillator with subsonic mode which makes it easy to add more to the low end Oscillator Sync a Ring Modulator synchronization of the LFO to the tempo using the TAP button and more Whether it be the sounds of some of the most popular synthesizers or sounds that were once very difficult to create using conventional analog and DSP synths you can handle them all since the sound creation potential you now have at your fingerti
59. force with which the keys are pressed velocity is also recorded and this is reflected in arpeggios in the level and relative strength of the notes expressed 3 In Step Input you can use the following buttons to input ties and rests and erase the immediately preceding input ARPE a gt TIE REST TO TOP BACK OOO0 FILTER AMP Greng PART OSC 2 yo TIE Part button 1 A tie is input to the grid and the note input just before is connected with the tie REST Part button 2 A rest is input to the grid TO TOP Part button 3 This determines the Style s length when repeatedly layering input When you press TO TOP the last grid to have data input to it is made the final step of the Style and the Style returns to the beginning grid as the next grid to which data is input After this while inputting on the second and later cycles when you reach the end of the Style as determined in the first cycle the Style automatically returns to the beginning grid you can continue with repeating input until you press EXIT MEMO If you continue to input data without pressing TO TOP the Style returns to the beginning grid once the limit 32nd grid is reached BACK Part button 4 Deletes the last note input and returns you to the grid immediately preceding the current input grid You cannot go back more than one note When you have finished recording with Step Input press EXIT Confirm
60. function S Se Time A A A C4 E4 C4 E4 Note on Note on Note off Each note has an attack HINT Using this in combination with portamento p 62 smooths the sound of the performance LEGATO ANALOG FEEL LEGATO LEVEL EV Only when playing legato where each following key is pressed before the preceding key is released This allows you to perform smoothly with no breaks between the notes Press LEGATO causing the indicator to light then press VALUE A to display Jn and turn on the legato function 4 gt Time A A A C4 E4 C4 E4 Note on Note on Note off Attacks disappear and the notes are connected smoothly 61 Chapter 2 Creating Your Own Sounds If you press VALUE A while the Legato function is on Er is displayed and the SH 32 switches to a retrigger type legato When employing Legato On as explained above a smooth legato effect can be obtained However the limitations of the sound generator s internal processing mean that there may be times when the pitch does not change correctly when you jump to a key range that is not adjacent to the current range for example the pitch may peak out In such cases if you select Ee retrigger type then while the legato may lose a degree of fluidity you can achieve a legato effect in which the pitch changes correctly over a wider key range When you have finished making the settings press EXIT causing the
61. have switched between these two modes during the process of editing one and the same Patch and then you save your changes while in one of these modes the content of the temporary area for the other mode will not be revised 47 Chapter 1 An Overview of the SH 32 Main Setting Destinations 48 E Patches and Performances Patch 4 388 Effective in both modes In Performance mode Effective only in Patch mode only settings for the PATCH LEVEL Chord Memory Part specified as the ON OFF reference are enabled PATCH PAN Arpeggiator Settings GRID TYPE Effects ON OFF INS INS FX detailed parameters STYLE No A DURATION COLOR DEPTH BPM_ RANGE HEI REV DELAY detailed ON OFF MOTIF SERIES SW parameters TIME FBK Used in both modes Basic Tones Control MIDI in Performance 0SC1 0SC2 SOLO P BEND SE enabled for FILTER UNISON AFTER TOUCH each separate Part PORTAMENTO Al JI LEGATO MT LFO1 LFO2 ANALOG FEEL VELOCITY Arpeggio Style 7 583 Rhythm Style 58 Effective only in PERFORMANCE LEVEL Performance mode MIDI CH Part Stack Effects PARTTUNE Edits Patch REV DELAY Pi PART LEVEL e Rhythm Send Level WV GAY Set settings PART PAN OSC RESERVE Patch No Arpeggiator Settings Effects INS FX Setting Dest Part ON OFF INS Source Part STYLE No Gil GRID TYPE We REV DELAY Setting STYLE No A DURATION MN SERIES SW Source
62. instructions on carrying out Factory Reset refer to p 94 The Patch Performance Using This Chord Form column only lists the Chord Forms when the Chord Memory function is turned on at the time the Patch or Performance is called up When the content of a Chord Form is overwritten the sound of the Patch or Performances in which it is used changes No Constituent Notes of Chord Forms when C4 is pressed Patch Performance Using This Chord Form Remarks 11 c A2 A3 F4 A4 C5 E5 D63 1 3 5 6 7 6 F Maj7 12 c E2 E3 C4 E4 G4 B4 D23 C Maj7 13 c G2 G3 Eb4 G4 Bb4 D5 Eb Maj7 14 c D2 D3 Bb3 D4 F4 A4 Bb Maj7 15 c C3 C4 F4 G4 C5 F5 G5 C6 2 3 C sus4 l6 c C2 C3 C4 C5 C6 3 6 C in different octaves only 17 c C4 E4 G4 B4 C Maj7 18 c C4 E4 G4 A4 C6 21 c C4 D4 G4 G sus4 22 c C4 Eb4 G4 C min 23 c C4 Eb4 G4 Bb4 C min7 24 c C4 Eb4 G4 A4 C min6 25 c C4 F4 G4 C sus4 26 c C4 F4 G4 Bb4 C 7sus4 27 c C4 G4 C5 E5 A5 C6 28 c C4 E4 B4 D5 C Maj9 31 c C4 E4 AA D5 G5 C69 32 0 C4 G4 C5 Eb5 G5 C min 33 0 C4 G4 Bb4 Eb5 G5 C min7 34 c C4 Eb4 Bb4 D5 G5 C min9 35 c C4 Eb4 A4 D5 G5 C min6 9 36 c C4 Gb4 Bb4 Eb5 C m7b5 37 c C4 G4 Bb4 E5 G5 7 4 C7 38 c C4 E4 Bb4 D5 G5 C9 Al c C4
63. out If you do have data that you want to keep save the data to an external MIDI sequencer or similar device p 88 1 First turn off the power by pressing the POWER switch on the rear panel 2 While holding down 1 A turn the power back on CO O 0 O 2 8 EG 4 D 5 LOCAL REMOTE FOOTSW CLOCK ON OFF BR POWER 1 A blinks 5 Reset appears in the display as long as you continue to hold down 1 A 3 Press VALUE V A to select A All Data 4 Press WRITE EXEC WRITE EXEC blinks and the message 5 ur Sure blinks in the display prompting you to confirm that you want to carry out a Factory Reset 5 Press WRITE EXEC once more to have the Factory Reset be carried out To cancel the Factory Reset press EXIT All Patches Rhythm Sets Performances Arpeggio Styles Rhythm Styles Chord Forms and system settings are returned to the original factory programmed settings 6 When you have finished Factory Reset turn the power off then on again memo You can also select the type of data you want to restore to the original factory settings when carrying out Factory Reset with the SH 32 p 94 17 Getting Ready Listening to the Demo Songs The SH 32 comes with three prerecorded demonstration songs Playing back these demo songs is called Demo Play Try starting out by playing the demo songs and enjoy listening to the SH 32 s excellent tones and effec
64. overwritten and therefore lost However you can recover the Styles originally programmed at the factory by carrying out the Factory Reset procedure p 94 Settings for the grid type GRID duration DURATION octave range RANGE motif MOTIF tempo BPM and other parameters are saved as data to individual Patches or Performances Be aware that these settings are not saved in the procedure for saving Styles 1 Confirm that the current Style is the one you want to save 2 Press STYLE causing the indicator to blink The Style number blinks in the display 3 Press VALUE V A to specify the Style number to which you want to save the data Arpeggio Styles 11 a 88 a Rhythm Styles 11 r 88 r 4 Press WRITE WRITE blinks and the message Duc Sure blinks in the display prompting you to confirm that the data is to be saved 5 Press WRITE once more to carry out the save To cancel the save press EXIT MEMO Arpeggiator Styles are also held in separate temporary areas p 47 in Patch mode and Performance mode Thus even if a Style is saved in one mode it is not reflected in the temporary area of the other mode until that sound is called up again 79 Chapter 6 Using Arpeggiator ARPEGGIATOR Using Arpeggiator in Performance Mode When using Arpeggiator in Performance mode by assigning a Rhythm Set to Part 4 R you can have rhythm patterns play at the same time the regular arpeggi
65. press WRITE and carry out the write procedure p 63 p 70 p 73 Selecting the Reverb Delay Type TYPE The SH 32 features 10 different types of internal Reverb Delay effects you can select the effect type for each individual Patch or Rhythm Set 1 Confirm that the SH 32 is in Patch mode 2 Rotate the FX SYSTEM knob to TYPE in the REV DELAY section L R SHIFT MOD DEPTH 3 Press VALUE V A to select which of the effects you want to use IE For details on the Reverb Delay refer to Reverb Delay Parameters p 113 4 When you finish making settings press EXIT to end the procedure 5 To save the settings press WRITE and carry out the write procedure p 63 p 70 65 m g 2 H Chapter 3 Applying Effects to the Sound INS FX REV DELAY Setting the Reverb Delay You can set a variety of parameters in each Patch or Rhythm Set for the Reverb Delay selected with the effect type 1 Confirm that the SH 32 is in Patch mode 2 Rotate the FX SYSTEM knob to select the REV DELAY parameter to be set SU Q Led Ki E LEVELW X eet TIME cen LR SHIET REV DELAY MOD DEPTH Parameters That Can Be Set E LEVEL Effect Level Sets the level of the signal sent to the Reverb Delay MEMO When using the Preview function p 21 while setting the effects for Rhythm Sets you can set the effect level for each selected Rhythm Tone percussion
66. s sounds 1 Use a MIDI cable to connect the SH 32 s MIDI IN connector to the MIDI OUT connector of the external MIDI keyboard MIDI OUT IN wn IN Roland svnmmesicca SH 32 SH 32 2 Set the SH 32 s receive channel to match the external MIDI keyboard s transmit channel es e For instructions on how to set the SH 32 s receive channel refer to Setting the MIDI Channel MIDI CH p 84 e For instructions on how to set the transmit channel of the external MIDI keyboard refer to the owner s manual for your external MIDI keyboard HINT When the Remote Keyboard Switch REMOTE is set to On then the external MIDI keyboard may be set to any channel p 90 3 Perform on the external MIDI keyboard to play the SH 32 s sounds Changing the Sound with Modulation MOD Modulation messages MIDI controller number 1 from an external MIDI device connected to the MIDI IN connector can be used to modify the sound 1 Turn the MIDI settings knob to the MOD parameter you want to set blinking Parameters That Can Be Set LFO 1 OSC This uses modulation to change the depth of the LFO 1 modulation applied to the oscillator pitch LFO 1 FILTER This uses modulation to change the depth of the LFO 1 modulation applied to the filter cutoff LFO 1 AMP This uses modulation to change the
67. selected waveform The manner in which sound changes depends on the waveform See Modulating the Sound LFO 1 amp 2 p 59 for details on LFO Nore The LFO control panel controls both LFO 1 and LFO 2 When you select LFO 2 after setting LFO 1 the values of settings may not match the positions of the panel controls This happens because even after you select the other LFO the panel controls remain at the same positions Be careful with the position of controls when you are operating with LFO 1 and LFO 2 at different settings See Turning the LFO On and Off and Switching Waveforms LFO 1 LFO 2 FORM p 59 for details on waveforms 32 Modifying the Sound Press DESTINATION to set the destination for which the modulation depth is to be set by means of DEPTH The indicator of the selected destination lights up To select a destination on the lower row get the two indicators above the name to light The destination l DESTINATION DESTINATION OSC 1 FILTER PAN OSC 1 FILTER PAN 9 Sen osc 2 AMP Osc 2 AMP l The destination The manner in which sound changes depends on the destination of the LFO OSC 1 2 Adds an effect to the pitch of the waveform creating a vibrato effect FILTER Adds an effect to the Cutoff Point of the filter creating a wah effect AMP Adds an effect to the amp creating a tremolo effect PAN Applies an effect to the left right positioning of
68. status to which the SH 32 switches when the power is turned on Power Up mode 1 First press the POWER switch on the rear panel to turn off the power 2 While holding down 3 C turn the power on again O OOOO TUNE LOCAL FOOTSW CLOCK ON OFF A POWER 3 C blinks and P P Power up appears in the display while 3 C is held down 3 Press VALUE V A to switch the function to select the status to be used when you turn on the power L 5 Last set Calls up the Patch or Performance selected at the time the power was last turned off JEF Default Always calls up Patch A11 4 When you have finished making the setting turn the power off then on again Gs The Power Up mode setting is a system setting System settings are saved the moment the parameter values are changed Thus these settings are not lost when the power is turned off even without the write procedure being carried out Selecting the MIDI Messages Used to Transmit Panel Control Information This selects either MIDI Control Change messages or MIDI System Exclusive messages as the main means of sending and receiving information describing the actions of the panel sliders knobs and other controls or when using an external MIDI device to change tones MIDI Transmission Reception mode 1 First press the POWER switch on the rear panel to turn off the power 2 While holding down 4 D turn the power on again O O O O O
69. the touched key How to Turn Off the Arpeggiator Press ON to turn the button off 37 Playing Arpeggio Arpeggiator Changing the Arpeggiator Tempo You can change the tempo for arpeggio performances POWER ON Dem IN MIDI OUT FOOT SWITCH LIMONO OUTPUT R PHONES OSC 12 25 INTENSITY wees OUTPUT CUTOFF RESONANCE ITA AR Ale a mau n nose WAVE f o 3 e AJ ejeje F a i FU ML SPECTRUM y A A A e VARIATION M 4 RATE OCTAVE suB osc KEY COLOR arr LEVEL Let HPF opp TYPE SLOPE oe T Bara eee CG TYPE p Pr Pko E LEVEL GZ TIME SLR SHIFT PITCH ENV Gen d kee E LFO 2 ae ert g riw f A TT S Ao A D D R gt DEPTH FOLLOW FBK MOD DEPTH e A EE e I FADE KEY BEAT BPM INS REV ogra PAN DESTINATION FORM IN SYNC SERIES ME DEMO Oe O E O e waite PATCH e A 4 d 0sc 2 AMP ERR 2 L NN AMA RND Oe Oee e 2 AN FU np 4 41 pen our mer BW IA ESSE MANUAL BANK CHORD SOLO UNISON PORTAMENTO RANGE GRID STYLE E REST TOTOP INTROL PAT ARPEGGIATOR 66 OOO O0000 O w E 2 8 3 c 4 D TUNE LOCAL REMOTE FOOT SW Pn er CH MIDI er G Gi BISYSTEM D ES Exec PERFORM Zaxis Roland senthelicen DI 1 Press TAP BPM TAP BPM lights up 2 Press VALUE W A to set the desired tempo The tempo is shown in the display 3 Press EXIT to turn the button off 38 HINT You can also set the tempo to the timing vou ve used when tapping the
70. to use the effects refer to Chapter 3 Applying Effects to the Sound INS FX REV DELAY p 64 o ze can make and save effect settings to individual Patches in Patch mode In Performance mode and Part Assign mode the types of parameters that can be set and whether or not those settings are enabled in these modes are different in Patch mode For instructions on making settings in Performance mode and Part Assign mode refer to Applying Effects in Performance Mode p 66 Saving the Sounds You Have Created WRITE Sounds with modified settings are temporary your changes will be discarded as soon as you turn off the power or select some other sound When you want to keep a sound after changing its settings save the sound to the SH 32 s user memory MEMO A dot appears in the display when a Patch s settings are changed The dot disappears when the settings are saved to the SH 32 Chapter 2 Gs Any data currently stored in the location to which the new data is being saved is overwritten and therefore lost when the write procedure is executed However the factory setting data can be recovered by performing the Factory Reset procedure p 94 1 Make sure that the Patch you wish to save is selected 2 Press WRITE to make the indicator light The Patch number blinks in the display 3 Specify the save destination Patch with the same procedure previously used in selecting the Patch p 23 Selec
71. use the Suboscillator function Switch sounds with release times that are longer than necessary to sounds with shorter release times Use an external MIDI splitter or thru box instead of the MIDI THRU function The SH 32 s Arpeggiator los es the tempo or stops when the transmitting MIDI device is adjusted Are numerous MIDI messages being sent by the trans mitting MIDI device Certain operations including the use of the Arpeggiator result in a large number of sounds being created In such cases the SH 32 s sys tem gives priority to processing the sounds themselves which may halt the processing of large amount of MIDI data and prevent proper functioning Bulk Dump or other data and System Exclusive messages not received Do you have the Remote Keyboard Switch on and the Local Switch off Set the Local Switch to ON when the Remote Keyboard Switch is on Are the transmitting and receiving devices set to differ ent Device ID numbers Match up the Device ID numbers p 93 Performances not switching smoothly Do you have sounds switching continuously more than is necessary or are you transmitting unneeded MIDI messages immediately after switching When buttons or Program Changes are used in switching Performanc es internal processing of large amounts of data occurs all at once This may cause malfunctioning so avoid using the SH 32 for such opera tions Using Program Change messages to
72. when the song is played By doing this the appropriate Patches and Performance settings are called up to the temporary area merely by playing back the song eliminating the need to reselect all the Patches and Performance settings before the song is played back In addition even if you change any settings after recording the song you can play back the song correctly just by selecting Patch mode or Performance mode Temporary Area Settings Needed to Play Back Songs Select from the following data as needed when selecting the data to be transferred with Bulk Dump In Patch mode 1PA 1rH for Rhythm Sets In Performance mode 1PF When the song being performed uses the Arpeggiator or Chord Memory function also record the following Arpeggio Style Rhythm Style and Chord Form data When Arpeggiator is used 1AP When the Chord Memory function is used 1Cd GE If any Bulk Dump data other than that for the temporary area ALL Sou ArP CHd SyS is recorded at the beginning of the song then the settings stored in the SH 32 content of the User Memory and System Memory are overwritten by the content of the Bulk Dump when that data is received by the SH 32 Only the temporary area data is needed for playback of the song Accordingly if you have Bulk Dump data recorded at the beginning of a song we recommend that you select the temporary area data 1PA 1PF 11H 1AP 1Cd E For more detailed informat
73. with the Chord Memory Function When performing with the Arpeggiator you can also use it along with the Chord Memory function p 81 After first storing complex Chord Forms in memory you can then call them up when Arpeggiator is on and you can easily create complex arpeggio sounds just by pressing a single key or one note entry button Determining the Tempo for Arpeggio Performances This sets the Arpeggiator tempo You can save the Arpeggiator tempo settings individually in each Patch Rhythm Set or Performance 1 Press TAP BPM causing the indicator to light TAP o The current tempo value appears in the display 2 Press VALUE V A to set the tempo value 20 250 or set the value by tapping TAP BPM a number of times with the same rhythm Tap Tempo HINT By holding down EXIT and pressing VALUE W A you can set the tempo value down to the first decimal place 3 When you have finished making the setting press EXIT causing the TAP BPM indicator to go off 4 To save the settings press WRITE and carry out the write procedure p 63 p 70 p 73 HINT You can synchronize the tempo of the arpeggio performance to the tempo of an external MIDI device For details refer to Synchronizing Arpeggiator and the LFO to an External MIDI Device p 88 Selecting Styles for Arpeggio Performances STYLE This selects the arpeggio s basic performance Style You can save selected
74. you can combine OSC 1 and OSC 2 to create a wide variety of sounds p 52 2 FILTER Section Change the type of filter used and alter the characteristics of the sound by making various changes to the output waveforms p 56 3 AMP Amplifier Section Alter the sound by changing the volume and the way sounds are output and muted gt p 58 4 LFO 1 amp 2 Low Frequency Oscillator 1 amp 2 Section Use the LFO 1 and 2 waveforms to create cyclic changes in the pitch brightness volume and other aspects of the sounds produced by the waveforms from OSC 1 and OSC 2 gt p 59 FOOT SWITCH SLOPE 9 12 DEPTH dii e CH MIDI eg SA Ga lt 6 Roland L MONO OUTPUT R PHONES INTENSITY OUTPUT SS Ale Ob OF dB 24 TEN OSC VT AMP LEVEL G LEGATO LEVEL BEAT BPM CYCLE SYNC O 8 2 1 2 1 4 O 0 0 0 4 1 1 3 O10100 ON POR SERIES TIME D WRITE PATCH EXIT O xO Exec PERFORM PART ARPEGGIATOR TAP Sc O wuesen GH Ge2 3 2 REALTIME A STEP 4 CREATE STYLE 5 IN TEN SITY Change the settings values of the Insertion Effects parameters The parameters that can be set vary according to the selected Insertion Effects p 65 IN S FX Switches the Insertion Effects on and off p 64 6 OUTPUT Adjusts the overall volume that is output from the rear panel OUTPUT jacks and PHONES jack gt p 17
75. 0 a ei A EAE ee OES Velocity Amp Attack 63 63 System Low Dect OFTON Time Sens Power Up Mode dEF Default LSt Last Velocity Filter Cutoff 63 463 Edit TXR OFF Mode 1 Mode 2 Sens MIDI Local Off OFF ON Velocity Sens Attack 63 63 p 90 Remote OFF ON Time Clock Internal MIDI Effects MIDI Thru OFF ON INS FX Switch OFF ON Device ID 17 32 REV DELAY Switch OFF ON REV DELAY Send Level 0 127 Insertion Effects Parameters STEREO EQ Stereo Equalizer AUTO WAH A filter that turns on and off to create a cyclical change in timbre This is a two band one variable band one fixed band 700 Hz SE L out peaking stereo equalizer bo nl 28and Ea R out Parameter Value Description INTENSITY 0 05 10 00 Hz Frequency of modulation Parameter Value Description Rate INTENSITY 15 15 dB Adjustable EQ boost cut COLOR LPF bPF Type of filter Gain Filter Type LPF The wah effect is applied COLOR 200 Hz 8 kHz Adjustable EQ reference fre over a wide frequency range Freq quency bPF The wah effect is applied RATE DEPTH 0 5 1 0 2 0 4 0 8 0 Adjustable EQ Bandwidth over a narrow frequency range 0 Select a higher value to narrow RATE DEPTH 0 127 Depth of modulation the bandwidth Depth LEVEL 15 15 dB Fixed 700 Hz boost cut LEVEL 0 127 Adjusts the center frequency at 700Hz Gain Q 1 0 Manual which the effect is applied
76. 2 Settings Affecting the Overall Performance 72 Making Settings for Each Patch or Rhythm Set in the Darts 73 Securing the Number of Oscillators in Each Part Oscillator Reserve 73 Saving Changed Settings WRITE ccccsessssesesessessseseecenesesssesnsnenesesescesescseecenesesesesnanenssesceeeseseeeenans 73 Chapter 6 Using Arpeggiator ARPEGGIATOR cccccccsssesseneeees 74 About d EREM coast clad scsesesceaiselesivccebech eens dianas E EE EREE ee EE eg eE Tee AREE Ee EES 74 Playing Arpes S108 iere ege ee E ie deene tere leede 74 Turning Arpeggiator On and Off ccccescececescssessseecenenesesesnenesesesceceseseeeenenesesesnsneneneseeeeeseseeans 74 Determining the Tempo for Arpeggio PerformanceS ococononooononcnsmcncrennncananarnrnnrnranancnnnnass 74 Selecting Styles for Arpeggio Performances STYLE EE 74 The Relationship Between Arpeggio Styles and Rhythm Gtvles ee 75 Changing the Beat and Shuffle CRU 75 Applying Staccato and Tenuto ODURATION EE 76 Changing the Range of the Arpeggio RANNER 76 Selecting Ascending Descending Variations Different Ways of Playing the Sounds MOTE eege 76 Creating Your Own stylesh asics eegene AE 77 Creating Styles by Playing the Notes as They Are to Be Performed REALTIME 77 Creating Styles by Playing Sounds One At a Time GIE 78 Creating Styles Using an External Sequencer En 79 Saving the Styles You Have Created STORE EE 79 Using Arpeggiator in Performan
77. 36 p 74 you can play a loop of simple rhythm patterns POWER ON DCN IN MiDI ouT FOOT SWITCH LIMONO OUTPUT R PHONES OSC 1225 FILTER CUTOFF RESONANCE yr MILI noise WAVE ER ER p S CAD 6 ETS FU FLA spectrum d A L CST pome gt a Leg RATE octave suBosc SAYON 2 SS LPF HPF OFF eve 4 LsuBsonic BPF PKG HE DANE ENV PWM PITCH ALD ENV KEY Eeer TIME L R SHIFT DEPTH LFO2 COARSE FINE AI s R DEPTH FOLLOW Gea FB mop DEPTH a El 50 Kellech INS FX OUTPUT TYPE SLOPE e Sam AMP veLociry gien FADE KEY BEAT BPM S RI POI i DESTINATION FORM IN SYNC CYCLE SYNC E DEMO i ANS e O ORO O e wane PATCH EXIT ne a y osc2 ENN FANIE GGG 6 O 3 O Leg BB Bac 1 4 1 1 3 SELECT LEG ONLY aN DO O 0 0 0 0 E E JET OCT GG MANUAL BANK CHORD SOLO UNISON PORTAMENTO CITAN TINA Stern TE eege ARPEGGIATOR ODOT CLOCK MIDICH MIDITHRU BULI UMP lt 4 R E07 ET nales Roland 2 Display Press BANK BANK lights up and 1 A 4 D 8 R blink Press 8 R You can select a Rhythm Set 3 Press 1 A 4 D to select a Rhythm Set number The selected Rhythm Set number is shown in the display r1U r2U User Rhythm Sets can be overwritten r3P r4P Preset Rhythm Sets cannot be overwritten Use the Preview function p 21 or a MIDI keyboard to play some sounds The selected Rhythm Set will be heard See Rhyth
78. 48 SynthPad 6 HPF swept PAD sound C48 Bass 8 Bass sound with Resonance applied variation D51 SynthPad 7 Bell PAD sound C51 Bass 9 Bass sound with Unison function D52 SynthPad 8 PAD sound with filter controlled by Arpeggiator C52 Bass 10 Bass sound using multiple oscillators D53 SynthPad 9 C53 Bass 11 Bass sound with Resonance applied variation D54 Slicer2 PAD sound using slicer C54 Bass 12 SE bass sound as used frequently in Techno and other D55 LFOPad PAD sound using LFO styles Y D56 StepFlanger 1 PAD sound using Step Flanger C55 Bass 13 Bass sound with delay D57 StepFlanger 2 C56 Spank Bass Bass sound used in the demo song SPANK 7 D58 Pot Analog percussion sound C57 Bass 14 Bass sound with distortion applied gt D61 MetalStick Analog tambourine like sound C58 Lead 3 Pipe lead sound using triangle wave a z D62 Electronica 1 Driving sound used in Electronica and other styles C61 Lead 4 Pipe lead sound with combined rectangular wave and noise D63 Arpeggiator Saw 3 Dance sound with ample use of Arpeggiator C62 Lead 5 Lead sound with combined triangular wave and vibrato D64 SynthFX 1 FX sound with ample use of LFO Slicer C63 Lead 6 Lead sound using saw wave D65 SynthFX 2 FX sound with ample use of LFO C64 Lead 7 Lead sound with combined rectangular wave and pulse wave i D66 SynthFX3 C65 Lead 8 Lead sound using rectangular wave Che ead 9 L SET G
79. 5 Pop Beat 1 16 a 47 r 5 5 Sweep FX 1 6 Dist Sync 5 6 Dance Beat 1 86 a 14 r 11 c 1 7 LoFi Stack 1 5 7 Pop Beat 3 85 a 31 1 1 8 Noise FX 5 8 Noise Beat 6 26 a 2 1 LFO Pad 6 1 Noise Beat 7 85 a 13 r 2 2 Pop Beat 2 11 a 42 r 6 2 Noise Beat 8 26 a 76 r 2 3 Asian Bea 24 a 41 r 15 c 6 3 Sweep Pad 1 2 4 Bell ARP 51 a 6 4 Bell ARP 2 83 a 2 5 LoFi Stack 2 6 5 LoFi Stack 3 2 6 Techno Beat 2 41 a 43 r 58 0 6 6 Pop Beat 4 16 a 47 5 2 7 Noise Beat 1 11 a 6 7 Clavi Beat 2 65 a 31 5 55 c 2 8 Noise Beat 2 11 a 7Lr 6 8 Stack Pad 3 3 1 Clavi Beat 1 62 a 72 1 7 1 Bell ARP 3 47 a 18 r 3 2 Noise Beat 3 7 2 Pulsing Pad 2 3 3 LFO Low Beat 11 a 13 r 7 3 Noise Beat 9 85 a 55 r 3 4 Saw Beat 7 4 Dance Beat 2 24 a 53 r 37 0 3 5 Analog Gamelan 7 5 Bellpad 3 6 Techno Beat 3 55 a 42 r 16 c 7 6 Dance Beat 3 11 a 3Lr ILe 3 7 Stack Pad 1 7 7 LoFi Stack 4 3 8 Stack Pad ARP 26 a 7 8 Bell Stack 4 1 Stack Pad Beat 26 a 44 r 8 1 Sometimes 85 a 42 r 4 2 Stack Lead 8 2 Dance Beat 4 16 a 47 r 4 3 BPM Pad 8 3 Poly Brass 4 4 Techno Beat 4 11 a 18 r 77 0 8 4 Dist ARP 48 a 13 r 4 5 Noise Beat 4 lla 16 r 8 5 Sweep Beat 4 6 Pulsing Pad 1 8 6 Broken 11 a 28 r 4 7 Noise Beat 5 85 a 13 r 8 7 Sweep Pad 2 4 8 KalimbaGliss 65 c 8 8 INIT Performance note When the content of Arpeggio Styles or Rhythm Styles Chord Forms and User Rhythm Sets are overwritten the sounds of Performances in which they are used change A Factory Re
80. 6 for details on the Filter FILTER LPF HPF OFF TYPE UY Y BPF_PKG 1 Press TYPE to select a filter type The indicator of the selected filter type lights up To select a filter type on the lower row get the two indicators above the name to light The selected filter l LPF HPF orf TYPE LPF HPF opp TYPE KOO O e BPF PKG BPF PKG l The selected filter LPF Low Pass Filter Passes lower frequencies and blocks high frequencies With this filter you can soften See Internal Filter Types and sharp sounds Functions TYPE SLOPE BPF Band Pass Filter p 56 for details on filter types Passes specific frequencies and blocks other high and low frequencies With this filter you can enhance the midrange frequencies of the sound HPF High Pass Filter Passes high frequencies and blocks low frequencies With this filter you can keep the upper sound portions while eliminating the lower sound portions PKG Peaking Filter Boosts the frequencies near the cutoff frequency You can create a wah effect by adding a constant change to the cutoff frequencies with the LFO p 32 29 Modifying the Sound 2 30 Turn CUTOFF to set the frequency you want to cut off Cutoff Point Here you determine the Cutoff Point of the filter you selected in step 1 Turn the knob clockwise to raise the Cutoff Point and turn it counterclockwise to lower it Turn RESONANCE to enhance the frequency near the Cutoff Point set in step 2 The
81. 7 Value 1 127 64 Center PWM Depth CC79 CC79 CC79 Sound Controller 10 Value 0 127 Coarse Tune Exc CC53 Value 40 88 64 Center Fine Tune CC76 CC76 CC76 Sound Controller 7 Value 14 114 64 Center Filter Filter Type Exc CC34 Value 0 4 Cutoff Frequency CC74 CC74 CC74 Sound Controller 5 Value 0 127 Resonance CC71 CC71 CC71 Sound Controller 2 Value 0 127 Cutoff Kay Follow Exc CC30 Value 44 84 64 Center Env Depth CC81 CC81 CC81 General Purpose Controller 6 Value 1 127 64 Center Env Attack Time CC82 CC82 CC82 General Purpose Controller 7 Value 0 127 Env Decay Time CC83 CC83 CC83 General Purpose Controller 8 Value 0 127 Env Sustain Time Exc CC28 Value 0 127 Env Release Time Exc CC29 Value 0 127 Amp Env Attack Time CC73 CC73 CC73 Sound Controller 4 Value 0 127 Env Decay Time CC75 CC75 CC75 Sound Controller 6 Value 0 127 Env Sustain Time Exc CC31 Value 0 127 Env Release Time CC72 CC72 CC72 Sound Controller 3 Value 0 127 LFO 1 Wave Form Exc CC15 Value 0 6 Rate CC16 CC16 CC16 General Purpose Controller 1 Value 0 127 Fade Time Exc CC20 Value 0 127 Oscillator 1 Depth CC18 CC18 CC18 General Purpose Controller 3 Value 1 127 64 Center Oscillator 2 Depth Exc CC50 Value 1 127 64 Center Filter Depth CC19 CC19 CC19 General Purpose Controller 4 Value 1 127 64 Center Amp Depth CC80 CC80 CC80 General Purpose Controller 5 Value 1 127 64 Center Pan Depth Exc CCO9 Value 1 127 64 Center LFO 2 Wave Form Exc CC47
