ARRI 416 Camcorder User Manual
Contents
1. L 4 m L e Alternatively Timecode recording is automatically turned on when the camera receives a valid Timecode signal see Timecode Input Display in mode 4 TC is on Framerate is 25 tos Timecode Input Jam Syncing e Connect the LTC signal from a Timecode generator or motherclock to the Timecode connector on the camera s right side e The last 2 digits on the display will show EC external code When the Timecode is correctly transferred they will change to CC correct code e After approximately 10 seconds the last 2 digits will change to the Timecode recording framerate Note If the motherclock is left connected for 10 minutes the camera s Timecode clock will synchronize itself to the exact frequency of the motherclock leading to better accuracy and extended periods between jam syncing Userbit Input Userbits are automatically input with the Timecode but they can also be set by means of the camera display in mode 5 e Use the SEL button to select the digit you wish to change which will flash e The SET button changes the value of the flashing digit e Repeat the last two steps for all the digits that need to be changed Display in mode 5 Showing Userbits Note Userbit values are hexadecimal so only values from O 9 and A F are available Magazine Timecode Sensitivity Switch To ensure proper timecode exposure on film the intensity of the exposure LED in the 416 Timecode2. 24 fps 54 mm PL mount Super 16 only 52 00 51 99 mm 20 C to 50 C 4 F to 122 F LDD FP UMC 3 EXD 1 RCU 1 LCS WRS WRC 1 ESU 1 ICU RS 4 Lens Data Display for Focus Puller Universal Motor Controller External Display Remote Control Unit Lens Control System Wireless Remote System Wireless Remote Control External Synchronization Unit Iris Control Unit Remote On Off Switch Lens Data Archive only Accessory expansion cable needed Accessory expansion cable needed Accessory expansion cable needed 16SR 3 fibre screens HE 3 4 amp 5 heated eyecups FF 3 with bridge plate FF A amp 5 on lightweight support rods or bridge plate 15 mm amp 19 mm support rod matte boxes with bridge plate ARRI Zeiss Ultra 16 lenses ARRI Zeiss Lightweight Zoom LWZ 1 ARRI Zeiss Standard Speed lenses ARRI Zeiss Super Speed lenses ARRI Zeiss Ultra Prime lenses ARRI Zeiss Master Prime lenses Cooke S 4 lenses ARRI Macro lenses Cooke amp Angenieux zoom lenses ARRI Zeiss Variable Prime lenses 1 6SR magazines 16SR on board batteries 435 Single Frame Hand Controller CCU and ARRICAM electronic accessories ARRIFLEX 416 Quick Guide 05 2006 Page 6 Power On Camera RUN Inching Camera Display Turning Camera Power On The Power On button for the ARRIFLEX 416 is located above the RUN button on the camera right side To turn the camera On briefly press the Power On button When a battery is connected
3. TCS 5 153 1 o TCS 6 TCS 5 TCS 6 16 mm Fuji Film Stocks Fuji 8428 Fuji 8622 Fuji 8632 Fuji 8652 Fuji 8653 Fuji 8653 Fuji 8662 Fuji 8663 Fuji 8672 Fuji 8673 Fuji 8682 Fuji 8683 Fuji 8692 Color Reversal Color Negative Color Negative Color Negative Color Negative Color Negative Color Negative Color Negative Color Negative Color Negative Color Negative Color Negative Color Negative Timecode exposure not possible ARRIFLEX 416 Quick Guide 05 2006 Page 19 TCS 6 TCS 6 TCS 6 coo TCS 6 TCS ro TC S4 TCS 5 TCS 4 TCS 5 TCS 6 TCS 6 TCS 4 Australia Canada Germany Great Britain Italy USA Website ARRI Group Addresses ARRI Australia PTY Limited Sales Service amp Rental Unit 6C 5 Talavera Road Macquarie Park Sydney NSW 2113 Australia Voice phone 61 2 9855 4300 FAX 61 2 9855 4301 Email info arri com au ARRI Canada Limited Sales amp Service 415 Horner Ave Unit 11 Toronto Ontario M8W 4W3 Canada Voice phone 1 416 255 3335 FAX 1 416 255 3399 Email email arrican com Arnold amp Richter Cine Technik Sales amp Service TurkenstraBe 89 D 80799 Munich Germany Voice phone 49 0 89 3809 0 FAX 49 0 89 3809 1245 Email webmaster arri de ARRI Camera Rental Film Equipment Rental TurkenstraBe 89 D 80799 Munich Germany Voice phone 49 0 89 3809 1240 FAX 49 0 89 3809 1798 Email mjahn arri de ARRI GB Li
