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MainStage 2 User Manual

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1. m MN F Hardware contro MainStage screen control Channel strip or plug in parameter SS TO MainStage lets you quickly and easily make controller assignments and parameter mappings to speed your workflow You can customize your layout to match the controls on your MIDI hardware to optimize the use of available screen space or in other ways that suit your needs Chapter 1 Introducing MainStage Using MainStage with Keyboard Controllers If you perform using a USB or MIDI keyboard controller you can play and control MainStage patches with software instruments using your controller You can assign faders knobs buttons and other controls on the keyboard controller to screen controls in your concert and then map those screen controls to parameters in your patches You can choose exactly the parameters you want to have at your fingertips for each patch and access them from your controller as you perform You can use MainStage with other MIDI controllers including sustain pedals expression pedals foot switches MIDI guitars and wind controllers that send standard MIDI messages You can also control external hardware synthesizers ReWire applications and other virtual instruments using external instrument channel strips Using MainStage with Electric Guitars If you play an electric guitar you can use MainStage as a powerful customizable mul
2. Up Arrow Select the previous patch Down Arrow Select the next patch Left Arrow Select the first patch of the previous set Right Arrow Select the first patch of the next set P Send MIDI panic M Mute unmute all audio Esc Exit Full Screen mode Window and View Includes key commands for switching modes and for showing Inspectors and other areas of the interface Default key command Function Command 1 Layout mode Command 2 Edit mode Command 3 Perform mode Command 4 Full Screen mode Command 5 Show Hide Inspectors Command 6 Show Hide the Channel Strips area Command T Show Hide the Tuner Command M Minimize the MainStage window Command Comma Open MainStage preferences V Show Hide the active plug in window Help and Support Includes the key command to open the MainStage User Manual Default key command Function Command Question Mark MainStage User Manual Chapter 10 Key Commands The Playback Plug in A Appendix The Playback plug in is an audio file player that you can use to play backing tracks song stems and other audio files The Playback plug in supports uncompressed mono or stereo audio files in the AIFF WAV and CAF formats with a bit depth of 16 or 24 bits You can bounce a single stem from a Logic project or a set of stems from individual tracks You can use Playback to jump to song sections and repeat them If you assign multiple instances to groups eac
3. Recent Concerts My Templates Choose Template Keyboard A keyboard layout with four in Open an Existing Concert 2 In the Choose Template dialog click the instrument category on the left you want to view templates for A brief description below each template describes its features and intended use Chapter 4 Getting Started with MainStage 3 Scroll through the available templates to find the one you want to use 4 Click Choose or double click the template A new concert created from the template opens in Edit mode The workspace appears in the center of the MainStage window showing the screen controls in the concert To the left of the workspace is the Patch List which shows the patches and sets in the concert The channel strips for the selected patch appear in the Channel Strips area to the right of the workspace The new concert may contain a single patch or several patches Below the workspace the Patch Library is open so you can easily audition different patch settings to find the one you want to use In the Choose Template dialog you can view templates in either a grid or a Cover Flow view You can choose a different view using the view buttons located in the lower left part of the dialog To choose a different view for the Choose Template dialog To view templates in a grid click the Grid button To view templates in Cover Flow click the Cover Flow button For more information about
4. Chapter 3 The MainStage Interface The pointer becomes a resize pointer Drag left or right to resize the workspace Hiding and Showing the Inspector You can hide the Inspector or show it if it is hidden To hide or show the Inspector Do one of the following Choose View gt Inspectors or press Command 5 In the toolbar click the Inspectors button Hiding and Showing the Channel Strips Area You can hide the Channel Strips area or show it if it is hidden Hiding the Channel Strips area gives you more room for the workspace To hide or show the Channel Strips area Do one of the following Choose View gt Channel Strips or press Command 6 In the toolbar click the Channel Strips button Customizing the Toolbar The toolbar at the top of the MainStage window contains buttons for frequently used commands You can customize the toolbar adding buttons for the functions you use most often and can return to the default set later AeA Untitled Concert e E e a Mode Tuner Reset Compare Patch Record Master Mute Channel Strips The default set of toolbar buttons includes buttons for selecting the different window modes hiding the Inspector and the Channel Strips area activating Master Mute and other common commands You can customize the toolbar with additional buttons for other commands and adjust the position and spacing of items You can also hide the toolbar to maximize available screen space You customize the
5. Font button Select text then click to show the Font menu from which you can select the font style color and size Alignment buttons Select whether the selected text is left right or center aligned or justified Text field Enter the text you want to display onscreen Show frame around text checkbox When selected a darker frame appears around the text showing the borders of the screen control Background Screen Control Parameters You can use backgrounds for grouped controls You can edit the following parameters for background screen controls Name field Enter a name for the grouped control in the Name field Description field Enter a description for the grouped control in the Description field Panel button and well Click the Panel button then choose a panel or texture for the background from the menu that appears Image button and well Click the Image button then drag an image into the well to use it for the background Select button Click to open an Open File dialog to browse and select an image Stretch to Fit checkbox When selected the image stretches to fill the area of the background as completely as possible How MainStage Passes Through MIDI Messages Some MIDI messages sent by your keyboard controller or other MIDI device are passed through to any channel strips in the MainStage concert that are mapped to the same controller or device Whether or not MIDI messages are passed
6. Screen Controls Palette CA anic ME Round rizontal Button Vertical Knob Meter mo Activity Drum Pad Venial ael Directional Vertical Horizont Horizontal knob Fader Fader Meter Screen Control Inspector Screen Controls Palette Screen Control Inspector View and edit parameters for screen controls in the workspace including hardware input appearance and certain types of MIDI output parameters Chapter 3 The MainStage Interface 23 24 Screen Controls Palette Drag screen controls from the palette into the workspace to add them to your onscreen layout The palette has four tabs so that you can quickly view all screen controls or only one type of screen control Panel controls appear as two dimensional objects in the workspace while shelf controls appear on an adjustable three dimensional shelf Layout buttons Along the left side of the workspace is a series of buttons that you can use to quickly position selected screen controls in the workspace You can align distribute and group selected screen controls In Layout mode unlike the other modes in MainStage you can t select or Sail individual patches To learn what you can do in Layout mode see Working in Layout M Edit Mode Edit mode is where you create customize and organize your sounds You can add patches add and edit channel strips create keyboard layers and splits and edit channel strip and plug in parameters Edit mode is als
7. chapter in the Logic Pro User Manual MainStage can require a large amount of available RAM particularly when playing sample based software instruments It is recommended that you test your system and the concerts you plan to use before you perform using MainStage to make sure there is enough available memory to select and play the patches you want to use without causing audio drop outs or distortion Unlike in Logic Pro you can choose different audio input and output drivers in MainStage For more information about choosing audio drivers see Setting MainStage Preferences Using Effects Plug ins with MainStage You can use all of the Logic Studio effects plug ins except for surround plug ins in MainStage channel strips For more information about the included effects plug ins refer to the Logic Studio Instruments and Logic Studio Effects manuals You can also use Apple and third party Audio Units effects in MainStage channel strips in the same way you use them in Logic Pro channel strips Some Logic Studio effects including Space Designer require intensive realtime processing of the audio signal Using Space Designer on individual patches can affect the performance of your concert and in some cases result in audio dropouts or glitches particularly if you set the audio buffer to a smaller size For this reason it is recommended that you use Space Designer sparingly in your concerts and use a few Space Designer instances on auxiliary c
8. 108 Copying and Pasting Screen Controls You can copy and paste screen controls using the standard Mac OS X menu items and key commands To paste a copy of a screen control Do one of the following Press Command C to copy the selected screen control then press Command V to paste a copy Option drag the screen control to a new location in the workspace To add multiple instances of the same screen control in a row or column Option drag the screen control to create the first copy Choose Edit gt Duplicate to create as many additional copies of the screen control as you want The duplicated screen controls appear offset by the same amount as the first copy Option drag the selected Duplicate additional screen control copies in a row Parameter Parameter Parameter Parameter 127 127 127 127 Note You can t copy a panel control and a shelf control at the same time Moving Screen Controls You can move screen controls to a new position whenever you are in Layout mode You can use the alignment guides to help align and position screen controls in an orderly arrangement You can move multiple controls together by selecting them either by Shift clicking or rubber banding them and then dragging them to a new position If the panels for the screen controls are merged rubber banding selects the entire panel To move a screen control Do one of the following Drag the screen control to a new position in the workspace S
9. Drag horizontally to change the input value or vertically to change the output value As you drag the current values of the node appear next to the pointer Double click the curve at the point where you want to add a node then edit the values for the node in the Precision Editor Option click any part of the curve except a node then drag the dotted part of the curve to make the curve nonlinear Continue adding and adjusting points on the curve until you achieve the result you want When you are finished click the close button at the upper left corner of the graph window to close it To invert the values of the graph Do one of the following In the graph window click the Invert button In the tab for the mapping select the Invert Parameter Range checkbox To reset the graph to its default values Click the Revert to Default button at the top of the graph window After you have edited a graph the button for the graph in the Inspector shows the edited shape of the graph in a dark blue color to make it easier to identify which graphs you have edited and how Chapter 5 Working in Edit Mode To close the graph window Press Escape Esc Creating Controller Transforms Using a transform graph you can remap the values for some MIDI control messages so that input values from your controller produce different output values for the channel strip A common use of the transform is for expression scaling where input MIDI expres
10. Drag patches up or down in the Patch List until they appear in the order you want Moving Patches in the Patch List Repeatedly The MainStage command set includes a Move Again command that lets you easily move selected patches multiple times You can use Move Again when you drag paste create or delete patches in the Patch List By default the Move Again command is not assigned to a key command To use it you should first assign it to a key command in the Command Editor For information about using the Command Editor see Using the Command Editor Creating a Patch from Several Patches You can create a patch by combining several existing patches The new patch contains all of the channel strips of the selected patches To create a patch from several existing patches In the Patch List select the patches you want to use to create the new patch Choose Create Patch from Selected Patches from the Action menu at the upper right corner of the Patch List The new combined patch appears in the Patch List labeled Untitled Patch Note Creating a patch with more than three channel strips can affect performance particularly if the channel strips are audio channel strips or if they use a large number of plug ins or processor intensive plug ins Setting the Time Signature for a Patch You can set the time signature for a patch Time signatures can be used with the Playback plug in and also control the beats for the metronome Wh
11. These can significantly accelerate your workflow particularly when creating large or complex projects 143 144 Concerts and Layouts Includes key commands for creating opening and saving concerts and for exporting and importing layouts Default key command Function Command N New concert Command O Open concert Command W Close concert or close the active plug in window Command S Save concert Command Shift S Save concert as Command Control O Import layout Command Shift Control S Export layout Patches and Sets Edit Mode Includes key commands for adding selecting exporting and importing patches and sets Command Option N Add a new patch Command Option S Add a new set Commancd Import patches or sets Command E Export patch export set or export as set depending on what is selected Command Up Arrow Select the previous patch Command Down Arrow Select the next patch Command Left Arrow Select the first patch in the previous set Command Right Arrow Select the first patch in the next set Command Shift Option S Create a new set from selected patches Command Shift Option R Reset program change numbers Editing Includes key commands for cutting copying pasting and other common editing functions Default key command Function Command Z Undo the last command Command Shift Z Redo the last undone command Command X Cut Command C Copy Command V Pas
12. even when a patch is selected in a set with a set level channel strip You can override the concert level channel strip for a channel strip at the set level so that the set level channel strip takes precedence over the concert level one To override concert or set level key ranges In the Patch List select the set with the channel strip that you want to override the concert level channel strip In the Channel Strips area select the channel strip with the key range that you want to override the concert level key range Select the Override parent ranges checkbox Chapter 5 Working in Edit Mode wu FB WwW N Deleting Sets You can delete a set if you decide you no longer want it in the concert To delete a set Select the set in the Patch List Choose Edit gt Delete or press the Delete key When you delete a set the patches in the set are also deleted To delete the set without deleting the patches move the patches outside the set before you delete it Working at the Set Level You can add channel strips at the set level and play the set level channel strips together with every patch in the set This can be useful for example if you want to use the same bass instrument in a single song or group of songs You can place the patches for all of the songs in a set add a channel strip at the set level and then add a bass instrument to the set level channel strip You can set the key range of the bass instrument to play only
13. notes in the lower octaves so that you can play it together with your patches Important If you add a channel strip at the set level it takes precedence over all of the channel strips in all of the patches in the set For example if you add a software instrument channel strip at the set level the software instrument for the set takes precedence over all of the software instruments in all of the patches in the set that fall within the same key range as the set wide software instrument To add a set level channel strip In the Patch List select the set Click the Add Channel Strip button at the top of the Channel Strips area In the New Channel Strip dialog select the type of channel strip you want to create Choose the audio output for the channel strip from the Output pop up menu For audio channel strips choose mono or stereo format from the Format pop up menu and choose the audio input from the Input pop up menu Click Create Sharing Patches and Sets Between Concerts You can export patches and sets from a concert and import them into another concert When you import a set all the patches in the set are imported To export a patch Do one of the following Drag the patch from the Patch List to the Finder Chapter 5 Working in Edit Mode 83 84 The patch appears as a patch file in the Finder Select the patch choose Save as Patch from the Action menu in the Patch List then click Save The patch is exporte
14. select the Get tempo from MIDI input checkbox Choose the MIDI clock source from the Device pop up menu When the Get tempo from MIDI input checkbox is selected the Tempo slider is dimmed and cannot be edited If MIDI messages MainStage receives do not include MIDI clock information MainStage uses the concert tempo setting and changes the tempo when you select a patch or a set with its own tempo setting or tap a new tempo If MainStage stops receiving MIDI clock messages it continues to use the last received value for the tempo until you select a patch or set with its own tempo setting or tap a new tempo Defining the Source for Program Change Messages for a Concert By default MainStage receives and responds to program change messages from all connected MIDI controllers Some MIDI controllers however send program change messages while performing other operations You can define the source for program change messages for a concert so the concert responds to messages for only one MIDI device port or channel To define the source for program change messages In the Attributes tab of the Concert Inspector choose the device or port from which the concert will receive program change messages from the Device pop up menu If you want to limit messages to a single MIDI channel on the device choose the MIDI channel from the Channel pop up menu Chapter 6 Working with Concerts Setting the Pan Law for a Concert Audio signals pa
15. set Parameter Text screen control Next Set Selects the set below the current Button screen control patch in the Patch List Concert Displays the name of the Parameter Text screen control concert Tuner Shows or hides the Tuner Button screen control Master Tuning Adjusts the overall tuning for the concert from 100 cents to 100 cents Knob or fader screen control Master Mute Mutes or unmutes all audio Button screen control toggle Tap Tempo Use to tap a new tempo Button screen control Metronome Turns the metronome on or off Button screen control and starts the transport toggle MIDI Beat Clock Displays incoming MIDI beat clock messages Parameter Text screen control Beat Count MIDI Display Displays the current bar and beat count from the transport if it is running Displays incoming MIDI messages the same as the MIDI Activity display in the toolbar Button screen control Button screen control Panic Silences all MIDI notes and resets the audio engine Button screen control CPU Load Displays the current CPU usage the same as the CPU Activity display in the toolbar Parameter Text screen control Record Turns audio recording on or off toggle Button screen control Appendix D Using MainStage Actions Action Description Usage Play Stop Starts or stops playback at the Button screen control current transport posit
16. typing the first few letters of its name Chapter 5 Working in Edit Mode To select a patch or set by typing its name Click the border of the Patch List to select it With the Patch List selected start typing the name of the patch Once you type enough letters to uniquely identify its name the patch or set is selected You can also select a patch by typing its name in Perform or Full Screen mode For information see Selecting Patches by Typing You can also select a patch using your computer keyboard by typing its patch number Patch numbers appear to the left of the patch names in the Patch List To select a patch by typing its patch number Click the border of the Patch List to select it With the Patch List selected type the patch number using your computer keyboard Skipping Items in the Patch List You can skip patches or sets in the Patch List When a patch or set is skipped you can still select the item by clicking it However when you use the arrow keys together with the Command key to select items in the Patch List skipped items are passed over and the next non skipped item is selected Skipped items are also skipped when you use the patch selector in Full Screen or Perform mode To skip a patch or set Select the patch or set in the Patch List Choose Skip from the Action menu for the Patch List The item appears as a thin line in the Patch List To set a skipped patch or set to no longer be skipped Select the ite
17. Click Create A new channel strip appears in the Channel Strips area highlighted in white to indicate that it is selected The Channel Strip Inspector appears below the workspace showing different parameters for the new channel strip Chapter 4 Getting Started with MainStage 8 For audio and external instrument channel strips gradually raise the volume fader until you hear sound on the channel O B a amp Compare Patch Record Master Mute Channel Strips Channel Strips Expression Expression Expression Classic Suitcase V2 Playback o Zz iz Inserts Inserts Inserts L compre Compre Channel EQ Channel EQ Compre J Vt ai jj a 5 Sends Sends Sends I eoe ee I eoo e _ aj vo Vo vo 3 Output 1 2 Output 1 2 i O O Most channel strip controls function in MainStage in the same way that they do in Logic Pro You can adjust channel strip output using the Volume fader adjust pan position using the Pan knob and mute or solo the channel strip using the Mute and Solo buttons You can choose new channel strip settings add and edit effects add sends to busses and change the output in the same way as in Logic Pro For audio channel strips you can switch between mono and stereo format using the Format button For software instrument channel strips you can choose a different instrument from the Input pop up menu
18. Controls palette the My Grouped Controls tab appears in the palette You can add custom grouped controls and name them so they will be accessible from every concert For information about adding custom grouped controls to the Screen Controls palette see Grouping Crraan Cantroilc screen Controls Chapter 7 Working in Layout Mode Adding Screen Controls to a Layout In Layout mode you can quickly add screen controls to your layout and arrange them in the workspace To add a screen control Drag the screen control from the Screen Controls palette to the workspace As you drag the screen control to the workspace a white outline appears showing where it will be added You can use the alignment guides to align the screen control with other items in the workspace You can drag screen controls into the workspace in any order If you plan to perform with a keyboard controller you might want to first drag a keyboard screen control into the workspace position it near the center and then drag screen controls for the faders knobs wheels buttons and other physical controls on the keyboard controller When you drag a screen control into the workspace the control is selected and the available hardware assignments and other parameters for the screen control appear in the Screen Control Inspector to the left of the workspace Different types oe screen controls have different parameters which are described in Editing Screen Control Paramete A
19. First Take With this item selected and Sync set to Off clicking Record tarts recording the tape loop but does not start the MainStage clock if it is stopped When you click Record a second time or click Play recording stops and the tape loop continues playing MainStage sets the Length and Tempo based on the duration of the recorded take and starts the MainStage clock Adding Loopback to a Channel Strip The Loopback plug in is an insert plug in You can use it in any type of channel strip To add a Loopback instance to a channel strip Click one of the Insert slots in the channel strip you want to use Loopback on Choose Delay from the shortcut menu that appears choose Loopback from the submenu then choose Stereo from the second submenu Appendix B_ The Loopback Plug in 163 Setting MainStage Preferences Appendix You can set a variety of preferences in the MainStage preferences window The preferences window includes tabs for general audio MIDI and display preferences which are described below This appendix covers the following General Preferences p 165 e Audio Preferences p 166 e MIDI Preferences p 168 e Display Preferences p 168 General Preferences These preferences let you set the tuning of software instruments set the volume and output for the metronome choose what happens when you open MainStage reset alerts and set whether screen controls highlight when their parameter values change T
20. Hermode Tuning If a patch or the concert or set containing the patch is set to use Hermode tuning but the patch contains a channel strip for example one with a drum or percussion instrument that you do not want to use Hermode tuning you can set the individual channel strip to ignore Hermode tuning To set a channel strip to ignore Hermode tuning In the MIDI Input tab of the Channel Strip Inspector select the Ignore Hermode Tuning checkbox For information about using Hermode tuning see the Logic Pro User Manual Working with Graphs Using graphs you can graphically remap the values for some MIDI control messages so that input values from your controller produce different output values for the channel strip or plug in parameter Graphs make it easier to see and modify a range of values for a parameter such as velocity or filter cutoff You can use graphs for the following types of parameters Controller transforms Velocity scaling both input velocity and note input Parameters to which a screen control is mapped You open a graph window by clicking the button for that type of graph in the appropriate Inspector The Transform and Velocity Scaling graphs for the selected channel strip are available in the MIDI Input tab of the Channel Strip Inspector The Parameter graph for the selected screen control is available in the tab for the individual mapping as well as in the Mappings tab in the Edit mode Screen Control Inspecto
21. System chapter in the Logic Pro User Manual Real time generation and processing of digital audio requires intensive processing by your computer If you plan to work on large or complex projects using a computer with a faster processor and extra random access memory RAM installed can facilitate your productivity Additional RAM is useful particularly when using a large number of effects plug ins and when playing sample based software instruments It is recommended that you do not run other processor or RAM intensive applications simultaneously with MainStage particularly when performing live This chapter covers the following e Using MIDI Devices with MainStage p 17 e Using Audio Devices with MainStage p 19 e Using Effects Plug ins with MainStage p 19 e Using MainStage with Time Machine p 19 Using MIDI Devices with MainStage MainStage works with many USB and MIDI keyboard controllers and with other MIDI devices such as foot pedals and switches To work with MainStage MIDI devices must send standard MIDI control messages MainStage receives standard MIDI messages and can be used to control external MIDI devices using external MIDI instrument channel strips For more information about using keyboard controllers and other MIDI devices see the Setting Up Your System chapter in the Logic Pro User Manual 18 Using MIDI Devices That Send Special MIDI Message Types Certain types of hardware controls such as knobs
22. Table of Actions p 169 Table of Actions For each action in the Actions folder the Description column describes the function of the action and the Usage column tells which screen controls it is intended to be used with Action Description Usage 10 Patches Selects the patch 10 patches Button screen control above the current patch in the Patch List Prev Patch Selects the patch above the Button screen control current patch in the Patch List Current Patch Displays the name of the current Parameter Text screen control patch and can also be used to to display Knob screen control change patches to select Current Patch Number Displays the patch number of Parameter Text screen control the selected patch and can also to display Knob screen control be used to change patches to select Appendix 169 Action Current Program Number Description Displays the program change number of the selected patch and can be used to change to a specific program Usage Parameter Text screen control to display Button screen control to change Next Patch 10 Patches Selects the patch below the current patch in the Patch List Selects the patch 10 patches below the current patch in the Patch List Button screen control Button screen control Prev Set Selects the set above the current patch in the Patch List Button screen control Current Set Displays the name of the current
23. You can also define the key range for a channel strip create transform and velocity graphs and filter various MIDI messages to a channel strip in the Channel Strip Inspector For general information about working with channel strips see the Working with Instruments and Effects chapter of the Logic Pro User Manual For more information about using channel strips in MainStage see Working with Channel Strips in Edit Mode Chapter 4 Getting Started with MainStage 35 36 Changing a Channel Strip Setting You can quickly change the instrument effects and other parameters for a channel strip by selecting a new setting from the Channel Strip Library The browser shows available settings for the currently selected channel strip To select a new channel strip setting Make sure that the channel strip you want to change is selected The selected channel strip is highlighted In the Channel Strip Inspector click the Channel Strip Library tab Available channel strip settings appear in the Channel Strip Library Logic Studio content appears as a series of folders with different instrument and usage categories If you have GarageBand or have one or more Jam Pack collections installed on your computer those settings appear below the Logic Studio settings Click a category from the column on the left then click subcategories from the columns on the right until you see the settings you want coser oran E Click a category in th