82. AFRICA P O Box 32918 Braamfontein 2017 Johannesbourg SOUTH AFRICA TEL 011 403 4105 Paul Bothner PTY Ltd 17 Werdmuller Centre Main Road Claremont 7708 SOUTH AFRICA P O BOX 23032 Claremont 7735 SOUTH AFRICA TEL 021 674 4030 CHINA Beijing Xinghai Musical Instruments Co Ltd 6 Huangmuchang Chao Yang District Beijing CHINA TEL 010 6774 7491 Shanghai Xingtong Acoustics Equipment CO Ltd 5F No 1500 Pingliang Road New East Club Plaza Shanghai CHINA TEL 021 5580 0800 HONG KONG Tom Lee Music Co Ltd Service Division 22 32 Pun Shan Street Tsuen Wan New Territories HONG KONG TEL 2415 0911 INDIA Rivera Digitec India Pvt Ltd 409 Nirman Kendra Mahalaxmi Flats Compound Off Dr Edwin Moses Road Mumbai 400011 INDIA TEL 022 498 3079 INDONESIA PT Citra IntiRama J1 Cideng Timur No 15J 150 Jakarta Pusat INDONESIA TEL 021 6324170 KOREA Cosmos Corporation 1461 9 Seocho Dong Seocho Ku Seoul KOREA TEL 02 3486 8855 MALAYSIA BENTLEY MUSIC SDN BHD 140 amp 142 Jalan Bukit Bintang 55100 Kuala Lumpur MALAYSIA TEL 03 2144 3333 PHILIPPINES G A Yupangco amp Co Inc 339 Gil J Puyat Avenue Makati Metro Manila 1200 PHILIPPINES TEL 02 899 9801 122 SINGAPORE Swee Lee Company 150 Sims Drive SINGAPORE 387381 TEL 846 3676 CRISTOFORI MUSIC PTE LTD Blk 3014 Bedok Industrial Park E 02 2148 SINGAPORE 489980 TEL 243 9555 TA
83. ANADA Roland Canada Music Ltd Head Office 5480 Parkwood Way Richmond B C V6V 2M4 CANADA TEL 0604 270 6626 Roland Canada Music Ltd Toronto Office Unit 2 109 Woodbine Downs Blvd Etobicoke ON M9W 6Y1 CANADA TEL 0416 213 9707 U S A Roland Corporation U S 5100 S Eastern Avenue Los Angeles CA 90040 2938 U S A TEL 323 890 3700 As of January 1 2002 Roland Apparatus containing Lithium batteries ADVARSEL Lithiumbatteri Eksplosionsfare ved fejlagtig h ndtering Udskiftning m kun ske med batteri af samme fabrikat og type Lev r det brugte batteri tilbage til leverand ren ADVARSEL Eksplosjonsfare ved feilaktig skifte av batteri Benytt samme batteritype eller en tilsvarende type anbefalt av apparatfabrikanten Brukte batterier kasseres i henhold til fabrikantens instruks joner This product complies with the requirements of European Directive 89 336 EEC For EU Countries CAUTION Danger of explosion if battery is incorrectly replaced Replace only with the same or equivalent type recommended by the manufacturer Discard used batteries according to the manufacturer s instructions VARNING Explosionsfara vid felaktigt batteribyte Anvand samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren Kassera anvant batteri enligt fabrikantens instruktion VAROITUS Paristo voi rajahtaa jos se on virheellisesti asennet
84. Adjusts the frequency above which HF Damp byP sound fed back to the effect is filtered out If you don t want to filter out any high frequencies set this parameter to byP RATE DEPTH 98 98 Adjusts the amount of the delay Feedback sound that s fed back into the effect Negative settings invert the phase LEVEL 0 100 Relative amount of delay sound Balance When you want to stop the feedback sound when it is playing continuously press INS FX once to turn the effect off then turn it back on again REVERB Adds reverberation to the sound simulating an acoustic space Lin O O L out O Balance W b R in O R out Balance D Parameter Value Description INTENSITY 0 100 Relative amount of reverb sound Balance COLOR rM1 Type of reverb Type rM2 rM1 dense reverb with short decay SG1 rM2 sparse reverb with short decay SG2 SG1 reverb with fewer early reflections SG2 reverb with strong early reflections Adjusts the time until the reverb is heard RATE DEPTH 0 70 ms Pre Delay LEVEL 0 127 Time Duration of reverberation GATED REVERB This is a special type of reverb in which the reverb is cut off without being allowed to decay naturally Lin G L out Balance D b Rin O R out Balance D Parameter Value Description INTENSITY 0 100 Relative amount of reverb sound Balance COLOR nor Type
85. Arpeggiator Saw 2 Dance sound with ample use of Arpeggiator D31 TRAVELER1 Synth sound used in the demo song TRAVELER C31 Moving Noise FX sound using LFO D32 SawStack 1 Saw stack sound used for Dance Techno and other styles C32 Moving Strings String sound with changes produced using the LFO D33 SawStack 2 C33 Soft Lead Distinctive analog synth soft lead sound D34 SawStack 3 C34 Arpeggiator Saw 3 Sequenced sound using Arpeggiator D35 Brass Classic analog brass sound C35 PWM Pad PAD sound using the PWM function D36 Brass 2 Soft synth brass C36 Techno Voice Synth voice sound with Resonance D37 Brass 3 Soft synth brass with lots of resonance C37 Analog E Piano Electric piano type sound characteristic of analog synths D38 SynthPad 1 Synth PAD sound using saw wave C38 Zap Classic sound that uses a higher Resonance setting D41 SynthPad 2 Analog PAD sound C41 Bass 2 Mild low bass such as used in drum and bass D42 SynthPad 3 Soft PAD sound with sweep C42 Bass 3 Soft bass such as used in Hip Hop D43 SynthPad 4 C43 Bass 4 Classic SH 101 type bass sound D44 SynthPad 5 PAD sound with Phaser C44 Bass 5 SH 101 type bass sound with Resonance applied D45 Analog Strings Analog strings sound C45 Bass 6 Classic Mini type bass sound D46 Soft Strings Soft analog strings C46 Bass7 Synth bass using saw wave D47 Oct Strings Analog strings sound with added octave C47 Comp F Bass Bass sound used in the demo song CompFusion D
86. C adaptor Stereo headphones PCS 31 MIDI OUT EE 00 1 Wm ee SS ORTH y Mixer etc Monitor speakers y MIDI keyboard S powered ul M Mou i SE ChE 0 Ce d a P al Power amp Foot switch BOSS FS 5U or pedal switch DP 2 Use audio cables to connect audio equipment such as an amp or speakers Use MIDI cables to connect MIDI keyboard If you are using headphones plug them into the PHONES jack Connect foot switches or pedal switches as necessary p 91 16 Getting Ready HINT In order to take full advantage of the SH 32 s performance we recommend using a stereo amp speaker system If you are using a mono system make you connections to the OUTPUT jack L MONO Note Audio cables MIDI cables headphones foot switches and pedal switches are not included These cables must be acquired separately Turning On the Power yore Once the connections have been completed p 16 turn on power to your various devices in the order specified By turning on devices in the wrong order you risk causing malfunction and or damage to speakers and other devices 1 Before you turn the power on check to make sure that e Are peripheral devices connected correctly e Hav
87. D12 SEO C13 Slicer 1 Beat sound that uses the LFO D13 Reso BPF 1 Sound with Sweep typically used in Techno and other styles C14 Arpeggiator Saw 1 Dance sound with ample use of Arpeggiator D14 Reso BPF2 Techno Sweep sound variation C15 Dist Lead Feedback lead with distortion strongly applied D15 Reso HPF Techno Sweep sound with special filter characteristics C16 LFO Pulsing FX sound with heavy use of Noise waveform and LFO D16 LoFiRing LoFi sound using Ring Modulator C17 Spank Noize oise sound used in the demo song SPANK D17 4thSaws Techno sound with oscillator layering fourths C18 GR300 Lead Lead sound using the distinctive analog synth Saw wave D18 Comp F Lead Lead sound used in the demo song CompFusion C21 Synth Orch Analog PAD sound D21 4th Reso Saw Techno sound with Resonance C22 Techno Saws Classic deeply detuned Dance sound D22 SEQ4 80 s style analog sequence sound C23 Ring Bell Bell sound produced with the Ring Modulator INS FX D23 SEQ5 Sound for analog sequence C24 Filter Arpeggiator Sound with a strong sense of beat produced with filter con D24 PolySynth 1 Polysynth sound trolled by Arpeggiator D25 PolySynth 2 C25 Noise Pad oise sound with distinctive character D26 PolySynth 3 C26 Low Sweep Sweep sound typical of analog synth D27 PolySynth 4 C27 Bass Beat Bass sound with a sense of pulsation from the LFO D28 Comp F Poly Synth sound used in the demo song CompFusion C28
88. E D67 SynthFX 4 PAD FX sound using Noise Gar ai 10 Gs Deh Wie See D68 SynthFX 5 FX sound with ample use of LFO Ge E m GE D71 SynthFX 6 Classic analog FX sound using sample and hold LFO C68 Lead 11 Lead sound with soft distortion added D72 SynthFX7 FX sound using LFO and Noise C71 Lead 12 Lead sound using PWM D73 SynthFX 8 Sweep FX sound C72 Lead 13 Lead sound using SPECTRUM waveform D74 SynthFX 9 Classic FX sound using pink noise C73 Lead 14 Lead sound using Oscillator Syne D75 SynthFX 10 Bell FX sound with delay added C74 Lead 15 Lead sound using distortion D76 SynthFX 11 Noise Sweep FX sound C75 Lead 16 Lead sound with distortion and delay applied a a D77 SynthFX 12 Analog sound simulating drops of water C76 Syn Organ1 Synth organ sound C7 Sm I D78 SweepingUp FX sound used in the demo song SPANK EE D81 TRAVELER2 Synth sound used in the demo song TRAVELER C78 Synth Sitar Synth sitar D82 TRAVELER 3 C81 Bell Synth bell sound D83 TRAVELER 4 C82 Bell2 Synth bell sound variation GE SC e Ee 4 D84 TRAVELER 5 nalog Piano nalog syn Pianos ype soun Des TRAVELERS C84 Synth Clavi1 Analog synth clavi sound i f D86 TRAVELER 7 C85 Synth Clani 2 Analog clavi sound with distinctive attack 7 D87 TRAVELER Bs Bass sound used in the demo song TRAVELER C86 Analog Key 1 Analog keyboard sound with Resonance E a S D88 INIT PATCH Initial
89. ELAY press the button for the Part to which the Patch or Rhythm Set with the effect settings you want to use is assigned REV DELAY Parts whose effect settings are used are indicated by the part buttons that light up when REV DELAY is pressed About Effect Settings in Performance Mode When in Normal Performance Mode Normal Performance mode refers to the mode the SH 32 is in after you ve pressed PATCH PERFORM causing it to light up vi PERONM In this mode you can make effect settings just as in Patch mode Any changes made in the various effects parameters result in changes in the settings for the Patch or Rhythm Set assigned to the Part designated as the effect source Thus settings changes are not stored within Performances but are instead saved as settings for the Patch or Rhythm Set functioning as the effect source To save the settings press WRITE and carry out the write procedure p 73 Sy For more on how to set effects and parameters refer to Using the Insertion Effects INS FX p 64 and Using the Reverb Delay REV DELAY p 65 When Using Part Assign Mode Part Assign mode refers to the mode you are in after EXIT has been pressed while PATCH PERFORM was held down causing the indicators for both buttons to blink sl elit PI RORM 7 4 PART At this point you can set the REV DELAY E LEVEL only when the Insertion Effects and Reverb Delay are c
90. ETT MANUAL BANK CH ap SOLO UNISON PORTAMENTO INTIMO ON O TOP BACK CONTROL CATCH E ARPEGGIATOR LO OO EE EECH w BPM TA 2 8 ER 4 D LOCAL REMOTE FOOT sw acer mc CH MIDI de mae GG lt Ss rarTs Roland senTtHesieen Al Display Press CHORD to make it blink HINT 2 You can also change the Chord Press VALUE V A to select a Chord Form number 11 c 88 c Fona by pressing BANIK amci 1 A 8 R In this case you will hear the C4 sound for confirmation The Chord Form number appears in the display Use the Preview function p 21 or a MIDI keyboard to play sounds ag You can also use a foot switch to change the Chord Form p 91 HINT Not only can you use the Chord Forms that come pre programmed from the factory you can also freely create and rewrite your own original Chord Forms as well For more detailed instructions on creating Chord Forms refer to Creating Your Own Chord Forms p 82 42 SYNTHESIZER OM ml Advanced Use Chapter 1 An Overview of the SH 32 How the SH 32 is Organized Internally The SH 32 is broadly organized as follows Local Switch Arpeggiator Preview Switch Sound Generator MIDI Thru Switch Om _ Preview Function_ MIDI Connectors The SH 32 is equipped with two MIDI connectors IN OUT When the Remote Keyboard switch REMOTE p 90 is set to ON actions performed on an external MIDI keyboard connected to the MID
91. EZ FILTER Simple stereo filter You can use this to adjust the overall tone or use it instead of the sound generator filter this cannot be used when OVERDRIVE Creates a soft distortion similar to that produced by vacuum tube lifiers Oscillator Sync is active KEE gt H out Parameter Value Description a 0 127 Reference frequency of the filter Parameter Value Description COLOR LPF Type of filter Meed 0 127 Amount of distortion Filter Type bPF LPF cuts the frequency range Drive Also changes the volume HPF above the Cutoff Frequency COLOR SML bLt Type of guitar amp bPF cuts the frequency range be Amp Type 2St 3S SML small amp low and above the adjusted range bLt single unit type amp HPF cuts the frequency range be 2St large double stack amp low the Cutoff Frequency 3St large triple stack amp RATE DEPTH 0 5 1 0 1 5 Width of the adjusted range RATE DEPTH 15 15 High boost Q 2 0 2 5 3 0 Select a higher value to narrow the EQ Gain Low boost width LEVEL 0 127 Output level LEVEL 15 15 High boost Level EQ Gain Low boost DISTORTION 1 Produces a more intense distortion than Overdrive ISOLATOR This is an equalizer that radically cuts the volume of selected frequencies allowing you to create special effects cutting the volume in various ranges Lin gt L out y Distortion
92. FADE IN gege ee Eege 61 DEE 66 Feedback eegen aaa 66 HETER cia bz 12 26 29 45 56 FIL TERVA TACK 0 00 iia 87 Filter envelope Attack tM eiii ici naie 30 57 Decay time EE 30 57 Release time cccccccccsccesseessecescecssceescesseeesaeeeeeees 30 57 Sustain level oooonocnnococonanonnconnnconnononaconaninnocinaros 30 57 FOOT S Wisconsin pls l 91 Footswitch EE 91 FOOT SWITCH jack en 15 91 FORM cui AS Si ees 32 60 FX SYSTEM knob cece 13 34 64 66 84 88 90 G GRID WEE 14 75 76 EAR EE 75 Grid type eirin aie a aT tittle TEREE EE 75 H HF DAMP MOD RATE ocococcccccononncnnnonnonanonncnnoconononconono 66 HF Damp Modulation Rate EEN 66 High pass terts ininieteseepetgi genedi esai ans 29 RS Le RE 13 21 52 ENEE EE 29 l ENSS REV SERIES pruip trir seriene 13 64 ECKE 12 24 34 64 INTENSITY istmo 12 34 65 K KEY FOLLOW eege SEENEN 58 KEY SYNE tati alto n 61 L GON canino asi tiritas 13 LEGATO isa eat Antara sie e Teie seie abies 13 61 LEVE E 13 59 EEN ee ee Ee 59 REH EN 32 59 LFO TO liar iiaroiapies 12 26 32 45 59 EFO DAMP uns 85 LFO TRILTER eege geesde 85 EES ee 85 LEO llista asias 32 59 LOCA Tetto alada da cds 90 AA EE Ed Ee 90 Low boost function mmccoceconcncnnononcnennnornnnncnrarnononnninannnoos 92 Low frequency oscillator o oonicnininconinnnnncnoremcnnnnoss 45 Low pass filter usteet EE 29 Eeer 29 L R SHIFT MOD DEPTH nn 66 L R Shift Modulation Depth ENEE 66 M IMANUALE
93. H ZPEPRFORMANCE nn 20 Switching Modes eege ee een 20 Standalone Play of Sounds PREVIEW oooicicococicicicnononinonononanonononononanananononononananononononananononononananononenoso 21 Playing a Sound with a MIDI Keyboard un 22 Listening tothe Preset SOU ds moscovita colar E E Sincero nes 23 Using E 24 Playing a Rhy ythni Set isis ves Sst addons 25 Modifying the Sound ia isla 26 Creating EE 26 Bas ySOUNG Edi Precio cavers cuca tie Ida A E EE EE Ee 27 1 Selecting a Waveform Oscillator EE 27 2 Working on Oscillator Waveforms FILTER ue 29 3 Adding Changes in the Volume AMP een 31 4 Adding Modulation to the Sound LO 32 SE RE 34 Saving the SOU divisas eao da dictador 35 Playing Arpeggio Arpeggiator oooooonnconnnconnncocnconncnnoconononenonenenerenennnnnn 36 Turning On Off the Arpeggiator EEN 36 Changing the Arpeggiator Tempo 38 Playing the Arpeggio Together with a Rhythm Patten EE 39 Playing a Chord at the Touch of a Finger Chord Memory 41 Using the Chord Memory Puncton EEN 41 Switching Chord AAA 42 Advanced Uee neen uk KN Ka KK ven wn 43 Chapter 1 An Overview of the GH 32 eeeeeeeeeeeEEEEEEEEEEEEEEEEEEEEE KEEN AA How the SH 32 is Organized Internally EE 44 MIDI Connector e MA OS o 44 Sound RENO A AA a A ainda 44 E NN 44 AAA A A 44 Patches Rhythm Sets and Performance 45 Patches A1T D88 it A AAA Ds 45 Rhythm Sets 110 120 132 14 bierger ias 45 Performances A hoes sects chode
94. I IN connector are treated in the same way as those performed using the SH 32 s Preview function p 21 to play sounds You can also choose to have the OUT connector function as a THRU connector p 92 Sound Generator This is the section that produces the sound You can play sounds using note messages from an external MIDI device In addition when the Preview function is turned on you can play sounds by pressing designated button note entry buttons on the SH 32 p 21 About Maximum Simultaneous Notes The SH 32 is capable of using 32 oscillators simultaneously Data for greater numbers results in sounds being omitted When all 32 oscillators are being used any further sounds are given priority deleting the sounds currently being played one at a time starting with the least recent sound and progressing in order as more sounds are added Keep this in mind when playing sounds with a lot of reverb or when using the Chord Memory function Note though that turning on the Suboscillator function does not impact the oscillator count MIDI OUT Remote Switch MIDI OUT SEI MIDI Keyboard Arpeggiator Arpeggios can be played in accord with note messages from an external MIDI device In addition Using the Preview function you can also control the Arpeggiator by pressing the designated buttons note entry buttons p 21 Controller Controllers are the sliders knobs and buttons arran
95. I keyboard 1 Set the grid type GRID p 75 duration DURATION p 76 and tempo BPM p 74 for the Arpeggio Style that is to be created 2 Hold down ARPEGGIATOR ON and press VALUE V REALTIME ON lights up while WRITE and VALUE W blink indicating that the SH 32 is in Realtime Input standby Additionally the Preview note entry function is turned on WRITE PATCH EXIT r O20 Of EXEC PERFORM PART IC MOTIF O 5 10 RANGE Q Q del Se TAP BPM ON 3 G appears in the display indicates the number of grids Press VALUE V A to specify the Style length in terms of the number of grids 1 32 This completes the preparations for Realtime Input 4 Press WRITE EXEC WRITE EXEC changes from a blinking to a constant light the metronome guide sound plays and a countdown 3 2 1 0 is displayed Once the countdown has finished the SH 32 is ready for Realtime Input Input by pressing the SH 32 s note entry buttons or playing an external MIDI keyboard along with the progression G 01 G 02 G 03 The metronome s accent plays once each beat and a different that appears in the display click sound plays at the shortest interval that can be recorded in the Style You cannot record at shorter intervals than that indicated by the click sound A maximum of sixteen notes specifying the sound pitch can be used within one Style The pitches are no longe
96. ITCH ENV D AA LES Time A Note on A The time from when the key is pressed until the maximum pitch change is reached D The time for the pitch to go from its point of greatest change back to the original pitch vu The PITCH ENV A D setting is applied in common to OSC 1 and OSC 2 Chapter 2 Creating Your Own Sounds ENV DEPTH Here s how you can adjust the depth of the Pitch Envelope The more the slider is moved upwards the greater the change is Moving the slider below the center position inverts the waveform and the change in the opposite direction increases At the center position the pitch envelope does not create any change in pitch Pitch 4 aw i Se e Time Ze Ee Y Changing the Pulse Width of a Square Wave Periodically PWM PWM LFO 2 Adding an LFO to the pulse width of a square wave which results in a cyclic change in the square wave s pulse width is called Pulse Width Modulation PWM The amount of PWM applied is set with PWM LFO 2 The change in the pulse width increases as the slider is moved upwards resulting in a tone with greater breadth that seems to spread out The speed of modulation is set by turning the LFO 2 RATE knob p 60 nore e The PWM effect is activated when FL PWM wave is selected with WAVE and LFO 2 is on es The PWM effect is not available for Patches using the Ring Modulator function p 55 or the Oscillator
97. IWAN ROLAND TAIWAN ENTERPRISE CO LTD Room 5 9fl No 112 Chung Shan N Road Sec 2 Taipei TAIWAN R O C TEL 02 2561 3339 THAILAND Theera Music Co Ltd 330 Verng NakornKasem Soi 2 Bangkok 10100 THAILAND TEL 02 2248821 VIETNAM Saigon Music 138 Tran Quang Khai St District 1 Ho Chi Minh City VIETNAM TEL 08 844 4068 AUSTRALIA NEW ZEALAND AUSTRALIA Roland Corporation Australia Pty Ltd 38 Campbell Avenue Dee Why West NSW 2099 AUSTRALIA TEL 02 9982 8266 NEW ZEALAND Roland Corporation Ltd 32 Shaddock Street Mount Eden Auckland NEW ZEALAND TEL 09 3098 715 CEN TRAL LATIN AMERICA ARGENTINA Instrumentos Musicales S A Av Santa Fe 2055 1123 Buenos Aires ARGENTINA TEL 011 4508 2700 BRAZIL Roland Brasil Ltda Rua San Jose 780 Sala B Parque Industrial San Jose Cotia Sao Paulo SP BRAZIL TEL 011 4615 5666 COSTA RICA JUAN Bansbach Instrumentos Musicales Ave 1 Calle 11 Apartado 10237 San Jose COSTA RICA TEL 258 0211 CHILE Comercial Fancy II S A Rut 96 919 420 1 Nataniel Cox 739 4th Floor Santiago Centro CHILE TEL 02 688 9540 EL SALVADOR OMNI MUSIC 75 Avenida Norte y Final Alameda Juan Pablo II Edificio No 4010 San Salvador EL SALVADOR TEL 262 0788 MEXICO Casa Veerkamp s a de c v Av Toluca No 323 Col Olivar de los Padres 01780 Mexico D F MEXICO TEL 668 0480 PANAMA SUPRO MUNDIAL S A
98. LOR LEVEL Effect Settings INS FX gt p 65 REV DELAY gt p 66 TYPE systema E HF DAMP E LEVEL MOD RATE TIME L R SHIFT FBK MOD DEPTH AMP ATTACK ANALOG Rhythm Set Level gt p 59 Switch the effect d connection Ken series parallel ee 5 p 64 gt E EXEC PERFORM PART 60 S Q ANI 9 2 REALTIME A STEP A CREATE STYLE Arpeggiator Settings ON gt p 74 STYLE gt p 74 GRID gt p 75 BPM gt p 74 gt For more detailed information on each of the parameters see the explanations on the reference pages for each parameter 4 To save the settings press WRITE and carry out the write procedure p 70 Chapter 4 Playing the Rhythm Sets Making Settings for Each Rhythm Tone Percussion Instrument Here s how to make the settings for the individual percussion instruments in the Rhythm Set These settings can be made in Patch mode Performance mode or Part Assign mode 1 Select the Rhythm Set with the settings you want to change 2 Press PREVIEW to turn the Preview function on o GOT FAANUAL BANK CH ORM SOLO UNISON PORTAMENT 00000000 ed TUNE LOCAL REMOTE FOOTSW CLOCK MIDICH MIDITHRU BULK DUMP Note entry buttons 3 Press the note entry buttons to select the percussion instrument for which you want to make the settings The pressed button blinks indicating the selected percussion instrument 4 You can set t
99. Lin L out p Distorion Simulator gie Sen R in R out a Parameter Value Description Parameter Value Description INTENSITY 0 127 Amount of distortion INTENSITY 60 4 dB This boosts and cuts the selected fre Drive Also changes the volume Gain ind ranges eats COLOR SML bLt Type of guitar amp en set to 60 dB frequencies in the Amp Type Get 3St SML nu range specified with Band Assign are Pype d I sma ae n not audible At the center position 0 dB bLt single unit type amp H the level is equal to that of the input 2St large double stack amp H sound 3St large triple stack amp COLOR L MH You can select one or two frequency RATE DEPTH 15 15 High boost En Band Assign L M L H ranges to boost or cut select from Low EQ Gain Low boost a M H L Midrange M and High H LEVEL 0 127 Output level E RATE DEPTH OFF ON Turns Low Booster on off This empha Level Low Boost Sw sizes the bottom frequencies to create a heavy bass sound LEVEL not in use 107 DISTORTION 2 This is a distortion effect that provides heavy distortion Lin E Amp Simulator gt L out Tone Control R in gt R out Parameter Value Description INTENSITY 0 127 Amount of distortion Drive Also changes the volume COLOR SML bLt Type of guitar amp Amp Type 2St 3St SML small amp bLt single uni
100. N This setting duration determines whether the sounds are played staccato short and clipped or tenuto fully drawn out note This setting has no effect with Rhythm Styles 1 Press GRID causing the indicator to blink Tr MOTIF ata STORE 2 CNE ri aAGIATOR 2 Press VALUE V A to set the duration Settings values 30 40 50 60 70 80 90 100 120 FUL Ft1 Ft2 For example when set to 30 the length of the note in a grid or when a series of grids is connected with ties the final grid is 30 of the full length of the note set in the grid type FUL Full Even if the linked grid is not connected with a tie the same note continues to sound until the point at which the next new sound is specified Ft1 Filter 1 Just as with regular arpeggios the varying combinations of note numbers are played according to the keys pressed during the performance these are then substituted with the controls relative to the filter cutoff frequency The patterns of the filter switching on and off changes according to how the keys are pressed Ft2 Filter 2 The note numbers originally played when the Arpeggio Style was created are produced regardless of the keys pressed during performance then these are the controls relative to the filter cutoff frequency This yields a fixed pattern where the changes occur in steps similar to a step modulator With both Ft1 Filter 1 and Ft2 Filter 2 the note number de
101. P OSC 12 25 INTENST OUTPUT RESONANCE si CH WAVE i E osc 2 O SC A 5 F Y O FU ML SPECTRUM y d RATE octave suBosc SAY coron EEM eveL CT Let we opt TYPE SLOPE e Level TYPE SYSTEM RING vnc O OO pl O O TYPE Li ESUBSONIC BPF PKG ELEVEN G re PITCH ENV Time LR SHIET env pwM PITCH ENV ver BALANCE K Dal DEPTH LFO2 COARSE FINE FBK MOD DEPTH ose GR wn ech 50 AMP ATTACK E LEGATO DEPTH FADE KEY BEAT BPM INS gt opp P3 DESTINATION FORM IN SYNC CYCLE SYNC l SERIES DE 5 ER 1 FILTER 0 O O une paren vr AN MA ANJ RND Pis 8 2 1 2 1 ever oe Ov 000 oer PERFORM 4 1 14 PARO MODO U TU O TUUN PREVIEW OCT_ OCT COT MANUAL BANK CHORD solo UNISON FORTE RANGE GRID STYLE NTROL PAT ARPEGGIATOR O00000 00 w BPM E 2 8 ES ARPEG SE TIE REST TOTOP BACK D IR TUNE LOCAL REMOTE FOOTSW CLOCK MIDICH MIDITHRU BULKDUMP APE CREATE STYLE 2ps Roland syntHesSieen OH 3e Modifying the Sound Easy Sound Editing In the following you will learn how to create a sound using the basic functions of the SH 32 When creating a sound play sounds using the Preview function p 21 or using a MIDI keyboard To present a generalized view of what you need to do to edit sounds this Quick Start E a x 2 5 o HINT Manual introduces the operation while using Preset Patch D88 So before you When you select a preset begin be sure to select Pr
102. Part BPM _ RANGE Chord ON OFF MOTIF Memory Dest Part CHORD No Performance Chapter 1 An Overview of the SH 32 E Rhythm Sets and Performances Rhythm Set A rP Effective only in Patch mode Effects Arpeggiator Settings 0 fe I EA COLOR DEPTH SS STYLE No DI GRID TYPE ON OFF REV REV DELAY detail er series sw Rue Effective in both modes in Performance mode only used when a Rhythm Part is specified as the referred source Chapter 1 RHYTHM SET LEVEL Used in both modes each key different settings can be made for each percussion instrument INST LEVEL INST PAN ECTS MIDI REV DELAY PITCH P BEND Send Level FILTER VELOCITY ON OFF INS AMP ON OFF REV Rhythm Style 58 PERFORMANCE LEVEL Effective only in Performance mode PART PITCH MIDI CH Effects PART LEVEL Jons Rhythm ON OFF INS PART PAN Set settings Send Level Mo Moa OSC RESERVE PART 4 R Rhythm Set No Arpeggiator Settings Effects INS FX Setting STYLE No R ON OFF INS Source Part BPM OL GRIDTYPE MECO gs REV DELAY Setting ON OFF Source Part Performance 49 Chapter 1 An Overview of the SH 32 Objects of Settings That Change with the SH 32 s Mode Even when the same knobs and buttons are used the parameters that are changed with various settings vary according to the current mode as shown by the table on the follo
103. Patch convenient Patch to use when creating sounds C87 Analog Key 2 Analog keyboard sound from scratch C88 SEQ1 Sound for analog sequences After Factory Reset is executed the content of Bank A is identical to that of Bank C and the content of Bank B is identical to that of Bank D GE When the content of Arpeggio Styles and Chord Forms are overwritten the sounds of Patch in which they are used change 99 Appendices C1 c2 c3 c4 c5 C6 C7 cs Rhythm i wm 5 wm o i Wi J A Ki i SIE N O q E 00 i a o i a N a ar a H i 02 o i o o AJN i o CO N el i ks 0 i N N i N R N o N o ug o i f 0 i o o aj i oO D i O 00 1 101 A 103 i 105 108 M set wore Set List r4P Preset Wave Name BreakSnr2Rvs TR808 Snr 5 TR909Snr4Rvs TR909 Snr 7 TR808 Snr 8 TR909 Snr 5 TR808 Snr 5 Plastic BD 3 Plastic BD 4 TR808 Kick1 JungleKick 2 TR808 Kick1 JungleKick 2 TR909 Kick SH32 Kick Ragga Rim 2 TR909 Snr 3 Group Clap TR909 Snr 5 TR808 Tom TR909 CHH 1 TR808 Tom TR909 PHH 1 TR808 Tom TR909 OHH 2 TR808 Tom r1U User r2U User r3P Preset Wave Name Wave Name Wave Name BreakSnr2Rvs BreakSnr2Rvs BreakSnr2Rvs TR808 Snr 5 TR808
104. Point by the key range of the note entry buttons or MIDI keyboard KEY FOLLOW p 58 Modifying the Sound t i amp 3 Adding Changes in the Volume AMP E After a sound s been created by the oscillators and has been filtered you can apply changes to the volume of the sound and control the attack or decay of the sound See Changing the Volume o AMP p 58 for details on the amp 1 Use the Envelope sliders to adjust the changes in volume Attack time slider 4 4 Sustain level slider Decay time slider a Release time slider A Attack Time Sets the time required for the volume to reach its peak This time increases as you raise the slider D Decay Time Determines the time required for the volume to drop from the peak to the sustain level If the sustain level is at its maximum this will have no effect S Sustain Level Determines the level at which the volume is to be maintained after the peak has been reached While you continue to press a note entry button or the key of a MIDI keyboard it will keep sounding at this level HINT R Release Time You can also get the volume Sets the time needed for the volume to reach zero after you release your finger from modification times to change a note entry button or the key of a MIDI keyboard SE range within which the note For example if you shorten the attack time and lengthen the release time it may entr
105. RATE This adjusts the rate of the LFO s modulation As the knob is rotated toward the right the modulation will become faster You can synchronize the LFO rate to Arpeggiator or an external MIDI device s tempo clock For more detailed information refer to Synchronizing the Modulation to the Song Tempo BPM SYNC BEAT CYCLE p 61 Adjusting the Modulation Depth DESTINATION DEPTH DESTINATION Selects the waveform for which the modulation is to be set with DEPTH Destination Description OSC 1 ose 1 DESTINATION Sets the LFO depth applied to the OSC 1 pitch resulting in a vibrato effect OSC 2 DESTINATION osc 2 Sets the LFO depth applied to the OSC 2 pitch resulting in a vibrato effect FILTER DESTINATION FILTER Sets the LFO depth applied to the filter brightness resulting in a wah effect AMP DESTINATION Sets the LFO depth applied to the amplifier volume resulting in a tremolo effect PAN DESTINATION PAN Sets the LFO depth applied to the pan resulting in a Particular ef fect in which the sound image moves cyclically DEPTH Sets the amount of LFO that is applied depth of modulation The effect will increase as the knob is rotated further toward the right of center Turning this to the left of center counterclockwise changes the direction of the waveform At the center position the LFO has no eff