4. 3 Changing the Beeper and Backlight settings Use the SEL button to select the digit you wish to change which will flash Use the SET button to change the value of the flashing digit RGB ARRIGLOW The ARRIGLOW on the 416 gives the user a choice of frameglow colours Colours 1 8 are preset colours followed by U which is user adjustable by setting individual Red Green and Blue values The ARRIGLOW brightness is adjusted with the and buttons above the camera display Changing the RGB ARRIGLOW colours e Push the DIMMER button on the camera left side so you can see the ARRIGLOW in the viewfinder Set the display to mode 7 Pushing the SEL button will make the ARRIGLOW number flash Pushing the SET button will now cycle through preset colours 1 8 and then user adjustable colour U Stop at the colour you like no confirmation is necessary To change the user adjustable colour push SEL again while U is flashing The SEL button will now cycle through the red r green C and blue b values of the user colour Pushing the SET button changes the flashing colour value from O no colour up to 16 maximum colour ARRIFLEX 416 Quick Guide 05 2006 Page 12 On board Battery On Board Battery OBB 2 The OBB 2 On Board Battery attaches directly to the camera body by means of a quick change mechanism that can be easily operated with one hand The OBB 2 incorporates a builtin power meter to indicate the sta
5. Module is adjustable Magazines have a Timecode Sensitivity Switch in the top left corner of the feed side door for this purpose Different film stocks require the TCS Switch to be set to different TCS numbers The table on the next page shows the settings required by current film stocks as of November 2005 Timecode sensitivity switch ARRIFLEX 416 Quick Guide 05 2006 Page 18 Timecode Sensitivity Table 16 mm Kodak Film Stocks Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak Kodak 7201 7205 7212 7217 7218 Z222 1229 7231 7230 1237 7240 7245 7246 7248 7250 725 7274 7276 7277 7278 L279 7284 7287 7289 7293 7296 7297 7290 7620 Color Negative Color Negative Color Negative Color Negative Color Negative B W Negative Color Negative B W Negative Color Negative Color Reversal Color Reversal Color Negative Color Negative Color Negative Color Reversal Color Reversal Color Negative B W Reversal Color Negative B W Reversal Color Negative Color Negative Color Negative Color Negative Color Negative Color Negative Color Negative Color Negative Color Negative TS TCS 6 165 0 TCS 6 1559 TCS 8 ese 1C TCS 6 JS TCS 6 TCS 6 TCS 6 TCS 6 TCS 5 TCS 4 TCS 6 ck 1 o9 TCS 4 59 TCS 6
6. Version This guide describes the ARRIFLEX 416 with preliminary Software Packet O1A Different software versions can result in different behaviour Authorized ARRI Service Centers can check and update equipment software Tools Anyone operating the ARRIFLEX 416 system should have these tools 1 A 1 5 mm metric hex wrench is used to adjust the alignment and focus of the Integrated Video System 2 A 3 mm metric hex wrench is used to attach and remove camera components and most accessories 3 A 5 mm metric hex wrench is used to attach or remove the 3 8 Accessory Shoe Adapter the LWS 5 and the WHA 2 Rosette Bracket 4 A 8 10mm 5 16 flathead screwdriver is used to attach baseplates Safety Specifications e Never place your hand in the lens port or inside of the camera while it is running e Assembly and initial operation should be carried out only by persons who are familiar with the equipment e Switch camera power off before making electrical connections e Never run the camera without a lens or a protective cap mounted in the lens port Never attempt to remove the magazine while the camera is running e Always ensure that the camera is securely mounted e Repairs should be carried out only by authorized ARRI service centers e Use only original ARRI replacement parts and accessories e n wet weather conditions the normal safety precautions for handling electrical equipment should be taken e Clean optical surfaces only with