24. beats when Sync is on If the audio file contains marker information the marker names and positions appear below the time ruler Playhead playback position Time ruler Marker bar File field Action menu fillgroove120 aif 00 00 02 Markeri You can drag the waveform horizontally to move to a different position while Playback is stopped Playback starts from the new position if the Play From parameter is set to Current Position Note The Snap To and Play From parameters can affect playback behavior See Using the Playback Sync Snap To and Play From Parameters Markers if present are indicated on the marker bar below the ruler You can load audio files that contain markers or add markers to the loaded audio file using the Add Marker command in the shortcut menu For information about adding renaming and deleting markers see Using the Playback Shortcut Menu To move to different markers with the marker bar Do one of the following Click a marker in the marker bar to move it to the current playhead position in the center of the waveform display Playback begins from this position if you are in play mode Click to the left of a marker to move the preceding marker to the centered current position indicator Repeated clicks move earlier markers to the current position indicator Playback begins from this position if you are in play mode Appendix A The Playback Plug in 149 150 Using the Playback Transport and Function B
25. choose the concert from the Open dialog In the Finder double click the concert In the Finder drag the concert over the MainStage icon in the Dock You can also reopen a recently open concert by choosing File gt Open Recent Concert and then choosing a concert from the submenu or by opening the Choose Template dialog clicking Recent Concert then choosing the concert you want to open By default when you open a concert it opens in Edit mode You can change the default behavior in MainStage preferences For more information see Settinc Py ir 1Stac references The first time you open a concert the first patch is selected and the Patch Library is open so you can easily choose a patch setting When you reopen a concert the patch that was selected when you last saved the concert is selected If any audio files or other assets are not found when you open a concert a dialog appears showing which assets are missing and asking if you want to search for the assets locate them manually or skip them Note When you open a concert created with an earlier version of MainStage it opens as an untitled concert and MainStage prompts you to save the concert as a MainStage 2 concert To close a concert Choose File gt Close Concert If you have edited the concert since the last time you saved it you are prompted to save your changes Chapter 6 Working with Concerts Saving Concerts When you save a concert all of the c
26. click the grouped control then choose Add to Palette from the shortcut menu Select the grouped control then choose Add to Palette from the Action menu at the upper right corner of the workspace After you add the first grouped control to the Screen Controls palette the My Grouped Controls tab appears Select this tab or the All tab to see the custom grouped controls you have added to the Screen Controls palette Deleting Screen Controls If you decide you no longer want a screen control in your layout you can delete it from the workspace To delete a screen control Select the screen control you want to delete Choose Edit gt Delete or press the Delete key When you delete a screen control any assignments or mappings for the screen control are deleted as well Assigning Hardware Controls to Screen Controls To use MainStage with a MIDI controller you assign hardware controls on the controller such as faders knobs buttons drum pads and pedals to screen controls in the workspace After you assign a hardware control to a screen control the screen control receives the MIDI messages from the hardware control You only need to make controller assignments once for a concert as long as you use it with the same hardware You assign hardware controls to screen controls using the Learn process which is similar to the process for learning controller assignments for a cone surface in Logic Pro The Learn process is described in Le
27. concert appear in the Patch List where you can select them and start playing You can edit patch parameters add channel strips to existing patches or create new ones and reorder patches to build your custom collection of sounds to use when you perform You can also organize patches in sets for added flexibility Sets are like folders that can store groups of patches you want to keep together which can be useful in several ways For example you can store all your favorite lead synth patches in a set or store multiple patches you intend to use in a single song and quickly select the patches you want while performing You can also add channel strips at the set level and have them available with every patch in the set For information about organizing patches see Working with Patches in Edit Mode For information about creating and editing sets see Working with Sets in Edit Mode Chapter 1 Introducing MainStage Stage 4 Customizing the Visual Layout of Your Concert to Match Your Hardware Devices In Layout mode you arrange screen controls in the workspace to create the visual layout corresponding to your hardware controls MainStage features a variety of screen controls including keyboards knobs faders pitch bend and modulation wheels foot pedals drum pads and more Also included are screen controls to display parameter and system informaton text and images and a selector that you can use to view and select patches or markers while
28. gt Delete or press the Delete key Mapping Screen Controls After you have created your patches and learned controller assignments for the screen controls you want to use you can map MainStage screen controls to channel strip and plug in parameters to modify the sound of your patches while you perform or map them to MainStage actions to control other functions You map screen controls to parameters in Edit mode After you learn controller assignments in Layout mode the screen controls in the workspace do not respond to movements of physical controls on your MIDI hardware until you map them to channel strip parameters in Edit mode There are two ways to map screen controls to parameters by visually selecting parameters on channel strips or plug in windows or by choosing parameters in the Parameter Mapping browser Chapter 5 Working in Edit Mode 69 70 Mapping Screen Controls to Channel Strip and Plug In Parameters After you have made your controller assignments you can begin mapping screen controls to the parameters in your patches you will want to control while you are performing You will likely want to map screen controls to parameters in each patch in a concert so that you can easily access and modify the parameters you want for each patch when you are performing live You can also map parameters at the concert level to control master volume view master levels or modify concert wide effects You can map screen controls to ch
29. hardware label checkbox and field Select the checkbox then type a hardware label in the field to display it on the top line of the control s text display Keyboard Screen Control Parameters If you are using a keyboard controller or another MIDI device that sends MIDI note messages your layout should include a keyboard or MIDI activity screen control You can edit the following parameters for keyboard screen controls Hardware Assignment Device pop up menu Shows the name of the learned keyboard The device name may correspond to the name of the keyboard controller or to a port on the controller if it has multiple ports You can choose another device or choose All Channel pop up menu Shows the MIDI channel on which MainStage receives input from the keyboard You can choose another channel or choose All Velocity Sensitivity slider Sets the velocity sensitivity for the keyboard Less means that higher velocities are required to trigger the maximum value while More means that lower velocities trigger the maximum value Chapter 7 Working in Layout Mode Settings Name field Enter a name for the keyboard The name appears in the Input pop up menu in the Channel Strip Inspector where you can select the device the channel strip responds to Number of Keys value slider Enter the number of keys to display on the keyboard screen control Lowest Key value slider Enter the note name for the lowest key Lowest Key Lea
30. in a different location it will not be available in the Choose Template dialog How Saving Affects Parameter Values While a concert is open any performance changes you make to channel strip parameters including volume pan and expression or plug in parameters are retained for as long as the concert is open If you close the concert without saving the parameter values revert to their previously saved state when you reopen the concert If you save the concert before closing it the changed values are saved Chapter 6 Working with Concerts 89 90 If you decide not to keep your latest changes you can revert a concert to its previously saved state To revert a concert to its last saved state Choose File gt Revert to Saved All the changes you ve made since the last time you saved the concert are lost when you revert the concert to its last saved state If you change parameter values in a patch select another patch and later select the first patch again the parameter values will be as you left them when you selected the other patch You can also choose the default behavior for saving changes to values of parameters to which screen controls are mapped You can set the default to either have parameters keep their current value when changing patches the default behavior in MainStage version 1 0 or to reset their values to the last saved value similar to many hardware synthesizers To set the default behavior for saving para
31. is unavailable Adding Screen Controls for the Playback Plug in You can use screen controls to control the parameters of the Playback plug in display parameter values and the name of the audio file and display the audio waveform of the audio file The Screen Controls palette includes a waveform screen control that you can use with the Playback plug in to view the waveform of the audio file If the audio file contains markers you can also view the markers in the waveform screen control To add a waveform screen control to the workspace Click the Layout button in the upper left corner of the MainStage window to switch to layout mode Drag a waveform screen control to the workspace and position it as needed Chapter 8 Playing Back Audio in MainStage 129 130 Note If there is no Playback plug in in the patch an alert appears when you try to add a waveform screen control When you map the waveform screen control to the Playback plug in the waveform for the audio file loaded in the Playback plug in appears in the waveform screen control When you press the button you mapped to the Play Stop parameter the audio file starts playing and you see the waveform move across the waveform screen control You can add screen controls for other parameters including Fade Out Cycle Tempo and so on and map them to the corresponding parameters in the Mapping browser or in the Playback plug in window You can also map a parameter text scree
32. map the parameter Mapping tabs for concert level mappings are available only at the concert level and mapping tabs for set level mappings are available only at the set level When you override a concert or set level mapping the mapping tabs become available at the level of the override Replacing the Parameter Label You can replace the parameter label for a screen control for an individual patch or set to make the label easier to identify To replace the parameter label for a screen control Select the screen control in the workspace In the Screen Control Inspector select the Attributes tab Select the Replace Parameter Label checkbox Enter the new label text in the field Choosing a Custom Color for a Screen Control You can change the color of the active area of a screen control for an individual patch or set To choose a custom color for a screen control Select the screen control in the workspace In the Screen Control Inspector select the Attributes tab Select the Custom Color checkbox Choose a new color from the Custom Color pop up menu Choosing Custom Text Color for a Screen Control You can change the color of the text for a screen control for an individual patch or set To choose a custom text color for a screen control Select the screen control in the workspace In the Screen Control Inspector select the Attributes tab Select the Custom Label Color checkbox Choose a new color from the Custom Label
33. other concerts Chapter 3 The MainStage Interface Inspector varies depending on the type of item selected View and edit parameters for the currently selected patch channel strip screen control set or for the concert The name of the Inspector changes to identify the type of item you are currently inspecting Channel Strips area View and edit the channel strips in your patches or at the concert or set level Channel strips appear in a vertical format similar to Logic Pro channel strips with many of the same controls You can also add channel strips and save channel strip settings To learn what you can do in Edit mode see Working in Edit Mode and Working wit The remaining two modes Perform mode and Full Screen mode are both optimized for performing live You can use either one when you perform Perform Mode In Perform mode the workspace fills the entire MainStage window The toolbar is visible so that you can switch modes using the Mode buttons use the Panic or Master Mute buttons and the Tuner and view CPU and memory levels and MIDI input in the Activity Monitor The browsers and Inspectors are hidden to maximize the size of the workspace making screen controls larger and easier to read in onstage situations You can still access the Finder and switch to other applications in Perform mode but cannot open plug in windows 009 Untitled Concert Layout can Performa Fullscreen 2 E v Mode Tune Reset Compare Patc
34. position Rename Marker Opens a name field for the marker nearest to the clicked position Enter a new name then press Return or click outside the name field Remove All Markers Removes all markers Appendix A The Playback Plug in 155 The Loopback Plug in The Loopback plug in lets you record virtual tape loops play them back repeatedly and overdub new recordings while previous ones continue playing You can use the Loopback plug in to create simple loops recurring motifs or complex evolving textures Using Loopback as an insert plug in in an instrument channel strip you can create looped performances with a single instrument your voice or other audio material By inserting Loopback in an aux channel strip and using it as a send effect you can create loops with multiple instruments vocal performances and other audio material routed from other channel strips Relative levels can be controlled with the Send knobs of the source channel strips Loopback lets you create sound on sound backing tracks or grooves in your MainStage performance You can use multiple instances as a rhythm section and switch between a reduced and a full version of your rhythm parts for example The Loopback plug in is a flexible powerful creative tool both for the studio and for live performance You can also export loop performances as standard audio files to use in other plug ins including the Playback plug in This appendix cove
35. resize guide to increase the area of the text display Chapter 7 Working in Layout Mode 109 110 3 Drag the outer resize guide to increase the overall size of the control Drag the inner resize guide to resize the text area Notice that when you resize the text display area the rest of the screen control becomes smaller You can first resize the overall control and then resize the text display area using the inner resize guide Aligning and Distributing Screen Controls MainStage includes controls for centering aligning and distributing screen controls in the workspace To align screen controls Select the screen controls in the workspace Do one of the following To align the top edges of the screen controls click the Align Top button To vertically align the centers of the screen controls click the Align Vertical Centers button To align the bottom edges of the screen controls click the Align Bottom button To align the left edges of the screen controls click the Align Left button To horizontally align the centers of the screen controls click the Align Horizontal Centers button To align the right edges of the screen controls click the Align Right button To distribute screen controls evenly Select the screen controls in the workspace Do one of the following To vertically distribute the screen controls click the Distribute Vertically button To horizontally distribute the screen co
36. rotary controls and buttons are capable of sending several types of MIDI messages When you assign these controls to MainStage screen controls using the Learn process MainStage analyzes the incoming MIDI data to determine which type of message the hardware control is sending In order for MainStage to learn these controls correctly be sure to turn knobs through their full range of motion and to press buttons exactly three times during the Learn process Some MIDI controllers can send nonstandard or proprietary MIDI messages MainStage cannot process or respond to nonstandard MIDI messages to registered or non registered parameter messages or to system exclusive SysEx messages MainStage can process some system real time messages and MIDI Machine Control MMC messages when you assign a hardware control that sends these messages to a screen control Some devices feature buttons that send program change messages You can use these buttons to send program change messages to MainStage but you cannot assign them to control other parameters using MainStage screen controls Choosing a Controller Preset Some keyboard controllers allow you to choose different presets or scenes that reconfigure the messages sent by the controls on the device In most cases you should choose a generic preset that sends standard MIDI messages rather than system exclusive messages or messages intended for a particular application After you have assigne
37. screen controls to display the audio waveform of the audio file for a Playback plug in You can edit the Color and Hide Ruler parameters for waveform screen controls Color selector Choose the color for the waveform display e Hide Ruler checkbox When selected the ruler at the top of the waveform display is not visible Selector Parameters You can use selector screen controls to display and select patches and sets or to display and select markers in audio files used by a Playback plug in You can edit the following parameters for selector patch or marker selector screen controls e View Patches and Sets button When active both patches and sets are shown in the selector Dual Column Display checkbox When selected sets are displayed in the left column and patches are displayed in the right column Patches or markers button When active only patches are shown in the selector Items to Display value slider Set the number of items lines visible in the selector Color selector Choose the color for selected items in the selector Chapter 7 Working in Layout Mode Set Justification buttons Click to set whether sets are left center or right justified in the selector e Patch Justification buttons Click to set whether patches are left center or right justified in the selector Text Screen Control Parameters You can edit the following parameters for text screen controls after adding text to the text field
38. similar to their arrangement in the imported layout screen controls are assigned and mapped to screen controls in the same positions in the workspace If the arrangement of screen controls in the concert is different MainStage tries to assign and map screen controls starting from the top left corner of the workspace to the bottom right corner Because of the wide variety of possible layouts not all assignments and mappings may be converted as you intended depending on the differences between the layouts After you import a layout into a concert be sure to try the screen controls in the concert to see if they work as expected After importing the layout you may need to manually reassign some controls and then manually remap screen controls in your patches for the concert to work with the new layout If the imported layout has fewer screen controls than the old layout or has different types of screen controls you will likely have to add new screen controls after importing and then assign physical controls to the screen controls to maintain the same level of functionality Changing the Aspect Ratio of a Layout You can change the aspect ratio of a concert layout Changing the aspect ratio lets you use the concert with different monitor types 16 10 widescreen 4 3 standard and 10 16 portrait To change the aspect ratio of a layout In the Action menu located in the upper right corner of the workspace choose Aspect Ratio then choose
39. tempo changes to the set tempo setting MainStage uses the new tempo until you select another patch or set with its own tempo setting tap a new tempo or until MainStage receives tempo information from incoming MIDI messages For more information about using and changing tempo in MainStage see Using Tempo in a MainStage Concert To change the tempo using a set In the Patch List select the set In the Set Inspector set the set tempo using the Change Tempo to value slider Select the Change Tempo to checkbox to activate the set tempo when the set is selected Changing the Tuning for a Set By default new sets and most existing ones use the same tuning method as the concert You can change the tuning for a set so that it uses a different tuning When you change the tuning method for a set the patches in the set use the set level tuning unless you change the tuning at the patch level To change the tuning for a set In the Set Inspector select the Tuning tab Choose the tuning you want the set to use from the Method pop up menu Overriding Concert Level Key Ranges for a Set If a software instrument channel strip exists at the concert level the concert level channel strip takes precedence over any set level software instrument channel strips within its key range This means that when you play any notes in the key range of the concert level channel strip on a keyboard controller you hear only the concert level channel strip
40. the Feedback Protection checkbox to turn Feedback Protection on If it is on deselect the checkbox to turn it off Setting Keyboard Input for a Software Instrument Channel Strip In the Channel Strip Inspector you can choose the keyboard controller from which the channel strip receives MIDI input If you are using a multitimbral instrument you can also choose the input for each MIDI channel For example you can use the EVB3 instrument as a multitimbral instrument and send input to the upper and lower register and the foot pedal using three separate MIDI channels Chapter 5 Working in Edit Mode 55 56 To set the keyboard input for a software instrument channel strip In the Channel Strip Inspector click the MIDI Input tab Choose the MIDI input device from the Keyboard pop up menu in the Input section The names in the Keyboard pop up menu correspond to keyboard screen controls in the workspace To set multitimbral input for different MIDI channels In the Channel Strip Inspector click the MIDI Input tab Choose Multitimbral from the Keyboard pop up menu in the Input section In the Multitimbral Settings dialog choose the input device for each MIDI channel you want to receive MIDI input Transposing Software Instrument Channel Strips You can transpose change the pitch of a software instrument channel strip When you transpose a channel strip every MIDI note received by the channel strip is transposed by the number of semitones
41. the Sends slots and choose a different output from the Output slot For audio channel strips you can change the format between mono and stereo using the Format button For software instrument channel strips you can change the instrument using the Input slot You can also choose copy and save channel strip settings choose a different channel strip type or reset the channel strip from the channel strip menu Because MainStage is designed for live performance rather than recording and arranging there are a few differences between MainStage channel strips and Logic Pro channel strips MainStage channel strips include an Expression dial so that you can easily see the current MIDI Expression being received by the channel strip MainStage channel strips do not have a Record Enable or Bounce button e MainStage audio channel strips can use automatic Feedback Protection to alert you when feedback occurs on the channel For information about using Feedback Protection see Using Feedback Protection with Channel Strips e MainStage audio channel strips do not have an input monitoring i button You can use the Mute button to silence the channel strip In MainStage you can use the Format button to select mono or stereo format MainStage does not support surround input or surround processing MainStage channel strips do not have Group or Automation Mode pop up menus MainStage channel strips include a Change All option in both Input a
42. the aspect ratio from the submenu Chapter 7 Working in Layout Mode 123 Playing Back Audio in MainStage 8 You can play back audio files in time with your live performance Playing back audio files can have a variety of uses including playing backing tracks to accompany your performance playing song stems that you can mix live and using a backing band while you practice your performance You play back audio files using the Playback plug in which is available in the Instrument menu Using the Playback plug in you can start and stop playback of an audio file cycle loop playback and fade out the audio Using markers you can shift playback to different parts of the audio file You can have files play at their original speed or synchronize playback to the current tempo of the concert You can also play back several audio files together using multiple instances of the Playback plug in and control them using groups The Playback plug in is available only in MainStage This chapter provides information on how you can use the Playback plug in in a MainStage concert For detailed information about the interface parameters and functions of the Playback plug in and supported audio file formats see The Playback Plug in This chapter covers the following e Adding a Playback Plug in p 125 e Using the Playback Plug in p 130 Adding a Playback Plug in The Playback plug in is an Instrument plug in and is available only for soft
43. there is no background around the screen controls one is added to encompass them Selecting any member of the group selects the entire group so you can move and resize them together When you group screen controls the edges of the background appear dotted to indicate that the controls are grouped When grouped controls are selected the Ungroup button is highlighted indicating that the controls are grouped Chapter 7 Working in Layout Mode To group screen controls using the shortcut menu Select the screen controls you want to group together Control click the selected controls then choose Group from the shortcut menu To group screen controls using a background screen control Drag a background screen control to the workspace Size and position the background screen control Drag the screen controls you want to include in the grouped control so they are within the borders of the background screen control If you want to move one of the grouped controls separately you can ungroup the controls To ungroup screen controls Select the grouped control Click the Group button again or press Command Shift Option G You can quickly add one or more screen controls to a group To add a screen control to a group Drag the screen control into the group You can also move and resize individual controls in a group without ungrouping them To move or resize a screen control in a group Select the individual screen control you want to mov
44. to a patch and use it to play an external instrument such as a hardware synthesizer You can also use an external instrument to play a ReWire application When you use an external MIDI instrument channel strip you choose the MIDI channel to send MIDI output from MainStage to the instrument and choose the audio inputs to receive audio from the instrument The audio output from the instrument is routed to the input of the channel strip where you can process it using MainStage effects To add an external instrument channel strip 1 Click the Add Channel Strip button in the upper right corner of the Channel Strips area 2 In the New Channel Strip dialog select External Instrument You can also choose the MIDI input and output the format and the audio input and output for the channel strip You can choose an audio channel or a ReWire application for the input but cannot choose a bus The MIDI input pop up menu shows the Keyboard or MIDI Activity screen controls which receive MIDI note input currently in the workspace Note When using an external instrument to send MIDI to a ReWire slave application such as Reason or Live you should disable any MIDI input the slave application receives directly from the hardware controller For information about disabling MIDI input from a hardware device consult the documentation for the application For ReWire applications when you add an external channel strip set the MIDI port to the Re
45. to start playback from the new position Using the Playback Information Display The information display shows information about several key aspects of your audio material and lets you edit some of the displayed values Position field Shows the current position in hours minutes and seconds when Sync is off or in bars and beats when Sync is on Length field Displays the overall length of the loaded audio file in hours minutes and seconds when Sync is off or in bars and beats when Sync is on Meter field When Sync is on lets you define the meter time signature of the audio file The bar and beat values can be altered independently Editing the Meter field changes the ruler display and may alter the Length field display but has no impact on audio playback Tempo field Displays the MainStage concert tempo in beats per minute when Sync is on Playback follows only a single constant tempo The Tempo field is disabled when Sync is off Note Because Playback instances use the concert tempo when Sync is on you can use audio files recorded at different tempos and have them all play back at the same tempo the concert tempo Fade Time field Sets the fade out time in seconds Drag vertically to adjust this value Click the Fade button to start or stop a fade out Appendix A The Playback Plug in 151 Pitch fields Transpose audio playback when Sync is on Drag vertically in either the semi or cent field to transpos