106. REVIEW to make the indicator light Indicators are lit for buttons that may be used as the note entry buttons SOLO UNISON PORTAMENTU CONTROL PATCH 00000 ES TUNE LOCAL REMOTE FOOTSW CLOCK MIDICH MIDITHRU BULK DUMP 2 Press HOLD to make the indicator light 3 Press the button for the key that you want to play The pressed button s indicator blinks and the sound continues to play after you release the button 4 Press the same button once more to stop the sound Determining the Basic Waveform and Pitch OSC 1 amp 2 OSC 18225 osc 1 mM AW Noise WAVE oov 00 LJ FL SPECTRUM A octave sugosc ARATON CH 0CT ERS Te ZB WI E 1 LSUBSONIC BALANCE RA ENV PWM oioD gt DEPTH LFO2 COARSE FINE osc 1 MAX my 24 With the OSC 1 amp 2 Oscillator 1 amp 2 section select the waveform upon which the sound is based then adjust the pitch and other aspects of the sound You can also combine OSC 1 and OSC 2 to create a wide variety of sounds Oscillator ON OFF and Mix Balance OSC 1 OSC 2 BALANCE OSC 17 OSC 2 These switch the oscillators on and off Press the button the selected oscillator is on when the indicator is lit or blinking and off when the indicator light is off When both OSC 1 and OSC 2 are on the oscillator with the blinking indicator is the one being edited To turn off the oscillator that is not being edited press the blinking button HINT Pressi
107. Roland sentHesieea GW Ge OWNER S MANUAL Thank you and congratulations on your choice of the Roland Synthesizer SH 32 Before using this unit carefully read the sections entitled USING THE UNIT SAFELY and IMPORTANT NOTES p 2 p 4 These sections provide important information concerning the proper operation of the unit Additionally in order to feel assured that you have gained a good grasp of every feature provided by your new unit Owner s Manual should be read in its entirety The manual should be saved and kept on hand as a convenient reference POWER ON Dem IN mIDI ouT FOOT SWITCH LIMONO OUTPUT R PHONES OSC 122 CUTOFF RESONANCE BW vit osc 1 WAVE AN em S S f AVA TLJ WA NOISE y e y e A 3 A L sic oo We L d g lO FU EL SPECTRUM y L A e P CS 4 ZS ZS Ti 6 RING K wem ZE Dr RATE Rep COLOR are LEVEL LPF HPF opp TYPE SLOPE E TYPE A eee aB TYPE I Usussonic p PPF res LE e E LEVEL ES PITCH TIME Pap L R SHIFT pwm KEY LFO 2 COARSE FINE ANO FBK MOD DEPTH MAX 24 50 WE SUB OSC aer e A ATTACK ANALOG FEEL LEGATO LEVEL EI EI 3 E FADE KEY BEAT BPM a DESTINATION FORM IN SYNC CYCLE SYNC BR A SE PL write PATCH EXIT 8 2 1 2 174 L E oo eo o aK EXEC Ee PART Va MOT ip PA 000 0 0 IN PORTAMENTO RID REST TO TOP BACK ARPEGGIATOR CONTROL PATCH OWOOOOO0O0O me Oz ew 2 2 FEH BIC
108. SC 1 on OSC 2 on OSC 1 off OSC 2 on OSC 1 on Miocene pos uous Berariu with the position of controls You can control You can control You can control the parameters of 2 j OSC 1 parameters OSC 2 parameters the OSC whose button is blinking when you are operating with OSC 1 and OSC 2 at different settings 27 Modifying the Sound 2 28 Press WAVE to select a waveform group The indicator for the currently selected waveform lights To select one of the lower waveforms get the two indicators above the waveform to light The selected waveform l AA TLI WN MOIS 0 z Ge e E O FU FL SPECTRUM AMA TL Y nose WAVE aV mg FU FL SPECTRUM l The selected waveform Here are some examples of waveform groups A V Saw Tooth waveform group The waveforms of this group contain a fundamental sine wave and its integral harmonics at a fixed ratio This produces a sharp and bright tone FL Square waveform group The waveforms of this group contain a fundamental sine wave and its odd numbered harmonics at a fixed ratio AW Triangle waveform group This waveform group contains two types of sine waves and does not have any strong harmonics Monitor the sound while you choose the preferred waveform group Slide PITCH COARSE and PITCH FINE to set the sound s pitch Slide PITCH COARSE to change the pitch extensively Slide PITCH FINE to fine tune the pitch Slide ENV DEPTH and PITCH ENV to change the pitch o
109. SES A continuously This is suitable TEAN when you want to obtain a vibra to effect Kai The sound will be modulated continuously This is suitable in NJ Sine Wave rar situations where for example you want to obtain a smoother YN lt 11 sound mM Sawtooth Wave Upon reaching the crest of the wave the wave returns to the FORM starting position where it starts to rise again Turning DEPTH AA to the left of center counterclock AS wise changes the phase of the waveform once the trough of the wave is reached the wave re turns to the starting position where it starts to fall again The sound will be modulated as ifitwere being switched between two positions L Square Wave FORM The sound will be modulated as ifitwere being switched between two positions The sound pro duced is relatively smoother than Od that of the square wave Trapezoidal Wave FORM JINJUL Sample amp Hold Wave The sound is modulated as if it were being switched randomly FORM RND Random Wave The sound is modulated as if it FORM were being switched randomly The sound produced is relatively smoother than that of the sample we and hold wave Nore The waveforms depicted on the SH 32 s panel are merely images used for reference While the actual waveforms that are output may resemble these images they are not identical Adjusting the Rate of Modulation RATE
110. Same as TREMOLO Wave Type RATE DEPTH Depth LEVEL EQ Gain Description Frequency of the change Parameter Value Description INTENSITY 0 05 10 0 Hz Repeat rate Rate COLOR 1 38 Slice pattern Pattern RATE DEPTH 0 127 Timing of volume changes in levels for Shuffle even numbered Beats The higher the value the later the beat progresses LEVEL 0 127 Speed at which the volume changes Attack between beats E How to Set the BPM Sync Start Timing p 112 110 AUTO PAN Cyclically modulates the stereo location of the sound Parameter Value Description INTENSITY 0 05 10 0 Hz Frequency of the change Rate COLOR tri SqU Sin Selects the way the positioning Wave Type SW1 SW2 of the sound is changed tri triangle wave SqU square wave Sin sine wave SW1 2 sawtooth wave Sw1 SW2 R R L L RATE DEPTH 0 127 Depth to which the effect is ap Depth plied LEVEL 15 15 High boost EQ Gain Low boost AUTO PAN SYNC Sync type Auto Pan synchronized to the BPM Rate set with INTENSITY changes according to the note length corresponding to the BPM setting Parameter Value Description INTENSITY note 1 p 112 Rate Frequency of the change COLOR Same as AUTO PAN Wave Type RATE DEPTH Depth LEVEL EQ Gain
111. Snr 5 TR909 Snr 6 TR909 Snr 6 TR808 Tom TR808 Tom TR808 Tom TR808 CHH 3 TR909 CHH 1 TR909 CHH 2 TR808 Tom TR808 Tom TR808 Tom TR808 CHH 3 TR909 PHH 1 TR909 PHH 2 TR808 Tom TR808 Tom TR808 Tom TR808 OHH 1 TR909 OHH 2 TR909 OHH 3 _TR808Tom TR808 Tom TR808 Tom TR808 Tom TR808 Tom TR808 Tom TR909 Crash TR909 Crash TR909 Crash TR808 Tom TR808 Tom TR808 Tom TR707 Ride TR707 Ride TR707 Ride TR909 Crash TR909 Crash TR909 Crash TR909CrshRvs TR909CrshRvs TR909CrshRvs CR78 Beat CR78 Beat CR78 Beat HiBongo LoFi HiBongo LoFi HiBongo LoFi TR808Cowbell TR808Cowbell TR808Cowbell LoBongo LoFi LoBongo LoFi LoBongo LoFi TechnoShaker CR78 Tamb TechnoShaker Daach ROOD KICKS eee TR909 Kick5 TR909 Dst BD TR707 Rim TR707 Rim TR707 Rim Break Snare2 FlangeSnrRvs TR909 Snr 4 TR909 SnCIp1 TR909 SnClp1 TR909 SnCIp1 Flange Snr BreakSnr2Rvs Flange Snr Beam HiQ Beam HiQ Beam HiQ TR909 CHH 2 TR909 CHH 2 TR909 CHH 2 G Blip MG Blip MG Blip TR909 PHH 2 TR909 PHH 2 TR909 PHH 2 MG Zap 7 MG Zap 7 MG Zap 7 TR909 OHH 2 TR909 OHH 2 TR909 OHH 2 SEENEN MGiani eel MOZA A2 P Zing P Zing P Zing TR909 Crash TR909 Crash TR909 Crash CR78 Beat CR78 Beat CR78 Beat TR606 Cym 1 TR606 Cym 1 TR606 Cym 1 TR909 Crash TR909 Crash TR909 Crash Group Clap MgWhiteNz Group Clap TR808 Rim TR808 Rim TR808 Rim TR909 SnClp2 TR909 SnClp2 TR909 SnClp2 MG Zap 6 MG Zap 6 MG Zap 6 TR909 Clap 1 TR909 Clap 1 TR909 Clap 1 TR808 RimLng TR808 RimLng TR808 RimLng cs Clap A Motel TR909 Cap TR909 C
112. Style numbers separately to each Patch Rhythm Set or Performance MOTIF DURATION E DA 5 1 Press STYLE causing the indicator to light ARPEGIA Sn The arpeggio s Style number appears in the display EI EI 2 Press VALUE V A to select a Style number 11 a 88 a You can also select Style numbers directly by pressing BANK and pressing one of the buttons 1 A 8 R then once again pressing one of the buttons 1 A 8 R gt For more on the prepared Arpeggio Styles already programmed in the SH 32 refer to the Arpeggio Style List p 102 3 When you have finished selecting a Style press EXIT causing the STYLE indicator to go off 4 To save the settings press WRITE and carry out the write procedure p 63 p 70 p 73 Chapter 6 Using Arpeggiator ARPEGGIATOR HINT When the System function FOOT SW Foot Switch is set to ALP you can also use the foot switch connected to the FOOT SWITCH jack to switch Arpeggio Style numbers p 91 About Arpeggio Styles An Arpeggio Style is a series of data for basic arpeggio patterns and chord styles recorded in the form of a grid consisting of a maximum of 32 steps x 16 pitches About Rhythm Styles A Rhythm Style is data recording the Arpeggiator action which creates the Rhythm Style as applied to a Rhythm Set Although the data is organized the same way it is in Arpeggio Styles they differ from regular arpeggios in tha
113. THE PREVENTION OF FIRE ELECTRIC SHOCK OR INJURY TO PERSONS About 4 WARNING and 44 CAUTION Notices Used for instructions intended to alert the user to the risk of death or severe Z WARNING injury should the unit be used improperly Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly A CAUTION Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings as well to domestic animals or pets About the Symbols The A symbol alerts the user to important instructions or warnings The specific meaning of the symbol is determined by the design contained within the triangle In the case of the symbol at left it is used for general cautions warnings or alerts to danger The symbol alerts the user to items that must never be carried out are forbidden The specific thing that must not be done is indicated by the design contained within the circle In the case of the symbol at left it means that the unit must never be disassembled The symbol alerts the user to things that must be carried out The specific thing that must be done is indicated by the design contained within the circle In the case of the symbol at left it means that the power cord plug must be unplugged from the outlet EE ALWAYS OBSERVE THE FOLLOWING e Before using this unit m
114. YPE in the INS FX section blinking Q D L R SHIFT MOD DEPTH 3 Press VALUE V A to select which of the effects you want to use gt For details on the Insertion Effects refer to Insertion Effects Parameters p 107 4 When you finish making settings press EXIT to end the procedure 5 To save the settings press WRITE and carry out the write procedure p 63 p 70 64 Chapter 3 Applying Effects to the Sound INS FX REV DELAY Setting the Insertion Effects You can set a variety of parameters in each Patch or Rhythm Set for the Insertion Effects selected with the effect type Using the INTENSITY Knob Assigned to the INS FX INTENSITY knob is the specific parameter that is best suited for adjustment with the knob The parameter assigned is predetermined for the selected effect type INTENSITY INS FX Rotate INTENSITY while INS FX is lit to change the amount of the effect applied E The functions of parameters that may be set differs according to the effect selected with the effect type For more details refer to Insertion Effects Parameters p 107 After adjusting the effect with INTENSITY the knob s settings are saved when you press WRITE and carry out the write procedure Using the FX SYSTEM Knob and VALUE W A 1 Confirm that the SH 32 is in Patch mode 2 Turn the FX SYSTEM knob to the parameter to be set select COLOR RATE
115. ake sure to read the instructions below and the Owner s Manual e Do not open or modify in any way the unit or its AC adaptor e Do not attempt to repair the unit or replace parts within it except when this manual provides specific instructions directing you to do so Refer all servicing to your retailer the nearest Roland Service Center or an authorized Roland distributor as listed on the Information page e Never use or store the unit in places that are e Subject to temperature extremes e g direct sunlight Y in an enclosed vehicle near a heating duct on top of heat generating equipment or are ee e Damp e g baths washrooms on wet floors or are N e Humid or are e Exposed to rain or are e Dusty or are e Subject to high levels of vibration e Make sure you always have the unit placed so it is level and sure to remain stable Never place it on stands that could wobble or on inclined surfaces e Be sure to use only the AC adaptor supplied with the unit Also make sure the line voltage at the installation matches Q the input voltage specified on the AC adaptor s body Other AC adaptors may use a different polarity or be designed for a different voltage so their use could result in damage malfunction or electric shock heavy objects on it Doing so can damage the cord producing severed elements and short circuits Damaged cords are fire and shock hazards Do not excessively t
116. ally save a backup copy of important data you have stored in the unit s memory in another MIDI device e g a sequencer Unfortunately it may be impossible to restore the contents of data that was stored in the unit s memory or other device e g a sequencer once it has been lost Roland Corporation assumes no liability concerning such loss of data Use a reasonable amount of care when using the unit s buttons sliders or other controls and when using its jacks and connectors Rough handling can lead to malfunctions When connecting disconnecting all cables grasp the connector itself never pull on the cable This way you will avoid causing shorts or damage to the cable s internal elements To avoid disturbing your neighbors try to keep the unit s volume at reasonable levels You may prefer to use headphones so you do not need to be concerned about those around you especially when it is late at night When you need to transport the unit package it in the box including padding that it came in if possible Otherwise you will need to use equivalent packaging materials In order to fully broaden the range of expression that is possible from its sounds the SH 32 makes it possible to make settings for a wider range of parameters than those offered by an ordinary sound module When turning up the filter resonance effect feedback or other parameters to extreme levels reduce the volume so as not to overload the equipment
117. anel controls to change the Rhythm Tone key number assignments e You can make filter and amp envelope settings A D S R in Rhythm Tones as well However when the sustain level set with S is reached the envelope immediately goes on to the release without holding at that level 69 Chapter 4 Playing the Rhythm Sets Saving Changed Settings WRITE Changes in settings are temporary and are lost when the power is turned off or when you select another tone To keep the settings you have modified save them to the SH 32 s User Memory MEMO A dot appears in the display when a Rhythm Set s settings are changed The dot disappears when the settings are saved to the SH 32 Gs Any data currently stored in the location to which the new data is being saved is overwritten and therefore lost when the write procedure is executed However the factory setting data can be recovered by performing the Factory Reset procedure p 94 a Make sure that the Rhythm Set you wish to save is selected N Press WRITE to make the indicator light The Rhythm Set number blinks in the display 3 Specify the save destination Rhythm Set with the same procedure previously used in selecting the Rhythm Set p 68 Select a User Rhythm Set r1U r2U 4 Press WRITE once again The indicator blinks and the message 5 r Sure blinks in the display prompting you to confirm the save 5 Press WRITE once more to execute
118. ay the sounds are output and muted Changing the Volume Over Time A DS R ENV DEPTH A DSR Sets the amplifier envelope attack time decay time sustain level and release time Values increase the more the sliders are raised Volume Time Note on Note off A Time from the moment when the key is pressed until the volume reaches its greatest level attack time D Time for the volume to reach the sustain level decay time S Level at which the volume remains at a fixed level sustain level R Time from the moment when the key is released until the volume returns to zero release time Chapter 2 Creating Your Own Sounds Increasing and Decreasing the Rate of Change in Volume According to the Keyboard Position TIME KEY FOLLOW TIME KEY FOLLOW Set this to have the time following the decay time of the amplifier envelope altered according to the position of the key pressed With the amplifier envelope for the C4 key Middle C as the reference then when values are positive then the higher the key being pressed is above the C4 key the shorter the time with negative values creating longer times Larger settings will produce greater change Press TIME KEY FOLLOW causing the indicator to blink then press VALUE V A to set the value from 10 to 10 When you have finished making the settings either press TIME KEY FOLLOW once more or press EXIT causing the TIME KEY FOLLOW indicato
119. ble for creating metallic sounds such as bells Creating an Assertive Solo Sound OSC 1X2 SYNC Oscillator Sync OSC 1X2 SYNC Press the button causing the indicator to blink to turn on the Oscillator Sync function this produces a complex tone containing numerous harmonics This is effective when the OSC 1 pitch is higher than the OSC 2 pitch 55 Chapter 2 Creating Your Own Sounds Oscillator Sync synchronizes the wave output from OSC 1 to the wave output by OSC 2 When set to the OSC 2 pitch as shown in the figure Oscillator Sync forces the OSC 1 to return to the start of the OSC 2 wave s cycle producing a complex waveform image figure S S RING i OSC 1x2 A evi i 2 4 Return to beginning of period HINT The Oscillator Sync effect is only applied to OSC 1 the OSC 2 tone is not changed If the Oscillator Sync effect is not sufficiently evident raise BALANCE toward the OSC 1 end Moving BALANCE allows you to alter the ratio of the OSC 1 sound to which Oscillator Sync is applied and the normal OSC 2 sound GE es On the SH 32 the Oscillator Sync function cannot be used together with the sound generator section s filter functions If you want to add a simple filter effect to a patch that uses Oscillator Sync use INS FX as the filter type p 64 e Patches using Oscillator Sync are sounded only in mono Furthermore in Performance mode they can be used only in Part 1 Wh
120. buttons Tap Tempo p 74 Playing Arpeggio Arpeggiator Playing the Arpeggio Together with a Rhythm Pattern E a x 2 5 o In Performance mode you can play the arpeggio while playing a rhythm pattern 6 13 1 2 9 2 4 7 9 11 POWER ON L MONO OUTPUT R PHONES OSC 1 amp 2 INTENSITY ES FX OUTPUT p es por AMA HI nose WAVE Sy A O O L S o O d ru rU 4 L A d Kent LI SPECTRUM y FE e E TYPE SLOPE oe SA ua OSC 1x2 5 se O O O e Tee HF DAMP E LEVEL MOD RATE parano DEn em PITCH SIN FEK MOD DEPTH ATTACK ANALOG FEEL LEGATO LEVEL ES ES wc n PAN SERIES TIM Se EXEC PERFORM CTI MANUAL BANK CHORD Se de BA Ga o0 oO eE LTER AMP GU 2 osc x4 PARTS SYNTH STACK 3 10 5 12 Press PATCH PERFORM to light up the button and to enter Performance mode See Chapter 5 Using in Performance Mode p 71 In Performance mode you can play four Parts each with its own Patch assigned to tor details On Poio it at the same time mode Press EXIT while pressing PATCH PERFORM getting both buttons See Selecting the Patch for to blink Each Part Part Assign Mode p 71 for details on the Part Assign mode The unit is now in the Part Assign mode Set the Rhythm Set to Part 4 1 Press 4 R 4 R blinks 2 Press BANK and then press 8 R 3 Press 1 A 4 D to select a Rhythm Set number The Rhythm Set number is shown in the displa
121. causing the indicator to blink 4 Press 1 4 R Part buttons to select the Part for which the MIDI Receive channel is to be set 5 Press VALUE W A to select a MIDI channel number 1 16 6 When you have finished setting the channel press EXIT 7 To save the settings press WRITE and carry out the write procedure p 73 Chapter 8 Using the SH 32 with External MIDI Devices Setting the Performance Control Channel This sets the Receive channel Performance Control Channel used when switching SH 32 Performances with MIDI messages Program Change Bank Select transmitted by an external MIDI device When you press the lit Part button selected in Step 4 of Setting the Receive Channel for Each Part all of the buttons 1 4 R are lit and the Performance Control Channel can be set Set this to OFF when Performances are not being switched from a connected MIDI device nore e The Performance Control Channel setting is a system setting System settings are saved the moment the parameter values are changed Thus these settings are not lost when the power is turned off even without the write procedure being carried out e When receiving only Program Change messages if the Performance Control Channel setting is the same as the Parts MIDI Receive channel then switching of the Performance is given priority Playing the SH 32 from an External MIDI Keyboard Use an external MIDI keyboard to play the SH 32
122. ce Mode EE nn rnnnnnnnaranannnnnnararannnnnnacss 80 Selecting Mesta tc Aoi 80 Specifying the Part Used to Play the Arpeggio En 80 Arpeggiator Parameter Dettngs EE 80 Creating Styles A NN 80 Chapter 7 Using the Chord Memory Function CHORD 81 About the Chord Memory Function EE nn cnn nr nn naranannnnrnarnannn ranas 81 Performing with the Chord Memory Punctpon EE 81 Turning Chord Memory Function On and ONT een 81 Selecting Chord Bomme deeg dee deiere ee 81 Creating Your Own Chord Porm EE 82 Using the Chord Memory Function in Performance Mode een 82 selecting the Chord Porcina ia aii tas 82 Specifying the Part to Use the Chord Memory Function ooneconcncncnnnnnnnnrnenenncannnnrnanernranannnnnnass 82 Chord Memory Parameter Gettng es 83 Creating Chord POTS civil initial std a bids evades 83 Chapter 8 Using the SH 32 with External MIDI Devices 84 EE 84 MIDI Connecter 2 cscs ices Scie Sess Eed ee EE Eed EERE 84 About MIDI hagmele 22 84 Setting the MIDI Channel MIDI CH use 84 Setting the Receive Channel in Patch Moden 84 Setting the Receive Channel for Each Part un 84 Playing the SH 32 from an External MIDI Keyboard mcoconeconononocnnncnonenncnnnnnnnnnnrnnnenonorananonnnnarnrannonnnncss 85 Changing the Sound with Modulation MOIE 85 Determining the Amount the Pitch is Changed with the Pitch Bender P BEND 86 Changing the Sound with Aftertouch AFTERTOUCH eneen 86 Changing the Sound Acc
123. ck sound that s fed back into the effect Negative settings invert the phase STEP FLANGER This is a flanger in which the flanger pitch changes in steps eme Lin Feedback Feedback 6 Step Fanger E di er Parameter Value Description INTENSITY 0 05 10 0 Hz Rate period of pitch change Step Rate COLOR 0 127 Depth of modulation Depth RATE DEPTH 0 05 10 0Hz Frequency of modulation Rate LEVEL 98 98 Adjusts the amount of the flanger Feedback sound that s fed back into the effect Negative settings invert the phase STEP FLANGER SYNC Sync type Step Flanger synchronized to the BPM Rate set with INTENSITY changes according to the note length corresponding to the BPM setting Parameter Value Description INTENSITY note 1 p 112 Rate period of pitch Step Rate change COLOR Same as STEP FLANGER Depth RATE DEPTH Rate LEVEL Feedback is How to Set the BPM Sync Start Timing p 112 RING MODULATOR This is an effect that applies amplitude modulation AM to the input signal producing bell like sounds Lin Ring Mod L out R in Ring Mod gt Mod R out Parameter Value Description INTENSITY 0 127 Adjusts the frequency at which mod Frequency ulation is applied COLOR UP dWn Direction in which the change in fre Polarity quency moves
124. connector assumes the same function as the SH 32 s note entry buttons Therefore the Local Switch also affects the connection between the external MIDI keyboard and the internal sound generator Having an External MIDI Keyboard Operate Like the Preview Function REMOTE When the Remote Keyboard Switch REMOTE is on the external MIDI keyboard connected to the MIDI IN connector then functions the same way as the SH 32 s note entry buttons Settings values FF Off Gn On nore While the Remote Keyboard Switch is on the channels used by MIDI messages that arrive from an external device won t be distinguished correctly Chapter 9 Other Settings Setting the Foot Switch Function FOOT SW This selects the function controlled by the foot switch connected to the FOOT SWITCH jack You can connect two switches SW 1 and SW 2 When using the DP 2 pedal switch optional you can use only the SW 1 function When you connect two BOSS FS 5U foot switches optional with a PCS 31 splitter cable optional you can use both the SW 1 and SW 2 functions PCS 31 red white FOOT SWITCH n wo A RE T i 9 i i sl ONLY WHILE POWER IS OFF UI D Y D L al L al sw 2 SW 1 Set the FS 5U s Polarity switch as shown in the figure below Polarity switch Gs Always turn off the power before connecting or disconnecting the foot switch from the FOOT SWITCH jack If yo
125. created on the SH 32 relies on a unique interaction of several parameters so it s a good idea to save your sound settings whenever you achieve something you like and may want to use later You can save as many as 128 different sound settings on the SH 32 POWER ON DCN IN mpi ouT FOOT SWITCH L MONO OUTPUT R PHONES OSC 1 E 2 y INTENSITY wee OUTPUT CUTOFF RESONANCE ym MILI W noise WAVE ax y Y E q CA D e PU ML SPECTRUM y A L A e Ze Kent DS wat OCTAVE suBosc VARIATION KEY coron EFM eveL 4 ocT oC orp TYPE SLOPE e TYPE ES IO Os TYPE Se PITCH ENV Kass muve MOD RATE na coarse Fi Pr A ere ae d FPK MOD DEPT Ee D DEPTH ez 2 ae SR Ale s R DEPTH FOLLOW MOD DEPTH 3 CR max an FADE KEY BEAT BPM INS gt PORTA DESTINATION FORM IN SYNC CYCLE SYNC l SERIES TIME DEMO O CEAD O O O O e WRITE PATCH EN osSc2 AMP d C emn Pe aN m ru rio E03 A E eve 00 SC 0 29 0 9 2 osc x4 PARTS SYNTH STACK Display When you ve reached the point where you have a sound you want to save press WRITE WRITE lights up and a Patch number blinks in the display Press VALUE W A to select the place where you want to save your HINT Patch A11 B88 You can also select a Patch number by pressing BANK selecting a bank with 1 A or 3 2 B and then selecting the Press WRITE save destination with 1 A The ur Sure confirmation messag
126. csebecussedestishethon et 46 How Characters and Numerals Are Displayed een 46 AB OuUt o A Eed GEES eege Eeer E 47 Temporary Memor EEN 47 Rewritable MEMOry AAA A A A deene kEi 47 Non Rewritable Memory EE cn nnn anar rarananannn rn ranannnnananass 47 Main Setting Destinations EE 48 Objects of Settings That Change with the SH 32 s Mode EEN 50 Chapter 2 Creating Your OWN SOUNGCG oooomcccocccccnnconcononnncannconnccnnnnnnnnns 52 Creating Sounds that Reflect the Position of Sliders Knobs OMANUAL en 52 Using Preview Function Hold to Continue Playing a Gound EE 52 Determining the Basic Waveform and Pitch OSC T 52 Oscillator ON OFF and Mix Balance OSC 1 OSC 2 BALANCEI An 52 Selecting the Fundamental Waveform WAVE VARIATION EE 53 Determining the Pitch OCTAVE PITO ocociconaninininnnnnanincnnononnnnonconononinnononcnnorancnnnnororincnnionos 54 Creating a Fatter Sound by Adding Components One Octave Below the Sound SUB OSC EE 54 Changing the Pitch Over Time PITCH ENV ENV DEDTHI een 54 Changing the Pulse Width of a Square Wave Periodically DWMI 55 Creating a Metallic Sound OSC 1X2 RING Ring Modulator en 55 Creating an Assertive Solo Sound OSC 1X2 SYNC Oscillator Sync ococcocononcnconrnrnnannrnas 55 Changing the Characteristics of Sounds PILIER 56 Internal Filter Types and Functions TYPE SLOPE EEN 56 Setting the Cutoff Frequency CUTOFF eneen 57 Using Resonance to Add Fullness to the Sound REGONANCEN ee 57 Chan
127. data in the user memory is running down battery replaced En 5 Itis possible that a MIDI cable has been pulled outorhas Check the MIDI cable a short E FE 5 The checksum value of a system exclusive message was Correct the checksum value e incorrect Due to an inordinate volume of MIDI messages received Reduce the amount of MIDI messages to be transmitted the SH 32 has failed to process them properly It is possible that the power has been turned off for the Check the power of the connected MIDI device MIDI device connected to the SH 32 s MIDI IN connector A MIDI message was received incorrectly If the same error message is displayed repeatedly there is a problem with the MIDI messages that are being transmitted to the SH 32 A K pa m a mm 98 Bank C User Bank D User No Patch Name Comment No Patch Name Comment C11 Bass 1 Bass sound with Resonance effect D11 SEQ 2 Sound for analog sequences C12 SyncLead 1 Oscillator Sync lead sound
128. e K 05 gt 08L 08H 08t L R Shift Mod Depth EPS tes HF Damp Mod Rate e Gr van d REV DELAY Send Level 0 127 Motif EE Rhythm Set Arpeggio Switch OFF ON Duration 30 40 50 60 70 80 90 Arpeggiator Rhythm Style E 00 120 FUL Ftl Ft2 p 74 Grid Type ya E ee nee 08t Range 3 3 octave Patch mode iat T Tempo 20 0 250 0 BPM only Tempo 20 0 250 0 BPM Chord Memory Se een STON Rhythm Rhythm Tone Common p 82 Chord Form Select 1 c 88 c Tone Level 0 127 Performance Chord Part 4 Parameters Assign Type MULTI SINGLE mode only Mute Group OFF 1 31 Performance Receive Channel 16 Pan L64 63R Part Receive Switch OFF ON osc Part Level 0 127 Coarse Tune 24 24 Part Pan L64 63R Fine Tune 50 50 Patch Select A11 d88 r1 U r2 U r3 P Wave OFF 1 63 r4 P Pitch Env Attack Time 0 127 Part Coarse Tune 24 24 Pitch Env Decay Time 0 127 Part Fine Tune 50 50 Pitch Env Depth 63 63 Part Stack Switch OFF ON Filter Effects Filter Type LPF BPF HPF PKG OFF Part INS FX Switch OFF ON Cutoff Frequency 0 127 Part REV DELAY OFF ON Resonance 0 127 Switch Env Depth 63 63 Part REV DELAY 0 127 Env Attack Time 0 127 Send Level Env Decay Time 0 127 Env Sustain Level 0 127 Env Release Time 0 127 Amp System Parameters Env Attack Time 0 127 Env Decay Time 0 127 Env Sustain Level 0 127 Ey Beles Dime E SS Master Tune SE 0 Hz Ze Bender Range 024 Common Foot Switch SE an ren SEO Velocity Amp Level Sens 63 63 p 9
129. e MOE cccccssssssceeseceseeesseceseecsseeeaeenes 20 71 PHONES jack arial pus 15 Pitch DEnder curtir 86 PITCH COARSE vaccine 28 54 ENV DEPTH E 28 PITER ENV WEE 28 PITCH ENV AJ Lastarria ia l an laliadrd 54 PITCH ENV Dee is 54 Pitch envelope Attack time maana ik 54 Decay time EE 54 PITCH FINE cocinado 28 54 Ett EE 29 PORTA TIME ositos 13 62 PORTAMENTO v inetr 13 62 PortaMento EE 62 POWER SWiItCH E ce eeteteeseseeteeneeceeeeseeeenenes 15 17 Eemer Up mode misiva ege 93 PREVIEW aiii pira 13 21 52 Preview function ees 21 Program change Message eococononononnoncnnnnanncnrnnnnncarananona 87 Pulse width modulation cee cesses 55 PWM LEO E 55 A RANGED sex varia nadas 14 76 ENEE 76 RATE siii 33 60 E DNR E 77 Realtime input msione geed 77 REMOTE EE 90 Remote keyboard switch 0 eeceesesestenenens 90 RESONANCE enen 30 57 REST viii ica 14 78 REV e DELAY scsetianiwustancnacnivaueiotinget 24 34 65 Rhythm pattern sitene ase cited cs 39 Rhythm Set How a Rhythm Set is organized coccoenoninconononcnannnns 45 Rhythm Set settings ccccccccescsesceneesesesnaneneseees 68 Rhythm Tone settings cccccccccscsneseesesteneeseees 69 Selecting Rhythm Sets coococncoinoncnoncnrnennrnnnanos 25 68 Rhythm style avion cisne dde 75 Ring modulator manisss aeee ieee 55 S Save Arpeggio rhythm style e 79 Pateh E 35 63 Performance stederne kei ereet pietei 73 RAYN Set oiei onthe o A 70 SLOPE