7. ground fault indicator MINI MONITOR connector BNC connectors Power connector BAT REMOTE connector ARRIFLEX 416 Quick Guide 05 2006 Page 5 Fps range Mirror Shutter Power Accessory Power Movement Sound Level Lens Mount Flange Focal Distance Temperature Range Electronic Accessories Other Accessories Not compatible with Quick Specs 1 to 75 fps forward only in 0 001 fps increments 180 to 45 manually adjustable Fixed settings at 180 172 8 150 144 135 90 45 Use the following angles for filming with non electronic ballast HMI or fluorescent lighting 25 fos 50 Hz supply 1 50th second exposure time 24 fps 50 Hz supply 1 50th second exposure time 25 fps 60 Hz supply 1 60th second exposure time 24 fps 60 Hz supply 1 60th second exposure time 24 V DC custom 105 Fischer connector pin 1 is O V pin 2 is positive pin 3 is on board battery condition monitor Acceptable range 21 V to 35 V 1 x 24 V RS connector on 416 2 x 24 V RS connectors on A16 Plus 1 x 24 V REMOTE connector RS amp REMOTE connectors combined 2 A continuous 4 A peak Note R5 amp REMOTE connectors are not regulated so their output voltage tracks the camera supply voltage x 24 V Heated Eyecup connector 2 x 12 V MINI MONITOR connector on IVS MINI MONITOR connectors combined 2 A continuous One pull down film transport claw and one registration pin Less than 20 dB A
8. set anywhere from 1 000 75 000 fps Note If LOCK shows in the display the camera settings are locked To unlock briefly press the LOCK button Setting a Standard Speed NORM e Make sure the display is in mode 1 black bar visible If not repeatedly press MODE until it is If PS CCU shows in the display press NORM e Pressing SEL cycles through the Standard Speeds Each speed will flash for approximately 3 seconds e While the desired speed is flashing press SET to set the speed Display in mode 1 Speed set at 24 000 fps Setting a Programmable Speed PS CCU e Press PS CCU to switch from NORM to PS CCU e Press MODE once to switch the display from mode 1 to mode 2 PS CCU e Pressing SEL selects one digit after another The selected digit will flash Display in mode 2 e Press SET to increment the value of the flashing digit by 1 Speed set at 75 000 tps e Repeat the last 2 steps for all the digits that need to be changed Final confirmation of the set speed is not necessary Checking the Mirror Shutter Angle e With the camera in Standby press and hold PHASE The camera will inch at approximately 1 fps A After 2 seconds the top line of the display shows the open angle of the mirror shutter while the bottom line will show the Display with PHASE button pressed Open mirror shutter supply voltage angle 172 8 and supply of voltage 26 9 Changing the Mirror Shutter Angle Note Before adjustin
9. the MGC button to toggle between Manual Gain Control LED on and Automatic Gain Control LED off e When MGC is on adjust the image gain with the UP increase gain amp DOWN decrease gain buttons The on screen menu The on screen menu allows the adjustment or selection of the following features Load amp store settings White Balance Gain Colour Bars video settings Format Markings Image Compare Store Text Inserter camera status system status user text timecode amp more amp VITC WHITELINE e To display the main menu press and hold the ENTER INSERT button for 3 seconds e To select a sub menu use the UP amp DOWN buttons The arrow indicates which sub menu is selected e To enter the selected sub menu press the RIGHT button e To go back to the main menu chose EXIT which can be found at the bottom of each screen e To leave all menus press and hold the ENTER INSERT button for 3 seconds BNC mode e Enter the VIDEO TEXT ADJ sub menu to chose between VBS composite and Y C video signals to be output by the video out BNC connectors under the BNC OUT option VBS Left BNC composite video with on screen data Right BNC composite video without on screen data Y C Left BNC Y luminance portion of the video signal Right BNC C chrominance portion of the video signal How to get on screen data in Y C mode e With Y C selected in the VIDEO TEXT ADJ sub menu the option of Y C DATA can now be toggled between ON o