46. use it to record in Perform mode but not in Full Screen mode To start recording to an audio file Move the screen control mapped to the Record action or press Option R To stop recording Move the screen control mapped to the Record action or press Option R again Chapter 9 Performing Live with MainStage After the Performance Before closing your concert after your performance remember that for any screen controls for which the On Patch Change parameter is set to Reset to saved value any changes to channel strip parameters or plug in parameters you made while performing revert to their previously saved state if you close the concert without saving If you save the concert before closing the new values are saved in the concert Tips for Complex Hardware Setups It is highly recommended that you test your concert thoroughly using the same setup you plan to use in live performance prior to performing at the performance location or venue if possible This is especially important for more complex hardware setups Using Multiple Keyboard Controllers in Performance If you plan to use multiple keyboard controllers when you perform you can choose whether screen controls respond to MIDI messages from all controllers or only a specific controller and whether channel strips receive input from all controllers or only a single controller In Layout mode screen controls can be set to respond to MIDI input on all MIDI ports and chann
47. you want to play the patch using your electric guitar select a Guitar Rig patch For other instruments or vocals you can choose a template from the appropriate category or modify a keyboard or guitar template to suit your needs If the patch uses an audio channel strip make sure the channel strip is set to use the correct audio input then gradually raise the volume fader on the channel strip until you hear sound on the channel Chapter 4 Getting Started with MainStage Naming a Patch When you add a patch by default it takes the name of the channel strip added with it You can give each patch a custom name to make it easier to identify and distinguish between them To name a patch 1 Double click the patch in the Patch List A field appears around the patch name which is selected 0090 Layout o Edit Perform Full Screen Mode Tuner Patch List jut as ta Untitled Concert BQ 1 JA Stace mk i Bright 2 hes BliesOrgan J Double click the patch name then 3 Analog Lead type a new name 2 Type anew name in the patch name field For more information about editing and organizing patches see Working with Patches in Edit Mode Selecting and Playing Patches The patches in the concert appear in the Patch List along the left side of the MainStage window You can easily access the patches in your concert by selecting them in the Patch List You can quickly select patches by clicking them in t
48. you would click the fader screen control click Out 1 2 in the left column of the Parameter Mapping browser and then click Volume in the second column of the browser Screen controls can also display visual feedback about parameter values including volume level For example you can also map the Output 1 2 Volume fader to a level meter screen control and have the level meter display the overall volume level while you are performing live In this case you would map the level meter to Level in the second column of the browser rather than to Volume When you map a screen control at the concert level you cannot map the same screen control at the patch or set level unless you override the concert level mapping For information about overriding concert level mappings see Overriding Concert and Set Level appings Adding Concert Wide Effects You can add concert wide effects such as reverb and delay using auxiliary aux channels When you choose a bus from the Send slot on a channel strip a corresponding aux appears at the concert level You can insert effects on the aux and have those effects apply to every channel strip sending its signal to the aux To send a channel strip signal to an aux In the Patch List select the patch you want to use with a concert wide effect The channel strips for the patch appear in the Channel Strips area Chapter 6 Working with Concerts 97 98 2 On the channel strip click one of the Send
49. Color menu Setting a Screen Control to Show the Hardware Value By default screen controls show the value of the parameter the control is mapped to In some cases for example when the screen control is assigned to a foot pedal or when the screen control is mapped to multiple parameters it may be better to show the value of the hardware control assigned to the screen control Chapter 5 Working in Edit Mode To set a screen control to show the hardware value Select the screen control in the workspace In the Screen Control Inspector select the Attributes tab Select the Show Input Value checkbox Setting Parameter Change Behavior for Screen Controls You can set the behavior for saving parameter values for screen controls in individual patches This is useful for example when the default for saving parameter values is set to Reset but you want certain screen controls for example concert and set level screen controls to keep their current value when switching patches To set the behavior for saving parameter values in a patch Select the patch Select the screen control for which you want to set the parameter change behavior In the Attributes tab of the Screen Control Inspector choose the parameter change behavior for the screen control from the When a patch is changed and screen value differs from saved patch pop up menu To have the screen control use the default behavior set in MainStage preferences choose Pref
50. Core and Xeon are trademarks of Intel Corp in the U S and other countries Other company and product names mentioned herein are trademarks of their respective companies Mention of third party products is for informational purposes only and constitutes neither an endorsement nor a recommendation Apple assumes no responsibility with regard to the performance or use of these products Preface Chapter 1 Chapter 2 Chapter 3 Chapter 4 o oNN 11 13 13 13 13 16 17 17 19 19 19 21 22 23 24 25 26 26 29 29 30 30 31 32 33 Contents Welcome to MainStage About MainStage About the MainStage Documentation Additional Resources Introducing MainStage What Is MainStage Using MainStage with Keyboard Controllers Using MainStage with Electric Guitars Using MainStage with Vocals Drums and Other Instruments How to Use MainStage in Your Music Setup Using MainStage in Live Performance Setting Up Your System Using MIDI Devices with MainStage Using Audio Devices with MainStage Using Effects Plug ins with MainStage Using MainStage with Time Machine The MainStage Interface The MainStage Window Layout Mode Edit Mode Perform Mode Full Screen Mode Customizing the MainStage Window Getting Started with MainStage Before You Begin Opening MainStage Choosing a Concert Template Selecting Patch Settings in the Patch Library Adding a Patch Naming a Patch Chapter 5 Chapter 6 Ch
51. I messages are sent to all channel strips You can also filter incoming MIDI dua for individual channel strips For information T on filtering MIDI messages see Filtering MIDI Messages Exporting a Layout You can export a layout so that you can save it independently from the concert and import it into other concerts To export a layout Choose File gt Export Layout or press Command Shift Control S In the Save As dialog type a name for the layout and browse to a location where you want to save the layout or use the default location Click Save Importing a Layout You can import an exported layout into another concert and then adjust it to work with the mappings in the concert To import a layout into a concert Choose File gt Import Layout or press Command Control O In the Open dialog select the layout you want to import Click Open The layout for the concert changes to the imported layout Chapter 7 Working in Layout Mode When you import a layout into a concert MainStage analyzes the layout and attempts to convert the assignments and mappings in the layout to work with the concert It uses the following rules to convert imported assignments and mappings Screen controls are assigned and mapped to screen controls of the same type if they exist in the imported layout Keyboard screen controls are assigned only to keyboard screen controls If the arrangement of screen controls in the concert is
52. MainStage 2 Copyright 2009 Apple Inc All rights reserved Your rights to the software are governed by the accompanying software license agreement The owner or authorized user of a valid copy of Logic Studio software may reproduce this publication for the purpose of learning to use such software No part of this publication may be reproduced or transmitted for commercial purposes such as selling copies of this publication or for providing paid for support services The Apple logo is a trademark of Apple Inc registered in the U S and other countries Use of the keyboard Apple logo Shift Option K for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws Every effort has been made to ensure that the information in this manual is accurate Apple is not responsible for printing or clerical errors Note Because Apple frequently releases new versions and updates to its system software applications and Internet sites images shown in this manual may be slightly different from what you see on your screen Apple 1 Infinite Loop Cupertino CA 95014 2084 408 996 1010 acom pr Apple the Apple logo FireWire GarageBand Logic Logic Studio Mac MainStage Ultrabeat and WaveBurner are trademarks of Apple Inc registered in the U S and other countries Finder is a trademark of Apple Inc Intel Intel
53. Panic function immediately silences any hanging MIDI notes To silence all MIDI notes Do one of the following Press Control P Double click the MIDI Monitor in the toolbar If the Panic button is visible in the toolbar click it If you have mapped the Panic function to a screen control press or move the corresponding controller Chapter 6 Working with Concerts 93 94 If the Panic button is not visible in the toolbar you can customize the toolbar by adding a Panic button For information about customizing the toolbar see Customizing the Toolbar Muting Audio Output Sometimes when you are playing or editing sounds you may want to quickly mute silence all audio output for the concert MainStage includes a Master Mute button that silences the output from every patch in the concert 4 Master Mute To quickly mute all sound Do one of the following Press Control M In the toolbar click the Master Mute button If you have mapped the Master Mute function to a screen control press or move the corresponding controller The Master Mute button changes to show that the output is muted a red diagonal line covers the speaker icon All output remains muted until you click the Master Mute button again To unmute all sound Do one of the following Press Control M again In the toolbar click the Master Mute button again If you have mapped the Master Mute function to a screen control press or move the correspond
54. Stamp Attributes from the shortcut menu You can Shift click to select multiple screen controls then Control click the selection Common Screen Control Parameters You can edit the following common parameters for button knob fader knob pedal footswitch mod pitch wheel meter VU meter organ drawbar progress indicator and parameter text screen controls Hardware Input Device pop up menu Shows the name of the device containing the assigned control The device name may correspond to the name of a keyboard controller or to a port on the controller if it has multiple ports You can choose another device All or Unassigned Channel pop up menu Choose the MIDI channel on which MainStage receives input from the controller If you plan to use more than one keyboard when you perform be sure that screen controls such as faders and knobs are assigned to receive input from the correct controller using the Device and Channel pop up menus Type pop up menu Choose the type of control messages to which the control responds Control types include the following three categories Continuous Control Includes knobs rotary encoders faders and most pedals that send values in the range of 0 127 In most cases these controls are set to Absolute Some rotary encoders can be set to Relative after you program the hardware device to send relative controller messages The different types of Relative control messages represent different enc
55. U Usage Threshold Set the level percentage of CPU usage above which voice limiting is active If you experience audio dropouts or glitches when performing with the current setting try lowering the threshold until the dropouts or glitches no longer occur MIDI Display Middle C As pop up menu Choose whether middle C is displayed as C3 or C4 Display Preferences This preference let you choose the default size at which plug in windows are displayed Default size pop up menu Choose whether plug in windows are displayed at their standard size 100 or at a larger size Appendix C Setting MainStage Preferences Using MainStage Actions In addition to mapping screen controls to channel strip and plug in parameters you can map them to MainStage actions Actions let you select patches and sets silence MIDI notes control the Tuner and the metronome tap a new tempo display information about patches MIDI messages and other information and perform other functions using screen controls The Actions folder which appears in the Parameter Mapping browser along with available parameters contains actions for a variety of MainStage functions The Actions folder also contains an AppleScript subfolder with useful scripts The following table describes each action and the type of screen control to map it to For information about mapping screen controls to actions see Mapping Screen Controls to Actions This appendix covers the following e
56. When you add a patch to a concert the patch is given a MIDI program change number the lowest available number between 0 and 127 until all available program change numbers are taken You can select patches using program change numbers when performing by assigning buttons on a MIDI device to send program change messages You can change the program change number in the Patch Inspector To change the program change number for a patch In the Patch List select the patch When you select a patch the Patch Inspector appears below the workspace In the Attributes tab of the Patch Inspector select the Program Change checkbox Using the value slider set the program change number Chapter 5 Working in Edit Mode 45 46 The MIDI standard allows program change numbers with values from 0 to 127 If all available program change numbers in a concert are already in use any new patches added to the concert will be given program change number zero 0 but the number is inactive the checkbox is not selected Bank changes are not supported If you set a program change number so that it duplicates an existing program change number the word Duplicate appears in red next to the Program Change value slider If two or more patches have the same program change number and the numbers are active the patch that appears first highest in the Patch List or patch selector is selected when you send the program change message with the corresponding v
57. Wire slave The Channel list also updates based on the port Some ReWire slaves set up multiple ports To use a ReWire application with MainStage open the ReWire application after opening MainStage Chapter 5 Working in Edit Mode 67 68 When you play your keyboard controller with the patch containing the external MIDI instrument selected MainStage sends note and other MIDI messages to the chosen MIDI Output and MIDI Channel receives audio from the chosen Input and sends the audio output to the chosen Output You can also send a program change message to the external instrument when you select the patch to control which program the external instrument uses To send a program change to an external instrument when you select a patch In the Channel Strip Inspector click the MIDI Out tab In the MIDI Out tab select the Send Program Change checkbox The Program Change value is set to 1 by default so that no program change is sent when you select the Send Program Change checkbox until you change the value Set the program change number you want to send using the Send Program Change value slider If you want to send a Bank Change message select the Send Program Change checkbox then set the most significant byte MSB and least significant byte LSB of the bank change number using the Bank MSB and Bank LSB value sliders When you select the patch the program change and bank change messages are sent to the external instrument Also no
58. a new patch To instantly silence the previous patch when you select a patch In the Attributes tab of the Patch Inspector select the Instantly Silence Previous Patch checkbox Chapter 5 Working in Edit Mode Changing the Patch Icon Each patch has an icon that appears in the Patch List next to the patch name By default the patch icon shows the type of channel strip created when the patch was added You can choose a new icon for a patch and use icons to visually distinguish patches in the Patch List To change the icon for a patch Inthe Attributes tab of the Patch Inspector choose an icon from the Icon pop up menu Changing the Tuning for a Patch By default patches use the same tuning method as the concert or the set if they are in a set with its own tuning method You can change the tuning for a patch so that it uses a different tuning When you change the tuning for a patch it overrides any concert or set level tuning method To change the tuning for a patch 1 In the Patch Inspector select the Tuning tab 2 Choose the tuning you want the patch to use from the Method pop up menu Deleting Patches You can delete a patch if you decide you no longer want it in the concert To delete a patch 1 Select the patch in the Patch List 2 Choose Edit gt Delete or press the Delete key Chapter 5 Working in Edit Mode 47 48 Working with Channel Strips in Edit Mode Channel strips are the building blocks of your patche
59. alue You can reset program change numbers for all active non skipped patches in a concert When you reset program change numbers patches are assigned program change numbers based on their order in the Patch List starting from the top The program change numbers for skipped inactive patches are not reset To reset program change numbers for active patches in a concert Choose Reset Program Change Numbers from the Action menu for the Patch List or press Command Shift Option R You can assign buttons and other controls to send program change messages and use them to select patches in the concert For information about assigning buttons see Assigning Buttons Deferring Patch Changes By default when you switch patches the new patch is ready to play immediately You can defer a patch change so that the patch change occurs after the last note of the previous patch has been released or sustained To defer a patch change In the Attributes tab of the Patch Inspector select the Defer Patch Change checkbox Note Deferring patch change works in Perform mode and Full Screen mode but does not work when you are editing patches in Edit mode Instantly Silencing the Previous Patch Sometimes you may want the sound of the previous patch to continue after you select a new patch as when you want to sustain a chord pad while soloing over it At other times you may want to silence the sound of the previous patch instantly when you select
60. ameters in the Parameter Mapping browser To learn how to map a screen control to a channel strip or plug in parameter see Mapping Screen Controls to Channel Strip and Plug In Parameters To learn how to map a screen control to an action see Mapping Screen Controls to Actions Trying Out Full Screen and Perform Modes Now you can try playing your patches as you would in a performance MainStage provides two modes Full Screen mode and Perform mode that optimize the display of the workspace for live performance In Perform mode you see the workspace and the toolbar so you can use the toolbar buttons and access other applications In Full Screen mode the workspace occupies the entire screen presenting the screen controls as large as possible for easy viewing in concert environments To switch to Full Screen mode Do one of the following Choose View gt Full Screen or press Command 4 Click the Full Screen button To switch to Perform mode Do one of the following Choose View gt Perform or press Command 3 Click the Perform button You can try both of these modes playing the patches you added or modified and using the controls on your MIDI controller to modify the parameters you have mapped to screen controls Chapter 4 Getting Started with MainStage 39 Working in Edit Mode 5 In Edit mode you add and edit patches to create your custom sounds choose patch settings in the Patch Library organize and select patc
61. an choose which flex mode an instance of the Playback plug in uses to play back the audio file you added The flex modes available are Slicing Slices the audio material at transient markers and plays each slice at its original speed Slicing is a good choice for general use particularly for rhythmic material Rhythmic Based on the time stretching algorithm used for Apple Loops Rhythmic is best suited for playing non monophonic material such as rhythmic guitars rhythmic keyboard parts and Apple Loops Speed Time stretches material by playing the source material faster or slower including changing the pitch Speed is recommended for percussive material Polyphonic Based on a phase vocoder Polyphonic time stretches material delivering high sonic quality with suitable polyphonic material It is recommended for complex polyphonic material and is good for all kinds of chords such as guitar piano and choir and for complex mixes Because each flex mode can produce different results depending on the audio material it is recommended that you try out different flex modes for each instance of the Playback plug in to determine which provides the best playback for your audio files To choose the flex mode for a Playback plug in Choose Flex Mode from the Action menu at the upper right of the plug in window then choose the flex mode from the submenu Note For audio files that do not contain tempo information the Flex Mode menu item
62. annel strip and plug in parameters in one of two ways by mapping screen controls visually to parameters on the channel strip or in a plug in window or by using the Parameter Mapping browser You map screen controls to parameters in Edit mode The screen controls in the workspace do not respond to movements of physical controls on your MIDI hardware until you map them to channel strip parameters To map a screen control to a channel strip or plug in parameter In the workspace click the screen control you want to map The screen control is highlighted in blue The Screen Control Inspector appears below the workspace showing the parameters for the selected screen control The Screen Control Inspector includes General and Mapping tabs as well as a tab labeled Unmapped Press Command L The Screen Control Inspector opens to the Unmapped tab showing the Parameter Mapping browser The Map Parameter button lights red to indicate that mapping is active To map the screen control to a channel strip parameter click the control for the parameter on the channel strip in the Channel Strips area Chapter 5 Working in Edit Mode 4 To map the screen control to a plug in parameter double click the plug in in the Inserts section of the channel strip to open the plug in window then click the parameter in the plug in window Click the screen control you want to map to a parameter Untitled Concert e A ie a p er TapTempo Metronome Lif Sta
63. annel strip setting see Changing a Channel Strip Setting Selecting Channel Strips When you add a channel strip to a patch or add a channel strip at the set or concert level the channel strip is selected in the Channel Strips area and available settings appear in the Channel Strip Settings browser You can select a channel strip directly by clicking it in the Channel Strips area and also select an adjacent channel strip by using key commands Key command Selection Left Arrow The channel strip to the left Right Arrow The channel strip to the right Showing Signal Flow Channel Strips In addition to the channel strips in a patch you can view and edit signal flow channel strips in the Channel Strips area Signal flow channel strips include the Output and Master channel strips for the concert auxes that are receiving signal from a channel strip in the patch and any set or concert level channel strips that are available when the patch is selected You can also view signal flow channel strips at the set level When you show signal flow channel strips channel strips at the concert level including Output and Aux channel strips include a small concert icon near the top of the channel strip to make it easy to distinguish them from patch level channel strips Channel strips at the set level include a small folder icon so they can also be easily distinguished You can edit signal flow channel strips in the Channel Strips area For examp
64. apter 7 Chapter 8 33 34 36 37 39 39 41 41 48 69 77 81 83 83 84 87 88 89 89 90 91 92 93 93 93 94 95 101 103 104 104 114 116 121 122 122 123 125 125 Selecting and Playing Patches Adding a Channel Strip Changing a Channel Strip Setting Learning a Controller Assignment Mapping a Screen Control Trying Out Full Screen and Perform Modes Working in Edit Mode Working with Patches in Edit Mode Working with Channel Strips in Edit Mode Mapping Screen Controls Editing Screen Control Parameters in Edit Mode Working with Sets in Edit Mode Working at the Set Level Sharing Patches and Sets Between Concerts Recording the Audio Output of a Concert Working with Concerts Opening and Closing Concerts Saving Concerts How Saving Affects Parameter Values Setting the Time Signature for a Concert Using Tempo in a MainStage Concert Defining the Source for Program Change Messages for a Concert Setting the Pan Law for a Concert Changing the Tuning for a Concert Silencing MIDI Notes Muting Audio Output Working at the Concert Level Controlling the Metronome Working in Layout Mode Modifying the Layout of a Concert Working with Screen Controls Assigning Hardware Controls to Screen Controls Editing Screen Control Parameters How MainStage Passes Through MIDI Messages Exporting a Layout Importing a Layout Changing the Aspect Ratio of a Layout Playing Back Audio in MainStage Adding a Playback Pl
65. arning a Controlle Assic JnAmMe Chapter 7 Working in Layout Mode When you assign a hardware control using the Learn button MainStage determines the type of MIDI message the control sends when you move it and the range of values the control is capable of sending When you map the screen control to a channel strip parameter or an action MainStage converts or maps the range of values sent by the hardware control to the optimal range of values usable by the parameter For example many faders knobs and other MIDI controls send a range of numeric values between 0 and 127 You could map a hardware knob with this range of values to control the frequency parameter of an EQ effect which has a range of usable values between 20 Hz and 20 kHz When you map the screen control for the knob to the EQ frequency parameter MainStage converts the values sent by the hardware knob to be distributed between the minimum 20 Hz and maximum 20 kHz values for the parameter Assigning Knobs MIDI controllers can have different types of knobs or rotary controllers Knobs can be either absolute controllers which send a fixed value determined by the knob s position or can be relative controllers which increment or decrement the previous value regardless of their exact position Knobs can either have a fixed range of movement or be continuous sometimes called endless rotary encoders When you assign a knob screen control using the Learn button Ma
66. ays only while the patch is selected If you are using a Playback plug in at the set level you can select different patches in the set for example different lead synth or guitar solo patches and have the audio file continue playing If you are using a Playback plug in at the concert level you can select different patches in the concert and have the audio file continue playing The Playback plug in provides an additional form of control using groups If you use multiple instances of the plug in in your concert you can use groups to control which instances play together and which are mutually exclusive When Playback instances are in the same group a change to the Play Stop Cycle Fade Out Return to Start Go to Previous Marker or Go To Next Marker parameters in one instance changes that parameter for every member of the group You can use up to 26 groups each identified by a different letter Starting one group stops all other groups while ungrouped instances of the plug in continue playing If you are using multiple instances of the Playback plug in in a group you can start and stop their playback together by starting or stopping any member of the group using a screen control mapped to the Play Stop parameter When playback instances are grouped playback is locked so changes in position affect all members of the group You can control other aspects of playback such as having the group fade out or loop playback using screen controls
67. bbing During overdubbing the first recorded take plays back while you record subsequent takes Subsequent clicks toggle recording off or on while the tape loop keeps playing Play Stop button Starts playback at the position set by the Play From and Snap To parameters If Loopback is playing or recording stops immediately without waiting to reach the Snap To value If loopback is recording and has not established length it sets the length and just continues to play back with no overdubbing See Using the Loopback Sync Snap To and Play From Parameters AppendixB The Loopback Plug in 159 160 Reverse button Reverses the contents of the tape loop so the sound plays back in reverse You can activate Reverse when Loopback is either playing or stopped Fade Out button Gradually lowers the volume level of the tape loop over the time specified in the Fade Time field The Fade Out button remains highlighted until the fade out has finished and playback stops The fade out affects only previously recorded material You can start recording during a fade out and the new material is recorded and plays at full level When you record new material during a fade out Loopback does not stop when the fade out has finished but continues playing the newly recorded material Count in button Enables a one bar count in using the concert time signature Metronome button Turns the MainStage metronome on or off Undo button When pressed during