130. e appears in the display To cancel the save 8 R press EXIT Press WRITE again First QE Ok blinks in the display then the display returns to its original state The sound is now saved to the selected Patch number 35 Playing Arpeggio Arpeggiator The SH 32 provides an automatic arpeggio function Arpeggiator With this function you can play a chord in arpeggio Also when a Rhythm Set is selected you can play a rhythm pattern An arpeggio is played in accord with the keys that are pressed There are a number of preset Arpeggio Styles from which you can choose Arpeggio Styles Turning On Off the Arpeggiator See Chapter 6 Using Arpeggiator ARPEGGIATOR p 74 for details on Arpeggiator Let s play with the Arpeggiator POWER ON OSC 122 CUTOFF RESONANCE MITA noise WAVE y Y ER ee o On L E FU FU SPECTRUM A L A 8 Lengt Z O TYPE SLOPE oe IN MIDI out FOOT SWITCH L MONO OUTPUT R Welle 0 FX d LPF HPF OFF REV DELAY FOLLOW evee BPF PKG PITCH ENV gt env pwm PITCH ENV ve BALANCE K Cal DEPTH LFO 2 COARSE FINE Le R DEPTH FOLLOW A FADE KEY BEAT BPM DESTINATION FORM IN SYNC CYCLE SYNC y amp AN DA 2 AMI Y MA RND LO TO Law Am 16885 4 1 1 3 TE DURATION STORE r E TS poor QO0 0 O 0 0 O OO Om DIS RT TATI MANUAL BANK CHORD SOLO UNISON PORTAME CUTE ines CONTROL PATCH ARPEGGL
131. e the volume controls of the SH 32 and all connected audio devices been turned to the minimum position 2 Turn on the POWER switch located on the rear panel of the SH 32 ON OFF BR GE This unit is equipped with a protection circuit A brief interval a POWER few seconds after power up is required before the unit will operate normally Ww Turn on the power of the connected audio equipment A Play the SH 32 and gradually raise the volume controls of the SH 32 or the connected audio equipment to an appropriate volume level OUTPUT Be careful not to raise the volume excessively Excessive volume may damage your amp speaker system or could cause hearing problems Turning Off the Power 1 Before turning off the power make sure of the following point e Have the volume controls of the SH 32 and all connected audio devices been turned to the minimum position e Have you saved the sounds or other data you ve created 2 Turn off the power of the connected audio devices 3 Turn off the POWER switch of the SH 32 Restoring the Factory Settings Factory Reset When using the SH 32 for the first time start out by restoring the settings programmed at the factory to ensure that the SH 32 functions correctly according to the procedures described in the Owner s Manual D E ie you may already have created important data that you want to keep all such existing data is lost when Factory Reset is carried
132. e to the right clockwise emphasizes the frequencies near the cutoff frequency giving the sound a special quality LPF PF HPF PKG Level i 4 4 4 High lf i n N Frequency 3 Cutoff frequency R D ol 4 4 E E o S S s i iL O 5 x Ca gt i gt i gt el 4 4 4 H i Iae A 4 4 4 Ma La Loa Low gt ES CC Gd In response to demande by pro sound designers for tone changing capabilities the SH 32 permits a wide variety of resonance settings Because of this raising the resonance level too much results in extremely high output levels in specific frequency ranges Be careful to keep the volume settings down when creating sounds in order to prevent overloading audio playback equipment Changing the Cutoff Over Time A DS R ENV DEPTH A DSR Sets the filter envelope attack time decay time sustain level and release time Values increase the more the sliders are raised Cutoff Frequency Time Note on Note off A Time from the moment when the key is pressed until the brightness reaches its greatest change attack time D Time for the brightness to reach the sustain level decay time S Level at which the brightness remains at a fixed level sustain level R Time from the moment when the key is released until the brightness returns to the original level release time 57 Chapter 2 Creating Your Own Sounds ENV DEPTH Sets the amount of filter
133. e write proce dure p 73 When assigning Patches to the Parts in Performance mode the Patch set tings are disabled and the settings made here go into effect e You can switch the Insertion Effects INS FX or Reverb Delay REV DELAY on indicator lit or off in dicator off for each individual Rhythm Tone percussion instru ment p 64 p 65 e Press a note entry button to specify the Rhythm Tone to be set e You can save settings content to each Rhythm Set with the write pro cedure p 70 When turning Rhythm Sets on and off as a whole set the Preview func tion to off Makes the detailed Insertion Effects INS FX or Reverb Delay REV DELAY settings for each Patch or Rhythm Set p 65 p 66 Turn the knob to the desired param eter other than SYSTEM then press VALUE V A to make the settings You can save settings content to each Patch or Rhythm Set with the write procedure p 63 p 70 Sets the parameters of the Patch or Rhythm Set assigned to the Part specified as the Performance s effect source p 65 p 66 The procedure for making the set tings is the same as in Patch mode You can save settings content to each Patch or Rhythm Set with the write procedure p 73 Effect parameter settings are not saved to the Performances You can set only the REV DELAY E LEVEL Effect Level in each indi vidual Part of a Performance p 67 Press 1 4 R Part buttons to speci
134. ect on the sound Use DESTINATION to select the waveform to which the LFO is applied Chapter 2 Creating Your Own Sounds Synchronizing the Modulation to the Song Tempo BPM SYNC BEAT CYCLE BPM SYNC You can synchronize the LFO cycle to the tempo specified with TAP BPM p 74 When you press BEAT SYNC causing its indicator to light up the SH 32 is readied for synchronization HINT When CLOCK a System function is set to 7 vd MIDI you can synchronize to the tempo of an external MIDI device p 92 D ges LFO tempo synchronization is effective only for the modulation rate It does not particularly have any control over the phase timing of the start and peak Furthermore even when the LFO is synchronized with the tempo the internal BPM and MIDI clock operate independently Although perfect synchronization may not always be maintained when large loads are placed on the sound generator section it does not indicate a malfunction If necessary press KEY SYNC to turn on that function then retransmit Note On at the appropriate cycle BEA T CYCLE When BPM SYNC is on indicator is lit the synchronization of the modulation is set in terms of the number of beats The indicator alternately lights and goes out each time the button is pressed You can select from these settings 8 4 2 1 1 2 1 3 1 4 For example when 4 is selected the length of the LFO cycle is four beats Similarly when
135. ed Chord Forms just by pressing a single key on the keyboard The SH 32 can store 64 of these Chord Forms 11 c 88 c The 64 Chord Forms programmed at the factory are all fully rewritable GE The Chord Memory function is not used with Rhythm Sets Performing with the Chord Memory Function Turning Chord Memory Function On and Off The Chord Memory function On Off settings can be saved to each Patch or Performance individually 1 Press CHORD causing the indicator to light om CHORD The Chord Memory function is turned on When you play the MIDI keyboard connected to the MIDI IN connector or use the Preview note entry function the chords based on the currently selected Chord Forms are played Mem When you press the C4 key Middle C the chord is played using the exact chord structure recorded in the Chord Form This is referenced to the C4 key parallel chords are played by pressing other keys 2 To turn off Chord Memory press CHORD twice causing the button s indicator light to go off 3 To save the settings press WRITE and carry out the write procedure p 63 p 73 oa When you use the Chord Memory function with a tone for which the Solo function is on SOLO is lit only one sound in the chord is played When using the Chord Memory function press SOLO UNISON and or OSC 1X2 SYNC to turn off the Solo function SOLO light goes off HINT e When the System function FOOT SW Foot
136. ed internally in mono when this is set to 5 r series the sound generator section s pan setting and the LFO pan will have no effect Using the Insertion Effects IN S FX This section explains the procedures used when working with the Insertion Effects Turning the Insertion Effects On and Off You can set whether the Insertion Effects are used switched on or not used switched off in each Patch Rhythm Set or Performance Turn these settings OFF when you wish to listen to the unprocessed sound as you create a sound or when you wish to use external effects processors instead of the built in effects MEMO In Part Assign mode p 71 the following procedure switches each Part on and off and the Insertion Effects for the selected parts is switched on or off In addition you can turn the individual Rhythm Tones percussion instruments in Rhythm Tone Edit p 69 on and off 1 Press INS FX to switch the effects on or off The effect is on when the indicator is lit and off when the indicator light is off INTENSITY f INS FX OO lO 2 To save the settings press WRITE and carry out the write procedure p 63 p 70 p 73 Selecting the Insertion Effects Type TYPE The SH 32 features 35 different types of internal Insertion Effects you can select the effect type for each individual Patch or Rhythm Set 1 Confirm that the SH 32 is in Patch mode 2 Rotate the FX SYSTEM knob to T
137. ee 57 SOLO teste ae a r E 13 61 SOUNA gen ra tOr ciii inba hniena aeeai SEE ao REESS 44 SR DE 78 Step Opuntia idas 78 STORE liura daa 14 STORE caia da E 79 STYLE a iio 14 36 74 79 80 SUB OSC Tiana 28 54 Suboscill tor heien tated asinine 54 System SettidgS oo irer en oas eeaeee a i D a e i Eana 90 T NEE 14 38 74 Tap tempo E 38 74 BR EE 38 74 TIE A A aus seoatebae 14 78 TIME KEY FOLLOW ee 59 RER 14 78 TUNE ee 90 RA EE 29 56 U UNISON Ult cotton Ak eh eatin 13 62 Kette E da lhe tas oa ELE 62 V VALUE YA eege o a dereen 13 VARIATION EE 28 53 VELOCITYA ee E AAE EEN ET 87 Velocity orsa AN 87 VW KE DE 28 53 KE A aae 35 63 70 73 79 WRITE EXEC ssssssssssssssssessssssssssssessssssssssssssssssssessssen 13 Blank Chart MOVLLV 4831713 34019 ADWLLV dAV 134371 dAV 3401N9 13431 div FONVY WIER 3401N9 dy O47 834 1031 9sO 1041 31Ve4 GOW dNVG 3H H1d30 GOW LSIHS H 1 MEE 3 NIL 134314 JdAL 13431 H1d30 31 ve 40109 JdAL Wd owaa cE H TIALS A1349 faas EUEN amp amp AWIL saias Hidad GOW yaa CXMECIZEL L3IHS Y 1 MIL indino S Y32 53H1LU 45 EAS D v Le a Jl W RT 8 O Nyd Y31ld L OSO 7 ONAS 31949 ONAS _NI W404 NOLLVNILS3G Hidaa Wda ivaa CC aav4 MORIS HINAS SLUVd HX ISO Z puejoy CENG dWNG ANS NYHLIGIN HOIGIN 49019 MS1004
138. el Descriptions Rear Panel synthesizer SH 3g MODEL S 1 32 THIS CLASS B DIGI APPARATUS MEETS LL REQUIREMENTS OF THE CANADIA IPMENT REGULATIONS CET APPAREIL NUI RIQUE DE LA CLASSE RESPECTE TOUTES LES EXIGENCES J R GLEMENT SUR LE MAT EL BROUILLEUR DU CANAD THIS DEVICE COMI ES WITH PART 15 OF TH FCC RULES OPERATION IS SUBJECTO THE FOLLOWING TWO COU DITIONS 1 THIS DEVICE MA INTERFERENCE Al CEPT ANY INTERFERENCE RECEIV INCLUDING INTERFERENCE HAT MAY CAUSE UNDESIREL 1 Security Slot nC http www kensington com 2 PHONES Jack This is the jack for connecting headphones sold separately p 16 3 OUTPUT Jacks L MONO R These jacks output the audio signal to the connected mixer amplifier system in stereo For mono output use the L jack gt p 16 4 FOOT SWITCH Jack You can connect optional foot switch BOSS FS 5U or pedal switch DP 2 to this jack you can use it to select or modify sound or perform various other control gt p 16 p 91 5 MIDI Connectors IN OUT These connectors can be connected to other MIDI devices to receive and transmit MIDI messages p 16 p 84 p 92 6 Cord Hook Anchor the supplied AC adaptor cord using the cord hook gt p 16 7 DC IN Jack Connect the supplied AC adaptor to this jack gt p 16 8 POWER Switch This turns the power on off gt p 17 15 Getting Ready Connecting External Devices T
139. en used with Part 2 or 3 the Oscillator Sync function switches off automatically e When using Oscillator Sync you cannot select a variation for the OSC 1 waveform When you press WAVE to select the waveform group an exclusive variation especially for synching is selected automatically e The Suboscillator function p 54 PWM function p 55 and Unison function p 62 cannot be used at the same time that a Patch using Oscillator Sync is active e In some cases a reoccurring cyclic noise may be audible in the low frequency range in Patches using Oscillator Sync This is a characteristic of the SH 32 s synching operations and does not indicate any malfunction Changing Tones with Oscillator Sync Turning OSC 1X2 SYNC on and then adjusting PITCH COARSE and PITCH FINE changes the sound to produce a variety of different tones Changing the Characteristics of Sounds FILTER FILTER CUTOFF RESONANCE E PS SE y E y e A d A d Leg T LPF HPF OFF OOO BPF PKG ENV A D s R gt DEPTH Fi Fees O KE TYPE SLOPE 1 This creates sounds filled with numerous harmonics of different frequencies but by using filters to pass only certain frequency bands while blocking other frequencies you can also change the characteristics of the sound By adjusting the filters in the FILTER section you can change the output waveforms in a variety of ways thus changing the sound Internal Filter Types and Fu
140. encer Alternatively instead of an external sequencer by connecting another SH 32 and transmitting the data to it you can set two SH 32s simultaneously 1 Usea MIDI cable to connect the SH 32 s MIDI OUT connector to the MIDI IN connector of the external sequencer 2 Turn the FX SYSTEM knob to SYSTEM blinking G y L R SHIFT MOD DEPTH Chapter 8 Using the SH 32 with External MIDI Devices 3 Press 8 R BULK DUMP to make its indicator blink 4 Press VALUE W A to select the data to be transmitted Type of Data to Transmit ALL All Data Patches Rhythm Sets Performances Arpeggio Styles Rhythm Styles Chord Forms System Settings Saw Sound Data Patches Rhythm Sets Performances Ar P Arpeggio Rhythm Styles Arpeggio Styles Rhythm Styles Hd Chord Forms Chord Forms SYS System Setup System Settings PA One Patch Temporary area Patch PF One Performance Temporary area Performance including Patches for each Part ir H One Rhythm Set Temporary area Rhythm Set AP One Arpeggio Rhythm Style Temporary area Arpeggio Rhythm Style IE d One Chord Form Temporary area Chord Form 5 Put the external sequencer in record mode 6 To save the settings press WRITE EXEC and carry out the Transmit procedure While the data is being transmitted 15 Transmit appears in the display When OD Ok is displayed the transmission has been completed N
141. enerator section and LFO pan are disabled when monaural effects are applied while the connection of the Insertion Effects and the reverb delay is set to SEr Series SLICER SYNC The slicer pattern starts when the INS FX button is pressed to turn the effect on 2 VOICE PITCH SHIFTER FEEDBACK PITCH SHIFTER You can select either of two types of effect with the COLOR setting Coa coarse where changes are made in semitone units and Fin fine where the changes occur smoothly RESONANCE DELAY To make the feedback sound come through more clearly first press INS FX to turn the effect off With the SYNC effects the modulation LFO cycle starts at the time INS FX is pressed With the SYNC effects you can select from the following cycles with INTENSITY Thirty second note Sixteenth note Dotted sixteenth note Eighth note Dotted eighth note Quarter note Dotted quarter note Half note Dotted half note Whole note Whole note x 2 Whole note x 4 Whole note x 8 02891989 02 1 21N Roland Corporation
142. envelope applied The change in the sound increases the more you raise the slider above the center position Moving the slider below the center position inverts the shape and the change increases in the opposite direction When set at the center position there is no change due to the filter envelope and only the CUTOFF setting p 57 is effective Cutoff Frequency 4 gt ry gt d e Time gt Sue zy Changing the Filter According to the Keyboard Position KEY FOLLOW KEY FOLLOW Use this parameter if you want the cutoff frequency to change according to the key that is pressed With the cutoff frequency for the C4 key Middle C used as the reference when you raise the slider the cutoff frequency increases as you play keys in increasingly higher ranges above C4 when you lower the slider the cutoff frequency decreases The change itself increases the more the slider is raised or lowered Cutoff frequency Octave Key C6 C1 CO Different Uses of Key Follow The various ways you can use Key follow differ according to the object For example if you are using a brass tone to play a solo then lower KEY FOLLOW below the center position to round off the upper notes if playing background raise KEY FOLLOW below the center position to flatten the sound Changing the Volume AMP In the AMP Amplifier section you can change the sound by changing the sound volume and the w
143. equency Oscillator Use the LFO to create cyclic changes modulation in a sound There are two LFOs LFO 1 and LFO 2 and the effects of each one are applied to OSC pitch FILTER filter and AMP volume or pan When an LFO is applied to the OSC pitch a vibrato effect is produced When an LFO is applied to the FILTER cutoff frequency a wah effect is produced When an LFO is applied to the AMP volume a tremolo effect is produced nore You cannot apply LFO effects to the Rhythm Tones percussion instruments Rhythm Sets r1U r2U r3P r4P A collection of multiple percussion instrument sounds is called a Rhythm Set The SH 32 comes with four Rhythm Sets divided into two User Rhythm Sets and two Preset Rhythm Sets Since percussion instruments generally do not play melodies there is no need for a percussion instrument sound to be able to play a scale on the keyboard It is however more important that as many percussion instruments as possible be available to you at the same time Therefore each key note number of a Rhythm Set will produce a different percussion instrument _ tone Percussion instrument sound osc ug e gt Lol a EA Em a EA Em Each percussion instrument consists of the following four elements For details refer to the explanations for Patches OSC Oscillator FILTER AMP Amplifier Envelope 45 Chapter 1 Chapter 1 A
144. ered out If you don t want to filter out any high frequencies set this parameter to byP RATE DEPTH 98 98 Adjusts the amount of the delay Feedback sound that s fed back into the effect Negative settings invert the phase LEVEL 0 100 Relative amount of delay sound Balance LONG DELAY SYNC Sync type Long Delay synchronized to the BPM Delay Time set with INTENSITY changes according to the note length corresponding to the BPM setting Parameter Value Description INTENSITY note 1 Adjusts the time until the delay sound Delay Time p 112 is heard COLOR Same as LONG DELAY HF Damp RATE DEPTH Feedback LEVEL Balance E How to Set the BPM Sync Start Timing p 112 RESO NANCE DELAY This is a specialized delay in which the pitch of the feedback sound changes as the delay time is changed When you turn INTENSITY with the feedback raised the change in pitch is synchronized to the effect sound s repeat rate resulting in a sense of movement that resembles the acceleration of a motorcycle engine You can use this effectively by rotating the knob when performing live or in other situations Lowering the feedback returns the effect to a normal delay Lin L out ee Rin R out Parameter Value Description INTENSITY 0 127 Adjusts the time until the delay sound Delay Time is heard COLOR 200Hz 8kHz
145. escription INTENSITY 0 05 10 0 Hz Frequency of modulation Rate COLOR 0 110 Amount of feedback Resonance RATE DEPTH 0 65 Depth of modulation Depth LEVEL 0 100 Level of the phase shifted sound Mix ROTARY This effect is based on the classic rotary speaker sound that can also can be controlled with a knob Lin L out gt Rin R out Parameter Value Description INTENSITY 0 127 Rotational speed of the rotors Rate COLOR nor rEV nor As you turn INTENSITY to the Type right clockwise the rotation of both the upper range and lower range ro tors gets faster rEV As you turn INTENSITY to the right clockwise the rotation of the upper range speeds up while the low er range rotor slows RATE DEPTH 0 127 Adjusts the sound s separation Separation LEVEL 0 100 Relative volume level of the upper Low Gain range and lower range rotors HEXA CHORUS Uses a six phase chorus six layers of chorused sound to give richness and spaciousness to the sound Lin Balance D LI Balance W b Rin R out Balance D Parameter Value Description INTENSITY 0 100 Relative amount of chorus sound Balance COLOR 20 20 Adjusts the difference in modulation Depth Deviation depth between each chorus layer RATE DEPTH 0 05 10 0 Hz Frequency of modulation Rate LEVEL 0 127 Depth of modulation Depth TREMOLO CHORUS
146. eset 5 Press WRITE EXEC once more to carry out the Factory Reset To cancel the Factory Reset press EXIT The data selected in Step 3 is erased and returned to the original factory programmed settings 6 Once the Factory Reset is complete turn the power off then on again Nem When using the factory settings in order to have Patches and Performances in which the Arpeggiator or Chord Memory function is set to ON play correctly you need to carry out a Factory Reset not only for the Patches and Performances but for the Arpeggio Styles Rhythm Styles and Chord Forms as well sentHesieea ki Appendices Troubleshooting If the SH 32 stops producing sound or if it does not function the way you expect please check the following points first Tf checking these points does not resolve the problem please contact your dealer or a nearby Roland service center Roland can take no responsibility for the recovery of any lost data or for any damages incurred as a result of such loss Problem Cause Action Power does not turn on Is the AC adaptor connected correctly to the SH 32 and to an AC outlet Check the AC adaptor connections No Sound Volume is low Is the power of the connected devices turned on Make sure that the power of your amp or mixer system is turned on Is the volume turned down Check the volume of the SH 32 and of the connected amp or mixer Is there sou
147. eset Patch D88 p 23 Se sound p 23 the position of First you need to select a waveform for the sound source the sliders and knobs may not S always correspond to the 1 Selecting a Waveform Oscillator pace Ge sand knobs do not match the sound However if you press MANUAL lighting it the currently selected parameter Here you create the waveforms for the sound source of the synthesizer The SH 32 provides 2 oscillators which can be used independently or mixed will be set to the values indicated by the sliders and knobs For details see Creating Sounds that En Reflect the Position of AG db Sliders Knobs MANUAL MU FL SPECTRUM y p 52 VARIATION OCTAVE SUB OSC E Es on See Determining the Basic 7 Waveform and Pitch OSC 1 amp 2 p 52 for details on the oscillator 1 Press OSC 1 or OSC 2 to select the oscillator you want to work with The button you ve pressed blinks indicating that it is ready to be manipulated NOTE The oscillator control panel controls both OSC 1 and OSC 2 When you select OSC 2 after setting OSC 1 the values of When the button is illuminated it indicates that the oscillator is turned on when turned off the button is extinguished blinking blinking i blinking settings may not match the osc 1 positions of the panel controls osc 2 This happens because even O 4 after you select the other OSC the panel controls remain at OSC 2 off O
148. ettings press EXIT to end the procedure 4 To save the settings press WRITE and carry out the write procedure p 63 p 73 Determining the Amount the Pitch is Changed with the Pitch Bender P BEND The pitch of the sound being played changes when you move the external MIDI keyboard s pitch bender Here you can set the amount the pitch can change when the pitch bender is moved to its fullest extent bend range in semitone units a maximum of two octaves above or below the note 1 Turn the MIDI settings knob to P BEND RANGE blinking Al N Press VALUE V A to set the value 000 024 Ww When you finish making settings press EXIT to end the procedure 4 To save the settings press WRITE and carry out the write procedure p 63 p 70 p 73 Changing the Sound with Aftertouch AFTERTO UCH Aftertouch is a function that changes the way a sound is played when Aftertouch messages are received from an external MIDI keyboard Such messages are generated when you use greater force to continue pressing down on a key after the note has sounded You can use this function if you ve connected an external MIDI device that is capable of transmitting Aftertouch messages Channel Pressure via MIDI 1 Turn the MIDI settings knob to AFTERTOUCH AMP LEVEL or CUTOFF blinking O AMP LEVEL This uses Aftertouch to change the volume When the value set is 1 63 The volu
149. far left cnt is center and r63 is far right Press PAN causing the indicator to blink then press VALUE W A to set the value L64 cnt R63 When you have finished making the settings press EXIT causing the PAN indicator light to go off MEMO In Part Assign mode p 71 you can set the pan for Parts selected in Performance mode and then save these settings to each individual Performance Effect Settings The SH 32 has two independent onboard effects processors known as the Insertion Effects and Reverb Delay Using these effects you can create a wide variety of different sounds Press INS FX or REV DELAY to turn on the Insertion Effects or Reverb Delay respectively indicator lights Press the button once more to turn off the effects indicator light goes off You can select one of 35 different Insertion Effects and one of ten types of Reverb Delay To set the effect type and make more detailed settings for the selection turn the FX SYSTEM knob to a parameter name to call up that parameter then press VALUE W A to set the value p 65 p 66 You can switch between two ways of connecting the two effects processors they can be connected either in parallel or in series Set this by pressing INS gt REV SERIES and then VALUE V A Switch the connection according to the effect you want to obtain as well as the aim of the effect Es For more detailed information on how
150. fects can be switched on or off at the touch of a button FX REV DELAY p 64 for details on effects POWER ON IM Ou FOOT SWITCH LIMONO OUTPUT R PHON OSC 1 E 2 y FILTER ney INS FX OUTPUT Let HPF opp TYPE SLOPE oe E IZ CG ap 1 EsuBsonic p EPF PKG 0 2 HE DAMP PITCH ENV lOD RATE oe moe aL ati MOD DEPTH CE K o DEPTH LFO2 COARSE FINE A D STR DEPTH di AN a Di Gaza 8 mop DEPTH GR mx 5 i 24 DEPTH FADE KEY BEAT BPI MSE REV PORTA PAN DESTINATION FORM IN SYNC CYCLE SYNC i SERIES TIM f OT OK C site 3 K ey a AN MA NJ RND oo oo AENA pue A Q CIUTAT MANUAL BANK Q SOLO ON SE D ARPEG CONTROL PATC of oO Ra O Tor BACK de ARPEGGIATOR OCO000000 we BPM E 2 8 3 c 4 D TUNE LOCAL REMOTE FOOT SW or MID CH MIDI e G Gi BISYSTEM CREATE STYLE Zagan Roland syntHesizen SH 32 Press INS FX or REV DELAY When you press INS FX the button lights up and the Insertion Effects is turned on HINT When you press REV DELAY the button lights up and the Reverb Delay is You can set the type intensity turned on and other details p 34 The Insertion Effects and Reverb Delay can be used at the same time How to Turn Off the Effects Press INS FX or REV DELAY to turn them off 24 Producing Sound Playing a Rhythm Set Apart from general synthesizer sounds the SH 32 also has four Rhythm Sets By using the onboard Arpeggiator p
151. frequencies set this parameter to byP MODULATION DELAY Adds modulation to the delayed sound producing an effect similar to a flanger Lin L out Rin R out Parameter Value Description E LEVEL 0 127 Output level of the delay Delay Level sound TIME 0 370 ms Adjusts the time until the Delay Time delay sound is heard FBK 98 98 Adjusts the amount of the Feedback delay sound that s fed back into the effect Negative settings invert the phase L R SHIFT MOD DEPTH 0 127 Depth of modulation Modulation Depth HF DAMP MOD RATE 0 05 10 0 Hz Frequency of modulation Modulation Rate 114 STEREO CHORUS Adds fatness and breadth to the sound Lin L out Rin R out Parameter Value Description E LEVEL 0 127 Volume of the chorus sound Chorus Level TIME 0 370 ms Adjusts the time until the Pre Delay chorus sound is heard FBK not in use L R SHIFT MOD DEPTH 0 127 Depth of modulation Modulation Depth HF DAMP MOD RATE 0 05 10 0 Hz Frequency of modulation Modulation Rate note 2 A Sixty fourth note triplet gt Sixty fourth note A Thirty second note triplet Thirty second note A Sixteenth note triplet A Dotted thirty second note A Sixteenth note Aa Eighth note triplet A Dotted sixteenth note A Eighth note de Quarter note triplet A Dotted eighth note J Quarter note
152. ful interference and 2 This device must accept any interference received including interference that may cause undesired operation Unauthorized changes or modification to this system can void the users authority to operate this equipment This equipment requires shielded interface cables in order to meet FCC class B Limit NOTICE This Class B digital apparatus meets all requirements of the Canadian Interference Causing Equipment Regulations Cet appareil num rique de la classe B respecte toutes les exigences du R glement sur le mat riel brouilleur du Canada INS FX Parameter Correspondence Chart Display Effect Name INTENSITY Knob FX SYSTEM Knob Set with VALUE v A TYPE COLOR RATE DEPTH LEVEL Eg STEREO EQ Peaking GAIN Peaking Frequency Q 700Hz Gain FLE EZ FILTER Cutoff Frequency Filter Type Q EQ Gain TE ISOLATOR Gain Band Assign Low Boost SW mono 10 Hah AUTO WAH Rate Filter Type Depth Manual mono OVERDRIVE Drive Amp Type EQ Gain Level mono od JET DISTORTION 1 Drive Amp Type EQ Gain Level mono T E 3 DISTORTION 2 Drive Amp Type Tone Level mono occ TAP STEREO COMPRESSOR Sustain Attack Post Gain EQ Gain T ITL STEREO LIMITER Threshold Release Ratio Post Gain Lil PH PHASER Rate Resonance Depth Mix mono FoEt ROTARY Rate Type Separation High Gain mono Foc Her HEXA CHORUS Balance
153. further clockwise you turn the knob the more the sound takes on a unique character To set the filter effect according to time lapse use the Envelope sliders and ENV DEPTH Slide ENV DEPTH to set the depth of the filter effect either to or and the Envelope sliders to set the time characteristics Attack time slider y Sustain level slider Decay time slider Release time slider A Attack Time Sets the time required for the filter s effect to reach its peak This time increases as you raise the slider D Decay Time Determines the time required for the transition from the peak to the sustain level If the sustain level is at its maximum this will have no effect S Sustain Level Determines the level that is to be maintained after the peak has been reached While you continue to press a note entry button or the key of a MIDI keyboard it will be maintained at this level R Release Time Sets the time that is to pass before returning to the original cutoff value after you release your finger from a note entry button or the key of a MIDI keyboard Next let s make the volume related settings Note If you turn CUTOFF too much all of the audible frequencies could get eliminated and you may hear no sound HINT By operating the CUTOFF and RESONANCE knobs you used in steps 2 and 3 while playing you can also create a special effect HINT You can also change the filter Cutoff