10. 88 Standard speed ia a I Timecode User Bits 2 PS 6 loudspeaker sequence amp volume PS CCU 2 e ISUUU Programmed speed Button backlight brightness 3 m KU B Take counter or total film exposed Fe Ian bL U CbB Supply voltage amp with OBB 2 LoLrb ARRIGLOW colour battery capacity magazines left 4 mw CC 1 Timecode hours amp minutes 5325 Timecode minutes amp tramerate Display Indicators asy Asynchronous operation camera is not running at set fps bat Low battery less than 20 volts end Camera has run out of film fps flashes ESU is not receiving a valid signal PROG Internal program is activated TC glows Timecode exposure is enabled and timecode is set TC flashes Timecode exposure is enabled but not recording properly Viewfinder Indicators LED glows Asynchronous operation camera is not running at set fps LED flashes Low battery less than 20 volts ARRIFLEX 416 Quick Guide 05 2006 Page 7 Loading the 416 Magazine Note he 416 magazine has its feed and take up chambers on opposite sides to the SR 1 2 amp 3 magazines Step 1 The Feed Side Load the unexposed film into the feed side in absolute darkness darkroom or changing tent Open the feed side magazine door and latch back the lay on roller arm e Remove the film from the film can e Remove the tape from the film head Ensure that the tape is completely removed and secured out of the way e P
11. ARRI 416 Preliminary Quick Guide About Software Tools Safety 3 Camera Left amp Front Ls 4 Camera Right amp Back e 3 Quick Specs 6 Power On Camera RUN Inching Camera Display 7 Loading the Magazine oooo 8 Mounting the Magazine 10 Changing fps amp Shutter Angle 11 Beeper Backlight amp RGB ARRIGLOW 12 On board Battery OBB 2 oio 13 Integrated Video System 14 hrec QC eee 16 Timecode Operation 18 ARRI Group Addresses ooioo 20 05 2006 This page is left blank intentionally ARRIFLEX 416 Quick Guide 05 2006 Page 2 About Software Tools Safety About the 416 Preliminary Quick Guide This Quick Guide order number K5 40076 0 provides a short introduction to the ARRIFLEX 416 This guide does not replace the ARRIFLEX 416 User s Guide K5 40077 0 It is essential that you acquaint yourself with the user s guide before operating the equipment Even though all efforts have been made to ensure this guide s accuracy changes and upgrades to the products described can result in different hardware or behavior Technical data are subject to change without notice These documents can be downloaded from www arri com in Acrobat pdf format The Acrobat Reader can be downloaded free from the Adobe web site at www adobe com A PostScript printer gives best printing results Software
12. a lens brush or a clean lens cloth In case of solid dirt moisten a lens cloth with pure alcohol or a brand name lens cleaner e Do not use solvents to clean the film path Plexiglas parts or rubber seals e Do not remove any screws which are secured with paint ARRIFLEX 416 Quick Guide 05 2006 Page 3 Camera Left amp Front Eyepiece focus ring Flip out tape hook A16 Standard Camera Handle mage rotation Optional centre leg knob Q A Timecode sensitivity KA switch Magazine feed side door lock Heated Eyepiece d outlet uro on Tape hook d i RGB ARRIGLOVV brightness buttons PHASE button Displ SP 416 Shoulder RUN button RUN Indicator Magazine 120 400 Image rotation knob Tape hook 00000000000 PL lens port Super 16 only Front 3 8 16 mounting point ARRIFLEX 416 Quick Guide 05 2006 Page 4 Camera Right amp Back Antenna RF CHANNEL RF READY selector LED On board Battery Magazine release release button lever Magazine take up side door lock ARRIFLEX Lens Data ee 416 PLUS Mey Display oo O 8 oB connector i 5 NAD Timecode connector ICs Power on off RS switch connectors connectors RUN RUN indicator Pitch button adjust Eyepiece rotation friction Magazine film reserve counter Integrated Video System Eyepiece swing over lock Motor control LEDs Lens motor direction switches CLM 2 motor connectors Attachment rosette IVS