68. controls that pass through MIDI messages for example for pitch bend and modulation wheels or expression pedals when you do not want them to send MIDI messages for their pass through control type You do not need to remove the mapping for a screen control when you remap it To reset the mapping for a screen control In the workspace click the screen control you want to map In the column on the left of the Parameter Mapping browser click None Chapter 5 Working in Edit Mode Editing Screen Control Parameters in Edit Mode In Layout mode you edit basic screen control parameters that are constant throughout the entire concert In Edit mode you can edit screen control parameters for a specific patch or set You can also override concert and set level mappings for an individual patch or set Overriding Concert and Set Level Mappings By default mappings you make at the concert level to parameters and actions take precedence over mappings to individual patches or sets in the concert If you map a screen control to a parameter at the concert level for example to Master Volume that screen control cannot be mapped to a parameter or action in a patch or set unless you override the concert level mapping Similarly mappings you make at the set level take precedence over mappings for any patches in the set If you map a screen control to a parameter at the set level for example to an effect on a set level channel strip that screen cont
69. creen control the control follows the value of its individual setting The choices are e To preserve changes to parameter values when you change patches choose Keep current value To return values to the last saved value choose Reset to saved value Respond to Hardware Move pop up menu Choose how screen controls respond when you move the hardware controls assigned to them By default the Respond to Hardware Move parameter for individual screen controls is set to Preference in which case they follow the preference behavior If this parameter is set to another value for a screen control the control follows the value of its individual setting The choices are To have screen controls instantly change to match the hardware value choose Jump To have screen controls change when the hardware control matches its current value choose Pickup To have screen controls move relative to the hardware control choose Relative Audio Preferences These preferences let you set the audio output and input drivers set the size of the I O buffer set the audio sample rate and choose which note is displayed as middle C Audio Audio Output pop up menu Choose the device you want to use to hear the audio output from MainStage Appendix C Setting MainStage Preferences e Audio Input pop up menu Choose the device you want to use as the source for audio input Setup buttons Click the Audio Output Setup b
70. d hardware controls to screen controls in MainStage do not change the preset on the MIDI device or your assignments might be lost In some cases you can change the message type the controller sends by choosing a different preset or by reprogramming the device Some devices may include software that you can use to reprogram knobs buttons and other controls For information about reprogramming a MIDI device see the documentation that came with the device Using MIDI Devices That Support Automatic Configuration MainStage can automatically configure the screen controls in a concert to support many popular MIDI controllers If you are using a device that supports automatic configuration MainStage alerts you to select the appropriate preset on your device when you open a new concert After you select the preset on your MIDI device the screen controls in the concert are assigned to the corresponding controls on your hardware device so you can use them in MainStage with no further configuration Chapter 2 Setting Up Your System Using Audio Devices with MainStage MainStage works with Core Audio compliant audio devices including FireWire USB ExpressCard and PCI audio interfaces You can connect microphones electronic musical instruments and other musical equipment to your computer or to an audio interface or other audio device and use them with MainStage For detailed information about using audio devices see the Setting Up Your System
71. d Function Buttons Information display The information display shows the current playback position and audio file length meter tempo fade time and pitch See Using the Playback Information Display Sync Snap To Play From and Group pop up menus The bar across the bottom of the Playback window contains controls you use to set playback behavior the Sync Snap To Play From and Group pop up menus See Using the Playback Sync Snap To and Play From Parameters The Group pop up menu sets group membership for each Playback instance See Using the Playback Group Functions Action menu and File field The Action menu with the gear icon contains options for adding an audio file choosing the flex mode and other functions See Using the Playback Action Menu and File Field The File field displays the name of the currently loaded audio file Shortcut menu You can add edit and remove markers using the shortcut menu not shown which you can access by Control clicking or right clicking the waveform display See Using the Playback Shortcut Menu Appendix A The Playback Plug in Using the Playback Waveform Display The waveform display shows the waveform of the currently loaded audio file The vertical line in the center of the display indicates the current playback position as the waveform scrolls from right to left Above the waveform the time ruler displays time in either hours minutes and seconds when Sync mode is off or bars and
72. d to the Library Application Support Logic MainStage Patches folder To export a set Do one of the following Drag the set from the Patch List to the Finder The set appears as a patch file in the Finder Select the set choose Save as Set from the Action menu in the Patch List then click Save The set is exported to the MainStage Patches folder Note You can also export an entire concert as a set by selecting the concert and choosing Export Set from the Action menu You can export multiple patches or sets When you export multiple patches by dragging them to the Finder each patch is exported as a patch file When you select multiple patches and export them using the Export Patch command the patches are grouped into a single exported set You can import patches or sets from the Finder to another open concert To import a patch or set Do one of the following In Edit mode drag the patch or set from the Finder to the Patch List Choose Load Patch Set from the Action menu in the Patch List select the patch or set you want to import then click Import Recording the Audio Output of a Concert You can record the audio output of a MainStage concert When you record audio output all audio on the output you choose is recorded including the metronome and so on Before you record audio output make sure the correct output recording location and file format are set in the Audio tab of MainStage preferences For informat
73. dding Mod Pitch Wheel Screen Controls When you add mod pitch wheels to a layout by default they are configured to receive the following MIDI message types The first mod pitch wheel is configured to receive modulation messages The second mod pitch wheel is configured to receive pitch bend messages The third mod pitch wheel is configured to receive aftertouch messages By default modulation and pitch bend screen controls pass through the MIDI messages for their common use that is mod wheels pass through MIDI modulation messages and pitch bend wheels pass through MIDI pitch bend messages In most cases this is desirable so that you can use them for their standard functions without any additional setup If you want to use these screen controls to control other parameters choose Do not pass thru from the MIDI Thru pop up menu in the Screen Control Inspector Adding Foot Pedal Screen Controls When you add a foot pedal to a layout by default the first foot pedal you add is configured to receive expression messages and the second foot pedal you add is configured to receive volume messages By default expression pedal screen controls pass through the MIDI messages for their common functions expression or volume If you want to use an expression pedal screen control to control another parameter choose Don t pass thru from the MIDI thru pop up menu in the Screen Control Inspector Chapter 7 Working in Layout Mode 107
74. djust the tuning peg for the string you are tuning When the note is in tune a blue vertical bar appears in the center above the note name Be sure to play only a single note at a time while tuning The Tuner can t tune to a chord or interval or if you play different notes rapidly When using the Tuner with a patch containing multiple channel strips only audio from the first audio channel strip is sent to the Tuner even if other channel strips in the patch have the same input source Before using the Tuner make sure that the first audio channel strip is active and not muted In the Channel Strips area the channel strip that will send audio to the Tuner is indicated by a tuning fork icon at the top of the channel strip If other channel strips in the patch have the same audio input source as the first channel strip the sound from those channel strips is still audible unlike the output from the Tuner For example if you are using a twin amp patch from the Rock guitar concert template the output for the second amp is audible while you tune the guitar unless you mute its output by setting the Expression pedal screen control to zero Using the Playback Plug in in Performance You can use the Playback plug in to play backing tracks or other audio files while you are performing and trigger playback either when you select a patch or set or using a button or other screen control You can control other Playback parameters to which you hav
75. dware when you perform live You can also map screen controls to MainStage actions such as selecting the next patch you want to play For information about mapping screen controls see Mapping Screen Controls You need not follow these steps in a strict order however in most cases you will find working easier if you create your layout before making hardware assignments and make hardware assignments before you map screen controls If you plan to use one of the existing concert templates without modifying its layout significantly you can concentrate on stages 1 to 3 and stage 6 Chapter 1 Introducing MainStage 15 16 To make setup easier MainStage divides these tasks into two groups with separate modes for each group of tasks You customize and organize your patches in Edit mode and customize your layout and make connections with your hardware in Layout mode The advantage of this division is that it separates tasks you normally perform only once such as setting up your layout the Layout mode tasks from those you are likely to repeat more often such as editing your sounds the Edit mode tasks Using MainStage in Live Performance After you have created a concert with your custom patches following the steps described above you re ready to play When you perform live you can use your computer as the final sound module and effects box in your rig You can select a patch and start playing it instantly MainStage switches seamlessly be
76. e Program 0 is sent when you create the mapping If you are editing the program on the external instrument your changes may be lost To map the screen control without sending an immediate program change to the external instrument choose None from the MIDI Out slot of the external instrument before you create the mapping then choose the external instrument in the MIDI Out slot No program change is sent until you move the knob or fader Using the Activity Monitor As you work on your concert in Edit mode the Activity Monitor in the toolbar shows the current CPU and memory information as well as received MIDI messages The CPU section of the Activity Monitor glows red to indicate a CPU overload condition The Memory section of the Activity Monitor glows yellow to indicate a low memory condition If an extreme low memory condition occurs an alert appears warning you to save the concert before MainStage quits Low memory conditions can be caused by having too many memory intensive channel strips or plug ins in a concert or by using other memory intensive applications including ReWire applications together with the concert If a low memory condition occurs try reopening the concert and consolidating some memory intensive plug ins or channel strips Deleting Channel Strips You can delete a channel strip if you decide you no longer want it in a patch To delete a channel strip Select the channel strip in the Channel Strips area Choose Edit
77. e mapped screen controls including fading out the sound and looping playback For files containing marker information you can also use markers to switch playback to different sections of the audio file You can start and stop playback of multiple Playback plug in instances using the Group menu Where you add an instance of the Playback plug in depends on how you want to use it If you want to play back an audio file while you play a single patch you can add it to the patch If you add a Playback plug in at the set level you can select different patches in the set and have the audio file continue playing This can be useful for example if the set includes all the patches you ll use in a song and the Playback plug in plays an audio file with a backing track for the song If you add a Playback plug in at the concert level you can select different patches in the concert and have the audio file continue playing The ability to use the plug in at any level gives you a great deal of creative freedom in how you use it Chapter 9 Performing Live with MainStage 139 140 The Playback plug in is designed so that it can be used in a variety of ways Following are a few ideas for how to use the Playback plug in in different situations You can try them out or use them as a starting point for your own creative uses Some Playback Plug in Usage Ideas You can use the Playback plug in in software instrument channel strips in a patch or at the set or concer
78. e Choose Template dialog appears so that you can choose a concert template to create a new concert To learn how to open MainStage see Opening MainStage For information about choosing a template see Choosing a Concert Template This chapter covers the following The MainStage Window p 22 Layout Mode p 23 Edit Mode p 24 Perform Mode p 25 Full Screen Mode p 26 Customizing the MainStage Window p 26 21 The MainStage Window Some features of the MainStage interface are common to all modes while others are exclusive to certain modes Workspace with Toolbar Activity Monitor screen controls es amp Reset Cmpsre Patch Record Master Mute Channel Strips UntitleH Concert eae Layout reform Funscreen 7 Mode Patch List Workspace Channel Strips o mt Stage Mk II Bright Ge e w stage m Playback Get ta ant cal compre compre fa teje if Playback Se M esas Gi 01 Mainstage Templates C 01 keyboards s el Uverpool Bass ew EO G 02 Software instruments E 02 Guitar Rigs gt Marimba 03 Guitar Rigs E 03 Vocals gt Massive Lead F C 04 Vocal Processing E 04 Drums Mercury Raindrops 05 Audio Effects gt E os wers s EB Mkt vintage Tremolo C 06 Multi instrument Orchestral Strings E Audio Channel Strips Poly Fat Bass Sharp Sweep Down fal pe G Instrument Channel Strips
79. e Patch List located to the left of the workspace To select an item in the Patch List in Edit mode you can click the item or use key commands To select a patch in the Patch List In the Patch List located to the left of the workspace click the patch 9668 vous lector Click a patch in the Patch List to select it and start playing With the patch selected you can start playing instantly You can also select patches in the Patch List using your computer keyboard To select a patch using your computer keyboard Press the Down Arrow key to select the next lower patch in the Patch List Press the Up Arrow key to select the previous higher patch in the Patch List There are additional key commands you can use to select items in the Patch List Default key command Selects Up Arrow Previous item patch or set in the Patch List Down Arrow Next item patch or set in the Patch List Command Up Arrow Previous patch in the Patch List Command Down Arrow Next patch in the Patch List Command Left Arrow First patch of the previous set Command Right Arrow First patch of the next set Note When you use the Command Arrow key commands listed above to select different patches the selected screen control remains selected in the workspace This makes it easy to see how a screen control is configured in different patches In addition to using key commands you can select a patch or set in the Patch List by
80. e instrument effects and other parameters for a channel strip by choosing a new channel strip setting You can choose a new channel strip setting in one of two ways by using the Channel Strip Library or by using the Settings button at the top of the channel strip To choose a channel strip setting from the Channel Strip Library In the Channel Strips area select the channel strip you want to change The selected channel strip is highlighted with a blue outline In the Channel Strip Inspector click the Channel Strip Library tab Available settings for the channel strip appear in the Channel Strip Library Logic Studio content appears in a series of folders with different instrument categories If you have GarageBand installed or have one or more Jam Packs installed on your computer those settings appear below the Logic Studio settings Chapter 5 Working in Edit Mode 3 Click a category from the column on the left then click subcategories from the columns on the right until you see the settings you want L Software Instrument Channel Strip Inspector Channel Strip Library Attributes MIDI Input Layer Editor f Recent gt amp 01 electric Pianos gt E Classic Hard Rock 02 01 Acoustic Pianos gt f 02 Organs gt amp Classic Jazz 01 G 02 Bass a G 03 clav gt E Classic Jazz 02 03 Drums amp Percussion gt C 04 Mallets FR Classic Rock 01 04 Keyboards gt WL C 05 Warp
81. e or resize The handles of the screen control appear so you can move or resize it independently from the group Hold down the Command key as you move or resize the screen control You can add a panel or an image to the background of a grouped control to recreate the look of a hardware panel and visually distinguish the grouped control in the workspace To add a panel to a background Select the background The Screen Control Inspector appears to the left of the workspace In the Appearance section of the Screen Control Inspector click the Panel well and choose a panel from the menu If an image has been previously selected for the background select the Panel button before choosing a texture for the background To add an image to a background Select the background The Screen Control Inspector appears to the left of the workspace Chapter 7 Working in Layout Mode 113 114 In the Appearance section of the Screen Control Inspector select the Image button Do one of the following Drag an image to the Image well Click the Select button then navigate to the location containing the image you want to use and select the image You can add custom grouped controls to the Screen Controls palette and use them in the same concert or another concert Grouped screen controls you add to the palette appear in the My Grouped Controls tab To add a grouped control to the Screen Controls palette Do one of the following Control
82. e patch using a foot pedal Using the following procedure you can set the overall volume for the patch that is for all channel strips so it starts playing at the set volume level but still control subsequent volume changes using the foot pedal Using the Tuner MainStage includes a Tuner that you can use to tune guitars and other instruments you play through an audio channel strip The Tuner shows pitch on a circular scale with the note name and octave displayed in the center of the scale When you play a single note on your instrument the pitch is shown in relation to the correct pitch for the note displayed You can use the Tuner on an instrument connected to the first audio channel strip in a patch Channel strips that can use the Tuner are indicated by a tuning fork icon near the top of the channel strip To tune an instrument using the Tuner Select the audio channel strip you want to use the Tuner with Click the Tuner icon in the toolbar or press Command T The Tuner appears in the workspace Parameter Mapping c G 1 Octave A 440 Chapter 9 Performing Live with MainStage 3 Play a single note on your instrument and watch the Tuner display As you play the Tuner shows the note name of the closest note If the note is not in tune red vertical bars appear showing whether the note is sharp or flat The bars appear to the right of the note name if the note is sharp and to the left if the note is flat 4 A
83. e the audio file in semitones or cents 1 100 of a semitone The Pitch fields are disabled when Sync is off Using the Playback Sync Snap To and Play From Parameters The Sync Snap To and Play From pop up menus control various aspects of playback and synchronization of the audio file Sync pop up menu Controls whether playback is synchronized with the concert tempo When Sync is off the audio file plays at its recorded tempo When Sync is on the file plays at the current tempo of the concert Note Only audio files that contain tempo information will play back at the MainStage concert tempo when Sync is active If the file contains no tempo information the Sync parameter is disabled Snap To pop up menu Sets the value to which transport functions including Play Return to Start Previous Marker and Next Marker snap The active transport function is delayed until the next bar beat or marker is reached depending on the current Snap To setting The Snap To setting always reflects the concert tempo and time signature regardless of the Sync setting Off Transport functions occur immediately without waiting Beat Transport functions occur at the start of the next beat Bar Transport functions occur at the start of the next bar e Wait for Marker Transport functions occur when the next marker is reached Play From pop up menu Determines the position from which playback starts Current Position Playback starts
84. earn buttons to define the Low and High keys or use the Low Key and High Key value sliders To open the Layer Editor In the Channel Strip Inspector click the Layer Editor tab To define a key range using the layers In the Layer Editor move the pointer over the left edge of the layer you want to change define The pointer changes to a resize pointer Drag the left edge of the layer to the note you want to use as the low key the lowest note in the key range Move the pointer over the right edge of the layer Drag the right edge of the layer to the note you want to use as the high key the highest note in the key range To define a key range using the Learn buttons In the Channel Strips area select the channel strip In the Channel Strip Inspector click the Layer Editor tab Click the Learn button next to the Low Key value slider Click Learn and play the corresponding note on your music keyboard Analog Swell Analog Lead 2 AILLILLLLIILELL LLL J On your keyboard controller press the key you want to set as the lowest key in the key range Click the Learn button again to turn off Learn mode for the Low Key Click the Learn button next to the High Key value slider Chapter 5 Working in Edit Mode 61 62 On your keyboard controller press the key you want to set as the highest key in the key range Click the Learn button again to turn off Learn mode for the High Key When you play the patch y
85. ecting and Playing Patches p 33 Adding a Channel Strip p 34 Changing a Channel Strip Setting p 36 Learning a Controller Assignment p 37 Mapping a Screen Control p 39 Trying Out Full Screen and Perform Modes p 39 Before You Begin Before you start working in MainStage you should connect the hardware equipment that you plan to use such as your keyboard controller audio interface instruments or microphones to your computer To use keyboard controllers and other MIDI devices with MainStage the devices should be capable of sending standard MIDI messages If you re not sure whether this is the case for a particular device consult the owner s manual or the product website For more information see Setting Up Your System 29 30 Opening MainStage You start by opening MainStage and creating a new concert from a template To open MainStage Double click the MainStage icon in your Applications folder or in the Dock Choosing a Concert Template MainStage includes templates for different musical instruments including Keyboards Guitar Rigs Drums Vocals and more You can choose a concert template in the Choose Template dialog which appears the first time you open MainStage and when you create a new concert or close a concert To choose a concert template Choose File gt New Concert or press Command N eoa e All E Keyboards ree Guitar Rigs Vocals 8 Stage Mk II Bright Pat Drums Mixers
86. ed Electric Piano gt E Classic Rock 02 E 05 synthesizers gt C 06 Warped Organs gt Fy Classic Rock 03 06 Pop Strings gt GB 07 Warped Clav gt A Classic Soul 07 Pop Horns gt 08 Warped Mallet P F Eighties Thin Organ E 08 Guitars gt E Full Cathedral E 09 Orchestral gt z E Fuller Reggae x E 10 World ply FA Gospel Organ v pps a Jazz Standard 1 i D You can select a recent channel strip setting by clicking Recent in the column on the left and then selecting a recent setting from the second column As in Logic Pro you can also choose a new channel strip setting from the Settings menu at the top of the channel strip To choose a channel strip setting from the Settings menu Click the Settings button at the top of the channel strip then choose a new setting from the menu that appears When you choose new channel strip settings from the Settings menu the selected channel strip setting does not appear selected in the Channel Strip Library You can also search for channel strip settings by name To search for channel strip settings in the Channel Strip Library 1 In the Channel Strip Inspector select the Channel Strip Library tab 2 Choose Find in Library from the Action menu in the upper right corner of the Channel Strip Inspector 3 In the dialog that appears type the text you want to search for The channel strip with the text in its name appears selected in the library 4 If more than one channe
87. ed state click the Reset Compare Patch button To reset and compare changes using the Reset Compare action In Layout mode add a button screen control to your layout Assign a button on your hardware controller to the new button screen control In Edit mode click the concert icon in the Patch List Select the new button screen control in the workspace In the Parameter Mapping browser select the Actions folder and then select the Reset Compare Patch action in the second column For more information about mapping a screen control at the concert level see Controlling A fa r tne Overall Volume of a Concert Chapter 5 Working in Edit Mode Working with Sets in Edit Mode Sets are like folders that let you organize patches you want to keep together Using sets you can organize patches in any manner For example you can put all the patches you want to use in the first part of a performance together or keep all your lead synth patches together Sets are flexible so you can use them in whatever way suits your method of working Here are some different ways you can use sets To group similar or related sounds into banks To keep multiple patches you ll use in a single song together To share a set level instrument or channel strip between a group of songs Creating Sets You can create a new empty set or create a set from a group of selected patches To create a new empty set Choose New Set from the Action menu i
88. ed tape loop or any short audio file Clear Tape Loop Deletes the entire tape loop in the Loopback plug in Monitor You can choose one of the following monitoring modes for the Loopback plug in On monitoring is always on During Record monitoring is on only during recording or Off monitoring is disabled Note Some mixer routing configurations may result in no audio being heard through Loopback Use this menu command if you encounter this situation When Patch or Set is Selected You can choose one of the following functions to be performed when the patch or set containing the Loopback plug in is selected Do Nothing the default Clear empties the entire tape loop Start Playing starts the plug in playing at its current settings Start Recording starts recording the first take at the current plug in settings or Clear and Start Recording clears the existing tape loop and starts recording the first take at the current plug in settings On MainStage Clock Start You can choose one of the following functions to be performed when the MainStage clock starts Do Nothing the default Clear empties the entire tape loop Start Playing starts the plug in playing at its current settings Start Recording starts recording the tape loop at the current plug in settings or Clear and Start Recording clears the existing tape loop and starts recording a new tape loop at the current plug in settings Set Concert Tempo After
89. elect a patch with a channel strip set to a volume 0 dB but the Master volume fader at the concert level is set to 96 dB you will hear silence not full volume Similarly parameters controlled at the set level remain at their current value when you select a different patch in the set Also keep in mind that when you select a patch the screen controls for knobs faders and other controls in the workspace show the parameter values for the patch which may be different than the positions of the physical controls on your controller When you move the physical controls the screen controls instantly update to show the current value Selecting Patches Using Key Commands You can select patches in the patch selector using the following key commands Chapter 9 Performing Live with MainStage 136 Key command Selection Up Arrow The previous patch Down Arrow The next patch Left Arrow The first patch in the previous set Right Arrow The first patch in the next set Selecting Patches by Typing You can select a patch in the Patch List by typing the first few letters of its name To select a patch by typing its name Type the letter f then begin typing the name of the patch Once you type enough letters to uniquely identify the patch name the patch is selected To cancel typing press Enter Selecting Patches Using Actions If you have mapped screen controls to actions for selecting patches such as selecting the previous
90. elect a screen control you want to map to multiple parameters Choose Default Relation to First Mapping from the Action menu located in the upper right corner of the Screen Control Inspector Do one of the following To set subsequent mappings to be offset by a fixed value from the first mapping choose Offset To set subsequent mappings to scale by a constant ratio starting from the same minimum value choose Scale To set subsequent mappings to scale by a constant ratio to the point defined for the mapping starting from both the same minimum value and maximum value choose Pivot Using Parameter Mapping Graphs Each parameter mapping has a Parameter graph You can edit the graph to remap input values to different output values for the parameter To open the Parameter graph for a mapping In the tab for the mapping or in the Mappings tab double click the Graph button for the mapping you want to edit The Parameter graph window opens The title of the graph window shows the parameter name Chapter 5 Working in Edit Mode 76 A U N For information about editing graphs see Working with Graphs Mapping Screen Controls to All Channel Strips in a Patch When you map a screen control to a channel strip parameter such as volume or pan you can map it to control the same parameter in all of the channel strips in the patch This is particularly useful when you want to control the overall volume of a layered sound even