154. fy the Part to be set The procedure for making the set tings is the same as in Patch mode You can save settings content to each Performance with the write procedure p 73 e You can set only the REV DELAY E LEVEL Effect Level in each indi vidual Rhythm Tone percussion in strument p 66 e Press a note entry button to specify the Rhythm Tone to be set The procedure for making the set tings is the same as in Patch mode e You can save settings content to each Rhythm Set with the write pro cedure p 70 Sets the volume LEVEL or pan ning PAN for each individual Patch or Rhythm Set p 59 p 63 Press the button if the indicator is lit the volume is set the pan is set when the indicatoris blinking Press VALUE V A to set the values You can save settings content to each Patch or Rhythm Set with the write procedure p 63 p 70 When assigning Patches to the Parts in Performance mode both the set tings here as well as the settings for each Part made in Part Assign mode are enabled Sets the volume LEVEL setting for each individual Performance p 59 The panning PAN cannot be set The procedure for making the set tings is the same as in Patch mode You can save settings content to each Performance with the write procedure p 73 The pan settings for Performances are saved to each Part in Part Assign mode Sets the volume LEVEL or pan ning PAN for each individual Part
155. ged on the panel By operating these controllers you can modify sounds Naturally you can use an external MIDI controller such as a keyboard pitch bend lever or modulation lever to make changes in the sounds 44 Chapter 1 An Overview of the SH 32 Patches Rhythm Sets and Performances Patches A11 D88 An individual sound used in a performance is called a Patch The SH 32 offers a total of 256 Patches divided into 128 User Patches and 128 Preset Patches e PITCH FILTER AMP Envelope Envelope Envelope 1 audio signal control signal Patches consist of the following five components OSC Oscillator Provides for selection of the waveforms waves that form the basis for sounds and sets the pitch There are two oscillators OSC 1 and OSC 2 and you can combine these to create a wide variety of different sounds yore You can only make pitch related settings for the Rhythm Tones percussion instruments in the OSC section FILTER Changes the brightness and other qualities of the sound by setting the characteristics of the constituent frequencies AMP Amplifier Sets the changes in volume Envelope You use Envelope to initiate changes to occur to a sound over time There are separate envelopes for Pitch FILTER filter and AMP volume For example if you wish to modify the way in which the sound attacks or decays over time you would adjust the AMP envelope LFO Low Fr
156. ges modulation in a sound There are two LFOs LFO 1 2 and these may affect OSC 1 2 pitch FILTER AMP volume and PAN When an LFO is applied to the OSC 1 2 pitch a vibrato effect is produced When an LFO is applied to the FILTER cutoff frequency a wah effect is produced When an control signal LFO is applied to the AMP volume a tremolo effect is produced Turning the LFO On and Off and Switching Waveforms LFO 1 LFO 2 FORM LFO LU LFO 2 These switch the LFO 1 2 on and off Press the button the selected LFO is on when the indicator is lit or blinking and off when the indicator light is off When both LFO 1 and LFO 2 are on the LFO with the blinking indicator is the one being edited To turn off the LFO that is not being edited press the blinking button HINT e Pressing LFO 1 and LFO 2 simultaneously causes both indicators to blink and both LFO 1 and LFO 2 become the edited objects thus allowing you to make identical settings to the two LFOs at the same time e By holding down LFO 1 or LFO 2 along with EXIT you can clear the current LFO 1 or LFO 2 settings You can then redo the settings starting from their default state 59 N 3 2 lt HM Chapter 2 Creating Your Own Sounds FORM Select the output waveform for LFO The sound will be modulated in the same shape as the selected LFO waveform Waveform Description The sound will be modulated Triangle Wave
157. ges to the settings to each Patch or Rhythm Set However the parameters described in the following section Settings Affecting the Overall Performance are set for the Performance itself and can be saved to each Performance Settings Affecting the Overall Performance Here s how to make the common settings applied to all of the Parts in the Performance 1 Select the Performance with the settings you want to change 2 You can set the parameters shown in the following figure Use the buttons indicated for each parameter to make the settings In addition some parameters include values that are set by pressing VALUE W A TPS Insertion Effects On Off gt p 64 REV DELAY Reverb Delay On Off gt p 65 INS FX RATE DEPTH COLOR ge TYPE 4 LI Tyre ELEvEL 5 TIME FEK L R SHIFT REV DELAY MOD DEPTH fy FILTER bg ATTACK AMP LEVEL up CUTOFF MECA ATTACK Switch the effect connection series parallel gt p 64 WRITE D ES EXEC PERFORM 3 PART RANGE GRID STYLE E E REALTIME 3 STEP A CREATE STYLE Arpeggiator Settings ON gt p 74 STYLE gt p 74 GRID gt p 75 DURATION gt p 76 RANGE gt p 76 MOTIF gt p 76 BPM gt p 74 Es For more detailed information on each of the parameters see the explanations on the reference pages for each parameter 3 To save the settings press WRITE and carry out the write procedure p
158. ging the Cutoff Over Time A DS R ENV DEPTH enen 57 Changing the Filter According to the Keyboard Position KEY FOLLOW 58 Changing the Volume AMP een 58 Changing the Volume Over Time A DS R ENV DERIH L eneen 58 Increasing and Decreasing the Rate of Change in Volume According to the Keyboard Position LIME KEY FOLLOW E 59 Setting the Volume for Each Patch Rhythm Set or Performance 0 0 0 teens 59 Modulating the Sound LFO IEN 59 LFO Arrangement and FUNCTIONS EE 59 Turning the LFO On and Off and Switching Waveforms LFO 1 LFO 2 FORM 59 Adjusting the Rate of Modulation RATEN een 60 Adjusting the Modulation Depth DESTINATION DEPTH ccccsccssssseseststeteeeeeteneseeeens 60 Synchronizing the Modulation to the Song Tempo BPM SYNC BEAT CYCLB 61 Other LFO Settings FADE IN KEY SYNC neen 61 Other Settings settings that can be saved to Datches NENNEN 61 Settings for Use in Playing Monophonic Sounds SOLO LEGATO en 61 Layering Sounds for Greater Fatness UNISON oococonononooocnonononenocnnnnnnnncorannnnonanananonnarnranancnnnnass 62 Applying the Portamento Function PORTAMENTO PORTA TIME 62 Applying Analog Like Modulation to the Pitch ANALOG FEEL nn 62 Changing the Pan When Using Stereo Output DAN En 63 Effect Gett gS sarne anna E iaa T A 63 Saving the Sounds You Have Created AWNRITEN EEN 63 Auditioning to a Patch at the Save Destination ocococonencononononenoncnnncncnnencnorara
159. gs Do System Setting Functions UE For more on the procedures for setting the following parameters as well as the way they work refer to the respective reference pages e MIDI CH MIDI Channel gt p 84 BULK DUMP Bulk Dump p 88 Setting the Master Tuning TUNE This allows you to adjust the overall tuning for the SH 32 The display indicates the frequency of the A4 key Middle A with the hundreds place i e 400 omitted Settings values 26 0 40 0 54 0 426 0 440 0 454 0 Hz Disconnecting the Preview Note Entry Function from the Internal Sound Generator LOCAL When you press PREVIEW turning on the Preview function you can then use the SH 32 s note entry buttons to play sounds p 21 In this case you can also set whether the note entry buttons are disconnected from the internal sound generator Local Switch Off or remain connected Local Switch On Set this to Off when you want to prevent the overlapping of identical note messages within the SH 32 i e the note being played twice due to a looped connection with an external MIDI sequencer Settings values GFF Off Do On GE e When the Local Switch is set to Off the Preview function s note entry buttons are disconnected from both the Arpeggiator and Chord Memory functions and performance data is only sent to the MIDI OUT connector e When the Remote Keyboard Switch REMOTE is on the external MIDI keyboard connected to the MIDI IN
160. gt E F G F gt repeated When Ud H is selected as the motif C D G D gt C E G E gt C F G F gt C E G E gt repeated Chapter 6 Using Arpeggiator ARPEGGIATOR Creating Your Own Styles Not only can you use the prepared internal Arpeggio Styles and Rhythm Styles that determine how arpeggios are played but you can also create them as well This way you can enjoy performing your own original arpeggios e The SH 32 is shipped from the factory with 64 Arpeggio Styles and 64 Rhythm Styles already programmed all of these are freely rewritable However note that since these Styles are used in Preset Patches and factory set User Performances as well when you make changes in the Styles then the sounds of Preset Patches and factory set User Performances in which the Arpeggiator is turned on change By carrying out Factory Reset p 94 you can get the SH 32 to once again sound exactly as it did when you first took it out of the box e If you switch to something else or carry out the write procedure before saving an Arpeggio Style or Rhythm Style that you ve created the newly created Style will be lost Be sure to save the Style first if you want to keep it Creating Styles by Playing the Notes as They Are to Be Performed REALTIME This creates styles in a similar manner to using a sequencer s Realtime Recording function Record the performance just the way it is played using the note entry buttons or an external MID
161. h Included here are distortion equalization compression Auto Wah and other effects Imagine a black box that changes the sound itself Reverb Delay Looped Effects This type of effect taps the output from the signal path and then returns the effect processed signal back to the signal path mixing it with the sound source You can select reverb delay chorus and other effects that add reverberation or a wavering of the sound Ways of Connecting Effects INS gt REV SERIES You can make settings that determine whether Insertion Effects and Reverb Delay are connected serially or in parallel in each Patch Rhythm Set or Performance 1 Press INS gt REV SERIES causing the indicator to blink 2 Press VALUE V A to make the setting Select 5E Series to connect serially or PA Parallel to have the effects connected in parallel SER gt OUTPUT gt OUTPUT When you connect in series you can add delay to the distortion sound Additionally when the effects are connected in parallel you can set the level of the signal sent to the reverb or delay for each individual Performance or Rhythm Tone in a Rhythm Set 3 When you have finished making the settings press EXIT causing the INS gt REV SERIES indicator light to go off 4 To save the settings press WRITE and carry out the write procedure p 63 p 70 p 73 vor If you select an Insertion Effects that is configur
162. he SH 32 does not contain an amp or speakers In order to produce sound you need to hook up audio equipment such as a monitor speaker or a stereo set or use headphones nore To prevent malfunction and or damage to speakers or other devices always turn down the volume and turn off the power on all devices before making any connections 1 Before you make connections make sure that power is turned off for all devices 2 Connect supplied AC adaptor to the DC IN jack and plug the other end into an AC power outlet nore To prevent the inadvertent disruption of power to your unit should the plug be pulled out accidentally and to avoid applying undue stress to the AC adaptor jack anchor the power cord using the cord hook as shown in the illustration 3 Connect the SH 32 and the external device as shown in the figure den CZ svitesizen o de 00 Q QPL a l DC IN 9V 1000mA POWER e206 CE Qu Es NO THIS CLASS B DIC L APPARATUS G Er o IREMENTS OF THE CANADI NTERFERENCE CAUSING EQUIPME CET APPAREIL N IQUE DE LAT E TOUTES LES EXIGENCE R GLEMENT SUR LE MATERIEL B THIS DEVICE COI S WITH PART Sc ES OPERATION IS SUBJE THE FOLLOWING TWO CONDITIC me DEVI may No Roland Corporation INTERFERENCE 2 THIS DEVIC IST ACCISE NY INTERFERENCE RECE NCLUDING INTERFERENCE THAT h SE UNDE BED OPE TION MADE IN JAPAN ES mm Beier 21 om ed E mopet SH 32 ONLY WHILE VER IS OFF A
163. he parameters shown in the following figure Use the knobs and buttons indicated for each parameter to make the settings In addition some parameters include values that are set by pressing VALUE V A INS FX Insertion Effects On Off p 64 REV DELAY Reverb Delay On Off gt p 65 Chapter 4 OSC 1 JE 2 e dE UTPU I Y a S S E a x e ve L pi O e OL 0 0 0 AE MU ML spectrum RATE OCTAVE suBosc VARIATION gt LO JS RIN 26 SYNC Effect Level gt p 66 FT Eni 9D DEPTH is mi Pitch Bend Range LFO 1 dl pance Gaal i p 86 FFILTE R EUTOrE Be i Rhythm Tone Level Pan LEVEL gt p 59 INS gt REV POR N PAN gt p 63 SERIES PATCH EXIT Filter Settings TYPE gt p 56 CUTOFF gt p 57 RESONANCE gt p 57 A D S R gt p 57 ENV DEPTH gt p 58 Pitch Settings PITCH gt p 54 PITCH ENV gt p 54 ENV DEPTH gt p 55 ES EXEC PERFORM PART LS For more detailed information on each of the parameters see the explanations on the reference pages for each parameter 5 To save the settings press WRITE and carry out the write procedure p 70 nore e If you want to set the level of the signal sent to the Reverb Delay REV DELAY E LEVEL differently for each Rhythm Tone be sure to set the type of effects connection INS gt REV SERIES to PA parallel p 64 e You cannot use the p
164. heard FBK 98 98 Adjusts the amount of the Feedback delay sound that s fed back into the effect Negative settings invert the phase L R SHIFT MOD DEPTH 50 50 ms Difference between the left L R Shift and right delay time You can bring out a sense of spaciousness and breadth by setting slightly differing delay times The left delay time is lengthened The right delay time is lengthened HF DAMP MOD RATE 200Hz 8kHz Adjusts the frequency above HF Damp byP which sound fed back to the effect is filtered out If you don t want to filter out any high frequencies set this parameter to byP 113 If you don t want to filter out any high frequencies set this parameter to byP LONG DELAY Although the effect sound is in mono this delay provides a longer delay time Lin L out E Level Rin R out Parameter Value Description E LEVEL 0 127 Output level of the delay sound Delay Level TIME 0 1000 ms Adjusts the time until the delay sound Delay Time is heard FBK 98 98 Adjusts the amount of the delay sound Feedback that s fed back into the effect Negative settings invert the phase L R SHIFT not in use MOD DEPTH HF DAMP 200Hz 8kHz Adjusts the frequency above which MOD RATE byP sound fed back to the effect is filtered HF Damp out If you don t want to filter out any high frequencies set this parameter to byP
165. hm Styles 11 r 88 r is shared by both Performance mode and Patch mode 1 Confirm that the SH 32 is in Performance mode 2 Ifa Rhythm Set is assigned to Part 4 R press a Part button 1 3 to select a Part 1 3 GE When a Rhythm Set is assigned to Part 4 R you cannot select a Chord Form if you select Part 4 R 3 Press CHORD causing the button indicator to blink then press VALUE W A to select the Chord Form number 11 c 88 c 4 Press CHORD causing the indicator light to go off Specifying the Part to Use the Chord Memory Function Of the Parts to which Patches are assigned this specifies the Parts that are to be played using the Chord Memory function Only one Part can be specified for performances using the Chord Memory function that setting can be saved to individual Performances with the write procedure 1 Hold down CHORD and press a Part button 1 4 R to select the Part you want to use with the Chord Memory function the button s light comes on D es cannot specify Part 4 R if a Rhythm Set is assigned to Part 4 R e Although in this procedure only one Part can be specified as using the Chord Memory function if the specified Part is part of a stack then Chord Memory still operates using the stacked Parts If you do not want to have the Chord Memory applied to Parts other than the one specified do not stack the Parts p 72 Chapter 7 Using the Chord Memory Function CHORD Chord Me
166. innnccnncccccccccncnonenonnnnnes 115 MIDI Implementation Chart ccseeseeeeeeeeeeeeeeeeeeeeeeeeeneeeeeeeeees 116 SPECICATION Secada 117 e AA EE 118 A tess reside osnatt aeaceaau ans sch E E E A 121 10 Main Features O Rich Sound with Full Synth Presence Development of the SH 32 has involved a variety of approaches to thoroughly analyze synthesizer sounds in order to realize the fat sharp clear sound that is characteristic of analog synths To quantify these sound characteristics various measurements and blind tests using renowned vintage synths analog modeling synths and other gear were carried out The findings of such research formed the basis for designing our new Wave Acceleration Sound Generator which is capable of the complete realization of the sound variations and qualities of a synthesizer This allows you to produce vintage synth sounds and a wide variety of other waveforms all with this one instrument The SH 32 synthesizer offers not only the sounds being demanded on today s music scene but also provides the convenient operation that you get only with a digital unit This is a new approach to sound generation that permits creation of a wide variety of high quality waveforms while featuring numerous oscillators something impossible with simple DSP synths O Full Freedom to Create Your Own Unique Sounds With the architecture of the SH 32 s sound generator you get two oscillators one
167. instrument individually TIME Reverb Delay Time This sets the length of the reverberation sound when a reverb effect is selected with the effect type setting When a delay effect is selected this sets the time delay from when the original sound is played until the delay sound is produced When a chorus effect is selected this sets the time delay from when the original sound is played until the chorus sound is produced FBK Feedback When a delay effect is selected with the effect type setting this sets the volume at which the delay sound is re input feedback volume Higher values result in more repeats L R SHIFT MOD DEPTH L R Shift Modulation Depth When Stereo Delay is selected with the effect type setting this sets the time delay from when the original sound is played until the delay sound is produced in the left and right channels Left from 50 to 0 msec Right from 0 to 50 msec This allows you to shift the left and right delay times relative to each other When set to 0 msec there is no difference between the left and right sides This sets the depth of the modulation effect or the modulation of the chorus sound when Modulation Delay or Stereo Chorus is selected HF DAMP MOD RATE HF Damp Modulation Rate This sets the cutoff frequency for the high end of the delay feedback sound when Modulation Delay is selected with the effect type setting When not cutting the high frequencies set this to byp
168. io Styles cece 36 74 B BACK EE 14 78 BALANCE EE 28 52 Band pass filter En 29 BANK E 13 23 68 71 Bank select message coccoeoononcncononennnrncnnnarnrnrnnanicnnananoos 87 BEAT CYCLE EE 61 Ed td tere 29 BEM SYNG E 61 BULK DUMP aa is aji 88 Bulk Quip AAA Eege geess 88 Cc CHORD ataron 13 41 42 81 82 bremse gece il ENEE 41 Creating Chord forms coocencncccnncnnnnnnnncnrnnneneranananonnnoso 82 Selecting Chord forms comenonccconinnncnnnncnrnnniniranananos 42 81 Chord memory function enecenccccnnncnonnnnrnrarnninirannnanos 41 81 CEDER tte E 92 CA A A 16 Controller aein alii dla ocio dees 44 Cord hook assen ER 15 EEN KE AAA A 30 57 CUTORE mer ocaso ao 85 87 Cutoff frequency snis ae e aei E 57 118 D DEIN Jack cnn ini are 15 Demo SONG EEN 18 DEPTH cutis ridad 33 60 DESTINATION A eeetteegderegek ieina 33 60 IR 13 DURATION ege idee 14 DURATION essa rasa lada 76 A ASA aancetabeeceosahens deanna 76 E ELEVE cil 66 67 Effectlevel ou Eed EENS 66 67 Effect source ve a Be ote 66 Effects Insertion Effects oooonconccncconnnionoconnonanaronncnno 24 34 64 Reverb Delay inician ri 24 34 64 Turning effects on and off mococncocinincnonnrnrnnennrarananos 24 Effects type Insertion Effects umm tira 64 Re verb Delay eener gece 65 ENV DEPTH uan aa testes eel sd 30 55 58 geleet iergend dreet 45 Envelope slider serian anio 30 EXT RE 13 F Factory resget En 17 94 Factory Settings ENEE 94 I
169. ion is alternately switched on or off each time the pedal is pressed e SW 2 PORTAMENTO ON OFF Portamento is alternately switched on Legato only on Normal off each time the pedal is pressed MEMO In Performance mode the Part called up in the panel is affected Selecting the Clock Used to Synchronize the Tempo CLO CK This sets the clock used for synchronizing the Arpeggiator tempo or LFO tempo either to the internal clock BPM setting n E or the external MIDI clock f d Settings values Internal 7 vd MIDI Nore The following occurs if no MIDI Clock messages are sent from the external device while the clock is set to A vd MIDI e Arpeggiator performances do not start e The LFO set to ON in BPM SYNC p 61 stops In this case although it appears that the SH 32 has stopped producing sounds the system functions correctly once the MIDI Clock messages are received from the external device Using MIDI OUT as a THRU Connector MIDI THRU This sets whether the MIDI OUT connector is assigned its normal transmission function OFF or functions as a THRU connector On When set to On most MIDI messages received at the MIDI IN connector are retransmitted without change from the MIDI OUT connector Settings values JF F Off Do On MEMO Note messages from the note entry buttons are not output from the MIDI OUT connector if the Preview function is on while the MIDI THRU function i
170. ion on the temporary area User Memory and System Memory refer to About Memory p 47 89 Chapter 8 Chapter 9 Other Settings This section explains how to set the system parameters how they work and how to restore the settings as programmed at the factory Settings Applied to the SH 32 Overall System Settings Settings whose parameters affect the SH 32 s overall operating environment such as tuning the Local Switch On Off and so on are called system settings Explained here are the procedures used to make changes to the system settings and the functions of the different parameters Procedure for Making the System Settings 1 Turn the FX SYSTEM knob to SYSTEM blinking Q mn IME L R SHIFT FBK MOD DEPTH 2 Press a button below to select the parameter to set 00000000 T A 2 B 3 c 4 D El 8 R TUNE LOCAL REMOTE FOOTSW CLOCK MIDICH MIDITHRU BULK DUMP 4S6 The pressed button blinks and the parameter indicated below the button is called up 3 Press VALUE V A to set the value nore You can make settings for the selected parameter only when the indicator to the left of the FX SYSTEM knob is blinking 4 When you have finished making the settings press EXIT nore System settings are saved the moment the parameter values are changed Thus these settings are not lost when the power is turned off even without the write procedure being carried out What the System Settin
171. ister played using the Preview function in octave units gt p 21 HOLD Switches the Preview functions Hold On and Hold Off p 21 MANUAL Switches the Manual function on and off gt p 52 BANK This is pressed when tone banks and numbers are switched gt p 23 CHORD Switches the Chord Memory function on and off gt p 81 SOLO Switches the Solo function on and off p 61 UNISON Switches the Unison function on and off gt p 62 PO RTAMENTO Y LEG ONLY PORTAMENTO Press this button causing the indicator to light and portamento will be turned on gt p 62 LEG ONLY Press this button causing the indicator to blink to use portamento only when playing legato p 62 13 Panel Descriptions RANGE MOTIF RANGE Press this button causing the indicator to light to set in octave units the range in which arpeggios are played p 76 MOTIF Press this button causing the indicator to blink to select the arpeggio variation to be played during arpeggio performances gt p 76 GRID DURATION GRID Press this button causing the indicator to light to select the timing used to sound arpeggios during arpeggio performances gt p 75 DURATION Press this button causing the indicator to blink to select the note length used to play arpeggios during arpeggio performances gt p 76 STYLE STORE STYLE Press this button causing
172. itch changes when playing portamento gt p 62 LEVEL PAN LEVEL Press this button causing the indicator to light to set the volume of the Patch or Performance gt p 59 PAN Press this button causing the indicator to blink to set the panning gt p 63 Additionally when used simultaneously with EXIT this allows you to listen to the demo songs p 18 WRITE EXEC This is pressed when saving WRITE tone Arpeggiator and other settings or when executing EXEC various functions PATCH PERFORM PATCH Press this button causing the indicator light to go off to switch to Patch mode gt p 20 PERFORM Press this button causing the indicator to light to switch to Performance mode When in Performance mode hold down PERFORM and press EXIT to switch to Part Assign mode gt p 20 p 71 EXIT Pressed to cancel settings and other various operations Additionally when used simultaneously with LEVEL PAN this allows you to listen to the demo songs p 18 Display A variety of information including the number of the selected sound and the values of various parameter settings is displayed here VALUE V A These change the various settings values To rapidly increase the value hold down A and press W To rapidly decrease the value hold down W and press A PREVIEW Switches the Preview function on and off gt p 21 OCT 0 CT These shift the reg
173. k LAN Patch number P Select a Patch number Press 1 A 8 R twice to select a Patch number 11 through 88 Press the first button to enter the 2nd digit of the number Then press another to enter the first digit of the number The selected Patch number is shown in the display Use the Preview function p 21 or a MIDI keyboard to play some sounds The selected sound will be heard See Patches A11 D88 p 45 for detailed information about the Patches nid A11 through B88 are User Patches C11 through D88 are Preset Patches When shipped from the factory the User Patches are the same as the Preset Patches NOTE In step 1 if all of the buttons from 1 A through 8 R are blinking after you press BANK you will need to press PATCH PERFORM to turn them off then press BANK again Patch mode p 20 Nem In step 2 you can select a Rhythm Set by pressing 8 R p 25 HINT When a Patch number is shown in the display you can also press VALUE V A to select a preset sound 23 E a x Q 5 o Producing Sound Using the Effects The SH 32 comes with two independent effects processors one of them provides spatial effects such as reverb and delay Reverb Delay while the other is used for See Chapter 3 Applying inserting distortion phaser tremolo and various other effects Insertion Effects Effects to the Sound INS Ef
174. lap 1 MMGPinkNz TR909 Clap 1 TR909 Crash TR808 Tom TR909 Ride TR909 Crash TR909CrshRvs CR78 Tamb HiBongo LoFi TR808Cowbell LoBongo LoFi TR626 Shaker TR909 Dst BD Piastic BD 2 TR909 Rim TR909 Snr 7 TR909 SnClp2 TR909 Snr 6 TR808 Tom TR909 CHH 2 TR808 Tom TR909 PHH 2 TR808 Tom TR909 OHH 3 TR808 Tom TR909 Crash TR808 Tom TR707 Ride TR909 Crash TR909CrshRvs CR78 Beat HiBongo LoFi TR808Cowbell LoBongo LoFi CR78 Tamb TR909 Kick5 R909 Kick4 TR707 Rim FlangeSnrRvs TR909 SnClp1 Flange Snr Beam HiQ TR909 CHH 2 MG Blip TR909 PHH 2 MG Zap 7 TR909 OHH 2 TR909 Crash CR78 Beat TR606 Cym 1 TR909 Crash Group Clap TR808 Rim TR909 SnClp2 MG Zap 6 TR909 Clap 1 TR808 RimLng E H EE TR909 Clap 1 r1U and r2U are User Sets that can be overwritten If these Rhythm Sets are overwritten the sound of Performances in which they are used changes A Factory Reset p 94 can be performed if you want to restore the sounds programmed at the factory 100 Performance List No Performance Name Arpeggio Rhythm Chord No Performance Name Arpeggio Rhythm Chord Style Style Form Style Style Form 1 1 Power Beat TLa Dir 5 1 Sync Beat 85 a 3Lr 1 2 Techno Beat 1 11 a Ir 5 2 Noise Beat 6 11 a 1 3 HipHop Beat 1 26 a 62 r 11 c 5 3 Organ Beat Ila Bir 45 c 1 4 HipHop Beat 2 85 a 73 0 5 4 Stack Pad 2 1
175. lp p 73 Sound is cracked distorted Has the Patch level or other level been turned up Check the LEVEL setting p 59 A sputtering noise either pe riodic or non periodic is au dible Is the pan alternating over a wide range with a rapid LFO cycle The SH 32 is not equipped with any supplemental circuitry which makes the connection between level changes smoother for the pan so noise may be generated when the pan changes rapidly or over a wide angle If this becomes objectionable use the INS FX Auto Pan Type instead of the LFO to control the pan p 111 Is Lon LOFI NOISE selected as the INS FX type This effect type generates simulated analog recorder noise even when there is no input this does not indicate a malfunction No panning effect Are you using a mono type INS FX effect When you use a mono INS FX the sound generator s pan is disabled so sound is localized at the center when output Either turn off INS FX or use a stereo effect Sound generator filter not functioning Is Oscillator Sync turned on Oscillator Sync and the sound generator section s filter cannot be used at the same time By selecting Filter as the INS FX type you can easily apply the filter effect Is the filter s ENV DEPTH set to 0 when only A D S R is not effective Check the FILTER section s ENV DEPTH setting Is the Rhythm Set being edited when only the SLOPE ca
176. m MSB LSB Change Number User riU 86 0 1 r2U 86 0 2 Preset r3P 86 64 1 r4P 86 64 2 Bank Number Bank Select Program MSB LSB Change Number User 1 1 1 8 85 0 1 8 2 1 2 8 85 0 9 16 3 1 3 8 85 0 1724 4 1 4 8 85 0 25 32 5 1 5 8 85 0 33 40 6 1 6 8 85 0 41 48 7 1 7 8 85 0 49 56 8 1 8 8 85 0 57 64 Synchronizing Arpeggiator and the LFO to an External MIDI Device You can synchronize the Arpeggiator performance tempo and the LFO modulation cycle to an external MIDI device s tempo clock 1 Use a MIDI cable to connect the SH 32 s MIDI IN connector to the MIDI OUT connector on the external MIDI device 2 Set the System function s CLOCK to nd MIDI p 92 3 When synchronizing the LFO modulation rate press BPM SYNC causing the indicator to light 4 Transmit the MIDI clock from the external MIDI device For instructions on how to do this refer to the owner s manual for the external MIDI device This synchronizes the Arpeggiator performance tempo or LFO modulation cycle to the external MIDI device s tempo Saving SH 32 Settings on an External Sequencer BULK DUMP With the SH 32 you can transmit various settings to an external device in the form of exclusive messages This is referred to as Bulk Dump Thus you can save the SH 32 s settings by connecting an external sequencer or other device and transmitting the data to the sequ