13. g the mirror shutter check that it is in the dite Sere ner holier centre viewing position then turn off the camera and remove the battery or power cable Accidentally running the camera eee during adjustment would cause catastrophic damage N E e Remove the lens or lens port cavity cap and hold the mirror RN shutter still by lightly pressing your finger on its black centre COO area Do NOT touch the reflective surface Insert the 416 Shutter Tool into the adjustment hole below the mirror centre Turn the 416 Shutter Tool until the desired Mirror Shutter preset angle is reached Angle presets are 180 172 8 150 144 135 90 amp 45 Turning counter clockwise reduces the angle ARRIFLEX 416 Quick Guide 05 2006 Page 11 Beeper Backlight amp RGB ARRIGLOW Beeper The 416 is equipped with a beeper which can sound when the camera is started or stopped The upper line of display mode 6 allows the user to decide whether and when the beeper sounds and how loud LS is shown for loudspeaker The iim left hand bar shows the status of the start beep The right hand bar shows the status of the stop beep In each case with the bar in the high position the beep will sound in the low position it will not The final digit is the volume which is adjustable between O off and 3 Backlight The lower line of display mode 6 controls the brightness of the control buttons backlight This can be set between O off and
14. ind the core holder two or three turns until the film winds tightly onto the core Unlatch the footage counter roller arm Correct Close and lock the take up side door If using timecode set the sensitivity switch according to the table on page 19 of this guide The switch is located at the top left corner of the feed side door Incorrect ARRIFLEX 416 Quick Guide 05 2006 Page 9 Mounting the Magazine Mounting the Magazine e Insert the magazine throat into the magazine aperture in the back of the camera body and slide the magazine forward until it locks in place Note f the Shoulder Pad is attached to the camera you will need to push down on the Shoulder Pad with your hand or the magazine before inserting the magazine e Flip the silver Safety Catch on the Magazine Release Lever forward to prevent accidental release of the magazine Safety Catch Magazine Release Lever M S e Inch the camera by briefly pressing the PHASE button Note When a magazine is first mounted and PHASE or RUN is pressed the display shows loop while the camera performs a short routine that centralizes the film loop ARRIFLEX 416 Quick Guide 05 2006 Page 10 Changing Fps amp Shutter Angle The NORM and PS CCU buttons above the display select between preset Standard Speeds and user adjustable Programmable Speeds Standard Speeds of 23 976 24 25 29 97 amp 30 fps are possible while the Programmable Speed can be
15. lace the film roll on the core holder so it unwinds in the direction shown in the picture below Press it down fully Note When placing film on the feed side core holder do not push on the film itself as it could become conical Push on the film core instead e Hold the film roll still and turn the core holder until the core holder key clicks into the key slot of the film core Make sure the core holder cannot turn any further e Release the lay on roller arm gently so the roller rests on the outer surface of the film roll The sides of the roller should overlap the film roll edges as shown in the picture below e Push approximately 15 cm 6 of film into the slit at the top of the angled transfer roller Then thread the film around the guide roller e Replace and lock the feed side magazine door being careful not to trap any film in the process Transfer roller Guide roller Lay on roller Step 2 The Take up Side The following procedures may be carried out in the light e Flip the magazine over lengthways so the take up door is uppermost and the top of the magazine is facing you The ARRI on the door will be upside down Open the take up side magazine door and latch back the footage counter roller arm Fit an empty film core to the take up core holder The film head should be protruding from the transfer roller Check that it is cut squarely through a perforation Thread the film head around the forward guide roller as i