91. elect the screen control then press the arrow keys to move it in the workspace Chapter 7 Working in Layout Mode To move multiple screen controls Do one of the following Shift click the screen controls then drag them to a new position Hold down the Shift key as you drag around the controls then drag them to a new position You can constrain the movement of screen controls to either horizontal or vertical by pressing Shift while dragging them If a screen control overlaps another screen control in the workspace when you switch from Layout mode to another mode an alert appears asking if you want the overlapped controls to be highlighted so you can adjust them before leaving Layout mode Resizing Screen Controls You can resize screen controls to make them more easily visible or to fit them into a smaller area When you select a screen control blue resize guides appear over it that you can drag to resize the control To resize a screen control Select the screen control in the workspace Blue resize guides appear over the screen control Drag the resize guides to resize the screen control Drag the outer resize guides to resize the screen control For screen controls with a text display area such as a knob or fader you can resize the text display area independently from the control or resize them together To resize the text display area of a screen control Select the screen control in the workspace Drag the inner
92. els or to only a specific device or channel To have a screen control respond to MIDI input from all controllers choose All from both the Device and Channel pop up menus in the Layout Inspector To have a screen control respond to a specific controller or to the same channel as the keyboard screen control choose that controller from the Device pop up menu In Edit mode you set the device from which a channel strip receives MIDI input in the Key Range section of the Channel Strip Inspector By default channel strips receive input from the first controller in the layout You can set a channel strip to receive input from another device in the Input pop up menu Using a Different Hardware Setup in Performance If you use MainStage with a complex hardware setup for example with multiple MIDI controllers or MIDI interfaces or with multiple audio inputs you will achieve the best results when you use exactly the same hardware setup you used when you created your concert If you plan to use MainStage with different controllers interfaces or other devices than the ones you used to create your concert you need to relearn your hardware assignments using your performance hardware setup To facilitate working in this situation you can create two separate layouts one for your studio setup and another for your performance setup with corresponding screen controls in each layout Before you perform import the performance layout into your concert The hard
93. en control BeatCount 1 1 Important When you start the MainStage clock the audio engine is reset causing a brief interruption in the audio output from MainStage In some cases you may want to start the MainStage clock at the beginning of a song or performance and use screen controls mapped to individual plug in parameters to start and stop those plug ins to avoid an interruption in the audio output while you are performing Controlling the Metronome MainStage features a metronome that you can use to play in time with the concert tempo The metronome always plays at the current tempo of the concert You can start the metronome in one of several ways To start the metronome Do one of the following Click the Metronome button in the toolbar if it is visible Chapter 6 Working with Concerts 101 102 Click a button mapped to the Metronome action If you are using a Playback plug in click the Metronome button in the Playback window or click a button mapped to the Metronome button Click any of the listed buttons again to stop the metronome Note Starting the metronome also starts the MainStage clock if it is not already running By default the metronome sound is routed to the main outputs Output 1 2 You can route the metronome to another output pair which can be useful in performance when you want to hear the metronome sound through a separate audio output for example a headphone mix and not through the main out
94. en you set the time signature for a patch it overrides any concert or set level time signature To set the time signature for a patch In the Patch Inspector select the Attributes tab Chapter 5 Working in Edit Mode In the Attributes tab select the Has Time Signature checkbox Double click the number in the field to the right and enter the number of beats for one measure of the time signature Choose the beat value from the pop up menu to the right Changing the Tempo When You Select a Patch You can give a patch its own tempo setting so that when you select the patch the tempo changes to the patch tempo setting MainStage uses the new tempo until you select another patch or set with its own tempo setting tap a new tempo or until MainStage receives tempo information from incoming MIDI messages For more information about using and changing tempo in MainStage see Using Tempo in a MainStage Concert To change the tempo using a patch In the Attributes tab of the Patch Inspector set the patch tempo using the Change Tempo To value slider Select the Change Tempo To checkbox to activate the patch tempo when the patch is selected Patch Inspector Has Time Signature a Irise i Change Tempo To o 11200 Select the checkbox W Program Chang G o gt and set the tempo Defer Patch Change using the slider Instantly Silence Previous Patch Setting Patch Program Change Numbers
95. enu Choose a color from the pop up menu Chapter 5 Working in Edit Mode Changing the Channel Strip Icon When you add a channel strip the channel strip has a default icon which appears above the Settings menu You can change the icon to help visually distinguish channel strips with different instrument types or uses To change the icon for a channel strip In the Attributes tab of the Channel Strip Inspector choose an icon from the Icon well Software Instrument Channel Strip Inspector Name Analog Swell Color a gt Choose an icon from the menu Using Feedback Protection with Channel Strips You can use Feedback Protection on audio and external instrument channel strips in MainStage When Feedback Protection is turned on for a channel strip MainStage alerts you when it detects feedback on the channel When the feedback alert appears the channel is temporarily silenced You can then choose to mute the channel while you find and eliminate the source of the feedback allow feedback on the channel or continue to use the channel and receive alerts when feedback occurs Feedback protection is turned on by default for audio channels strips and turned off by default for external instrument channel strips You can turn Feedback Protection on or off for a channel strip in the Channel Strip Inspector To turn Feedback Protection on or off In the Attributes tab of the Channel Strip Inspector select
96. er minute The tempo is locked after the first recording and cannot be changed Fade Time field Indicates the fade out time in seconds Drag vertically to adjust this value See Using the Loopback Transport and Function Controls Using the Loopback Sync Snap To and Play From Parameters The Sync Snap To and Play From pop up menus in the bar at the bottom of the interface control various aspects of playback and synchronization of the audio material e Sync pop up menu Enables or disables synchronization with the MainStage tempo and clock Snap To pop up menu Determines how Loopback starts in play or record mode when stopped It also quantizes the tape loop length on the fly by stopping the first take Off Loopback starts immediately without waiting Beat Loopback starts or stops at the start of the next beat Bar Loopback starts or stops at the start of the next bar Loop Loopback waits for the amount of time defined by the Length parameter Play From pop up menu Determines the playback start position within the audio material Loop Start Playback starts from the beginning of the audio material e Relative Position When you stop and restart the Loopback instance playback continues as if the plug in had been playing continuously without interruption This is useful when several Loopback instances are playing together or when you are using Loopback instances with Playback or Ultrabeat instance
97. erence To preserve changes to parameter values when you change patches choose Keep To return values to the last saved value choose Reset When this value is chosen you should save the concert after making any changes you wish to keep to the patch before selecting another patch To have the screen control use the last received value from the physical control assigned to it choose Match When you choose an item from the pop up menu a brief description of its function appears below the menu Important If you set the behavior for saving parameter values in a patch to Reset parameter values are also reset when you switch to Layout mode Setting Hardware Matching Behavior for Screen Controls Some hardware synthesizers and music workstations let users control what happens when you move a physical control that is set to a different value than the parameter it modifies The parameter value can instantly change to the position of the physical control sometimes called jump it can change by the same amount called relative or it can not change at all until the physical control matches its current value called snap You can set the behavior for screen controls in MainStage to any of these behaviors when you move the physical control assigned to the screen control Chapter 5 Working in Edit Mode 79 80 wu FB WwW N To set the behavior for screen controls when you move a hardware control Select the patch Select the scree
98. ers Using the Loopback Group Functions Using the Loopback Action Menu Adding Loopback to a Channel Strip Setting MainStage Preferences General Preferences Audio Preferences MIDI Preferences Contents 168 Display Preferences AppendixD 169 Using MainStage Actions 169 Table of Actions Contents Welcome to MainStage Preface MainStage turns your computer into a powerful and customizable musical instrument and effects processor that you can use with your music gear your instruments microphones controllers and other equipment in live performance This preface covers the following e About MainStage p 7 e About the MainStage Documentation p 8 e Additional Resources p 8 About MainStage For performing musicians MainStage gives you the power and flexibility of Logic Pro in an application optimized for live performance Whether you are a keyboard player guitarist vocalist drummer or play another instrument you can use MainStage in your live performance setup Some of the things you can do with MainStage include Create custom sounds using a wide variety of software instruments and effects included in Logic Studio You can also use third party plug ins ReWire applications and external sound modules Organize your sounds for easy access when you perform Create a visual layout that matches your hardware devices putting the controls you need at your fingertips Connect MIDI devices to your Mai
99. es and sets to change the tempo when you select the patch or set while aie For information about patch tempo settings see Changing the Tempo N Patch For information about set level tempo settings see Changing You Select a Set Tapping the Tempo MainStage includes a tap tempo feature that allows you to set the tempo in real time while you perform You can tap the tempo using the Tap Tempo button in the toolbar if it is visible or using a key command To tap the tempo using the Tap Tempo button Click the Tap Tempo button in the toolbar several times at the desired tempo Chapter 6 Working with Concerts 91 92 For information about adding buttons to the toolbar see Customizing the Toolbar You can also tap the tempo using your computer keyboard To tap the tempo using a computer keyboard Press Control T several times at the desired tempo You can also tap the tempo using a screen control mapped to the Tap Tempo action For information about mapping screen controls to actions see Mapping Screen Controls to Actions Getting the Tempo from MIDI Input You can also have MainStage receive tempo changes from incoming MIDI messages When the Get tempo from MIDI input checkbox is selected MainStage listens to incoming MIDI clock messages for tempo information If it receives tempo information the concert tempo changes to the new tempo value To get the tempo from incoming MIDI clock messages In the Concert Inspector
100. eyboard 1 Input Expression 11 Filter _ Pitch Bend Sustain Pedal 64 A transform Choose the input and Output Expression 11 output message types Modulation 1 _ Expres from these menus Ciarain 12 Velocity Scaling _ Aftertouch Transpose gt 0 A Velocity Input ignore Hermode Tuning ern Note Input Chapter 5 Working in Edit Mode 59 60 To open the Transform graph In the MIDI Input tab of the Channel Strip Inspector click the Transform button The Transform graph opens If a patch contains more than one channel strip with a transform graph the transform curves for the other channel strips in the patch appear in the controller Transform graph window behind the current curve Each channel strip in the patch can have its own controller transform For information about editing the graph see Working with Graphs Scaling Channel Strip Velocity You can scale the output velocity of a channel strip using the Velocity Scaling graphs You can scale output velocity based on note input or input velocity When you perform velocity scaling each input velocity regardless of the note being played is scaled to the output velocity When you perform note scaling output velocity is scaled depending on the note in the key range This is useful when you want to have a parameter change in different parts of the key range for example when a filter or attack parameter opens
101. following functions Channel Strip Library and Plug In Library With a channel strip selected you can choose channel strip settings from the Channel Strip Library With an Insert slot selected you can choose settings for the plug in from the Plug In Library Attributes You can rename the channel strip and choose a different channel strip color and icon MIDI Input You can create controller transforms in the MIDI Input tab For software instrument and external instrument channel strips you can also choose the MIDI input device filter MIDI input transpose the instrument and create velocity scaling graphs Layer Editor For software instrument and external instrument channel strips you can define the key range set floating split points and set the minimum and maximum velocity for the channel strip Using the Channel Strip Library you can access any Logic Studio channel strip However some channel strips include plug ins particularly Space Designer not suited for live performance because of their intensive CPU usage Using these channel strips can affect the performance of your concert resulting in audio dropouts and other issues Logic Studio surround effect plug ins cannot be used with MainStage If you choose a channel strip setting containing one of these effects the unused effects are shown disabled gray with a diagonal line running through the effect name Choosing Channel Strip Settings You can quickly change th
102. for higher note values to give a brighter sharper sound To open a velocity scaling graph In the Channel Strips area select the channel strip on which you want to perform velocity scaling In the Channel Strip Inspector select the MIDI Input tab In the MIDI Input tab do one of the following To open the velocity input graph select the Velocity Input button To open the note input graph select the Note Input button The selected velocity scaling graph opens For information about editing the graph see Working with Graphs Creating Keyboard Layers and Splits If you play a keyboard controller you can easily create keyboard layers and splits in your MainStage patches You create layers and splits by adding two or more channel strips to a patch and setting the Low Key and High Key for each channel strip to define its key range The key range defines the range of notes on a keyboard controller that trigger sound from a software instrument or external instrument in the channel strip You can define key ranges so that they overlap for layered sounds or are contiguous for splits Chapter 5 Working in Edit Mode The Layer Editor tab in the Channel Strip Inspector shows the key range for each channel strip in a patch and in the concert or set containing the patch if either includes a channel strip with a key range You can define the key range for a channel strip in one of several ways you can drag the edges of the layer use the L
103. from the current playhead position in the audio file This can be especially useful when you are setting up Playback instances in Edit mode Start Playback starts from the beginning of the audio file Current Marker Playback starts from the start of the current marker the marker to the left of the current position in the audio file Relative Position Playback is synced to the MainStage clock so stopping and starting playback follows the MainStage clock position Using Relative Position is similar to using a mute button Appendix A The Playback Plug in Using the Playback Group Functions If you have multiple instances of the Playback plug in in a concert you can use groups to control which instances play together and which instances operate independently Any Playback instance can either be assigned to one of 26 Groups named A Z or not be a member of any group The linked operation of multiple instances can be used for creative playback purposes such as alternative versions of a song verse or chorus Only one group can be active at a time For example if two Playback instances are in Group A and four Playback instances are in Group B activation of a transport function in any Group A member will stop playback of all Group B members and vice versa Instances that are not in any group are not affected All Playback instances that belong to a group will switch between states for the following transport functions when changed i
104. group of patches To send the output of a channel strip to an aux In the Patch List select the patch you want to control using an aux In the channel strip click the Output slot and choose a bus from the menu When you send channel strip output to an aux the volume fader of the channel strip controls how much of the signal is sent to the aux To control the output of channel strips using an aux In the Patch List click the concert The concert is selected The busses added to the concert appear in the Channel Strips area along with the concert level channel strips Drag the Volume fader on the aux to adjust the volume level of the overall aux output Drag the Pan knob on the aux to adjust the pan position of the overall aux output When you control the output of multiple channel strips using an aux their relative volume levels and pan positions are preserved but the overall volume level and pan position are modified by the aux Volume fader and Pan knob Adding Channel Strips at the Concert Level You can add a channel strip at the concert level and use the concert level channel strip for a software instrument or audio input you want to use in every patch in the concert Important When you add a channel strip at the concert level it takes precedence over the channel strips in the patches and sets in the concert For example if you add a concert level channel strip containing a software instrument the software instrument takes p
105. gt Silky strings F Solo Organ 1B Space Bass t i Stage Mk it Bright fi c VE Inspector The main features of the MainStage window include Toolbar Includes buttons for quick access to common commands and tools You can customize the toolbar so that the commands you use most frequently are readily available e Activity Monitor Shows your computer s processor and memory usage and shows the input from your MIDI devices as you edit and perform e Workspace The canvas where you customize your onscreen layout assign hardware controls to screen controls and view your concerts while you perform Screen controls The onscreen objects that correspond to the controls on your hardware devices You can add and arrange screen controls in the workspace assign hardware controls to screen controls and then map them to parameters you want to control for each patch in your concert There are three types of screen controls panel controls shelf controls and grouped controls Channel strips Channel strips are where you build and customize your sounds MainStage channel strips are similar to channel strips in Logic Pro with Insert Sends and I O menus as well as level meters faders pan knobs and other controls Chapter 3 The MainStage Interface Inspectors Inspectors appear below in Edit mode or along the left side of the MainStage window in Layout mode when you select differen
106. h Record Master Mute Channel Strips My Song Stage Mk II Bright Reverb Delay Bass Treble Chapter 3 The MainStage Interface 25 26 Full Screen Mode In Full Screen mode the workspace fills your entire computer display so that your screen controls are as large as possible for maximum readability Full Screen mode optimizes your display for live performance when you want to use MainStage exclusively while you play Plug in windows cannot be open in Full Screen mode My Song EE Stage Mk Il Bright Reverb AEV Stage Mk II Bright To learn about using Perform mode and Full Screen mode when you perform live see Ja rfrrre Ari ve VAM nSt a ng VE je Live WITN Malnot Customizing the MainStage Window You can customize the MainStage window to suit your way of working In Edit mode you can adjust the width of the Patch List show or hide the Inspectors and the Channel Strips area and customize the buttons on the toolbar Resizing the Workspace You can adjust both the horizontal and vertical size of the workspace to give more room to the Patch List the Inspector and the Channel Strips area To resize the workspace horizontally Move the pointer to the space between the workspace and the Inspector The pointer becomes a resize pointer Drag up or down to resize the workspace To resize the workspace vertically Move the pointer to the space between the workspace and the Channel Strips area
107. h song section can include multiple stems which expands the possibilities for live remixing of your material These and other features make the Playback plug in a flexible powerful creative tool both in the studio and in live performance This appendix covers the following Getting to Know the Playback Interface p 148 Using the Playback Waveform Display p 149 Using the Playback Transport and Function Buttons p 150 Using the Playback Information Display p 151 Using the Playback Sync Snap To and Play From Parameters p 152 Using the Playback Group Functions p 153 Using the Playback Action Menu and File Field p 154 Using the Playback Shortcut Menu p 155 147 148 Getting to Know the Playback Interface The Playback interface resembles a hardware tape player This section will familiarize you with various areas of the Playback plug in window Transport buttons Waveform display Action menu ILE fillgroove120 aif 00 00 02 00 00 03 Sync Snap To Play From Information display Function buttons and Group pop up menus Waveform display The waveform display shows the waveform of the currently loaded audio file the current playback position and the ruler See Using the Playback Waveform Display Transport and function buttons The transport and function buttons appear on either side of the information display in the silver bar below the waveform display See Using the Playback Transport an
108. hanges you made to the patches and sets in the concert as well as the concert settings are saved To prevent losing your changes be sure to save your work periodically To save a concert Choose File gt Save Concert The first time you save a concert the Save dialog appears Enter a name for the concert and browse to the location where you want to save it then click Save You can save a copy of a concert with a new name by choosing File gt Save Concert As You can save a concert together with the assets audio files instruments Ultrabeat samples and Space Designer impulse response files the concert uses similar to saving a Logic song as a project To save a concert including its assets Choose File gt Save As In the Save As dialog select the Include Assets checkbox Optionally with the Include Assets checkbox selected click the Advanced Options triangle then select the types of assets you want to include with the concert Click Save You can also save a concert as a template When you save a concert as a template the template is available in the My Templates section of the Choose Template dialog To save a concert as a template Choose File gt Save as Template In the Save As dialog enter a name for the template Click Save By default templates are saved in the MainStage Concerts folder When you save a concert as a template you can choose a different location to save the concert If you save the concert
109. hannel strip on a keyboard controller you hear only the concert level channel strip even when a patch is selected Similarly if a software instrument channel strip exists at the set level the same condition applies for all patches in the set That is the set level channel strip takes precedence over any patch level channel strips within its key range You can override concert or set level channel strips for a channel strip on an individual patch so that the patch level channel strip takes precedence over the concert level or set level channel strips To override concert or set level key ranges In the Patch List select the patch with the channel strip that you want to override the concert or set level channel strip In the Channel Strips area select the channel strip with the key range that you want to override the concert or set level key range In the Channel Strip Inspector select the Layer Editor Select the Override parent ranges checkbox The Override parent ranges checkbox is available only if there is a concert or set level channel strip Using the EXS24 mkll Instrument Editor in MainStage For channel strips using the EXS24 mkll sampler instrument you can edit sampler instrument zones and groups in the EXS Instrument Editor The EXS24 mkll Instrument Editor works exactly the same in MainStage as it does in Logic Pro with one exception in MainStage you cannot open the Sample Editor to edit individual audi
110. hannel strips shared between multiple patches rather than in individual patches Some Audio Units plug ins can introduce latency Using effects that introduce latency such as compressors and limiters can produce undesirable or unpredictable results during live performance Other Audio Units plug ins particularly instrument and amp modelling plug ins require high levels of realtime processing and can affect the performance of your concert Using MainStage with Time Machine If you use Time Machine to back up the computer you are using to perform with MainStage be aware that if Time Machine runs while you are performing in Perform or Full Screen mode the performance of your MainStage concert could be affected To avoid any impact on performance it is recommended that you disconnect your Time Machine backup drive when you perform with MainStage Chapter 2 Setting Up Your System 19 The MainStage Interface 3 You do all your work in MainStage in a single window the MainStage window The MainStage window is organized to make it easy to work with your patches and the layout of your concert When you open MainStage the workspace fills the center of the window with Inspectors and other editing areas on the sides and below When you are ready to perform you can use one of two performance oriented modes to maximize your computer performance and also maximize your display space for easy viewing on stage The first time you open MainStage th
111. he following parameters for drum pad screen controls Hardware Input Device pop up menu Shows the name of the hardware device with the drum pad control You can choose another device All or Unassigned Chapter 7 Working in Layout Mode 119 120 Note If the Device parameter for a drum pad screen control is set to All the MIDI note that triggers the drum pad set in the Note value slider is not sent to any keyboard screen controls in the patch and so does not produce sound from any software instrument plug ins played using those keyboard screen controls Channel pop up menu Choose the MIDI channel on which MainStage receives input from the controller Note value slider Change the MIDI note for the drum pad to a different value than the learned value Appearance Color selector Choose the color for the active part of the screen control so that you can easily see when the drum pad is pressed Text Labels Color selector Choose the color for the active part of the text label Justification buttons Click to set the text justification left center or right Display pop up menu Choose what information is displayed in the text display area and how many lines are used to display text Add hardware label checkbox and field Select the checkbox then enter hardware label text in the field to display it on the top line of the control s text display Waveform Screen Control Parameters You can use waveform
112. he Patch List If you are using a MIDI controller you can play patches that have a software instrument channel strip using your controller If you are playing an electric guitar or another instrument or are using a microphone connected to an audio interface you can play or sing using patches that have an audio channel strip Before playing through an audio channel strip first make sure that the channel strip is set to receive input on the channel or stereo pair of channels to which your instrument or microphone is connected With the patch selected try moving some controls on your MIDI controller and check to see if the screen controls in the workspace respond Some screen controls including the keyboard modulation and pitch bend wheels and sustain pedal screen controls respond to appropriate MIDI messages without needing to be assigned or mapped Chapter 4 Getting Started with MainStage 33 34 You can continue selecting and playing patches in the concert to find sounds you want to perform with or to use as a starting point for creating your own custom patches You can also add new patches and edit their channel strip settings to create your own unique sounds For more information about organizing and selecting patches in the Patch List see Working h Datchac in Edit Manda ntn Fatcnes in EQit Vode Adding a Channel Strip You can add channel strips to a patch to create layered sounds and keyboard splits When you add a channel st