177. m Sets r1U r2U r3P r4P p 45 for details on Rhythm Sets NOTE In step 1 if all of the buttons from 1 A through 8 R are blinking after you press BANK you will need to press PATCH PERFORM to turn them off then press BANK again Patch mode p 20 HINT When a Rhythm Set number is shown in the display you can also press VALUE W A to select a Rhythm Set 25 E a x Q 5 o Modifying the Sound Creating Sounds The SH 32 creates sounds in much the same way as other analog type synthesizers as shown below See Chapter 1 An Overview of the SH 32 p 44 for details of the SH 32 s structure Filter Amplifier Effects INS FX FILTER gt gt Output REV DELAY applies effects LFO 1 2 LFO OSC Oscillators Generate the basic waveforms used as the sound source by the synthesizer p 27 FILTER Alters the tone color by cutting or boosting the harmonic content of the waveforms created by the oscillators p 29 AMP Amplifier Produces changes in the amplitude of the sound and creates the attack or decay portions of a sound p 31 LFO Low Frequency Oscillator An extra slow rate oscillator that controls the oscillators filter and amp creating effects such as vibrato p 32 Effects Insert or create various effects such as reverb delay flanger etc p 34 OSC Oscillator AMP Amplifier POWER ON Dc IN FOOT SWITCH LIMONO OUT
178. m messages intended for another instrument There are sixteen MIDI channels 1 16 and normally the transmitting device must be set to the same MIDI channel as the receiving device in order for messages to be received Setting the MIDI Channel MIDI CH Setting the Receive Channel in Patch Mode This sets the MIDI channel used for switching Patches and controlling other operations in Patch mode from an external MIDI device 1 Press PATCH PERFORM causing the indicator light to go off The SH 32 switches to Patch mode 2 Turn the FX SYSTEM knob to SYSTEM INS FX RATE EPTH COLOR an al ere Leon 4 blinking Q ua amp ELEVEL lisa MOD RATI Eto L R SHIFT TIM Eva TER MOD DEPTH 3 Press 6 MIDI CH to make its indicator blink 4 Press VALUE V A to select the MIDI channel number 1 16 5 When you finish making settings press EXIT to end the procedure GE MIDI channel setting in Patch mode is a system setting System settings are saved the moment the parameter values are changed Thus these settings are not lost when the power is turned off even without the write procedure being carried out Setting the Receive Channel for Each Part This sets the MIDI Receive channel for each Part in the Performance 1 Press PATCH PERFORM causing the button indicator to light The SH 32 switches to Performance mode 2 Turn the FX SYSTEM knob to SYSTEM 3 Press 6 MIDI CH
179. mance mode Press Part buttons 4 R to select a Part 4 R Confirm that a Rhythm Style is assigned to Part 4 R Bo WAIN ia Press STYLE causing the indicator to light then press VALUE V A to select the Style number 11 r 88 r D Press EXIT causing the STYLE indicator light to go off Specifying the Part Used to Play the Arpeggio This specifies which of the Parts 1 4 R that is to be played using Arpeggiator You can specify only one Part to play arpeggios and that setting can be saved to individual Performances 1 Hold down ARPEGGIATOR ON and press a Part button 11 4 R to select the Part you want to use with Arpeggiator the button s light comes on HINT If a Rhythm Set is assigned to Part 4 R then you can select Part 4 R in addition to one of the Parts 1 3 to be used with Arpeggiator This way you can simultaneously play an arpeggio and a rhythm pattern 2 When you carry out the procedure in Step 1 again the light for the Part button that you previously pressed goes off and the Part is removed as the subject for the Arpeggiator If you turn on Arpeggiator without any Part being assigned for the arpeggio performance ON blinks and no arpeggio is played When using Arpeggiator in Performance mode always be sure to carry out this step and specify the Part in which the arpeggio is to be played Although in this procedure only one Part can be specified for the arpeggio performance if the specified
180. me increases when an Aftertouch message is received When the value set is 0 The volume is unchanged when an Aftertouch message is received When the value set is 63 1 The volume decreases when an Aftertouch message is received CUTOFF This changes the filter s cutoff frequency with Aftertouch messages When the value set is 1 63 The cutoff frequency increases above the value set for the Patch p 57 when an Aftertouch message is received When the value set is 0 The cutoff frequency does not change even when an Aftertouch message is received When the value set is 63 1 The cutoff frequency decreases below the value set for the Patch p 57 when an Aftertouch message is received 2 Press VALUE V A to set the value from 63 63 When the value is set to 0 then no change occurs when Aftertouch messages are received and the sound is played according to the value set for the Patch The change in the sound due to the aftertouch increases the more the value is increased above or lowered below 0 GE You can set the parameter only when the indicator to the left of the MIDI settings knob is blinking 3 When you finish making settings press EXIT to end the procedure 4 To save the settings press WRITE and carry out the write procedure p 63 p 73 Chapter 8 Using the SH 32 with External MIDI Devices Changing the Sound According to the Force Used to Play the Keys VELO CITY You
181. mory Parameter Settings The settings for the Chord Memory function On Off and for selection of the Chord Forms are set basically the same way as in Patch mode and these settings can be saved to individual Performances GE Settings for Chord Memory parameters stored in Patches have no effect on operations in Performance mode That is to say even if a Patch containing Chord Memory settings is assigned to a Part in a Performance those settings do not affect the Performance while the settings in Performance mode are enabled Creating Chord Forms You can also create original Chord Forms in Performance mode using the same procedure used in Patch mode However you cannot create a Chord Form for Part 4 R if you select that Part while a Rhythm Set is assigned to it ER For more detailed information about the procedures used for creating Chord Forms refer to Creating Your Own Chord Forms p 82 83 Chapter 7 Chapter 8 Using the SH 32 with External MIDI Devices About MIDI MIDI Musical Instrument Digital Interface is a standard that allows performance data and other information to be exchanged among electronic musical instruments and computers Data can be transmitted and received if a MIDI cable is used to connect devices that have MIDI connectors Virtually all electronic musical instruments today are equipped with MIDI Without MIDI we would not be able to play the SH 32 s sounds using an external keyb
182. n Overview of the SH 32 Performances 1 1 8 8 A combination of four Patches or of three Patches and a Rhythm Set is called a Performance The SH 32 contains 64 Performances all of these are User Performances that can be overwritten at will With Performances four separate tones are handled simultaneously thus allowing you to enjoy playing ensemble performances or performances using lush tones Performance Part 4 R Patch Rhythm Set Part A Part is the place to which a Patch or Rhythm Set is assigned when using the SH 32 in Performance mode A single Performance comprises four Parts with a Patch being assigned to each Part You can also assign a Rhythm Set to only Part 4 MEMO e Since Performances store only information such as the Patch numbers used by individual Parts they do not contain any actual sound parameter settings Accordingly if you modify any content saved to a Patch it affects the sound of every Performance in which that Patch is used e Other than switching them on and off and adjusting the levels no settings are made for the two effects processors INS FX REV DELAY in the Performance itself INS FX Insertion Effects and REV DELAY Reverb Delay are each specified in Parts p 66 and the effect settings in the Patches assigned to those Parts are treated as the effect settings for the Performance as a whole The Different Data Saved Separately to
183. n be distinguished from the others normally this setting does not need to be changed MIDI System Exclusive messages are MIDI messages intended exclusively for a particular device mastering the use of these messages requires detailed knowledge of how MIDI works Referring to a particular device s MIDI Implementation is also necessary A separate publication titled MIDI Implementation is also available It provides complete details concerning the way MIDI has been implemented on the SH 32 Ifyou should require this publication such as when you intend to carry out byte level programming please contact the nearest Roland Service Center or authorized Roland distributor 1 First press the POWER switch on the rear panel to turn off the power 2 While holding down 5 turn the power on again O00 0 0 T A 2 B 3 0 4 D TUNE LOCAL REMOTE FOOTSW ON OFF amp POWER 5 blinks and vd ID appears in the display while 5 is held down 93 Chapter 9 Chapter 9 Other Settings 3 Press VALUE V A to switch the function to select the Device ID number 017 032 4 When you have finished making the setting turn the power off then on again yor The MIDI Device ID number setting is a system setting System settings are saved the moment the parameter values are changed Thus these settings are not lost when the power is turned off even without the write procedure being carried out Restoring
184. n check your sounds over a scale of notes without having to connect a MIDI keyboard On top of this the SH 32 s compact desktop design means you can always have it at hand ready to use Use it with PCs workstations keyboards groove gear and other equipment to bring out the full potential of this synthesizer regardless of the application SH 32 Block Diagram Conceptual ARPEGGIATOR PROGRAMMABLE BPM SYNC LFO1 2 Pal a FILTER Es AMP SUB OSC WA PART 1 2 x EFFECTS REV DELAY TO ARPEGGIATOR PART 4 RHYTHM e ooo anne QOO OOOO O CHORD MEMORY 11 Panel Descriptions Front Panel IN MIDI OUT FILTER POWER ON OSC 122 MA TL W noise WAVE Ov 0 0 0 FU FU ae OCTAVE SUB OSC ER cH PITCH ENV BALANCE A D LPF HPF opp TYPE ov 0 0 BPF PKG osc 1x2 Sono LSUBSONIC PWM PITCH gt LFO 2 COARSE FINE MAX 24 50 FADE IN KEY DERIM DESTINATION FORM SYNC OSC 1 FILTER PAN 4 60 0 SN AN 4 GEEI O80 97 NT dl e Go EI EI E E EI AMIA eleng e les e H gt MANUAL BANK CHORD SOLO UNISON PORTAMENTO LO 1 EA 48 CONTROL PATCH OLOO 00000 0 O O TOP 3 0 CWA REMOTE FOOTSW n T A TUNE 2 B LOCAL 2 osc x4 PARTS SYNTH STACK 1 OSC 1 amp 2 Oscillator 1 amp 2 Section Select the waveforms on which sounds are based and adjust the pitch and other components of the sound In addition
185. nctions TYPE SLOPE TYPE Selects the type of filter Filter Type Description LPF Low Pass Filter Lor TYPE This filter passes low frequency harmonics under the cutoff fre quency This is the filter that is most generally used and it is ef fective for making sounds softer and mellower BPF Band Pass Filter TYPE 7s WS This filter passes harmonics with frequencies near the cutoff fre quency This emphasizes the midrange This works well for creating sounds with Particular sound qualities HPF High Pass Filter TYPE HPF This filter passes high frequency harmonics above the cutoff fre quency It is effective for creating a brighter sharper sound PKG Peaking Filter F TYPE This filter boosts harmonics with frequencies near the cutoff fre quency You can use this to create wah effects by employing an LFO to change the cutoff frequency cyclically OFF OFF TYPE No filter is used GE When the Oscillator Sync function p 55 is in use this is automatically set to OFF filter cannot be used Chapter 2 Creating Your Own Sounds SLO PE Switches the filter slope When the 12 indicator is lit a gentler slope 12 dB octave is selected When the 24 indicator is lit a steeper slope 24 dB octave is selected making it easier to distinguish harmonics with frequencies that are passed from those that
186. nd in the headphones Tf there is sound in the headphones it is possible that the connection cables are broken or that the amp or mixer is malfunctioning Check the connection cables and your other equipment once again Is the Demo Song playback selected Press EXIT to exit Demo Song playback mode p 18 Is the Local Switch turned OFF Turn the Local Switch ON p 90 Is the Patch or Performance level set too low Check the LEVEL setting p 59 Is the Sustain level of the AMP section set too low Check the S AMP Env Sustain Level setting of the AMP section p 58 Is the frequency of the FILTER section set too low Check the CUTOFF setting of the FILTER section p 57 Is the rate of the LFO 1 section set to slow Check the RATE setting of the LEO 1 section p 60 Have volume messages been received from an external MIDI device to lower the volume Check the volume Do the transmit channel and the receive channel match Make sure that the transmit and receive channels of the SH 32 and the external MIDI device match p 84 Is the external MIDI clock reaching the SH 32 when CLOCK is set to MIDI and the LFO s BPM SYNC or Arpeggiator is on Set the external MIDI device so that the MIDI clock is transmitted properly Is the Arpeggio Style or Rhythm Style blank contains no notes while Arpeggiator is on Either record notes to the Arpeggio S
187. nel Regardless of the individual channel settings in each of the Parts used in a stack messages are received only via the MIDI channel for the Part with the lowest Part number Confirm that the SH 32 is in Performance mode Assign the Patches you want to have played to their respective Parts p 71 Simultaneously press the buttons 1 4 R for any Parts you want to have played together You can stack up to a maximum of four Parts Stacked Parts need not be adjacent for example you can stack Part 1 and Part 3 You cannot set two Part stacks at the same time The status of Part Stack can be saved together with the Performance settings using the write procedure To exit Part Stack press any of the stack s Part buttons twice MEMO Buttons for stacked Parts light blink at the same time If at this time only one of the buttons one Part is blinking it indicates that part is being edited with the panel controls When another button in the stack is pressed that button blinks and the corresponding Part becomes the one being edited You cannot edit more than one Part at the same time If any part in the stack is included in the Parts used by Arpeggiator p 80 or the Chord Memory function p 82 then the relevant function acts upon all of the parts in the stack Editing a Performance You can change these settings for the Patch or Rhythm Set assigned to each Part even in Performance mode You can save chan
188. ng OSC 1 and OSC 2 simultaneously causes both indicators to blink and both OSC 1 and OSC 2 become the edited objects thus allowing you to make identical settings to the two oscillators at the same time ous Using Patches in which two oscillators are played reduces the polyphony by half BALAN CE Adjusts the volume balance between OSC 1 and OSC 2 The OSC 1 volume increases as the slider is moved upwards moving the slider down increases the OSC 2 volume Chapter 2 Creating Your Own Sounds Selecting the Fundamental Waveform WAVE VARIATION WAVE Select the waveform groups on which the synthesizer s sounds are based Each time WAVE is pressed the selected waveform group is switched in the order shown right HINT Holding down WAVE and pressing VARIATION switches the waveform groups in the reverse order of that shown right VARIATION Each waveform group selected by pressing WAVE features a number of variations providing you with an even wider sound palette Pressing VARIATION switches the variations in order of variation number Once you have selected a variation press EXIT HINT By holding down VARIATION and pressing WAVE you can switch the variations in the reverse order You can also select variations by pressing VARIATION and then pressing VALUE W A MEMO e The number of variations differs with the waveform group e EU PWM waveform includes no variations
189. nnnnnnnrnrannonnnnnss 63 Chapter 3 Applying Effects to the Sound INS FX REV DELAY 64 About the Onboard Effects EE 64 Ways of Connecting Effects INS gt REV GERIEG ee 64 Using the Insertion Effects INS EXuiicniomiiammaiaa cid its 64 Turning the Insertion Effects On and Oe 64 Selecting the Insertion Effects Type TYPE 64 Setting the Insertion Effects een 65 Using the Reverb Delay REM Z DL AN 65 Turning the Reverb Delay On and Oe 65 Selecting the Reverb Delay Type TYPE 65 Setting the Reverb Delay tica gece dere ii 66 Applying Effects in Performance Mode een 66 Selecting the Effect Settings Used in a Performance Effect Source 0 eee eens 66 About Effect Settings in Performance Moden 67 Chapter 4 Playing the Rhythm Sets cc sessseeeeeeeeeeeeeeeeeeeeees 68 Selecting Rhythm Sets and Playing the Percussion Instrument e 68 Editing a Rhythm Det es srt seugiss ars sima soria its 68 Making Settings for the Overall Rhythm Set een 68 Making Settings for Each Rhythm Tone Percussion Instrument e 69 Saving Changed Settings WRITE een 70 Chapter 5 Using in Performance Mode cooooooooncccocccccccconaconnncooccnnnnnnnnes 71 Selecting a Performance and Playing the Patch for Each Bart 71 Selecting the Patch for Each Part Part Assign Mode 71 Playing Sound in More Than One Part Multitimbre een 71 Layering Patches for a Thicker Sound Part Stack Duncton 72 Editing a Performance aspirando panas ona 7
190. nnot be switched The filter s SLOPE cannot be replaced in Rhythm Sets it is fixed at 12 dB REV DELAY On Off and the individual Parts EFFECT LEVEL sent to REV DELAY not effective Is SEr Series selected in the INS gt REV Series setting Set INS gt REV Series to PAr Parallel and then make the separate set tings for each Part p 64 Sync type delay effects not properly synchronized Have you exceeded the maximum delay time that can be set for the selected delay effect If the effect is synchronized correctly with shorter delay times then use a setting that falls within that range Performances using Arpeg giator do not start Has the MIDI clock from an external source been can celled when MIDI is selected for the CLOCK set ting Set the external MIDI device so that the MIDI clock is correctly trans mitted Is the Arpeggio Style or Rhythm Style blank contains no notes Record notes to the Arpeggio Style or Rhythm Style Could it be because the Part to be played as arpeggios has not been specified ARPEGGIATOR ON flash ing Hold down ARPEGGIATOR ON and press a Part button to specify the Part in which arpeggios are to be played 96 Troubleshooting Problem Cause Action Chords not sounding when played single notes played even when Chord Memory is on Is SOLO UNISON OSC 1x2 SYNC Oscillator Sync or some other function
191. nt MIDI channel 7 When you have finished making the settings press EXIT 8 To save the settings press WRITE and carry out the write procedure p 73 9 Now you can connect an external sequencer or other such device to the SH 32 and compose songs and play back song data for ensemble performances Nem In Step 5 if you press a Part button that is already lit then the four Part buttons all light up simultaneously At this point you can press VALUE V A to set the MIDI channel used for receiving the Program Change message that switches the Performance itself Performance Control Channel 1 16 OFF When this setting is made it is automatically saved as a single setting applied to the entire system p 85 GE When using the SH 32 as a mutitimbral sound generator turn the Remote Keyboard Switch REMOTE off p 90 71 Chapter 5 Using in Performance Mode Layering Patches for a Thicker Sound Part Stack Function By pressing more than one Part button at the same time in Performance mode causing those buttons to light up you can have all the Patches assigned to those Parts play simultaneously This function is called the Part Stack function Use this feature to achieve fat complex sounds simply and easily MEMO With the SH 32 s Part Stack function merely stacking simultaneously pressing multiple Part buttons allows you to have all these Parts act as if they were all set to the same MIDI chan
192. o is performed HINT If you want only a rhythm pattern to play while using the Arpeggiator in Performance mode as an alternative to sending a Note message to the rhythm part you can play the rhythm pattern by transmitting a Hold 1 message MIDI controller number 64 over the same MIDI channel instead Selecting the Style One Arpeggio Style may be selected for the entire Performance you cannot change Arpeggio Styles for each individual Part However by assigning a Rhythm Set to Part 4 R you can select a Rhythm Style that differs from the Arpeggio Style MEMO Arpeggio Styles 11 a 88 a and Rhythm Styles 11 r 88 r can be used both in Performance mode and Patch mode Even if different tones are used by a Style with the same number you can make settings to Arpeggiator parameters grid type duration octave range motif that can be saved to individual Patches and Performances allowing you to make changes in the Styles that are performed When Selecting an Arpeggio Style 1 Confirm that the SH 32 is in Performance mode 2 Press a Part button 1 3 to select a Part 1 3 MEMO If a Patch is assigned to Part 4 R then you can also select an Arpeggio Style by selecting Part 4 R 3 Press STYLE causing the indicator to light then press VALUE V A to select the Style number 11 a 88 a 4 Press EXIT causing the STYLE indicator light to go off When Selecting a Rhythm Style Confirm that the SH 32 is in Perfor
193. oard or use the SH 32 s Arpeggiator to play back MIDI performance data Although the SH 32 can be used without knowing very much about MIDI this chapter provides a simple explanation of the SH 32 s MIDI functionality so that you can take the fullest advantage of electronic musical instruments Upon reception of MIDI performance data the SH 32 is capable of switching its sounds appropriately and playing back such music data A separate publication titled MIDI Implementation is also available It provides complete details concerning the way MIDI has been implemented on the SH 32 If you should require this publication such as when you intend to carry out byte level programming please contact the nearest Roland Service Center or authorized Roland distributor MIDI Connectors The SH 32 has two MIDI connectors MIDI OUT Connector MIDI messages are transmitted from this connector to external MIDI devices This connector can also be used to re output MIDI data received from the MIDI IN connector unchanged MIDI THRU p 92 MIDI IN Connector Performance messages from an external MIDI device are received here When the SH 32 receives MIDI messages it can produce sounds or switch settings About MIDI Channels MIDI transmits performance data for up to sixteen musical parts over a single MIDI cable This is made possible by MIDI channels MIDI channels allow messages intended for a given instrument to be distinguished fro
194. ode See About Arpeggio Styles p 75 for details on Arpeggio Styles Playing a Chord at the Touch of a Finger Chord Memory E You can easily play a chord simply by touching just one key to which a Chord Form has been registered Chord Memory function The SH 32 can remember 64 See Chapter 7 Using the different Chord Forms 11 c 88 c Chord Memory Function 9 CHORD p 81 for details on the Chord Memory function ae The Chord Memory function cannot be used with Rhythm Sets Using the Chord Memory Function Here s how you can play a chord by using the Chord Memory function POWER ON DCIN IN MIDI OUT FOOT SWITCH L MONO OUTPUT R PHONES OSC 1 amp 2 INTENSITY ween ourpur CUT OER RESONANCE y e y ke DESEN OGO O Kgl O O Leen NA MU SPECTRUM A a A A e AVE suBosc VARIATION KEY DEPTH A p 0cT Let HPF IES J REV DELAY FOLLOW Ray Noes eee On E p Pr PKG EB ELEVEN DZ BALANCE oo t E Coarse Dor SE E Sc Le ME A AMP d ANALOG SOSOC C S MEO Leono Lever FADE KEY BEAT BPM EM PAN DESTINATION FORM IN SYNC CYCLE SYNC l SERIES IME AUD write PATCH EXIT osc2 GE SE Rz pf RND D 2 1 2 1 44 Ka LU E CN OO 1 Eed PERFORM FU ma 4 1 1 3 PART GHE MANUAL BANK CHRD SOLO UNISON PORTAMENTO INTACTA A REST O BACK CONTROL PATCH gt ARPEGGIATOR CO OO OH w BPM T A 2 8 EL 4 D TUNE LOCAL REMOTE FOOT sw om om CH CET ree CREATE STYLE 2 4 S ta
195. of reverb Type rEV nor conventional gated reverb SW1 rEV backwards reverb SW2 SW1 the reverb moves from right to left SW2 the reverb moves from left to right Adjusts the time until the reverb sound is RATE DEPTH 0 100 Pre Delay ms heard LEVEL 0 99 Adjusts the time from when the reverb is Gate Time first heard until it disappears note 1 A Sixty fourth note triplet gt Sixty fourth note A Thirty second note triplet A Thirty second note A Sixteenth note A Dotted sixteenth note d Eighth note A Dotted eighth note J Quarter note l Dotted quarter note J Half note J Dotted half note o Whole note x 2 Whole note x 2 x 4 Whole note x 4 x 8 Whole note x 8 How to Set the BPM Sync Start Timing After pressing INS FX causing the button s light to go out you can specify the start timing of the BPM synchronized Sync type effect by pressing the button causing it to light again at the start of a measure or some other desired point 112 Reverb Delay Parameters REVERB ROOM Simulates the reverberation in a smaller room REVERB STAGE Simulates the reverberation on a stage REVERB HALL Simulates the reverberation in a larger hall STEREO DELAY SYNC Sync type Stereo Delay synchronized to the BPM Delay Time changes according to the note length corresponding to the BPM setting
196. on HOLD lights up and the chord recorded to the Chord Form selected in Step 2 continues to play 4 Press HOLD to stop the sound 5 Press a note entry button to specify the note you want to be played when you press the C4 key The button for the specified sound blinks and the sound is held and continues to play HINT e You can deselect the held sound by pressing the blinking button again Alternatively you can deselect all sounds at once by pressing HOLD e You can use OCT and OCT to specify sounds over an even wider range 6 When you have finished making the settings for the sound you want to write to the Chord Form press WRITE once more WRITE blinks and the message 5 Sure blinks in the display prompting you to confirm that the data is to be saved 7 Press WRITE once more to carry out the save To cancel the save press EXIT NEM You can create and save Chord Forms in both Patch mode and Performance mode and the same 64 Chord Forms are used from both modes Using the Chord Memory Function in Performance Mode The Chord Memory function is not used with Rhythm Sets Thus the Chord Memory function cannot be used with Part 4 R in Performance mode if a Rhythm Set is assigned to that Part Selecting the Chord Form One Chord Form may be selected for the entire Performance You cannot change Chord Forms for each individual Part MEMO Use of Chord Forms 11 c 88 c and Rhyt
197. on you press C D F G Af MANUAL BANK CHORD SOLO won por PORTAMENTO SO T E icha REIN TE Foc aw ob wun mif eu But f UMP EX Om om de 3 E F D A B To cancel the Preview function press PREVIEW again to turn off the button How to Change the Volume Turn OUTPUT to change the volume HINT You can raise or lower the octave setting by pressing OCT or OCT to the right of PREVIEW Each time you press OCT the octave goes down Each time you press OCT the octave goes up You can shift by up to four octaves in either direction You can check the current octave through the blinking of the button To restore the original conditions press OCT and OCT simultaneously HINT If you press HOLD lights up in red you can have the note continue to play after you release the note entry button Hold function When a note is played using the Hold function the note entry button blinks in amber To stop the held note press the note entry button again To cancel the Hold function press HOLD again to turn off the button HINT By holding down PREVIEW and pressing VALUE W A you can set the Velocity value 000 127 for the notes played with the note entry buttons However this setting is not saved 21 E a x Q 5 o Producing Sound Playing a Sound with a MIDI Keyboard You can play the SH 32 s sounds using a MIDI keyboard To do so you need to
198. onnected in parallel p 64 You cannot set parameters other than E LEVEL E LEVEL Effect Level Sets the level of the signal sent to the Reverb Delay in the currently selected Part Rotate the FX SYSTEM knob to E LEVEL in REV DELAY then press VALUE V A to set the value from 000 to 127 To save settings after changing E LEVEL effect level press WRITE and carry out the write procedure for the Performance p 73 Setting the Reverb Delay Level in Performance Mode O Master Effect Level Shared by All Parts 1 While in normal Performance mode turn the FX SYSTEM knob to E LEVEL in REV DELAY Press VALUE V A to set the value 000 127 then press EXIT to return to the original mode Save using the write procedure as needed The setting is saved to the effect source Patch O Effect Send Level for Each Part 1 While in Part Assign mode turn the FX SYSTEM knob to E LEVEL in REV DELAY Press VALUE V A to set the value 000 127 then press EXIT to return to the original mode Save using the write procedure as needed The four Parts are saved together to the Performance 67 m g 2 H Chapter 4 Playing the Rhythm Sets Selecting Rhythm Sets and Playing the Percussion Instruments The SH 32 has four different Rhythm Sets stored internally these are divided into two User Rhythm Sets and two Preset Rhythm Sets 1
199. or instructions on setting the external sequencer refer to the manual that came with your sequencer 3 Record the sequence data on which the Style is based from the sequencer to Measures 1 and 2 Three aspects of the notes the pitch length and velocity are expressed in the Style e Even if you input sequence data too rapidly remember that the SH 32 cannot reproduce data that is of shorter duration than the grid itself For example if you create sequence data that does not include any shuffle or other similar form of expression you can add it afterwards by setting the SH 32 s grid type GRID e Do not create sequence data containing more length than the corresponding limit for the Arpeggiator Style length 32 grids 4 At the beginning of the completed sequence data insert a four beat empty measure as a leading to match the Arpeggiator s countdown 5 Set the SH 32 s System function CLOCK setting to f y MIDI p 92 You can synchronize the SH 32 to the external sequencer s tempo slave 6 Set the grid type GRID to correspond to the Style s note division For example if using eighth notes set this to 08_ p 75 7 Hold down ARPEGGIATOR ON and press VALUE V to put the SH 32 in Realtime Input standby The Style s length final grid in the current Style is indicated as for example G 16 press VALUE V A to change this so that it corresponds to the length of the se