16. mited Sales amp Service 2 Highbridge Oxford Road Uxbridge Middlesex UB8 1LX England Voice phone 44 0 1895 457 000 FAX 44 0 1895 457 001 Email sales arri gb com ARRI MEDIA Film Equipment Rental 3 Highbridge Oxford Road Uxbridge Middlesex UB8 1LX England Voice phone 44 0 1895 457 100 FAX 44 0 1895 457 101 Email info arrimedia com ARRI Lighting Rental Lighting Rental 4 Highbridge Oxford Road Uxbridge Middlesex UB8 1LX England Voice phone 44 0 1895 457 200 FAX 44 0 1895 457 201 Email tmoran arrirental com ARRI Italia S r l Head Office Milan Viale Edison 318 20099 Sesto San Giovanni Milan Italy Voice phone 39 02 262 271 75 FAX 39 02 242 1692 Email info arri it ARRI Italia S r l Sales amp Service Rome Via Placanica 95 00040 Morena Rome Italy Voice phone 39 06 726 707 97 FAX 39 06 723 1541 E mail catalano arri it ARRI Inc Sales amp Service East Coast 617 Route 303 Blauvelt NY 10913 1123 USA Voice phone 1 914 353 1400 FAX 1 914 425 1250 Email arriflex arri com ARRI Inc Sales amp Service West Coast 600 North Victory Blvd Burbank CA 91502 1639 USA Voice phone 1 818 841 7070 FAX 1 818 848 4028 Email brussell amp arri com ARRI CSC Film Equipment Rental NY 619 West 54th St New York NY 10019 USA Voice phone 1 212 757 0906 FAX 1 212 713 0075 Email ctamarro cameraservice com ARRI CSC Film Equipment Ren
17. ndicated inside the magazine Without touching the tilm core push the film head into the upper sprocket roller until its teeth engage in the film perforations e Once the sprocket teeth have engaged in the film perforations turn the film core until the film head emerges from the magazine throat ARRIFLEX 416 Quick Guide 05 2006 Page 8 Magazine throat Lower sprocket roller Upper sprocket roller Loading the 416 Magazine Footage counter Forward guide roller roller Set the loop length by pulling the film head away from you and align it with the loop mark on the bottom of the magazine see picture above Adjust the loop length by turning the take up film core Now take your hand off the film core there is enough inertia in the sprockets to maintain the loop length Hold the film between thumb and middle finger of your left hand while using your index finger to push the film head into the lower magazine throat slot The angle at which the film enters is not as critical as it is on SR magazines Keep pushing the film in with your index finger until you see the sprockets rotate Now take hold of the film core again and rotate it counter clockwise This will pull the film from the throat into the take up chamber Rear guide roller Footage counter roller Thread the film around the rear guide roller following the path indicated in the magazine Insert the film head into the film core see picture right and manually w
18. r OFF If ON is selected then the Y C signal will have on screen data How to get black amp white video e Set the BNC mode to Y C e Connect the video cable to the left video out BNC connector only How to adjust electronic sharpness The 416 IVS has an electronic sharpness control which can be adjusted to optimize the look of the video output e Press and hold the ENTER INSERT button for 3 seconds to enter the on screen menu e n the VIDEO TEXT ADJ sub menu adjust the value assigned to SHARPNESS for the best looking picture e To leave the on screen menu press and hold the ENTER INSERT button for 3 seconds How to generate colour bars To assist in setting up attached video monitors the 416 IVS has the option to generate colour bars e Press and hold the ENTER INSERT button for 3 seconds to enter the on screen menu e n the WB GAIN BARS sub menu set COLOR BARS to ON ARRIFLEX 416 Quick Guide 05 2006 Page 15 Accessories ARRIFLEX 416 Quick Guide 05 2006 Page 16 Accessories ARRIFLEX 416 Quick Guide 05 2006 Page 17 Timecode Operation Note To write SMIPE timecode to film ARRIFLEX 416 magazines must have the 416 Timecode Module fitted Note Timecode recording is only possible at the 5 Standard Speeds of 23 976 24 25 29 97 amp 30 tps Turning Timecode Recording On and Off e Press the MODE key until the display shows mode 4 e Press and hold SET until the TC symbol appears or disappears on the display
19. tal Florida 2385 Stirling Road Fort Lauderdale FL 33312 USA Voice phone 1 954 322 4545 FAX 1 954 322 4188 Email estamm cameraservice com www arri com ARRIFLEX 416 Quick Guide 05 2006 Page 20