113. he channel strip You may want to audition each patch that uses an alias after changing the settings of the original channel strip to make sure it sounds the way you want Note You can t import a patch or set containing an alias because the aliased channel strip may not be available You can create an alias of a multi output instrument such as the EXS24 mkll to use in another patch or set in the concert When you copy a multi output instrument to create an alias be sure to select all of the aux channel strips for the instrument so that the complete multi output instrument is pasted as an alias For information about using multi output instruments in MainStage see Using Multiple Instrument Outputs in MainStage Editing Channel Strips in MainStage You can add instruments to software instrument channel strips and add effects to any channel strip in the Channel Strips area Adding instruments and effects to a channel strip is the same in MainStage as it is in Logic Pro Chapter 5 Working in Edit Mode 51 52 You edit channel strip parameters in the Channel Strip Inspector which appears below the workspace when the channel strip is selected in the Channel Strips area You can set the key range and velocity offset create a controller transform and filter MIDI control messages to the channel strip You can also rename the channel strip and change the channel strip color and icon The Channel Strip Inspector has four tabs which provide the
114. hes in the Patch List edit patch parameters in the Inspector and map screen controls to parameters and actions You can create custom patches in Edit mode and organize them in the Patch List so that you can easily access them when you perform This chapter covers the following Working with Patches in Edit Mode p 41 Working with Channel Strips in Edit Mode p 48 Mapping Screen Controls p 69 Editing Screen Control Parameters in Edit Mode p 77 Working with Sets in Edit Mode p 81 Working at the Set Level p 83 Sharing Patches and Sets Between Concerts p 83 Recording the Audio Output of a Concert p 84 Working with Patches in Edit Mode Patches are the individual sounds you play using your keyboard controller for MIDI keyboardists and the effects setups you use with your guitar microphone or other instrument for guitarists vocalists and other instrumentalists MainStage patches can contain multiple channel strips each with a different instrument or effects setup Some basic patch operations including adding and naming patches selecting and naming patches and adding channel strips to patches are described in Getting Started with MainStage If MainStage is currently in Layout Perform or Full Screen mode click the Edit button in the top left corner of the MainStage window to begin working in Edit mode 4 42 Selecting Items in the Patch List All of the patches and sets in a concert appear in th
115. hich you want to use the multi output instrument click the Instrument slot Choose the instrument from the Plug In menu and choose the multi output version from the submenu The instrument name appears in the Instrument slot and a small Add button appears below the Solo button on the channel strip The Output for the instrument is set to Output 1 2 Double click the Instrument slot to open the instrument plug in window You need to set up the output routing for individual sounds or samples in the instrument plug in window You set up output routing for the EXS24 mkil in the Instrument Editor and set up output routing for Ultrabeat in the Output menu of the Assignment section of the Ultrabeat window Chapter 5 Working in Edit Mode 4 On the channel strip click the Add button to add additional outputs Each time you add an output a new section of the channel strip is added with the next available pair of outputs Each output uses the same instrument but each can have its own inserts volume pan and expressions settings and its own effect sends as well as its own outputs For more information about using multiple instrument outputs see the Logic Pro User Manual and the Logic Studio Instruments manual Information about specific instruments for example Ultrabeat can be found in the chapters covering those instruments Using External MIDI Instruments in MainStage You can add an external MIDI instrument channel strip
116. if the different layers are played across multiple keyboards To map a screen control to all channel strips in a patch Map the screen control following the instructions in the preceding sections In the column on the left of the Parameter Mapping browser select the Send to All folder Select the destination from the second column Select the parameter to map the screen control to from the third column You can map the screen control to actions for transposing software instrument channel strips channel strip parameters and MIDI control message types from the Destinations folder When you map a screen control to all channel strips in a patch the parameter to which the screen control is mapped changes to the same value for all channel strips in the patch when you move the screen control Note When you map a drum map using Send to All the Send to All folder contains MIDI notes not controllers Undoing Parameter Mapping You can undo parameter mapping if you decide you don t want to keep the mapping When you undo parameter mapping all mappings created in the current Learn mode either by pressing Command L or clicking the Map Parameter button session are undone To undo parameter mappings Do one of the following Choose Edit gt Undo or press Command Z Press the Escape key Removing Screen Control Mappings If you want a screen control to be free of any mappings you can remove its existing mapping This can be useful with
117. iles you can use the Sync feature to set whether the audio file plays at its recorded tempo or uses the current tempo of the concert When Sync is set to Off the audio file plays at its recorded tempo regardless of the current tempo of the concert This can be desirable for example when the audio file contains non pitched sounds or a sound effect When Sync is set to On the audio file plays at the current tempo set by the patch set or concert by tapping the tempo or by listening to MIDI beat clock This makes it easy to keep backing tracks for example in time with each other and with your performance Setting Sync to On can affect audio quality You set the Sync mode for an instance of the Playback plug in from the Sync pop up menu located in the lower left corner of the plug in window To set the Sync mode for a Playback plug in To have the audio file play back at its original tempo choose Off from the Sync pop up menu To have the audio file play back at the current tempo of the concert choose On from the Sync pop up menu Chapter 8 Playing Back Audio in MainStage Note For audio files that do not contain tempo information Sync is set to Off and the Sync pop up menu is unavailable Choosing the Flex Mode for the Playback Plug in For audio files containing tempo information you can choose between different flex modes for playing back audio Each flex mode is optimized for playback of a certain type of audio file and you c
118. inStage attempts to determine which type of knob or rotary control on your hardware is sending the MIDI message and sets the value in the Type pop up menu in the Screen Control Inspector to the correct value For absolute controllers the correct value is Absolute for relative controllers the correct value can be either Relative 2 s complement or Relative Sign magnitude depending on the type of relative controller In most cases there is no need to change the default values unless you intend to use the knob for a specific non standard purpose When you assign a knob screen control be sure Absolute is chosen from the Type pop up menu if the hardware controller is an absolute rotary controller or one of the Relative values is chosen if the hardware controller is a continuous rotary encoder Moving the knob through its full range of motion helps ensure that MainStage correctly determines the type of knob you are assigning Assigning Buttons MIDI controllers can have different types of buttons Some buttons send a single value each time you press them while others alternate between two values when pressed Other buttons can send separate values when they are pressed and released this type of button is called a momentary or temporary button Chapter 7 Working in Layout Mode 115 116 When you assign a button screen control using the Learn button MainStage attempts to determine which type of button on your hardware is sending the MIDI
119. inStage concert that correspond to the physical controls on your music hardware Screen controls can also display patch numbers parameters values and other information and update the displayed information in real time You can add screen controls to the workspace of your concert where you can move and resize them group them together and edit their appearance in different ways After you have arranged the screen controls for your concert you make connections between your MIDI hardware and the concert by assigning physical controls on your hardware to the screen controls in the workspace You only need to make hardware assignments for a concert once as long as you are using the same music hardware After you make controller assignments you can map screen controls to channel strip parameters in your patches or to actions You map parameters in Edit mode For information about mapping parameters see Mapping Screen Controls Screen Control Types There are three types of screen controls you can use in a MainStage layout panel controls shelf controls and grouped controls In the Screen Controls palette located below the workspace in Layout mode each type has its own tab in addition there is a tab for all controls You can add screen controls to the workspace by dragging them from the palette to the workspace Chapter 7 Working in Layout Mode Additionally if you create and add a grouped control to the Screen Controls palette a tab fo
120. ing controller Master Mute is also a mappable parameter in the Parameter Mapping browser You can map Master Mute to a button or other controller in your concerts so that you can quickly mute all output when you are playing live in Perform or Full Screen mode In addition you can mute audio output for a single channel strip by clicking its Mute M button Chapter 6 Working with Concerts Working at the Concert Level You can control the overall volume for a concert and make other changes at the concert level You can use busses at the concert level to control concert wide effects or to control the output of multiple channel strips assigned to the bus You can also add channel strips at the concert level and have the concert level channel strips available with every patch in the concert You can map screen controls to busses and to concert level channel strips only at the concert level not at the patch or set level To make changes at the concert level In Edit mode select the concert icon in the Patch List Click the concert icon in the Patch List to work at the concert level 000 Layout Edit _Perform af Full Screen 2 Mode Tuner Tap Patch List E Ea Untitled Concert Qe 1 fanan Stage Mk II Bright ai m Untitled Set 2 amp Blues Organ 3 amp 60 s Organ Controlling the Overall Volume of a Concert A MainStage concert contains Output and Master channel strips that you can use to co
121. ion Play Starts playback at the beginning Button screen control of the song or file bar 1 beat 1 Stop Pauses playback at the current Button screen control transport position Continue Resumes playback at the current Button screen control transport position Reset Compare Patch Toggles the selected patch Button screen control between its edited and last saved state toggle Current Time Displays the current time in Parameter Text screen control hours minutes and seconds In addition to the actions in the Actions folder there are two actions in the Send to All gt Destinations gt Actions folder Action Description Usage Transpose Octave Up Transposes the software Button screen control instrument played by the keyboard up one octave Transpose Octave Down Transposes the software Button screen control instrument played by the keyboard down one octave Appendix D Using MainStage Actions 171
122. ion about setting recording preferences see Setting MainStage Pref rererences To record audio in Edit mode Click the Record button in the toolbar To turn off recording Click the Record button again Chapter 5 Working in Edit Mode You can also map a screen control to the Record action to record audio in Perform and Full Screen modes and assign a key command to the action to turn recording on or off using a hardware control Chapter 5 Working in Edit Mode 85 Working with Concerts 6 Concerts are the documents in which you create and organize the sounds you use in your performances customize your onscreen layout and make connections between your MIDI hardware and MainStage A concert holds all the sounds you ll use for an entire performance or a series of performances In a concert you add edit and organize patches and select patches while you are performing You can reorder patches in the Patch List and also organize them into sets Concerts also contain layouts where you visually arrange screen controls in the workspace and make connections between your hardware devices and MainStage You can add and arrange screen controls and assign physical controls on your hardware MIDI devices to screen controls in Layout mode For information about customizing your layout see Working in Layout Mode You can also control the volume for an entire concert add concert wide effects and make other changes at the concert
123. ip To add a Playback plug in by dragging an audio file In the Patch List select the patch to which you want to add a Playback plug in You can also select a set or the concert icon Drag an audio file from the Finder to the space between channel strips in the Channel Strips area A black line appears between the channel strips and the pointer becomes an Add File pointer as a new channel strip is created The new channel strip contains a Playback plug in with the audio file you dragged to the Channel Strips area To add a Playback plug in from the Instrument slot Click the Add Channel Strip button to add a new channel strip to the patch set or concert In the new Channel Strip dialog select Software Instrument as the type Leave other settings at their default values or change them to suit your setup A new software instrument channel strip appears in the Channel Strips area In the I O section of the channel strip click the Instrument slot choose Playback from the menu then choose either Mono or Stereo from the submenu Chapter 8 Playing Back Audio in MainStage The Playback plug in is added to the channel strip and the plug in window appears over the MainStage window You can add an audio file to a Playback plug in in one of several ways by dragging an audio file by clicking in the File field or by using the Action menu in the plug in window Adding an Audio File to the Playback Plug in After you add an instance of
124. is Click the channel strip column to see the setting you want to use from available choices the columns to the right You can also search for channel strip settings by name and perform other functions using the Channel Strip Library For more information about the Channel Strip Inspector see Choosing Channel Strip Settings Chapter 4 Getting Started with MainStage Learning a Controller Assignment When you select a patch or achannel strip setting some channel strip parameters respond to the controls on your MIDI device instantly MainStage responds to notes played on a keyboard controller volume pan and expression messages modulation and pitch bend wheel messages and sustain pedal messages without your having to configure any screen controls to receive these messages For other controls such as faders knobs and buttons you must assign these hardware controls to MainStage screen controls before you can use them in your concert In MainStage you assign hardware controls to screen controls in the Layout Inspector using the Learn process similar to learning controller assignments for a control surface in Logic Pro Learning controller assignments is a quick and easy method for assigning hardware controls to screen controls Note To be able to assign a hardware control to a screen control the hardware control must send standard MIDI messages For more information see Using MIDI Devic h Ma i ns Stag e To learn a controller a
125. it is visible turning on the metronome also starts the MainStage clock if it is not already running Using a screen control mapped to the Play Stop Play or Stop action Using a screen control mapped to the Continue action to resume playback of a third party plug in but not a Playback plug in Chapter 6 Working with Concerts Different plug ins can make use of the MainStage clock in different ways depending on what information they require and what mode they are set to Some plug ins may only make use of the beat information while others may only make use of tempo information For example The Playback plug in can start immediately if Snap To is set to Off at the beginning of the next bar if Snap To is set to Bar or at the next beat if Snap To is set to Beat It can also start when you start the MainStage clock if Start with Play Action is selected in the Action menu UltraBeat starts when you start the MainStage clock if its sequencer is turned on except in Pattern mode Reason and other ReWire applications start when you start the MainStage clock and stop when you stop the MainStage clock For plug ins with synchronizable LFOs the LFO can oscillate at the tempo set by the MainStage clock You can view the beat information of the MainStage clock using a Parameter Text screen control mapped to the Beat Count action When the MainStage clock is running the current bar and beat are displayed in the scre
126. ity Monitor above the workspace After the assignment is learned the screen control responds when you move the corresponding hardware control This shows that the screen control is receiving MIDI input and is correctly assigned 5 While the Learn process is active you can learn additional controller assignments by selecting another screen control and moving the hardware control you want to assign to it You can learn as many assignments as you wish while the Learn button remains red 6 When you are finished assigning controls click the Learn button or press Command L again to turn off the Learn process For more information about making controller assignments see Assigning Hardware Controls to Screen Controls Chapter 4 Getting Started with MainStage Mapping a Screen Control After you have learned controller assignments for the screen controls you want to use you can map the screen controls to the parameters in your patches you will want to control while you are performing You will likely want to map screen controls to parameters in each patch in a concert so that you can easily access and modify the parameters you want for each patch when you are performing live You can also map parameters at the concert level to control master volume view master levels or modify concert wide effects There are two ways to map screen controls to parameters by visually selecting parameters on channel strips or plug in windows or by choosing par
127. l strip includes the search text choose Find Next in Library from the Action menu to cycle through the channel strips with names containing the text 5 To change the channel strip setting click the name of the new setting in the Channel Strip Inspector The Channel Strip Library shows all channel strip settings available to Logic Studio applications including settings that may not be useful in MainStage such as mastering settings If you choose a channel strip setting containing plug ins not usable in MainStage the plug ins appear with a bold diagonal line in the Channel Strips area Chapter 5 Working in Edit Mode 53 54 Renaming a Channel Strip When you add a channel strip to a patch the channel strip has a default name You can rename channel strips to distinguish your custom settings from the default ones To rename a channel strip In the Attributes tab of the Channel Strip Inspector select the name in the Name field and type a new name Type a new name in the field Changing the Channel Strip Color Each channel strip has a color which appears at the bottom of the channel strip and as a layer above the keyboard screen control in the workspace and the Layer Editor You can change the color of a channel strip to make it easier to visually distinguish channel strips To change the color of a Software Instrument channel strip In the Attributes tab of the Channel Strip Inspector choose a color from the Color pop up m
128. le you can adjust the volume fader or pan slider of a signal flow channel strip or add effects to an aux channel strip To show signal flow channel strips Choose Show Signal Flow Channel Strips from the Action menu in the upper right corner of the Channel Strips area Chapter 5 Working in Edit Mode BW N Creating an Alias of a Channel Strip You can create an alias of a channel strip and use the alias in different patches or sets Aliases allow you to share highly memory intensive plug ins such as third party multi channel instruments and samplers between different patches rather than creating multiple instances of these plug ins In some cases creating an alias can be more efficient use fewer resources than adding a concert or set level channel strip To create an alias of a channel strip In the Channel Strips area select the channel strip Choose Edit gt Copy or press Command C default In the Patch List select the patch in which you want to use the alias Choose Edit gt Paste as Alias or press Command Option V default The alias is pasted after the last channel strip in the patch but before any signal flow channel strips if they are visible An alias icon appears near the top of the alias to distinguish it from the channel strips in the patch A A You can use an alias in multiple patches or sets When you change any setting on the original channel strip those changes are reflected in the aliases of t
129. level This chapter covers the following Opening and Closing Concerts p 88 Saving Concerts p 89 How Saving Affects Parameter Values p 89 Setting the Time Signature for a Concert p 90 Using Tempo in a MainStage Concert p 91 Defining the Source for Program Change Messages for a Concert p 92 Setting the Pan Law for a Concert p 93 Changing the Tuning for a Concert p 93 Silencing MIDI Notes p 93 Muting Audio Output p 94 Working at the Concert Level p 95 Controlling the Metronome p 101 87 88 Opening and Closing Concerts You can create a new concert from a template open an existing concert to continue working and close and save concerts You can add patches to a concert and organize them in the Patch List The number of patches is limited only by the amount of available memory You can add channel strips to an existing patch or to new ones you create and can organize patches into sets For information about patches and sets see Workin Edit Mode The gues of creating a new concert from a concert template is described in Choosing Concert Template You can open an existing concert to play the patches in the concert or continue edina them To open an existing concert Do one of the following Choose File gt Open Concert select the concert you want to open then click Open n Choose File gt New to open the Choose Template dialog click Open an Existing Concert then
130. ly from the shortcut menu In the Customize Toolbar dialog choose Icon Only from the Show pop up menu To show only text in the toolbar Do one of the following Control click the toolbar then choose Text Only from the shortcut menu In the Customize Toolbar dialog choose Text Only from the Show pop up menu To show both icons and text in the toolbar Do one of the following Control click the toolbar then choose Icon amp Text from the shortcut menu In the Customize Toolbar dialog choose Icon amp Text from the Show pop up menu To close the Customize dialog When you are finishing customizing the toolbar click Done To hide the toolbar Choose View gt Hide Toolbar When the toolbar is hidden the menu item becomes Show Toolbar Chapter 3 The MainStage Interface Getting Started with MainStage 4 You can quickly start working in MainStage by choosing a concert template and trying out the patch settings in the concert This chapter provides a brief guided walkthrough you can follow the first time you open MainStage If you wish to continue learning the major features of the application in a hands on manner consult the Exploring MainStage guide included in the Logic Studio package This chapter covers the following Before You Begin p 29 Opening MainStage p 30 Choosing a Concert Template p 30 Selecting Patch Settings in the Patch Library p 31 Adding a Patch p 32 Naming a Patch p 33 Sel
131. m patch or set in the Patch List Choose Don t Skip from the Action menu for the Patch List The item returns to full size in the Patch List Patches and sets are skipped only when you use the arrow keys together with the Command key Items set to be skipped are still selected when you use the arrow keys alone or when you click them Collapsing Sets in the Patch List You can collapse sets in the Patch List When you collapse a set you can select the set and use any channel strips or busses at the set level but cannot select or play patches in the set while in Edit mode To collapse a set In the Patch List click the disclosure triangle for the set Chapter 5 Working in Edit Mode 43 44 You can uncollapse the set by clicking its disclosure triangle again Collapsing a set has no effect on whether you can select patches in the set in Full Screen or Perform mode For information about creating and using sets see Working with Sets in Edit Mode Copying and Pasting Patches You can copy paste and duplicate patches in the Patch List using the standard Mac OS X menu and key commands or by Option dragging When you paste or duplicate a patch it includes any mappings made to parameters in the original patch Reordering Patches in the Patch List When you add a patch to a concert the new patch appears below the currently selected patch in the Patch List You can reorder patches in the Patch List To reorder patches in the Patch List
132. mapped to the corresponding controls in the plug in window of any member of the group Playback instances that are not members of a group are not affected You assign an instance of the Playback plug in to a group from the Group pop up menu located in the lower right corner of the plug in window To assign a Playback plug in to a group If the Playback plug in window is not open double click its name in the Input slot to open it Choose the letter of the group you want to assign the instance to from the Group pop up menu Chapter 8 Playing Back Audio in MainStage 131 Performing Live with MainStage 9 Now that you ve created and organized your sounds and set up your layout it s time to play MainStage features two modes Full Screen mode and Perform mode optimized for live performance This chapter covers the following Before the Performance Starts p 133 Using Full Screen Mode and Perform Mode p 134 Selecting Patches in Performance p 135 Using Screen Controls in Performance p 136 Handling Tempo Changes in Performance p 137 Tips for Performing with Keyboard Controllers p 137 Tips for Performing with Guitars and Other Instruments p 137 Using the Tuner p 138 Using the Playback Plug in in Performance p 139 Recording Your Performances p 140 After the Performance p 141 Tips for Complex Hardware Setups p 141 Before the Performance Starts Here are a few things to check bef
133. me Panic fieset Compare Paich Record Master Mute Channel Strips Channel Strips BEA My Song PUE EEF G LINIIMINIINIDILMININMINLLNAIRILALL x sftware instrument Analog Lead 2 View gt Show Channel Strip Show insert Bypass TF E Guitar Pre Compressor Screen Control Inspector Gg MIDI Controller E Es2 synthesizer 2 E Compressor E Channel EQ Compressor Click the parameter in a channel strip or plug in window The screen control is mapped to the selected parameter and the Unmapped tab takes the name of the parameter You can continue mapping additional screen controls by clicking them in the workspace and then clicking the corresponding parameters in a channel strip or plug in window 5 When you are finished press Command L again or click the Map Parameter button to turn off mapping To map a screen control using the Parameter Mapping browser 1 In the workspace click the screen control you want to map The screen control is highlighted in blue The Screen Control Inspector appears below the workspace showing the parameters for the selected screen control The Screen Control Inspector includes General and Mapping tabs as well as a tab labeled Unmapped Chapter 5 Working in Edit Mode 2 Inthe Screen Control Inspector click the Unmapped tab The Parameter Mapping browser appears showing the channel strips and plug ins available for map
134. message and sets the value in the Type pop up menu in the Screen Control Inspector to the correct value for that button type To enable MainStage to determine the correct value press the button exactly three times when you are learning it Pressing the button three times helps ensure that MainStage determines if the button is a single value an alternating value binary or a momentary button In most cases there is no need to change the default values unless you intend to use the button for a specific non standard purpose You can change the function of a momentary button to match the function of a single value or alternating value button in MainStage To change the function of a momentary button In Layout mode be sure the button screen control is selected In the Screen Control Inspector choose either Single Value or Alternating Value from the Type pop up menu Choose Single Value if you want the button to function as a single value button or choose Alternating Value if you want the button to function as an alternating value button You cannot change the function of a single value or alternating value button to match the function of a momentary button Editing Screen Control Parameters When you select a screen control in Layout mode the parameters for the screen control appear in the Screen Control Inspector where you can edit them Most screen controls share the same common parameters but some types have different parameters accordi
135. meter values Choose MainStage gt Preferences In the Parameter Values section of the General preferences pane choose the default behavior from the On patch changes pop up menu a To preserve changes to parameter values when you change patches choose Keep current value b To return parameters to their last saved value when you change patches choose Revert to saved value You can also set the behavior for saving parameter values for screen controls in individual patches For information see Settin knas Dabana Aar eaan aa er Change Behavior for Screen Controls Setting the Time Signature for a Concert You can set the time signature for a concert Time signatures can be used with the Playback plug in and also affect the operation of the metronome When you set the time signature for a patch or set it overrides the concert level time signature while the patch or set is selected When you select a patch or set without a time signature it uses the concert time signature To set the time signature for a concert In the Concert Inspector select the Has Time Signature checkbox Double click the number in the field to the right and enter the number of beats for one measure of the time signature Choose the beat value from the pop up menu to the right Chapter 6 Working with Concerts Using Tempo in a MainStage Concert Each concert has a tempo which you can change in different ways while you are performing S