200. or the currently selected Patch those that are represented on the panel will assume the actual settings as determined by the positions of sliders and knobs GE e This operation deletes any current settings in the temporary area p 47 If you want to keep the settings save them to a Patch p 63 e Parameter settings not represented on the panel will not change even when you press MANUAL With OSC 1 and OSC 2 for example the settings for the oscillator not currently being edited where the indicator is not blinking are not operational in Manual mode In this case when you call up the parameters to the panel display the MANUAL indicator light then goes out If necessary you then can return the Manual mode by pressing MANUAL again Parameters Not Shown in the Panel Display e Settings for the oscillator either OSC 1 or OSC 2 not currently being edited e Settings for the LFO either LFO 1 or LFO 2 not currently being edited e Parameters for the currently selected DEPTH setting other than those selected with DESTINATION Using Preview Function Hold to Continue Playing a Sound By having the Preview function hold you can have sounds continue to play even without having to hold down the SH 32 s note entry buttons This is very a convenient feature as it allows you to keep both hands free to adjust sliders and knobs while monitoring how a sound changes when for example you are editing sounds 1 Press P
201. ording to the Force Used to Play the Keys VELOCITY 87 Selecting SH 32 Sounds from an External MIDI Device EE 87 Synchronizing Arpeggiator and the LFO to an External MIDI Device moccoccoconononcncnnnncnennirnrnnnncnrnroso 88 Saving SH 32 Settings on an External Sequencer BULK DUMP eneen 88 Restoring Saved Content to the GH 37 89 Chapter 9 Other SettinS cccccceceeeeeeeeeeeeeeeeeeeeeeeeeeeseseesseesseeessseeesees 90 Settings Applied to the SH 32 Overall System Gettings een 90 Procedure for Making the System Settings een 90 What the System Settings Do System Setting Functions ENEE 90 Switching the Low Boost Function On and Oe 92 Selecting the Status to Use When the Power is Turned On 93 Selecting the MIDI Messages Used to Transmit Panel Control Information ociicicicinonno 93 Changing the SH 32 s Device ID Number 93 Restoring the Factory Settings Factory Reset EEN 94 Appendices eeeek ek KKK Kennen OD TroUbleSHOOUNO a aaar A a A Ad 96 Error Message List icon idilio 98 Patch TC EE 99 Rb Set LIS iii a elena 100 Performance List ii a da cid 101 Arpeggio Style EE 102 Rhythm Style eege 103 Chord FOME id a id 104 ParameterbiSC e Sege 105 Ee Ee EE 105 Rhythm Set Parametros caian 106 Performance Parameters cui bis 106 System RE 106 Eltects LIS idad id 107 Insertion Effects Parameters A E A E S TE 107 Reverb Delay Parameters inn caspa 113 MIDI Transmit Receive Setting LiSt ooooonnnnncnnnic
202. ormance mode you can have the rhythm pattern play together with the arpeggio In addition if a Style is created when Part 4 R is selected with the Part buttons then automatically it is a Rhythm Style that is created Changing the Beat and Shuffle GRID This sets the particular note division and resolution in a single grid used in creating the arpeggio in an Arpeggio Style and how much of a shuffle syncopation is to be to applied none weak strong to it grid type 1 Press GRID causing the indicator to light DAN DAS STORE GENCE CL ana aGIATOR 2 Press VALUE W A to select one of the following grid types 04_ Quarter note one grid section one beat 08_ Eighth note two grid sections one beat 08L Eighth note shuffle Light two grid sections one beat with a light shuffle 08H Eighth note shuffle Heavy two grid sections one beat with a heavy shuffle 08t Eighth note triplet three grid sections one beat 16_ Sixteenth note four grid sections one beat 16L Sixteenth note shuffle Light four grid sections one beat with a light shuffle 16H Sixteenth note shuffle Heavy four grid sections one beat with a heavy shuffle 16t Sixteenth note triplet six grid sections one beat 3 When you have finished making the settings press EXIT causing the indicator light to go off 75 Chapter 6 Using Arpeggiator ARPEGGIATOR Applying Staccato and Tenuto DURATIO
203. pose you have in mind You can either work with single Patches Patch mode or use four Patches including a Rhythm Set to play in combination with one another Performance mode All procedures described in this Quick Start Manual assume that you re in the Patch mode unless stated otherwise Before operating the SH 32 first be sure that the Patch mode is selected Switching Modes POWER ON DCIN In mipI ouT FOOT SWITCH L MONO OUTPUT R PHONES OSC 1 amp 2 FILTER INTENSITY we ouTPUT CUTOFF RESONANCE yr Mi TLL W NOISE MAVE D Y y p a A O L El E a PU FI spectrum y A L A e WEN E VARIATION pan OCTAVE KEY DEPTH COLOR LEVEL etl Let HPF ofr TYPE SLOPE oe IB OSC oer EE Sar Q O OH CIO a EK IBSONIC gt BPF PKG EJLEVEL MOD RATE PITCH ENV PWM PITCH ENV een TIME ce KSE BALANCE K To DERYH LFO 2 COARSE FINE a at Kl STT ERE MOD DEF 501 A ma ag ATTACK e LEGATO LEVEL DEPTH FADE KEY BEAT BPM DESTINATION FORM IN SYNC CYCLE SYNC REV PORT AF OSC 1 FILTER PAN X P We O O O O ware PATCH EXIT SAN AA ru mm E 8 2 mi O Y O a Exec PER ann 3 eve 00 OL 0 08 7 A TU a 4 1 1 3 PART O e ge A Q CIUTAT MANUAL BANK 18 SOLO Kg RANGE GRID STYLE i 6 6 CONTROL PATE ARPEGGIATOR OOOOOO0O00 w BPM E 8 R A TUNE a See Foor Ss Soe e CH MIDI ds BULK DUMP AE CREATE YLE 2gp Roland syntHesieen 9111 30 Press PATCH PERFORM When
204. ps is enormous O Built In Effect Functions Help Create a More Polished Sound The SH 32 is equipped with internal effects processors that help make this a complete synthesizer module You can use effects from two systems 35 individual Insertion Effects including distortion phaser flanger and other effects and 10 different kinds of reverb and delay loop effects allowing you to create an even greater variety of sounds O Programmable Arpeggiator Brings Out the Power in Your Performances The SH 32 includes an Arpeggiator function which allows the user to program Styles Styles can be input in steps or in real time In Performance mode you can have arpeggios using the synth sounds played along with rhythm patterns that use TR 909 808 and other drum waveforms In addition you can easily play a variety of complex chords like those used in Trance and Techno music in parallel by using this feature in combination with the Chord Memory function which allows you to perform prerecorded chords with the press of a single button O Panel Designed for Intuitive Operation The SH 32 features an intuitive panel design that lets you concentrate on creating sounds For example knobs are used for the filter and sliders for the envelope in all cases the most convenient control for the purpose is used In addition the panel includes thirteen buttons that can be used for note entry much like a keyboard Using the Preview function you ca
205. quence data prepared with the sequencer gt Press WRITE EXEC o Play back the sequencer s data from the beginning After the countdown the SH 32 proceeds with Realtime Input After input of the designated number of measures is completed when you stop the playback of the sequencer or press EXIT the metronome guide sound stops and the SH 32 exits Realtime Input 10 Set the SH 32 s System function CLOCK setting to nt Internal p 92 11 Confirm that Arpeggiator is on ON is lit and press the SH 32 s note entry buttons or play the external MIDI keyboard to check the results of the Realtime Input GE You cannot do partial edits of Styles If a mistake is made re input the Style 12 Remake the setting for the grid type GRID p 75 duration DURATION p 76 octave range RANGE p 76 motif MOTIF p 76 and tempo BPM p 74 as needed 13 If satisfied with the results of Realtime Input save the created Style Additionally if you also want to save parameters changed in a previous step carry out the write procedure for the Patch or Performance Saving the Styles You Have Created STORE The Styles you create are temporary they are deleted as soon as you turn off the power or select some other Style If you want to keep a Style you have made save it to the SH 32 s memory e When you save a Style any Style currently stored in the location to which the new Style is being saved is
206. r light to go off Setting the Volume for Each Patch Rhythm Set or Performance NALOG FEEL PE INS TREV PORTA TIME LEVEL Sets the volume for each Patch Rhythm Set or Performance Press LEVEL causing the indicator to light up then press VALUE V A to set the value from 000 to 127 When you have finished making the settings press EXIT causing the LEVEL indicator light to go off MEMO e In Rhythm Tone Edit p 69 this procedure sets the volume of each individual percussion instrument in the Rhythm Set e In Part Assign mode p 71 the volume settings selected in Performance mode are enabled and these can be saved to individual Performances Modulating the Sound LFO 1 amp 2 LFO 1 amp 2 DEPTH FADE KEY BEAT BPM DESTINATION FORM IN SYNC CYCLE SYNC Salas OSC 1 FILTER PAN sf ge os 2 AMI o K WW m ru me B LO TO IAE The LFO 1 amp 2 Low Frequency Oscillator 1 amp 2 section outputs waveforms that are used for purposes that are different than those of the waveforms from the OSC 1 amp 2 section The waves from LFO 1 amp 2 are used to create cyclic periodic changes in the pitch brightness volume and other aspects of the OSC 1 amp 2 wave sounds LFO Arrangement and Functions Ee E t t PITCH FILTER AMP Envelope Envelope Envelope ny audio signal Use the LFO to create cyclic chan
207. r recorded once you input the seventeenth and any other further notes that have new pitches Although in this case the grid continues but note that the data is blank With Realtime Input recording for the length of the grid set in Step 3 when set to G 08 this would be G 01 G 08 is repeated You can layer further input of new notes with each new pass However when you layer input in the same grid notes that have already been input to that grid are overwritten and erased 5 When you have finished recording with Realtime Input press EXIT The metronome guide sound stops and the SH 32 returns to the original mode 6 Confirm that Arpeggiator is on ON is lit and press the SH 32 s note entry buttons or play the external MIDI keyboard to check the results of the Realtime Input Note You cannot do partial edits of Styles If a mistake is made re input the Style 7 Remake the setting for the grid type GRID p 75 duration DURATION p 76 octave range RANGE p 76 motif MOTIF p 76 and tempo BPM p 74 as needed 8 If satisfied with the results of Realtime Input save the created Style p 79 Additionally if you also want to save parameters changed in a previous step carry out the write procedure for the Patch or Performance You can create Rhythm Styles using the same procedure described above when selecting a Rhythm Set in Patch mode or when selecting a Part 4 R to which a
208. rain Avenue P O Box 247 Manama 304 State of BAHRAIN TEL 211 005 CYPRUS Radex Sound Equipment Ltd 17 Diagorou Street Nicosia CYPRUS TEL 02 66 9426 IRAN MOCO INC No 41 Nike St Dr Shariyati Ave Roberoye Cerahe Mirdamad Tehran IRAN TEL 021 285 4169 ISRAEL Halilit P Greenspoon amp Sons Ltd 8 Retzif Ha aliya Hashnya St Tel Aviv Yafo ISRAEL TEL 03 6823666 JORDAN AMMAN Trading Agency 245 Prince Mohammad St Amman 1118 JORDAN TEL 06 464 1200 KUWAIT Easa Husain Al Yousifi Abdullah Salem Street Safat KUWAIT TEL 243 6399 LEBANON A Chahine amp Fils Gerge Zeidan St Chahine Bldg Achrafieh P O Box 16 5857 Beirut LEBANON TEL 01 20 1441 QATAR Al Emadi Co Badie Studio amp Stores P O Box 62 Doha QATAR TEL 4423 554 SAUDI ARABIA aDawliah Universal Electronics APL Corniche Road Aldossary Bldg 1st Floor Alkhobar SAUDI ARABIA P O Box 2154 Alkhobar 31952 SAUDI ARABIA TEL 03 898 2081 SYRIA Technical Light amp Sound Center Bldg No 47 Khaled Ebn Al Walid St Damascus SYRIA TEL 011 221 1230 TURKEY Barkat muzik aletleri ithalat ve ihracat Ltd Sti Siraselviler Caddesi Siraselviler Pasaji No 74 20 Taksim Istanbul TURKEY TEL 0212 2499324 U A E Zak Electronics amp Musical Instruments Co L L C Zabeel Road Al Sherooq Bldg No 14 Grand Floor Dubai U A E TEL 04 3360715 NORTH AMERICA C
209. rds you play Not only can you use the factory set Arpeggio Styles which determine the way the arpeggio is played but you can also freely rewrite Styles and enjoy performing your own original arpeggios Furthermore you can also play rhythm patterns when you have a Rhythm Set selected What s more you can perform in ensemble using these arpeggios and rhythm patterns in Performance mode Playing Arpeggios Turning Arpeggiator On and Off You can save the Arpeggiator On Off settings individually in each Patch Rhythm Set or Performance 1 Press ARPEGGIATOR ON causing the indicator to light Pa Poy lean ARPEGGIATOK When the Arpeggiator is turned on you can then perform arpeggios by playing a MIDI keyboard connected to the MIDI IN connector or by using the Preview function note entry yore If nothing is recorded to the Arpeggio Style selected at this time then no sound will be played 2 To turn off the Arpeggiator press ON once more causing the indicator light to go off 3 To save the settings press WRITE and carry out the write procedure p 63 p 70 p 73 When the System function FOOT SW Foot Switch is set to Ar P you can then use the foot switch connected to the FOOT SWITCH jack to turn the Arpeggiator on and off p 91 e By holding the Preview function you can have arpeggios continue to play even without having to hold down the SH 32 s note entry buttons p 21 Using in Combination
210. rformance Mode This chapter explains how to play and create Performances Read this chapter when you wish to use Performances Chapter 6 Using Arpeggiator ARPEGGIATOR This chapter explains how to use and make settings for the Arpeggiator how to create Styles and other related information Read this chapter when you wish to use the arpeggiator Chapter 7 Using the Chord Memory Function CHORD This chapter explains how to use and make settings for the Chord Memory function Read this chapter when using the Chord Memory function Chapter 8 Using the SH 32 with External MIDI Devices This chapter provides a description of MIDI and explains how to use an external MIDI device to switch sounds save settings onto external devices and carry out other tasks Read this material as necessary Chapter 9 Other Settings This chapter explains how to set the system parameters which determine the SH 32 s operational environment as well as the parameter functions how to restore the default factory settings and other related information Read this material as necessary Appendices This chapter contains a troubleshooting section for use when the SH 32 is not functioning as expected There is also a list of error messages that you can refer to if an error message appears on the display This chapter also contains information such as Patch Rhythm Set Performance lists parameter lists and the MIDI implementation chart
211. rpeggio Style 128 128 64 separate settings independent of Patches and Performances BECH Set am Set Payam Style When these are overwritten or changed it affects how sounds of Patches including the Preset Patches and Performances that use Performance Chord Form 64 64 the Arpeggiator and Chord Memory functions are played Select Select Wie Non Rewritable Memory Temporary Area Preset Memory The contents of preset memory cannot be rewritten However you can call up settings from preset memory into the temporary area modify them and then store the modified data in rewritable Temporary Memory memory Temporary Area This is the area that holds the data for the Patch Rhythm Set or Performance that you ve selected using the panel buttons When you play the keyboard or play back a sequence sound is produced based on data in the temporary area When you edit a Patch Rhythm Set or Performance you do not directly modify the data in memory rather you call up the data into the temporary area and edit it there Settings in the temporary area are temporary and will be lost when the power is turned off or when you select another Patch Rhythm Set Performance To keep the settings you have modified you must write them into rewritable memory MEMO Separate Patch temporary areas are maintained independently for the Patch mode and Performance mode If you
212. rpeggio duration is set to Ft1 or Ft2 For more on the corresponding MIDI messages carry out these procedures while referring to the MIDI Transmit Receive Setting List p 115 Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO O Yes Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO X No 116 Specifications SH 32 Synthesizer O Parts 4 parts O Maximum Polyphony 32 voices O Sound Generator Organization 2 Oscillators 1 Filter 1 Amp 2 LFOs Suboscillator with subsonic mode can be switched on and off independently of the oscillators PWM function can be switched on and off independently of the oscillators Oscillator Sync function Ring Modulator function only one of the above functions may be selected at any one time Patches in Oscillator Sync are played in mono LFO 7 Waveforms Tap Teach enabled in BPM Sync O Synth Oscillator Waveforms 7 groups 67 types SAW 12 SQUARE 10 PULSE 9 PWM 1 TRIANGLE SINE 5 SPECTRUM 20 NOISE 10 O Waveforms for Use in Rhythm Sets 63 Waveforms Pre installed waveforms include TR 909 and TR 808 kick snare hi hat and other waves O Effects Insertion Effects 35 Reverb Delay 10 O Preset Memory Patches 128 Rhythm Sets 2 O User Memory Patches 128 Rhythm Sets 2 Performances 64 The Patches in User memory are identical to those in the Preset memory O Arpeggiator Arpeggio Styles 64 Rhythm Styles 64 Tempo 20 250 BPM
213. s Roland syntHesizen GH 32 Press CHORD to light up the button HINT SE You can also use a foot switch The Chord Memory function is turned on to turn on off the Chord Memory function p 91 Use the Preview function p 21 or a MIDI keyboard to play a single note You will hear a chord that corresponds to the Chord Form you ve selected p 42 When you press the C4 key you will hear the actual chord that is stored in the Chord Form The other keys produce chords in a parallel manner relative to the C4 key How to Turn Off the Chord Memory Function Press CHORD twice to turn off the button and the Chord Memory function is turned off 41 Playing a Chord at the Touch of a Finger Chord Memory Switching Chord Forms You can select the Chord Form that has the chord you want to play from the preset Chord Forms See Selecting Chord Forms p 81 for more information about Chord Forms POWER ON In mipI out FOOT SWITCH Long oUTPUT R PHONES OSC 122 FILTER INTENSITY wee output as Od Y o VT Ye O Lepr HPF orf TYPE SLOPE 12 LLO E gt IA CG aB BPF PKG 0 2 ELEVEN pb PITCH ENV gt vw o SHET ENV _ KEY Fl BALANCE To de Mo ety Ge FBK mop DEPTH FADE KEY BEAT BPM S DESTINATION FORM IN SYNC CYCLE SYNC Nemes ame ob lemo gt GA O JO a mei Osc 2 AMP W MA A RND 898989 8 2 1 2 1 43 A ev 0 00 OL 00 8 1 mn EH 4 1 1 3 EENS more IB IA QO Q
214. s turned on Switching the Low Boost Function On and Off The SH 32 features a Low Boost function that is applied to the total output in order to compensate for a lack of low frequencies that occurs when you use small speakers and headphones You can turn this on and off whenever you want MEMO Low Boost function is set to ON at the factory and immediately after a Factory Reset has been carried out When connecting to large speakers or professional PA systems we recommend turning Low Boost off When Low Boost is on the characters bt Boost blinks several times in the display after the startup message appears when you turn on the power to the SH 32 1 First press the POWER switch on the rear panel to turn off the power 2 While holding down 2 B turn the power on again REMOTE FOOTSW CLOCK ON OFF amp POWER 2 B blinks and h 5 Boost appears in the display while 2 B is held down 3 Press VALUE V A to switch the function to Do On or GFF Off 4 When you have finished making the setting turn the power off then on again nore The Low Boost function setting is a system setting System settings are saved the moment the parameter values are changed Thus these settings are not lost when the power is turned off even without the write procedure being carried out Chapter 9 Other Settings Selecting the Status to Use When the Power is Turned On This selects the
215. set p 94 can be performed if you want to restore the sounds programmed at the factory Appendices 101 Arpeggio Style List All data is that programmed at the factory For instructions on carrying out Factory Reset refer to p 94 The Patch Performance Using This Arpeggio Style column only lists the Arpeggio Styles when the Arpeggiator is turned on at the time the Patch or Performance is called up When the content of a Arpeggio Style is overwritten the sound of the Patch or Performances in which it is used changes No Number of Notes Number of Grids Patch Performance Using This Arpeggio Style 11 a 5 G 08 1 1 1 2 2 2 2 7 2 8 3 3 4 4 4 5 5 2 5 3 7 6 8 6 12 a 2 G 16 C34 13 a 4 G 08 C14 14 a 4 G 32 15 a 4 G 04 D23 16 a 9 G 16 D63 1 5 6 6 8 2 17 a 3 G 08 18 a 6 G 32 21 a 5 G 23 D22 22 a 3 G 32 23 a 3 G 04 24 a 4 G 06 2 3 7 4 25 a 9 G 16 26 a 6 G 32 1 3 3 8 4 1 5 8 6 2 27 a 5 G 16 28 a 5 G 16 3La 7 G 24 32a 6 G 32 D53 33 a 7 G 32 34 a 3 G 06 35 a 8 G 16 36 a 5 G 16 37 a 9 G 16 38 a 12 G 32 4la 8 G 16 2 6 42 a 6 G 16 43 a 6 G 16 44a 5 G 16 45 a 7 G 16 46 a 7 G 16 47 a 2 G 02 7 1 48a 3 G 03 8 4 51 a 4 G 04 2 4 52 a 3 G 06 53 a 5 G 08 54 a 4 G 08 55a
216. signating the sound to be produced by Arpeggiator is replaced with the controls relative to the filter cutoff frequency This provides a filter effect that changes the sound to a scale that progresses according to the rhythm Changing the Range of the Arpeggio RANGE This adds an effect that shifts arpeggios one cycle at a time in octave units octave range You can set the shift range upwards or downwards up to three octaves up or down Ge This setting has no effect with Rhythm Styles 1 Press RANGE causing the indicator to light DURATION E STORE 2 ARPEGGIATOR 2 Press VALUE V A to set the octave range Settings value 3 0 3 Selecting Ascending Descending Variations Different Ways of Playing the Sounds MOTIF This selects the method used to play sounds motif when you have a greater number of notes than programmed for the Arpeggio Style MEM When the number of keys played is less than the number of notes in the Style the highest pitched of the pressed keys is played by default ore This setting has no effect with Rhythm Styles 1 Press RANGE causing the indicator to blink Tr MOTIF DURATION pes RANGE ARPEGGIATOR 2 Press VALUE V A to select one of the following motifs UP L Only the lowest of the keys pressed is sounded each time and the notes play in order from the lowest of the pressed keys UP H Notes from both the lowest and highest pressed keys are sounded each
217. sound creating an auto pan effect Turn DEPTH to set the depth of the LFO effect The effect increases as you turn the knob clockwise Turn RATE to adjust the frequency speed of the LFO The speed becomes faster as you turn the knob clockwise and slower when you turn it counterclockwise Es See Adjusting the Modulation Depth DESTINATION DEPTH p 60 for details on the effects MEM You can add one LFO effect to several destinations HINT You can also synchronize the LFO with the tempo BPM p 61 33 Quick Start Modifying the Sound 5 Adding an Effect You can add effects to the sound created so far The SH 32 has two independent effects processors one of them provides spatial effects such as reverb and delay Reverb Delay while the other is used for inserting distortion phaser tremolo and other various effects Insertion Effects POWER ON DCIN OSC 1225 IN mipbI out FOOT SWITCH L MoNo oUTPUT R PHON FILTER Mi TLJ YY NOISE WAVE COO O MO FL SPECTRUM y octave sugosc RATION Al EI LPF HPF OFF eee L suBsonic BPF PKG l MoD RATE PITCH ENV TIME ex L R SHIFT EN PWM PITCH KEY BALANCE K Dal DEPTH LFO 2 COARSE FINE FBK MOD DEPTH ax ap 50 13 El DEPTH FADE KEY BEAT BPM REV PORTS DESTINATION FORM IN SYNC CYCLE SYNC d SERIES TIME DE A gs UT pai O O wars PATCH EXIT J 4 Pa EH 5 O SCH O est elevo eee S Exe PERFORM 3 4
218. switch entire Performances is not an appropriate technique for switching sounds within the song being played Arpeggios not being played by the Arpeggiator Do you have the Arpeggiator DURATION set to Ft1 Filter 1 or Ft2 Filter 2 in the Patch or Performance In this case rather than playing normal arpeggios the SH 32 switches to a function that creates the kind of sound changes you would get us ing a step filter so the keys that are pressed affect the filter The filter effect from the Ar peggiator is weak Is the Arpeggiator s DURATION set to either Ft1 Fil ter 1 or Ft2 Filter 2 When Ft1 is selected no effect is produced by pressing only one key Is the Filter setting suitable After confirming that the TYPE Filter type is not set to OFF and that RESONANCE is set somewhat high use CUTOFF to find the point at which the effect is stronger 97 Appendices Error Message List Tf there has been a mistake in operation or if the SH 32 is unable to continue processing as you directed an error message will appear in the display Take the appropriate action for the displayed error message This section gives the error messages in alphabetical order Display Situation Action El The internal backup battery the battery which maintains Contact your dealer or a nearby Roland service center to have the 0 the
219. t a Patch in the User banks BANK A B 4 Press WRITE once again The indicator blinks and the message 5 r Sure blinks in the display prompting you to confirm the save 5 Press WRITE once more to execute the save To cancel the save press EXIT Auditioning to a Patch at the Save Destination Before saving a Patch when you have an external MIDI keyboard connected to the SH 32 s MIDI IN connector you can play the Patch that is already at that save destination to determine whether or not you really do want that Patch to be overwritten This gives you better protection against accidental overwriting of your important Patches vor You cannot use the SH 32 s note entry buttons to check the sounds 1 Follow the procedure in Step 3 of Saving the Sounds You Have Created WRITE to select a save destination 2 Press PREVIEW causing the indicator to blink 3 Play the external MIDI keyboard to listen to the Patch at the save destination so you can decide whether or not you mind having that Patch replaced 4 After confirming the Patch press PREVIEW causing the indicator light to go off 5 Press WRITE to perform the save 63 Chapter 3 Applying Effects to the Sound INS FX REV DELAY About the Onboard Effects The SH 32 has two built in effect units and you can independently edit each unit s settings Insertion Effects These effects are inserted directly into the signal pat
220. t it is always the notes specified during input that are played They do not change according to the keys pressed during a performance and they play in a set fixed rhythm pattern regardless of the pitches of the keys that are pressed A Rhythm Style is not part of any Rhythm Set or Performance but rather independent data you can store up to 64 Rhythm Styles The numbers used for calling up these Rhythm Styles are saved as parameters in Rhythm Sets and Performances Thus you can use a single Rhythm Style in different Rhythm Sets and Performances at the same time eee EEN T Each grid contains one of the following kinds of data e ON Note On with Velocity data e TIE Tie hold of the previous note e REST Rest no sound played The keys that are pressed along with the sequence in which they are pressed is referenced to the lowest pitched key during input An Arpeggio Style is not part of any Patch or Performance but rather independent data you can store up to 64 Arpeggio Styles The numbers used for calling up these Arpeggio Styles are saved as parameters in Patches and Performances Thus you can use a single Arpeggio Style in different Patches and Performances at the same time The Relationship Between Arpeggio Styles and Rhythm Styles When you select a Rhythm Set in Patch mode Arpeggiator automatically switches to Rhythm Style performances or input When a Rhythm Set is assigned to Part 4 R in Perf
221. t type amp 2St large double stack amp 3St large triple stack amp RATE DEPTH 0 127 Sound quality of the Distortion effect Tone LEVEL 0 127 Output level Level STEREO COMPRESSOR Flattens out high levels and boosts low levels smoothing out fluctuations in volume Lin Compressor L out Parameter Value Description INTENSITY 0 127 Sets the duration of the compres Sustain sion COLOR 0 127 Sets the speed at which compres Attack sion starts RATE DEPTH 15 15 High boost EQ Gain Low boost LEVEL 0 6 12 18 dB Adjusts the output gain Post Gain STEREO LIMITER Compresses signals that exceed a specified volume level preventing distortion from occurring Lin Limiter i L out Rin Limiter R out Parameter Value Description INTENSITY 0 127 Adjusts the volume at which Threshold compression begins COLOR 0 127 Adjusts the time after the signal Release volume falls below the Thresh old Level until compression is no longer applied RATE DEPTH 1 5 1 2 1 4 1 100 1 Compression ratio Ratio LEVEL 0 6 12 18 dB Adjusts the output gain Post Gain 108 PHASER Adds a phase shifted sound to the original sound producing a swirling modulation that creates spaciousness and depth Lin Rin O gt rasa Resonance L out R out Parameter Value D
222. tained for individual Parts For example when the Oscillator Reserve for Part 1 is set to 10 then even if all 32 oscillators are in use ten oscillators remain reserved for use by Part 1 1 Confirm that the SH 32 is in Performance mode 2 Hold down PATCH PERFORN and press EXIT Both buttons blink and the SH 32 switches to Part Assign mode 3 Press 1 4 R Part buttons to select the Part whose Oscillator Reserve settings you want to make Le Press OSC 1 causing the indicator to blink H Press VALUE W A to set the number of oscillators 0 32 you want to reserve for that Part GE You cannot make settings that would result in a combined total of more than 32 oscillators reserved for all of the Parts S Press EXIT to return to Performance mode N To save the settings press WRITE and carry out the write procedure Saving Changed Settings WRITE Changes in settings are temporary and are lost when the power is turned off or when you select another tone To keep the settings you have modified save them to the SH 32 s User Memory MEMO A dot appears in the display when a Performance s settings are changed The dot disappears when the settings are saved to the SH 32 Gs Any data currently stored in the location to which the new data is being saved is overwritten and therefore lost when the write procedure is executed However the factory setting data can be recovered