20. te of charge while an extra contact in the power connector communicates this information to the camera When an OBB 2 is connected display mode 3 can additionally show battery capacity or magazines left Note The new 416 power connector on the camera remains compatible with standard ARRI 24 volt power cables Mounting the OBB 2 e Fit the power plug of the OBB 2 into the camera power connector and slide the battery forward Removing the OBB 2 e Hold the OBB 2 as shown in the picture below and press the on board battery release button e Pull the battery backwards until the power connectors disengage Battery power meter Onboard Battery release button On board Battery ARRIFLEX 416 Quick Guide 05 2006 Page 13 Integrated Video System Flicker free White balance Manual Gain ENTER INSERT on off button button Control button button UP button RIGHT button LEFT button MINI MONITOR connectors DOWN button left right adjustment Image rotation ON OFF CHECK Up down HIDE MENU switch EU USE Video out with Clean Video out no Focus data or Y signal data or C signal Videos lens kis adjustment ON OFF CHECK HIDE MENU switch Make sure that the camera power is ON Move the ON OFF CHECK HIDE MENU switch to ON centre position To display a summary of all menu choices while the on screen menu is not visible press the ON OFF CHECK HIDE MENU switch all the way to the left it will spring back to the centre posi
21. tion To temporarily hide the on screen menu while it is visible press the ON OFF CHECK HIDE MENU switch all the way to the left This is useful to check the image while making adjustments in the on screen menu White balance Press the WB button to cycle through the five white balance settings Four of these AUTO INDOOR OUTDOOR amp MANUAL have dedicated LEDs The fifth setting ONE PUSH WHITE is available when the ENTER INSERT LED flashes AUTO automatic white balance INDOOR 3200 K when the illumination is tungsten and no colour correction filter is used OUTDOOR 5600 K when the illumination is daylight or HMI and no colour correction filter is used MANUAL manual white balance as controlled by the UP increase blue DOWN decrease blue RIGHT increase red amp LEFT decrease red buttons ONE PUSH WHITE user adjustable hold a white card in front of the lens and press ENTER INSERT Controlling image brightness Open the video lens IRIS fully and use either Automatic Gain Control or Manual Gain Control to control the image brightness Only use the video lens IRIS if the brightness exceeds the electronic control range ARRIFLEX 416 Quick Guide 05 2006 Page 14 Integrated Video System Automatic Gain Control e Press the MGC button to toggle between Manual Gain Control LED on and Automatic Gain Control LED off e When MGC is off Automatic Gain Control will adjust the image brightness Manual Gain Control e Press
22. to the camera and the power switch is turned on you should see characters appear on the Display on the camera left side Note The camera remembers the status of the Power On button and restores this status after a power interruption 3J en PHASE button Cio FD Power On button ni3g NORM k RUN button ayan RUIN indicator O Camera RUN A RUN button is located on both sides of the camera To run the camera press the RUN button briefly The RUN indicator light will glow red while the camera comes up to speed changing to green once the set frame rate is reached The RUN indicator light will glow steadily green while the camera runs at the set frame rate To stop the camera briefly press the RUN button again If the RUN indicator glows red while the camera is in Standby the camera is not ready and pressing the RUN button will have no effect Inching The ARRIFLEX 416 cannot be manually inched it can only be inched by pressing the PHASE button while the camera is in Standby If the PHASE button is pressed briefly the mirror shutter will rotate 180 to allow for gate checks To move the mirror shutter back into viewing position press the PHASE button again briefly Camera Display The Camera Display indicates the status of or value assigned to the various camera parameters There are seven modes which show the following information l Wow 38 Total film exposed or take counter 5 la P 4 Timecode User Bits C40
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