136. move the shelf vertically to change its position in the workspace When you move the shelf vertically all screen controls on the shelf for example a modulation or pitch bend wheel and a keyboard move with the shelf To move a shelf vertically Select one of the screen controls on the shelf The alignment guides for the shelf appear Keyboard Layers Drag the rear upper guide to move the shelf vertically Place the pointer over the upper alignment guide the one aligned with the rear of the shelf control The pointer becomes a move pointer a horizontal bar with up and down arrows Drag the upper alignment guide to move the shelf to a new position Grouping Screen Controls You can group screen controls together creating a grouped control You can move and resize the grouped control as a single unit Grouping screen controls has no effect on how they work in performance but makes it easier to quickly create a layout You can group screen controls using the Group button using the shortcut menu or using a background screen control To group screen controls using the Group button Select the screen controls you want to group together The Group button is highlighted indicating that the selected controls can be grouped Click the Group button located below the align and distribute buttons on the left edge of the workspace or press Command Shift G The screen controls are grouped into a single grouped control If
137. n any group member Return to Start e Play or Stop Dragging in the waveform display e Cycle Fade Out time and action Go to Previous or Next Marker Important Editing a parameter in one member of a group does not automatically update the parameter value in other group members To change the parameter value in all group members hold down Shift while you edit the parameter in any group member This applies to the Meter Fade Time Pitch Sync Snap To and Play From parameters You need to set Sync to the same mode for all group members or you will hear playback drift between grouped instances To assign a Playback instance to a group Open the Group pop up menu at the lower right of the interface and choose a letter Note When a Playback instance is added to an existing group some button states may be different from other group members If you want all group members to behave identically when a transport button is used in any group member make sure that the states of all buttons match those of other group members before you add a Playback instance to a group To remove a Playback instance from all groups Choose the item from the Group pop up menu Appendix A The Playback Plug in 154 Using the Playback Action Menu and File Field The Action menu is found to the top right of the waveform display and contains the following items Open File Opens a dialog from which you can preview and choose a file to load int
138. n control for which you want to set the hardware matching behavior In the Attributes tab of the Screen Control Inspector choose the parameter change behavior for the screen control from the When hardware value differs from screen value pop up menu To have the screen control use the default behavior set in MainStage preferences choose Preference To have the screen control instantly change to match the hardware value choose Jump To have the screen control change when the hardware control matches its current value choose Pickup To have the screen control move relative to the hardware control choose Relative Note When you choose an item from the menu a brief description of its function appears below the menu Resetting and Comparing Changes to a Patch You can reset changes to all parameters in a patch that are mapped to screen controls to their last saved value letting you hear the patch in its last saved original state and toggle between the original and modified states of the patch There are two ways to reset and compare changes to a patch by using the Reset Compare Patch button in the toolbar or by using the Reset Compare Patch action mapped to a screen control at the concert level To reset changes to mapped patch parameters using the Reset Compare Patch button With the patch selected click the Reset Compare Patch button The patch is reset to its previously saved state To hear the patch in its modifi
139. n control to the File field and have it display the name of the audio file being played Using the Playback Plug in The design of the Playback plug in allows you to use it in many different ways You should plan how you intend to use the Playback plug in when you are designing your concert to use it most effectively You can try out different placements and settings to decide how you want to use the Playback plug in in your concerts You start playback by sending a Play command to the Playback plug in using a screen control such as a button mapped to the Play Stop parameter of the plug in To stop playback you send a Stop command using the same parameter Alternatively you can set the plug in to start when you select the patch or set or when the Play action is triggered You can control other parameters of the Playback plug in while you perform including the Fade Out and Cycle parameters If the audio file contains marker information you can use the Go To Previous Marker and Go To Next Marker parameters to shift playback to different parts of the audio file or use the Go to Marker action to shift playback to a specific marker Note When mapping a screen control to the Go to Marker action in the Markers submenu set both the Button On and Button Off parameters in the Screen Control Inspector to the value of the marker to ensure that the mapping works correctly Chapter 8 Playing Back Audio in MainStage A Playback plug in in a patch pl
140. n the upper right corner of the Patch List A new set appears in the Patch List To create a set from a group of patches In the Patch List select the patches you want to include in the new set Choose New Set From Selection from the Action menu at the upper right corner of the Patch List The new set appears in the Patch List containing the selected patches You can add new patches to the set or drag existing patches into the set Renaming Sets When you create a set it is given a default name You can rename a set in the same way you rename a patch in the Patch List To rename a set Double click the set in the Patch List A text field appears around the set name which is selected Type a new name in the set name field Setting the Time Signature for a Set You can set the time signature for a set Time signatures can be used with the Playback plug in and also affect the beats of the metronome When you set the time signature for a set it overrides the concert level time signature if one is set To set the time signature for a set In the Set Inspector select the Has Time Signature checkbox Chapter 5 Working in Edit Mode 81 82 Double click the number in the field to the right and enter the number of beats for one measure of the time signature Choose the beat value from the pop up menu to the right Changing the Tempo When You Select a Set You can give a set its own tempo setting so that when you select the set the
141. n you close the Preferences window e Silence Previous Patch Choose the amount of time sustained notes and effects tails continue to sound before falling to silence when you select a new patch Hot Plug Behavior pop up menu Choose what action MainStage takes when you hot plug an audio device while MainStage is open The choices are Alert me Displays an alert when a device is hot plugged The alert includes buttons allowing you to use or ignore the device Automatically Use Device Switches the audio drivers to allow immediate use of the hot plugged device for audio input and output Do Nothing Does not switch the audio drivers Display audio engine overload message When selected an alert appears when the audio engine overloads Recording Output pop up menu Choose the audio output to record Appendix C Setting MainStage Preferences Recordings Folder field and Set button Click the Set button then browse to choose the location where recordings are saved The file path of the chosen location appears in the field File Format pop up menu Choose the file format for audio recordings The choices are AIFF CAF WAVE MIDI Preferences These preferences let you view the current status of MIDI inputs set the instrument voice limiting threshold and choose which note appears as middle C MIDI MIDI Status field and Setup button Displays the number of detected MIDI inputs Instrument Voice Limiting e CP
142. nStage concert so you can control parameters of your sounds in real time Trigger backing tracks and other audio files while you play Loop your performances to create multitextured dynamic sound environments Record your performances in real time This is only a brief list of what you can do with MainStage For a more detailed introduction see Introducing MainStage About the MainStage Documentation Logic Studio includes several documents that will introduce you to MainStage help you get started working and provide detailed information about the features and controls of MainStage MainStage User Manual This onscreen manual the MainStage User Manual describes the MainStage interface commands and menus and gives step by step instructions for creating MainStage concerts and for accomplishing specific tasks It also includes information on setting up your system It is designed to provide the information you need to get up to speed quickly so you can make use of the intuitive interface and powerful features of MainStage If you want to start by learning how to set up audio and MIDI hardware to use with MainStage read Setting Up Your System If you want to learn about the features and controls in the MainStage interface read The MainStage Interface If you want to jump right in and start using the application skip ahead to Getting Started with MainStage then read the chapters on Edit mode working with concerts a
143. nd Layout mode If you want to read about using MainStage in live performance turn to Performing Live with MainStage Exploring MainStage This booklet introduces the basics of MainStage in an easy approachable way It aims to get new users up and running with MainStage quickly so you can have confidence and continue learning at your own pace Each chapter presents major features and guides you in trying things out This document is a PDF version of the printed Exploring MainStage document included in the Logic Studio package e Logic Studio Instruments This onscreen manual provides comprehensive instructions for using the powerful collection of instruments included with Logic Pro and MainStage e Logic Studio Effects This onscreen manual provides comprehensive instructions for using the powerful collection of effects included with Logic Pro MainStage and WaveBurner e Logic Studio Working with Apogee Hardware This onscreen manual describes the use of Apogee hardware with Logic Pro Additional Resources Along with the documentation that comes with Logic Studio there are a variety of other resources you can use to find out more Release Notes and New Features Documents Each application offers detailed documentation that covers new or changed features and functions This documentation can be accessed in the following location e Click the Release Notes and New Features links in the application Help menu Preface Welcome to MainS
144. nd Output pop up menus that you can use to change either the input or output for all channel strips in a patch a set or for the overall concert In MainStage the selected channel strip is highlighted in white Only one channel strip in each patch the first audio channel strip sends audio to the Tuner The channel strip that sends audio to the Tuner is indicated by a tuning fork icon at the top of the channel strip In MainStage the name of the channel strip changes when you select a new channel strip setting unless you have renamed it In MainStage the channel strip number at the bottom of the channel strip reflects its order in the patch not the concert Surround plug ins are not available in MainStage Chapter 5 Working in Edit Mode 50 You can choose the information displayed on the channel strip including latency information by Control clicking the channel strip and choosing the information you want to display from the shortcut menu The Playback plug in is available only in MainStage not in Logic Pro For more information about working with channel strips see the Working with Instruments and Effects and Mixing chapters in the Logic Pro User Manual For complete information about the instruments and effects available in Logic Studio see the Logic Studio Instruments and Logic Studio Effects guides To learn how to add a channel strip see Adding a Channel Strip To learn how to change a ch
145. ng to their function The parameters for each type are described in the following section For most Hardware Input parameters there is no need to change the default values MainStage sets when you learn a controller assignment unless you intend to use the screen control for a specific non standard purpose To edit screen control parameters In Layout mode select the screen control When you drag a screen control to the workspace it is selected In the Screen Control Inspector edit the parameters for the selected screen control by choosing the menu item typing text clicking the button or selecting the checkbox for the parameters you want to edit Chapter 7 Working in Layout Mode Lifting and Stamping Screen Control Parameters You can lift or copy certain parameters from a screen control and stamp them onto other screen controls This makes it easy to give multiple screen controls the same size appearance and text attributes to create a uniform look in your layout Parameters affected by lift and stamp include the parameters in the Appearance and Text Labels headings in the Screen Control Inspector except the control type as well as the size of the screen control To lift parameters from a screen control Control click the screen control in the workspace then choose Lift Attributes from the shortcut menu To stamp parameters onto another screen control Control click the screen control in the workspace then choose
146. nned to the center position may sound louder than signals panned hard left or right The Pan Law value determines the amount of volume reduction applied to audio that is panned to the center position You can choose from the following settings 0dB With no change to the volume level signals will seem louder when panned to the center position in comparison with extreme left or right pan positions e 3 dB A full scale signal 0 dBfs will have a level of 3 dB when panned to the center position 3 dB compensated A full scale signal 0 dBfs will have a level of 0 dB when panned to the center position or 3 dB when panned to extreme left or right positions To set the pan law for a concert In the Attributes tab of the Concert Inspector choose the pan law value for the concert Changing the Tuning for a Concert By default concerts use equal tempered tuning You can change the tuning for a concert so that it uses a different tuning To change the tuning for a concert In the Concert Inspector select the Tuning tab Choose the tuning you want the concert to use from the Method pop up menu When you change the tuning of a concert the tuning of the patches and sets in the concert changes if their Tuning Method is set to Use parent tuning Patches and sets with a different tuning method are not affected Silencing MIDI Notes MainStage also includes a Panic function which works like the Panic function in Logic Pro The
147. ntroducing MainStage 14 Stage 1 Creating a Concert from a Template You begin working in MainStage by creating a new concert from a template MainStage includes concert templates for keyboard guitar and other instruments making it easy to choose a template suited to your needs MainStage recognizes many popular MIDI controllers and automatically assigns hardware controls on the controller to corresponding screen controls in the workspace simplifying hardware setup For information about choosing a template to create a concert see Choosing a Concert Template Stage 2 Adding and Editing Patches to Customize Your Sounds After you create a concert you add patches for the sounds you want to play and edit the patches by adding channel strips instruments and effects and adjusting their parameters to dial in your custom sounds You edit and organize patches in Edit mode In Edit mode your patches are live so you can hear the results of your edits instantly You can select and play patches choose channel strip settings and edit channel strip and plug in parameters You can quickly define key ranges for channel strips to create keyboard layers and splits scale expression and other parameters using transforms and filter incoming MIDI messages For information about editing patches see Working with Patches in Edit Mode Stage 3 Organizing Your Patches for Easy Access When you open a concert in Edit mode the patches in the
148. ntrol the overall volume of the concert The Master channel strip always controls the output volume of the entire concert If the concert has multiple Output channel strips each Output channel strip controls the volume level for a particular mono or stereo physical output You can use the Output and Master channel strips to control the overall volume in the same way you control the overall volume of a Logic Pro project Chapter 6 Working with Concerts 95 To see all of the channel strips you may need to resize the Channel Strips area At the concert level the Channel Strips area shows the Output and Master channel strips auxes and other concert level channel strips To control the overall volume level of a concert Drag either the Output 1 2 volume fader or the Master volume fader You can map a screen control to a channel strip parameter or an action at the concert level For example you can map the Output 1 2 Volume fader to a fader screen control and use the hardware control assigned to that screen control to adjust the overall volume of the concert To map a screen control at the concert level 1 Make sure the concert icon is selected in the Patch List 2 Click the screen control you want to map The Parameter Mapping browser appears below the workspace 3 In the Parameter Mapping browser click the parameter to which you want to map the screen control 96 Chapter 6 Working with Concerts In the example above
149. ntroller fall between the Min and Max values of the velocity range To set the velocity range for a channel strip In the Channel Strips area select the channel strip In the Channel Strip Inspector click the Layer Editor tab In the Layer Editor set the minimum velocity that triggers the channel strip using the Velocity Min value slider Click the value and drag vertically to change the value or double click the value and type a new value Set the maximum velocity that triggers the channel strip using the Velocity Max value slider A velocity offset means that when you play a note at a certain velocity the channel strip responds as if the velocity is higher or lower by the value of the offset If you have a velocity offset for the channel strip the velocity of keys you play on your controller is shifted by the amount of the offset value up for positive offset values down for negative ones Chapter 5 Working in Edit Mode 63 64 To set a velocity offset for a channel strip Do one of the following Drag the Velocity Offset value slider Double click the Velocity Offset value slider and type an offset value Overriding Concert and Set Level Key Ranges If a software instrument channel strip exists at the concert level the concert level channel strip takes precedence over any patch level software instrument channel strips within its key range This means that when you play any notes in the key range of the concert level c
150. ntrols click the Distribute Horizontally button Chapter 7 Working in Layout Mode You can also align and distribute screen controls by Control clicking the selected screen controls and choosing commands from the Align and Distribute submenus in the shortcut menu The Distribute shortcut menu contains additional controls for distributing the space between screen controls Adjusting the Shelf for a Shelf Control When you add a shelf control such as a keyboard to the workspace it appears at a default angle creating a three dimensional appearance You can adjust the angle of the shelf control so that it appears more or less three dimensional This can be useful for example if you want to see more of the keys on the keyboard or minimize the amount of space it occupies onscreen To adjust the angle of the shelf for a shelf control In the workspace select the shelf control White alignment guides for the control s shelf appear Keyboard Layers Alignment guides Drag the lower alignment guide the one aligned with the front of the shelf control Drag the lower alignment guide down to make the angle steeper as though you are looking down on the shelf control from above or drag it up to make the angle less steep as though you are looking at it from the front Drag the front m alignment guide to change the angle of the shelf Chapter 7 Working in Layout Mode 111 112 Moving the Shelf Vertically You can also
151. o the Playback plug in Remove File Removes the file currently loaded in the Playback plug in Flex Mode For audio files containing tempo information you can choose one of the following time stretching modes Slicing is a good choice for general use particularly for rhythmic material such as drum parts It works by dividing the audio material at transient markers Each slice is played back at its original speed Rhythmic is best suited for playing polyphonic rhythmic audio material such as rhythm guitar or keyboard parts Speed is recommended when the concert tempo is the same as or close to the recorded tempo of the audio file It produces an effect like slowing down or speeding up a tape recorder without the artifacts of time stretching Polyphonic is designed for complex polyphonic audio material and is a good choice for guitar piano and choir parts or for complete mixes Start on Patch Change Starts playback when you select the patch or set containing the Playback instance Start with Play Action Starts playback of the Playback plug in when the MainStage clock Starts Start with Play Action follows the current Play From setting that is it waits until the next event specified in the Play From setting The File field which is located to the left of the Action menu shows the name of the currently loaded audio file You can load an audio file in several ways To load an audio file Do one
152. o samples In an EXS24 mkll instrument a zone is a location into which a single sample an audio file is loaded from a hard disk You can edit zone parameters in Zone view mode Zones can be assigned to groups which provide parameters that allow you to simultaneously edit all zones in the group You can define as many groups as desired The Instrument Editor has two view modes Zones view and Groups view You can edit zones in Zones view and edit group parameters in Groups view Chapter 5 Working in Edit Mode 1 To open the EXS24 mkil Instrument Editor In a channel strip using the EXS24 mkll double click the EXS24 slot in the I O section 2 In the upper right area of the EXS24 mkll plug in window click the Edit button Chain None Click the Edit button Fs edit options J to open the Instrument Editor The Instrument Editor opens You can switch between Zones view and Groups view click individual zones to view their parameters click notes on the keyboard to hear the samples assigned to them create zones and groups and edit zone and group parameters just as you can in Logic Pro When you play notes on the keyboard of the EXS24 mkll Instrument Editor the notes are played on the selected channel strip or if none is selected on the first channel strip containing an EXS24 mkIl plug in For in depth information about using the EXS24 mkll Instrument Editor refer to the Logic Studio Instruments Help Using Multiple Ins
153. o where you map screen controls to channel strip parameters and actions and edit patch set and concert level parameters 00e Untitled Concert avout edi ertorm ruu scren 7 E p EJ mode ae Tai mons Folch ici f Patch List L L a Workspace Channel Strips z fa Untitled Concert My song ae Stage Mk II Bright My Song F 0e vk 1 orior rve Ji it Patch Inspector 2 To rman e a O z She i OIM MainStage T Templates ag I 01 Keyboards p amp liverpool Bass F gt C 02 Sofware instruments gt 02 Guitar Rigs e Marimba 03 Guitar Rigs 03 vocas gt Massive Lead amp 04 Vocal Processing La G 04 Drums gt amp Mercury Raindrops 05 Audio Effects e C os Mixers Mku vintage Tremolo E 06 Multi instrument l Orchestral strings G Audio Channel Strips r Poly Fat Bass G Instrument Channel Strips sharp sweep Down 4 ma ma ma Silky strings o IF Soio Organ y ee Ba w E Space Bass 4 Frage Me 11 Stage Mk l Bright il 1 a TT a gt Patch List Inspector changes Channel Strips depending on the area selection e Patch List Shows the patches and sets in the concert You can add patches and sets to the Patch List name them and organize them The Patch List includes an Action menu with commands to create patches and sets reset program change numbers skip items and import and export patches and sets to use in
154. oding types used by different vendors who may refer to them by proprietary names Button Control Toggle Only Includes buttons that send either one Single or two Alternating values Chapter 7 Working in Layout Mode 117 118 Button Control Toggle or Momentary Includes drum pads and other buttons that send a value when the button is released as well as when it is pressed e Number pop up menu Choose the MIDI control number that the control sends For common MIDI controls such as volume the control name appears in the menu along with the number MIDI Thru pop up menu Choose whether the control automatically passes MIDI through or does not pass MIDI through Send Value to pop up menu Sends the current value of the screen control to supported devices to display using an LED ring around a rotary encoder or to move a motorized fader Appearance Color selector Choose the color for the active part of the screen control which visually displays its current value in performance This parameter is not available for text or meter screen controls Control pop up menu Choose the type for the screen control If you change the control to a different type you may need to resize it in the workspace Text Labels Color selector Choose the color for the text labels Display pop up menu Choose what information is displayed in the text display area for the control and how many lines are used to display it Add
155. of the following Click the File field to show an Open dialog from which you can choose the file you want to load Choose Open File from the Action menu to show an Open dialog from which you can choose the file you want to load Drag an audio file to the File field Drag an audio file into the waveform display Drag an audio file to the Instrument slot containing the Playback plug in Appendix A The Playback Plug in Drag an audio file between two channel strips This creates a new channel strip with the Playback plug in inserted The dragged audio file is automatically loaded into this new Playback instance You can drag multiple files between channel strips to create a new channel strip for each file Note Using either of the first two methods you can preview files in the dialog before adding one to the Playback instance To preview the selected audio file in the dialog click the Play button Click the Stop button in the dialog to stop playback Using the Playback Shortcut Menu The Playback window includes a shortcut menu that lets you add name and remove markers in the waveform display You access the shortcut menu by Control clicking the waveform display The shortcut menu contains the following commands Add Marker Adds a marker at the current position of the pointer and opens aname field Enter the name then press Return or click outside the name field e Remove Marker Removes the marker to the left of the current
156. ome plug ins available in MainStage including delay and tremolo effects synthesizer LFOs and the metronome can require a specific tempo You can set the initial tempo for a concert and change the tempo by selecting a patch or a set with its own tempo setting You can also change the tempo in real time by tapping a new tempo or have MainStage receive tempo changes from incoming MIDI messages When you open a MainStage concert the tempo setting in the Concert Inspector is used until you change the tempo by selecting a patch or set with its own tempo setting or by tapping a tempo When you change the tempo MainStage uses the new tempo until you change it again or until you close the concert You can set the tempo for a concert in the Concert Inspector which appears in the lower left corner of the MainStage window when the concert icon is selected in the Patch List By default the tempo for new concerts is set to 120 beats per minute bpm To set the tempo for a concert 1 In the Patch List select the concert icon 2 In the Concert Inspector set the tempo using the Tempo slider or value slider Concert Inspector Attributes Tuning Has Time Signature ja ilts Tempo _ 12800 Set the tempo by T Get Tempo From MIDI Input dragging the Device All Tempo slider or using OE the value slider Device All Channel Channel 1 16 Pan Law 0 dB You can use patch
157. opening editing and saving concerts see Working with Concerts Selecting Patch Settings in the Patch Library When you open a concert or select a patch the Patch Library opens in the Patch Inspector below the workspace The Patch Library contains a variety of patches optimized for the instrument the concert is designed for You can quickly audition patch settings in the Patch Library and choose a setting for the selected patch To select a patch setting 1 Look through the settings in the Patch Library to find the one you want to use 2 Click the patch setting You can start playing the patch immediately using the selected patch setting You can also search for patch settings by name To search for patch settings by name 1 Choose Find in Library from the Action menu in the upper right corner of the Patch Inspector 2 Enter the name of the patch setting you want to find 3 Click Find The first patch setting with the text you entered appears selected in the Patch Library Chapter 4 Getting Started with MainStage 31 32 4 To find subsequent patch settings with the same name choose Find Again in Library from the Action menu Note If you have saved multiple patches to a patch file using the Save as Set command or the Export as Set command in MainStage 1 0 in the Action menu the saved file appears as a patch in the Patch Library unless you have selected a different location for saving the file Clicking the saved file in the Pa
158. or next patch you can select the patches using the physical controls assigned to those screen controls as you perform You can also select sets or the concert using actions Buttons are particularly useful for selecting patches sets or the concert using actions When selecting patches using actions skipped patches are also skipped For example if you use a screen control mapped to select 10 patches any skipped patches would not be counted in the 10 For more information see Using MainStage Actions Selecting Patches Using Program Change Messages If your MIDI device has buttons or other controls that send program change messages you can select patches in your concert by program change number You can use program change messages to select patches but not sets For information about how your MIDI device sends program change messages consult the documentation that came with the device or the manufacturer s website For information about changing the program change number for a patch see Setting Patch Program Change Numbers Using Screen Controls in Performance In performance you use the controls on your MIDI hardware devices that are assigned to screen controls to manipulate the parameters mapped to those screen controls When you select a new patch the parameters you mapped for that patch are instantly available for editing Chapter 9 Performing Live with MainStage When you move a physical control the screen control updates ba