223. te a continuous change in the pitch while Legato is on the pitch may not rise beyond a certain fixed point or there may be other limitations on the range over which the pitch can change HINT Applying portamento while SOLO is on provides an effect similar to the use of the slide technique on a violin PORTA TIME REV PORTA ERIES TIME INS SI When portamento is used this specifies the time over which the pitch will change Higher settings will cause the pitch change to the next note to take more time Press PORTA TIME causing the indicator to blink then press VALUE V A to set the value from 000 to 127 When you have finished making the settings press EXIT causing the PORTA TIME indicator light to go off Pitch Portamento Time Applying Analog Like Modulation to the Pitch ANALOG FEEL ANALOG FEEL ANALOG FEEL LEGATO LEVEL ES O O E PORTA PAN SERIES TIME DEMO This creates a sort of instability in the sound like that from an analog synthesizer Press ANALOG FEEL causing the indicator to light then press VALUE V A to set the value from 000 to 127 When you have finished making the settings press EXIT causing the ANALOG FEEL indicator light to go off 62 Chapter 2 Creating Your Own Sounds Changing the Pan When Using Stereo Output PAN PAN O El O4 INS gt REV PORTA Q if SERIES TIME DEMO Sets the pan for the Patch or Rhythm Tone L64 is
224. terwards be sure to wipe the unit thoroughly with a soft dry cloth Never use benzine thinners alcohol or solvents of any kind to avoid the possibility of discoloration and or deformation Repairs and Data Please be aware that all data contained in the unit s memory may be lost when the unit is sent for repairs Important data should always be backed up in another MIDI device e g a sequencer During repairs due care is taken to avoid the loss of data However in certain cases such as when circuitry related to memory itself is out of order we regret that it may not be possible to restore the data and Roland assumes no liability concerning such loss of data Memory Backup This unit contains a battery which powers the unit s memory circuits while the main power is off When this battery becomes weak the message shown below will appear in the display Once you see this message have the battery replaced with a fresh one as soon as possible to avoid the loss of all data in memory To have the battery replaced consult with your retailer the nearest Roland Service Center or an authorized Roland distributor as listed on the Information page blo Battery Low Additional Precautions Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction or the improper operation of the unit To protect yourself against the risk of loosing important data we recommend that you periodic
225. th an unreasonable number of other devices Be especially careful when using extension cords the total power used by all devices you have connected to the extension cord s outlet must never exceed the power rating watts amperes for the extension cord Excessive loads can cause the insulation on the cord to heat up and eventually melt through e Before using the unit in a foreign country consult with your retailer the nearest Roland Service Center or an AN authorized Roland distributor as listed on the Infor mation page CAUTION The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation gt e Always grasp only the plug or the body of the AC adaptor when plugging into or unplugging from an outlet or this E 3 e Whenever the unit is to remain unused for an extended period of time disconnect the AC adaptor e Try to prevent cords and cables from becoming entangled Also all cords and cables should be placed so they are out of the reach of children gt e Never handle the AC adaptor body or its plugs with wet T hands when plugging into or unplugging from an outlet N or this unit e Before moving the unit disconnect the AC adaptor and all cords coming from external devices e Before cleaning the unit turn off the power and unplug the AC adaptor from the outlet p 17 O e Whenever you suspect the possibility of lightning in
226. that Arpeggiator is on ON is lit and press the SH 32 s note entry buttons or play the external MIDI keyboard to check the results of the Step Input wore You cannot do partial edits of Styles If a mistake is made re input the Style Remake the setting for the grid type GRID p 75 duration DURATION p 76 octave range RANGE p 76 motif MOTIF p 76 and tempo BPM p 74 as needed If satisfied with the results of Step Input save the created Style p 79 Additionally if you also want to save the parameter settings changed in a previous step carry out the write procedure for the Patch or Performance You can create Rhythm Styles using the same procedure described above when selecting a Rhythm Set in Patch mode or when selecting a Part 4 R to which a Rhythm Set is assigned while in Performance mode Chapter 6 Using Arpeggiator ARPEGGIATOR Creating Styles Using an External Sequencer Using an external sequencer you can create Arpeggios and Rhythm Styles in the form of sequence data then load that data into the SH 32 to create Styles To load the data you need to synchronize the SH 32 to the tempo of the sequencer that ll be doing the transmitting and then carry out Realtime Input 1 Use a MIDI cable to connect the SH 32 s MIDI IN connector to the MIDI OUT connector of the external sequencer 2 Set the external sequencer so that it transmits its MIDI clock is the master E F
227. that would cause notes to be played one at a time turned on Turn off such functions Does the Chord Form data have only one note recorded to it Either record the Chord Form data over again or select a different Chord Form p 81 MIDI messages are not trans mitted received correctly Are the various MIDI channel settings correct Check the Part MIDI channel Performance Control channel and Re mote Keyboard Switch settings p 84 p 90 Are the various receive switch settings correct Check the settings of the Program Change Receive Switch and the Ex clusive Receive Switch p 93 Is the Bulk Dump setting type correct Check the Bulk Dump setting p 88 Is the Device ID Number setting correct Set the Device ID Number that was used when recording the exclusive data to the sequencer p 93 Is the sequencer being played back at a correct tempo Playback the sequencer at the tempo that was used when recording the exclusive data When using MIDI Program Changes the switching of sounds and the production of the sound after switching takes too much time Program Changes generally result in the modification of large amounts of data at one time If large volumes of MIDI data are being transferred before and or after switching sounds the SH 32 may be unable to make the switch rapidly Try staggering the timing of such data transfers for example by trans mitting data from the seq
228. the Factory Settings Factory Reset This restores all of the data contained in the SH 32 or specified types of data to the settings as programmed at the factory Factory Reset nore When a Factory Reset is carried out all of the data that has been targeted for Factory Reset will be completely lost this data cannot be recovered If you have created any data that you want to keep save the data by transmitting it to an external MIDI sequencer or similar device p 88 1 First press the POWER switch on the rear panel to turn off the power 2 While holding down 1 A turn the power on again CO O 0 O 2 6 3 c 4 D 5 LOCAL REMOTE FOOTSW CLOCK ON OFF HL POWER 1 A blinks and 5 Reset appears in the display while 1 A is held down 3 Press VALUE V A to select the data that is to be restored to the way it was when the instrument was shipped from the factory Types of Data That Can Be Returned to Original Settings ALL All Data Patches Rhythm Sets Performances Arpeggio Styles Rhythm Styles Chord Forms System Settings Gou Sound Data Patches Rhythm Sets Performances Ar P Arpeggio Rhythm Styles Arpeggio Styles Rhythm Styles C Hd Chord Forms Chord Forms SYS System Setup System Settings 4 Press WRITE EXEC WRITE EXEC blinks and the message 5 r Sure blinks in the display prompting you to confirm that you want to carry out a Factory R
229. the indicator to light to select the basic style used to play arpeggios p 74 STORE Press this button causing the indicator to blink to save the arpeggio styles you have created p 79 ON Switches the arpeggiator on off gt p 74 Hold down ON and press W REALTIME to input arpeggio styles in real time gt p 77 Hold down ON and press 4 STEP to input arpeggio styles in steps gt p 78 1 4 RY ME REST TO TOP BACK 1 4 R Selects the Parts that are to be played simultaneously in Performance mode or the Part for which settings are to be changed gt p 72 p 73 When you are inputting arpeggio styles in steps these buttons perform the following functions gt p 78 TIE Inputs a tie REST Inputs a rest TO TOP Returns you to the beginning grid line BACK Deletes the last note or rest that has been input 1 A1 8 R These switch the tone banks and numbers gt p 23 Setting the FX SYSTEM knob to SYSTEM allows for selection of parameters with settings that affect the SH 32 as a whole system parameters p 90 TAP BPM Sets the tempo BPM for arpeggios You can also set the tempo by tapping this button at the desired rhythm gt p 74 About the Symbols on the Panel The following symbols which appear on the SH 32 s panel are meant to depict the illumination state of the indicators al D 9 Blinking O Off Pan
230. the pitch can be changed with the keyboard 53 Chapter 2 Chapter 2 Creating Your Own Sounds Determining the Pitch OCTAVE PITCH OCTAVE Adjusts the pitch of the sound up or down in units of an octave 1 octave Press the button causing the indicator to light to raise the pitch one octave 1 when the indicator blinks the sound is lowered one octave 1 PITCH COARSE Adjusts the pitch of the sound up or down in semitone steps 2 octaves The more the slider is moved upwards the higher the pitch becomes while moving the slider downwards lowers the pitch MEMO In Part Assign mode p 71 you can set the pitch for Parts selected in Performance mode and then save these settings to each individual Performance PITCH FINE Adjusts the pitch of the sound up or down in 1 cent steps 50 cents The further up you move the slider the higher the pitch becomes while lowering the slider also lowers the pitch MEMO e One cent is 1 100th of a semitone e In Part Assign mode p 71 you can set the pitch for Parts selected in Performance mode and then save these settings to each individual Performance Creating a Fatter Sound By selecting the same waveform for OSC 1 and OSC 2 setting PITCH COARSE at the center position and then slightly shifting the pitch with PITCH FINE you can produce a sound that has greater fatness and breadth detune effect Creating a Fatter Sound by
231. the save To cancel the save press EXIT Chapter 5 Using in Performance Mode Selecting a Performance and Playing the Patch for Each Part The SH 32 has 64 different Performances stored internally these are all stored in the User Performances there are no Preset read only Performances 1 Press PATCH PERFORM to make its indicator light The SH 32 switches to Performance mode 2 Press BANK The 1 A 8 R indicators blink 3 Press one of the buttons from 1 A through 8 R to select a bank 1 8 The 1 A 8 R indicators blink 4 Once again press one of the buttons from 1 A through 8 R to select a Performance number 1 1 8 8 User Performances 5 Play the MIDI keyboard connected to the MIDI IN connector or use the Preview note entry function to play sounds When using an external MIDI keyboard to play sounds either set it to the MIDI channel for the Part you want to play p 84 or turn the Remote Keyboard Switch REMOTE on p 90 When using the Preview function to play sounds the sounds from Patches in Parts selected with the Part buttons are played Selecting the Patch for Each Part Part Assign Mode Select the Patches that are assigned to each Part in a Performance The Patch number assigned to each Part can be stored as a Performance parameter 1 Confirm that the SH 32 is in Performance mode 2 While holding down PATCH PERFORM press EXIT Both buttons blink and the
232. time and the notes play in order from the lowest of the pressed keys UP _ The notes play in order from the lowest of the pressed keys No one note is played every time dn L Only the lowest of the keys pressed is sounded each time and the notes play in order from the highest of the pressed keys dn H Notes from both the lowest and highest pressed keys are sounded each time and the notes play in order from the highest of the pressed keys dn _ The notes play in order from the highest of the pressed keys No note is played every time Ud L Only the lowest of the keys pressed is sounded each time and the notes in the arpeggio are played in order from the lowest of the pressed keys and then back again in the reverse order Ud H Notes from both the lowest and highest pressed keys are sounded each time and the notes play in order from the lowest of the pressed keys and then back again in the reverse order Ud _ The notes play in order from the lowest of the pressed keys and then back again in the reverse order No note is played every time rn L While only the lowest of the keys pressed is sounded each time the notes in the arpeggio are played in random order lt Example gt Action of a Style starting from the lowest note 1 2 3 2 when the keys C D E F G are played When UP L is selected as the motif C D E D gt C E F E gt C F G F gt repeated When UP _ is selected as the motif C D E D gt D E F E
233. ts No Song Name Composer Copyright TRAVELER WALL5 2001 Roland Corporation 2 SPANK SHIBUICHI ABE 2001 Roland Corporation from PCM 3 CompFusion Ken Suzuki 2001 Roland Corporation note All rights reserved Unauthorized use of this material for purposes other than private personal enjoyment is a violation of applicable laws nore Unsaved settings changes may be lost when you start Demo Play Carry out the write procedure as required to save such data before listening to the demo songs p 63 p 70 p 73 1 Simultaneously press LEVEL PAN and EXIT This starts Demo Play LEVEL INSEREV PORTA PAN V SERIES TIME DEMO PLAY WRITE PATCH EXIT O 0 01 E Exec PERFORM PART 2 Press VALUE V A if you want to change the song to be played back 3 Press EXIT to stop Demo Play and return to the normal operating mode MEMO e No data for the music that is played will be output from MIDI OUT e The second demo song spank is intended to introduce you to the expanded capabilities provided by the SH 32 Understand that this demo uses extreme sounds that differ radically from those used in ordinary demonstration songs sentHesieean ki Quick Start Producing Sound Getting Started About the Playing Modes of the SH 32 PATCH PERFORMANCE SH 32 offers two modes allowing you to choose the one that is best for the pur
234. tu Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin H vit kaytetty paristo valmistajan ohjeiden mukaisesti For EU Countries For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment and receiver Connect the equipment into an outlet on a circuit different from that to which the receiver is connected Consult the dealer or an experienced radio TV technician for help This device complies with Part 15 of the FCC Rules Operation is subject to the following two conditions 1 This device may not cause harm
235. tyle or Rhythm Style or turn off Arpeggiator Is an external MIDI keyboard being used with the RE MOTE function turned on and LOCAL set to OFF When using the REMOTE function set LOCAL to ON p 90 Is Slicer or a similar effect selected for INS FX with an extremely slow cycle set Long periods in which no sound is produced can occur with these sorts of settings Check the Rate and other cycle related settings Pitch is wrong Are the Pitch settings of the OSC 1 amp 2 section correct Check the COARSE Coarse Tune FINE Fine Tune settings of the OSC 1 amp 2 section p 54 Is the Master Tune setting correct Check the Master Tune setting p 90 In Performance mode are the tuning settings for each Part enabled In Part Assign mode set PITCH COARSE and FINE to 0 Has a Pitch Bend message been received from an exter nal device leaving the pitch hanging Try moving the pitch bend lever of the connected MIDI keyboard Notes drop out are broken off Is Solo Unison selected When Solo or Unison is selected only one note at a time will sound even if two or more keys are pressed If you wish to play two or more notes at a time press SOLO or UNISON to make the indicator go dark selecting Poly p 61 p 62 Is the maximum simultaneous polyphony being ex ceeded The SH 32 has a maximum polyphony of 32 voices Try seeing if set ting Oscillator Reserve can he
236. u plug in or pull out cords while the power is on the unit may fail to operate as expected Settings values PUP Switches the Patch Rhythm Set or Performance e SW 1 PATCH PERFORMANCE UP Move forward by one tone number each time the pedal is pressed e SW 2 PATCH PERFORMANCE DOWN Back up by one tone number each time the pedal is pressed cu Switches the Chord Forms in the Chord Memory function e SW 1 CHORD FORM UP Move forward by one Chord Form number each time the pedal is pressed e SW 2 CHORD FORM DOWN Back up by one Chord Form number each time the pedal is pressed aur Switches the Arpeggiator Arpeggio Styles e SW 1 ARPEGGIO STYLE UP Move forward by one Style number each time the pedal is pressed e SW 2 ARPEGGIO STYLE DOWN Back up by one Style number each time the pedal is pressed ru Switches the Arpeggiator Rhythm Styles e SW 1 RHYTHM STYLE UP Move forward by one Style number each time the pedal is pressed e SW 2 RHYTHM STYLE DOWN Back up by one Style number each time the pedal is pressed ERP e SW 1 TAP BPM Sets the tempo value according to the timing at which the pedal is pressed Tap Tempo Teach e SW 2 ARPEGGIATOR ON OFF Arpeggiator is alternately switched on or off each time the pedal is pressed in e SW 1 INS FX ON OFF INS FX Insertion Effects are alternately switched on or off each time the pedal is pressed e SW 2 REV DELAY ON OFF REV DELAY Reverb Delay is alternatel
237. uencer a little earlier or otherwise prevent ing multiple simultaneous switches You can also try other techniques such as switching during breaks or switching closer to the end of a long note in a different Part for studio work or other such de manding applications we recommend the use of multiple sound gen erator modules or recording sequencer audio tracks sequentially mainly in Patch mode Poor MIDI transmission and reception of panel opera tions The conditions and behavior of MIDI transmission and reception can be influenced by the MIDI transmission mode settings Refer to the MIDI Transmit Receive Setting List p 115 to check the conditions of transmission and reception When using the SH 32 with a sequencer Patches are played late after being switched In general when a multifunctional sound generating device and a MIDI sequencer are used together pro cessing of the sounds being played may lag when Patches are switched or when large amounts of data are transmitted Reduce the number of MIDI messages for example by using the se quencer to thin out the data stream Avoid having Program Changes occur simultaneously in multiple Parts Use techniques such as switching sounds during breaks whole notes or at other points where the beat is not conspicuous If at all possible have any Patches that may be using two oscillators use one oscillator instead In addition you may also want to
238. umber 1 The MIDI receive channel on the SH 32 is set to chamnel 1 4 Press EXIT Play something on the MIDI keyboard The SH 32 sounds the notes that have been played on the MIDI keyboard See Chapter 8 Using the SH 32 with External MIDI Devices p 84 for details on MIDI settings 22 Producing Sound Listening to the Preset Sounds The SH 32 comes with 128 different Preset Patches so you can immediately enjoy having a wealth of sounds at your fingertips POWER ON IN MIDI OUT FOOT SWITCH LIMONO OUTPUT R PHONES OSC 12 25 N S our y Ser AMA TLIW noise WAVE A e g Y O O Z V KEY TYPE SLOPE e COLOR LEVEL ES LPF HPF OFF 0 2 TYPE BnD OSC 1x2 eme OB O00 CG O C Je BPF PKG ELLEVEL MOD RATE PITCH ENV PITCH TIME een L R SHIFT PWM ENV KEY BALANCE K Dal DEPTH LFO2 COARSE FINE R DEPTH a FBK MOD DEPTH FADE KEY BEAT BPM INS gt REV PORTA PAN DESTINATION FORM IN SYNC CYCLE SYNC SERIES TIME Sal y sz el SE O O wame PATCH EXIT 3 CH Co eat O O A A AN MA I V RND Y gt sE SY joRM e oe EXEC PERF GN pu our y MOTIF pen ps 90 O O 0 0 0 0 ARPEG STEP IN DE 2 osc x4 PARTS SYNTH STACK Rolar syntHesizen Slao Display Press BANK BANK lights up and 1 A 4 D and 8 R blink Select a bank Press 1 A 4 D to select a bank A through D The selected bank is shown in the display Ban
239. used for playback Since some of the Preset Patches were designed with a specific purpose in mind they sound best if played within the appropriate range or with suitable phrases Such sounds may get distorted if played outside the intended range When changing the register or phrase being used reset the parameters for your sound so that such distortion is avoided About reception of MIDI messages while the Arpeggiator is functioning e Internally the SH 32 gives priority to the sound processing that uses the Wave Acceleration method Due to the limita tions of the system demands for the processing of large amounts of data for additional functions other than those related to the sound generation section such as for the Arpeggiator or certain kinds of MIDI messages may prevent the SH 32 from operating correctly If a large volume of Control Change or Aftertouch messages are transmitted while the Arpeggiator is being used or otherwise when numerous voices are sounding processing for the sound generator is given priority As a result the Arpeg giator may stop working correctly or the tempo may not be maintained In particular you should be careful with consec utive streams of densely packed MIDI messages which is what devices other than the SH 32 may sometimes be sending How To Use This Manual This owner s manual is organized as follows Quick Start For those who are using the SH 32 for the first time this section
240. ver time Slide ENV DEPTH to adjust the depth of the pitch envelope Slide PITCH ENV A to set the time required for the pitch change to reach its maximum Slide PITCH ENV D to set the time required for the pitch change to drop from the maximum to its original state Both oscillators use PITCH ENV A D in common Using BALANCE adjust the balance between oscillators 1 and 2 When OSC 1 or OSC 2 is illuminated and its counterpart is blinking when both are not off set the balance between the both With this the waveform upon which your sound is to be based is now ready Next we ll refine the sound by applying a filter to the waveform MEM Each group of waveforms has various waveform patterns which you can select by pressing VARIATION p 53 See Determining the Basic Waveform and Pitch OSC 1 amp 2 p 52 for details on waveforms HINT You can easily shift the octave up or down by pressing OCTAVE one octave up or down p 54 HINT Using SUB OSC p 54 you can also add portions an octave lower to create a deep bass sound HINT You can also synchronize the oscillator 1 waveform to the oscillator 2 pitch p 55 Modifying the Sound t S E 5 2 Working on Oscillator Waveforms FILTER o See Changing the U The filter alters the tone color by cutting or boosting the harmonics of the waveforms Characteristics of Sounds E created by the oscillator FILTER p 5
241. wing page OUTPUT y Ns a 1 bi Y Y RATE DEPTH E OR A L R SHIFT FBK MOD DEPTH EXEu PEHFUHM 7 PART 50 Chapter 1 An Overview of the SH 32 Patch Mode Performance Mode Part Assign Mode Rhythm Tone Edit PATCH I l EXIT Preview function l N e N v turned on with a N 7 O O O O Rhythm Set selected a in each mode E PERFORM PERFORM f PART PREVIEW You can switch the Insertion Effects INS FX or Reverb Delay REV DELAY on indicator lit or off in dicator off for each individual Patch or Rhythm Set p 64 p 65 You can save settings content to each Patch or Rhythm Set with the write procedure p 63 p 70 When assigning Patches to the Parts in Performance mode the settings here are disabled and the settings for each Part in Part Assign mode go into effect You can switch the Insertion Effects INS FX or Reverb Delay REV DELAY on indicator lit or off in dicator off for each individual Per formance p 64 p 65 You can save settings content to each Performance with the write procedure p 73 You can switch the Insertion Effects INS FX or Reverb Delay REV DELAY on indicator lit or off in dicator off for each individual Part in a Performance p 64 p 65 Press 1 4 R Part buttons to specify the Part to be set You can save the settings content in groups consisting of four Parts to Performances with th
242. wist or bend the power cord nor place S e This unit either alone or in combination with an amplifier and headphones or speakers may be capable of S producing sound levels that could cause permanent hearing loss Do not operate for a long period of time at a high volume level or at a level that is uncomfortable If you experience any hearing loss or ringing in the ears you should immediately stop using the unit and consult an audiologist pins or liquids of any kind water soft drinks etc to Do not allow any objects e g flammable material coins S penetrate the unit USING THE UNIT SAFELY e Immediately turn the power off remove the AC adaptor from the outlet and request servicing by your retailer the NM nearest Roland Service Center or an authorized Roland distributor as listed on the Information page when e The AC adaptor or the power supply cord has been damaged or e Objects have fallen into or liquid has been spilled onto the unit or e The unit has been exposed to rain or otherwise has become wet or e The unit does not appear to operate normally or exhibits a marked change in performance provide supervision until the child is capable of following e In households with small children an adult should all the rules essential for the safe operation of the unit e Protect the unit from strong impact Do not drop it e Do not force the unit s power supply cord to share an outlet wi
243. y The Rhythm Set can only be set to Part 4 39 Playing Arpeggio Arpeggiator 10 11 12 13 14 40 Press EXIT to return to Performance mode Press STYLE to light up the button and then press VALUE V A to select a Rhythm Style The Rhythm Style number is shown in the display Press 4 R while pressing ON to light up 4 R The Part 4 is set for the arpeggio play Press EXIT Press 1 3 to choose a Part you want to play in arpeggio The button of the selected Part blinks Press EXIT while pressing PATCH PERFORM getting both buttons to blink The unit is in the Part Assign mode Select a Patch for the Part you selected in step 8 1 Press BANK and then press 1 A 4 D 2 Press 1 A 8 R to select a Patch number The Patch number is shown in the display Press EXIT to return to Performance mode Press STYLE to light up the button and then press VALUE V A to select an Arpeggio Style The Arpeggio Style number is shown in the display Press the Part button that was selected in Step 8 while pressing ON to light up the Part button The selected Part is set for arpeggio play Use the Preview function p 21 or a MIDI keyboard to play some sounds The rhythm pattern and arpeggio start playing See About Rhythm Styles p 75 for details on Rhythm Styles See Selecting the Patch for Each Part Part Assign Mode p 71 for details on the Part Assign m
244. y buttons or MIDI sound like a piano If the sustain level is at maximum it may sound like an organ keyboard have been played and if the attack time is long it may sound like a strings section TIME KEY FOLLOW p 59 Now try modifying the sound using the LFO 31 Modifying the Sound 4 Adding Modulation to the Sound LFO The LFO creates waveforms that can control the oscillator filter and amp and add some extra change to the sound The SH 32 has two LFOs Each LFO can be used independently in setting a different modulation depth with respect to the oscillator filter amp and pan FADE KEY BEAT BPM IN SYNC CYCLE SYNC O O 8 2 1 2 1 43 OYIYIOVO 4 1 1 3 1 Press LFO 1 or LFO 2 to select the LFO you want to control The pressed button blinks indicating that it is available for control When the button is illuminated it indicates that the LFO is turned on when turned off the button is extinguished blinking LNS EEN blinking 2 LFO 2 off LFO 1 on You can control LFO 1 parameters LFO 2 on LFO 1 off You can control LFO 2 parameters LFO 2 on LFO 1 on You can control the parameters of the LFO whose button is blinking 2 Press FORM to select a waveform The indicator of the selected waveform lights up To select a waveform on the lower row get the two indicators above the waveform to light FORM The selected waveform l WM V RND a AA Oo TI d The
245. y switched on or off each time the pedal is pressed GE You cannot turn this on and off in Part Assign mode rEd e SW 1 REV DELAY ON OFF REV DELAY Reverb Delay is alternately switched on or off each time the pedal is pressed e SW 2 INS FX ON OFF INS FX Insertion Effects are alternately switched on or off each time the pedal is pressed Note You cannot turn this on and off in Part Assign mode crd e SW 1 CHORD MEMORY ON OFF The Chord Memory function is alternately switched on or off each time the pedal is pressed e SW 2 ARPEGGIATOR ON OFF Arpeggiator is alternately switched on or off each time the pedal is pressed ArP You can determine whether or not Arpeggiator is played in the synth part or rhythm part in Performance mode e SW 1 ARPEGGIO START STOP Alternately switches the playing or the arpeggio in the synth part on or off each time the pedal is pressed e SW 2 RHYTHM START STOP Alternately switches the sounding of the rhythm part arpeggio rhythm pattern on or off each time the pedal is pressed 91 Chapter 9 Chapter 9 Other Settings Por e SW 1 PORTAMENTO ON OFF Portamento is alternately switched on Legato only on Normal off each time the pedal is pressed e SW 2 SOLO ON OFF The Solo function is alternately switched on or off each time the pedal is pressed MEMO In Performance mode the Part called up in the panel is affected SoL e SW 1 SOLO ON OFF The Solo funct
246. your area disconnect the AC adaptor from the outlet IMPORTANT NOTES In addition to the items listed under USING THE UNIT SAFELY on page 2 please read and observe the following Power Supply Do not use this unit on the same power circuit with any device that will generate line noise such as an electric motor or variable lighting system The AC adaptor will begin to generate heat after long hours of consecutive use This is normal and is not a cause for concern Before connecting this unit to other devices turn off the power to all units This will help prevent malfunctions and or damage to speakers or other devices Placement This device may interfere with radio and television reception Do not use this device in the vicinity of such receivers Noise may be produced if wireless communications devices such as cell phones are operated in the vicinity of this unit Such noise could occur when receiving or initiating a call or while conversing Should you experience such problems you should relocate such wireless devices so they are at a greater distance from this unit or switch them off To avoid possible breakdown do not use the unit in a wet area such as an area exposed to rain or other moisture Maintenance For everyday cleaning wipe the unit with a soft dry cloth or one that has been slightly dampened with water To remove stubborn dirt use a cloth impregnated with a mild non abrasive detergent Af

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