159. ore you begin performing e Make sure your MIDI controllers instruments microphones and other music equipment is connected to your computer and is working Test the audio output from MainStage using the audio interface and speakers or monitors you plan to use in performance Select a patch with a software instrument channel strip and play your keyboard controller Watch the Activity Monitor to make sure MainStage is receiving MIDI input from the controller and make sure you can hear the audio output 133 134 Make sure any instruments or microphones you plan to play through audio channel strips are connected to the correct audio inputs on your audio interface Select a patch with an audio channel strip and play or sing to make sure you can hear audio output For the best results close any applications that you do not need while performing particularly applications with high processor or RAM requirements If you use Time Machine to back up your computer turn it off Disconnect the computer running MainStage from any network connections Using Full Screen Mode and Perform Mode When you perform live you can use either Full Screen mode or Perform mode depending on which you prefer Each mode offers some advantages for different performance situations Working in Full Screen Mode In Full Screen mode the MainStage workspace fills the entire screen and screen controls appear at the maximum possible size for easy
160. ou hear the channel strip when you play notes inside the key range When you play notes outside the key range no sound is generated from the channel strip To define a key range using the value sliders In the Channel Strips area select the channel strip In the Channel Strip Inspector click the Layer Editor tab Change the value in the Low Key value slider You can click the value and drag vertically click the up arrow or down arrow or double click the value and type a new value Set the high key and low key using these value sliders Low Key C 1 Learn Floating 0 eere RAMS S CS Analog Swell Analog Lead 2 AILLILLALIILELIL LLL Change the value in the High Key value slider lt You can click the value and drag vertically click the up arrow or down arrow or double click the value and type a new value Setting Floating Split Points When a key range has a floating split point the notes that define the boundaries of the key range ends change depending on the keys you play as you approach the boundary of the key range You set floating split points in the Layer Editor tab of the Channel Strip Inspector Chapter 5 Working in Edit Mode Floating split points can be explained using an example If you set the Low Key of a key range to C1 set a floating split point value of 3 then play notes immediately above C1 for example the notes F1 Eb1 D1 and continue playing downward past C1 for exam
161. our concert Below the workspace the Screen Controls palette contains different types of screen controls you can add to your layout The Screen Control Inspector appears to the left of the workspace where you can learn controller assignments and edit layout parameters This chapter covers the following Modifying the Layout of a Concert p 104 Working with Screen Controls p 104 Assigning Hardware Controls to Screen Controls p 114 Editing Screen Control Parameters p 116 How MainStage Passes Through MIDI Messages p 121 Exporting a Layout p 122 Importing a Layout p 122 Changing the Aspect Ratio of a Layout p 123 103 104 Modifying the Layout of a Concert You can modify an existing layout by adding and arranging screen controls in the workspace changing existing controller assignments or making new ones and editing screen control parameters The following sections describe how to add and arrange controls onscreen make hardware assignments change the appearance of screen controls and edit layout parameters You can also export a layout and import the layout into a different concert For information about importing and exporting layouts see Exporting lay a Layout To work with the layout of a concert you switch to Layout mode To switch to Layout mode Click the Layout button at the upper left corner of the MainStage window Working with Screen Controls Screen controls are objects in a Ma
162. patch can contain one or more channel strips each with its own instruments and effects You can add channel strips choose channel strip settings add instruments and effects and edit their parameters to customize your sounds You can even mix channel strips of different types in a single patch You can organize patches in a concert by ordering them in the Patch List and also by grouping them into sets Sets are folders where you can store patches you want to keep together Each concert also includes a visual interface called a layout with controls that you can use to modify your patches in live performance Layouts contain screen controls which are onscreen representations of keyboards faders knobs buttons pedals drum pads and other hardware controls and displays You make connections between your MIDI devices and your MainStage concert by assigning hardware controls to the screen controls in the concert After you make these controller assignments you map the screen controls to channel strip and plug in parameters completing the connection so that you can easily access and manipulate the parameters you want for each patch in the concert You can also map screen controls to actions which provide the ability to select patches control the Tuner or metronome provide visual feedback and perform other functions Controller Parameter assignment mapping o 0 ou M
163. performing You can quickly add screen controls to the workspace and move resize and copy them to create your layout Alignment guides and other tools make it easy to visually arrange screen controls and you can customize display color text labels and other parameters in the Screen Control Inspector You can also group controls and arrange the grouped control as a single unit For information about working with screen controls in Layout mode see Working with Screen Controls Stage 5 Making Connections Between MainStage and Your Music Hardware In Layout mode you connect physical controls on your MIDI hardware to the screen controls in your concert by assigning the physical controls to the corresponding screen controls in the workspace You can move and resize screen controls in the workspace and customize the display of visual feedback for parameter values and other information You only need to make hardware controller assignments once for an entire concert greatly reducing the amount of work required to connect your hardware with your computer For information about making hardware assignments see Assigning Hardware Controls to Screen Controls Stage 6 Mapping Screen Controls to the Parameters You Want to Control in Performance Edit mode is where you map screen controls to channel strip parameters You can map whichever parameters you want to modify for each patch to screen controls so they can be easily manipulated from your har
164. ping as well as the Actions folder 3 In the column on the left of the Parameter Mapping browser select the channel strip with the parameter to which you want to map the screen control Parameters for the selected channel strip appear in the columns on the right Additional folders for the instruments and effects in the channel strip may appear in these columns Click a folder to see the parameters for that instrument or effect 4 Select the parameter you want to map Click the channel strip or plug in with the parameter you want to map tal jm Screes Control Inspector E Volume Auto Gain p Bie TESS orem f Pan Circuit Type EEA E l Expression E Compressor Threshold 2 2 Solo B Gain Range Min Loa o tnd B Knee C invert Parameter Range G Sends gt Limiter O MIDI Controller gt B Umiter Threshold Parameter 3 ES2 Synthesizer 2 gt Bm gt E Compressor x E Output Distortion E Channel Q v E Peak RMs i E Ratio u Click the parameter to which you want to map the screen control The screen control is mapped to the selected parameter and the Unmapped tab takes the name of the parameter You can continue mapping additional screen controls by clicking them in the workspace and then choosing parameters in the Parameter Mapping browser Using the Parameter Mapping browser you can map parameters that are not vi
165. playback or when stopped removes the most recently recorded take from the tape loop Pressing Undo during the first beat of a new take removes the previously recorded take Using the Loopback Information Display The information display shows information about several key aspects of the audio material in the tape loop and lets you edit some of the displayed values Position field Indicates the current playhead position Length field Displays the length of the loop If Sync is set to Off Loopback analyzes the first take and determines the tempo and length using the concert tempo as a starting point After the length is set it cannot be changed until you clear the tape loop If Sync is set to On you can set the length in the information display or using a screen control before you record the first take If you do not set the length Loopback analyzes the first take and sets the length using the concert tempo rounding up to the next whole bar Position dial Displays the current playback position in the context of the overall loop length Appendix Bs The Loopback Plug in Meter field Displays the meter time signature of the audio material The bar and beat values can be altered independently which changes the ruler display and may alter the Length field display but does not affect audio playback Cannot be changed once the length is set without first clearing the tape loop Tempo field Displays the tempo in beats p
166. ple the notes C1 Bb0 A0 the split point moves down to include those notes up to the floating split point value 3 semitones If however you start by playing notes immediately below the Low Key for example the notes GO A0 BO and continue playing upward past C1 for example the notes C1 D1 E1 the split point moves up to include those notes up to the floating split point value In this example C1 and D1 would be included but not E1 which is four semitones above the Low Key To set floating split points for a layer key range In the Layer Editor tab click the Low Key Floating value slider and drag vertically to change the value or double click the current value and type a new value the value is the number of semitones used for the split Click the High Key Floating value slider and drag vertically to change the value or double click the current value and type a new value You can also create a keyboard split by adding a channel strip at the set level and adjusting the key range of the channel strips in the patches in the set The channel strip at the set level takes precedence over any channel strips in patches in the set for the notes in its key range For information about adding a channel strip at the set level see Working at Setting the Velocity Range By default the velocity of a channel strip extends from 1 to 127 You can limit the velocity range so that the channel strip only responds when the notes you play on your co
167. processor The patches in the template make extensive use of the software instrument plug ins included in Logic Studio as well as a wide range of effects plug ins Tips for Performing with Guitars and Other Instruments If you are using one of the Guitar Rigs templates designed for use with electric guitar you can play your electric guitar and use MainStage as a multi effects processor The patches in the template make extensive use of the Amp Designer amp simulation plug in and the Pedalboard effects plug ins as well as other effects commonly used with guitars Guitar patches with Pedalboard style screen controls can be assigned to a foot switch allowing you to bypass different effects in the channel strip Some patches also allow you to switch between channel strips with different effects using an expression pedal When playing guitars and other low impedance instruments be sure they are connected to an audio input that matches the impedance of the instrument Connecting a guitar to a standard line level audio input may produce a lower volume level for the guitar s output than intended Chapter 9 Performing Live with MainStage 137 138 You can also use MainStage with vocals or any sound captured with a microphone using an audio interface connected to your computer and choosing the audio input channel in audio channel strips in your patches For guitar patches that use multiple channel strips you can control the overall volume of th
168. puts To change the audio output for the metronome sound Choose MainStage gt Preferences In the Metronome section of the General tab choose a different audio output from the Output pop up menu You can also change the volume of the metronome relative to the overall audio output To change the relative output of the metronome sound Choose MainStage gt Preferences In the Metronome section of the General tab drag the volume slider left or right to adjust the relative volume of the metronome sound Chapter 6 Working with Concerts Working in Layout Mode 7 You visually arrange your onscreen layout and make connections between your music hardware and MainStage in Layout mode You can t change the position of physical faders knobs and other controls on your instruments and other music hardware but you can arrange the screen controls in your MainStage concert in any order you like by editing the layout You can modify an existing layout or create one from a template and you can export a layout and import it into another concert Each concert template included with MainStage includes a built in layout optimized for a type of musical instrument you use with MainStage You modify the layout of a concert in Layout mode You can add and arrange screen controls in the MainStage workspace to match your music hardware optimize your display size and make assignments between controls on your MIDI hardware and the screen controls in y
169. r The graph shows the range of input values on the horizontal x axis moving from left to right and shows the range of output values on the vertical y axis moving from bottom to top In the graph window you have several ways of working You can edit the graph curve directly edit values numerically using the Precision Editor or use the Curve buttons to set the graph to one of the predefined curves Chapter 5 Working in Edit Mode 57 58 Most of the ways you edit graphs are the same regardless of the type of graph although there are a few features specific to one or another type For Parameter graphs you can change the minimum and maximum range values for the graph using the Range Min and Pange Max value sliders For information about controller transforms see Creating Controller Transforms For information about velocity scaling see annel Velo eaninfonmition about parameter mapping graphs see Using Paromeie Mapping To edit a graph Select the channel strip or screen control you want the graph to apply to Select the MIDI Input tab for transform and velocity scaling graphs or the Mapping tab for parameter mapping graphs Click the graph button for the type of graph you want to edit The graph window opens Do one of the following Click one of the Curve buttons to set the graph to one of the preset curves Click the curve at the point where you want to add a node then drag the node to the desired value
170. r My Grouped Controls appears in the palette You can add your custom grouped controls to the palette so they will be available in every concert L i m Screen Controls Palette co Panel Controls Shelf Controls Grouped Controls All Controls MIDI Round Directional Vertical Horizontal Button Drum Pad Vertical Horizontal VU Meter Activity Knob Knob Fader Fader Meter Meter BletBOunns Parameter Organ Progress Waveform Selector Text Background Keyboard Mod Pitch Sustain Text Drawbar Indicator Wheel Panel Controls Panel controls appear on a two dimensional plane or panel in the workspace You can move a panel control to any position in the workspace except onto the shelf of a shelf control Panel controls include MIDI Activity light displays MIDI note activity and can be used as a substitute keyboard e Round and directional knobs e Vertical and horizontal faders e Button Drum pad Vertical and horizontal level meters used to visually display volume level or another parameter VU meter used to visually display volume level or another parameter Parameter text used to dynamically display parameter names and values Organ drawbar Progress indicator used with the Playback plug in e Waveform used with the Playback plug in Selector used to select patches while you are performing or to select markers for use with the Playback plug in Text used to display
171. rdless of the Sync mode Metronome button Turns the MainStage metronome on or off The metronome always uses the concert tempo and meter regardless of the Sync mode Go to Previous Marker button In play mode immediately moves to the previous marker to the left of the current playhead position if the audio material contains markers Playback continues from this position If the audio file contains no markers moves backward 8 bars if Sync is on or 20 seconds if Sync is off Playback continues from the new position Appendix A The Playback Plug in If Playback is stopped moves to the previous marker or to the beginning of the audio file if the current playhead position precedes the first marker If the file contains no markers moves 8 bars if Sync is on or 20 seconds if Sync is off Press Play to start playback from this position Go to Next Marker button In play mode immediately moves to the next marker to the right of the current playhead position if the audio file contains markers Playback continues from this position If the audio file contains no markers moves forward 8 bars if Sync is on or 20 seconds if Sync is off Playback continues from the new position If Playback is stopped moves to the next marker or to the end of the audio file if the current playhead position is after the last marker If the file contains no markers playback rewinds by 8 bars if Sync is on or 20 seconds if Sync is off Press Play
172. recedence over all of the software instruments in all of the patches and sets in the concert for the notes in its key range This means that you will hear only the sound of the concert level software instrument and will not be able to play any software instruments in a patch or set that fall in the same key range To add a concert level channel strip In the Patch List select the concert Click the Add Channel Strip button at the top of the Channel Strips area In the New Channel Strip dialog select the type of channel strip you want to create Chapter 6 Working with Concerts 99 100 4 Choose the audio output for the channel strip from the Output pop up menu 5 For audio channel strips choose mono or stereo format from the Format pop up menu Important Audio channel strips can produce feedback particularly if you are using a microphone for audio input When you add an audio channel strip the volume of the channel strip is set to silence and Feedback Protection is turned on to alert you when feedback occurs on the channel strip When you add an external instrument channel strip the volume of the channel strip is set to silence but Feedback Protection is turned off Click Create For software instrument channel strips you can define the key range for the channel strip in the Channel Strip Inspector so that the concert level channel strip does not overlap software instruments you plan to use in your patches and sets For info
173. rip to a patch you choose the type of channel strip the output and other settings You can mix both types in a single patch To add a channel strip to a patch Make sure the patch is selected in the Patch List Click the Add Channel Strip button in the upper right corner of the Channel Strips area The New Channel Strip dialog appears You choose settings in the Channel Strip dialog in the same way as when you add a patch In the New Channel Strip dialog select the type of channel strip you want to create Choose the audio output for the channel strip from the Output pop up menu For audio channel strips choose mono or stereo format from the Format pop up menu and choose the audio input from the Input pop up menu For external instrument channel strips also choose the MIDI input MIDI output and MIDI channel from their respective pop up menus Important Audio channel strips can produce feedback particularly if you are using a microphone for audio input When you add an audio channel strip the volume of the channel strip is set to silence and Feedback Protection is turned on to alert you when feedback occurs on the channel strip When you add an external instrument channel strip the volume of the channel strip is set to silence but Feedback Protection is turned off Optionally you can add multiple channel strips to a patch by typing a number in the Number field You can add up to the maximum number for a channel strip type
174. rmation about defining the key range of a channel strip see Creating Keyboard ayers and Splits When you add a channel strip at the concert level you can map screen controls to the channel strip only at the concert level not for individual patches or sets Using the MainStage Clock Some plug ins including the Playback and Ultrabeat plug ins included with Logic Studio require a time source and use beat and tempo information in order to play in time Additionally some third party applications and plug ins using their own sequencer or playback engine may behave differently than sequencer based plug ins included in Logic Studio These plug ins which include Reason and other ReWire applications and Reaktor require a play message from the host application to begin playback and require a stop message to end playback They may also require a continue also sometimes called resume message to continue playback from their current time position MainStage includes an internal beat clock or time base that you can use to control the playback of these plug ins The MainStage clock generates beat time position and tempo information so sequencer oriented plug ins can start stop and play in time The MainStage clock operates similarly to the song position in Logic Pro You can send play and stop messages in the following ways Using the Play Stop button in the toolbar if it is visible Using the Metronome button in the toolbar if
175. rn button Click the Learn button then press the lowest key to have MainStage learn it The Number of Keys and Low Key affect only the visual appearance of the screen control They do not affect what notes are received from your keyboard controller Layer Display Display keyboard layers checkbox When active a layer is displayed above the keyboard in the workspace for each software instrument channel strip in a patch The layers show the name and color of the channel strip and respond when you play the keyboard Height value slider Sets the height of the layer display that appears above the keyboard MIDI Activity Screen Control Parameters MIDI activity screen controls can indicate when MIDI note messages are received and can also be used as smaller noteless keyboard screen controls You can edit the following parameters for MIDI activity screen controls Hardware Input Device pop up menu Shows the name of the device to show MIDI activity for You can choose another device All or Unassigned Channel pop up menu Choose the MIDI channel on which MainStage receives input from the controller Velocity Sensitivity slider Set the amount of sensitivity for incoming MIDI data Settings Name field Type a name for the screen control Appearance Color selector Choose the color for the MIDI activity light Drum Pad Screen Control Parameters You can use drum pad screen controls with hardware drum pads You can edit t
176. rol cannot be mapped to a parameter or action in a patch in the set unless you override the set level mapping If you try to map a screen control that is mapped at the concert or set level text appears in the Screen Control Inspector informing you that the screen control is mapped at another level and the parameters in the Screen Control Inspector are dimmed You can override the concert and set level mappings for an individual patch and then map the screen control at the patch level To override concert level mappings In the Screen Control Inspector select the Override Concert Mapping checkbox Select the checkbox to override mappings at the concert level 1 Screen Control Inspector Attributes Appearance Parameter Value M Override Concert Mapping On Patch Change Preference i Replace Parameter Label When the patch changes use the behavior defined in MainStage Preferences Custom Color Respond to Hardware Move Preference 5 When the hardware control moves use the behavior defined in MainStage Preferences Custom Label Color Show Input Value The parameters in the Screen Control Inspector become active To override set level mappings and other parameters for a patch Inthe Screen Control Inspector select the Override Set Mapping checkbox Chapter 5 Working in Edit Mode 77 78 A U N A U N A W N The Parameter Mapping section becomes active so that you can
177. rs the following Getting to Know the Loopback Interface p 158 Using the Loopback Waveform Display p 159 Using the Loopback Transport and Function Controls p 159 Using the Loopback Information Display p 160 Using the Loopback Sync Snap To and Play From Parameters p 161 Using the Loopback Group Functions p 161 Using the Loopback Action Menu p 163 Adding Loopback to a Channel Strip p 163 Appendix 157 158 Getting to Know the Loopback Interface The Loopback interface resembles a hardware tape loop device This section will familiarize you with various areas of the Loopback interface Transport buttons Waveform display Action menu Loopback Sync Snap To and Information display Function buttons Play From pop up menus Waveform display The waveform display shows the waveform of the recorded audio material the playhead position and the ruler See Using the Loopback Waveform Display Transport and Function controls The transport and function buttons are located to the left and right of the information display in the silver bar that spans the plug in window See Using the Loopback Transport and Function Controls Information display The information display provides details on the current playback position and recording length meter tempo and fade time See Using the Loopback Information Display Sync Snap To Play From and Group pop up menus The black bar across the bo
178. s They contain the instruments and effects for the sounds you use in performance MainStage channel strips use the channel strip interface familiar from Logic Pro MainStage channel strips have the same structure and many of the same functions as Logic Pro channel strips The main features of MainStage channel strips are shown below O B E y zr D Channel Strips Icon So oe Expression Expression Expression Settings menu Insert slots Send slots e pae amj m 1 Pan knob Mute and solo buttons 0 0 ms 0 0 ms 0 0 ms Name Volume fader and level meter In MainStage you can use audio software instrument and auxiliary aux channel strips in your patches and sets and also at the concert level You can also use external instrument patches to play external hardware devices and ReWire applications You can use channel strips in MainStage just as you can in Logic Pro You can adjust the volume level using the Volume fader adjust the pan position using the Pan knob and mute or solo the channel strip using the Mute and Solo buttons Chapter 5 Working in Edit Mode A MainStage concert can have a maximum of 1023 software instrument channel strips 512 audio channel strips 256 external instrument channel strips and 256 auxiliary aux channel strips As in Logic Pro you can add effects using the Insert slots send the signal to an auxiliary channel aux using
179. s allowing you to effectively mute and unmute instances while keeping them in sync with each other Using the Loopback Group Functions If you have multiple instances of the Loopback plug in in a concert you can use groups to control which instances record and play together and which instances operate independently Any Loopback instance can either be assigned to one of 26 Groups named A Z or not be a member of any group The linked operation of multiple instances can be used for creative purposes such as alternative versions of a song verse or chorus Appendix B_ The Loopback Plug in 161 162 Loopback and Playback instances share the same group functions If you have instances of Playback that you have assigned to a group they will respond to any group functions except Record as any Loopback instances assigned to the same group Only one group can be active at a time For example if two Loopback instances are in Group A and four Loopback instances are in Group B activation of a transport function in any Group A member will stop all Group B members and vice versa Instances that are not in any group are not affected Similarly any Playback instance in Group A will also respond while Playback instances in Group B or any other group will stop All Loopback instances that belong to a group will switch between states for the following transport functions when changed in any group member e Record e Play or Stop e Re
180. s MainStage MainStage is a music application designed for you to use in live performance MainStage turns your computer into a powerful multi instrument and effects processor that you can use on stage when you perform Whether you play a keyboard guitar another instrument or sing you can use MainStage with your instruments microphones and MIDI hardware when you perform live MainStage lets you use the professional quality instruments and effects included in Logic Studio in your live performances You access and modify the instruments and effects in MainStage using the familiar Logic channel strip interface If you play a USB or MIDI keyboard controller you can play and control a wide variety of software instruments including pianos and other keyboards synthesizers strings horns percussion and more If you play electric guitar you can perform using Logic Studio effects setups including amp simulation overdrive reverb compression and more You can create your own effects setups and switch between them easily Vocalists and acoustic musicians can also use effects setups with sound input through a microphone 12 MainStage provides a flexible interface for organizing and accessing your sounds in concerts Concerts are MainStage documents that hold your sounds a concert can store all the sounds you ll use in an entire performance or a series of performances In a MainStage concert individual sounds are stored as patches and each
181. sed on the Respond to Hardware Move parameter in the Screen Control Inspector If the parameter is set to Jump the screen control instantly moves to the position of the hardware control If the parameter is set to Pickup the screen control starts moving when the hardware control reaches its current position If the parameter is set to Relative the screen control moves in sync with the hardware control starting from its current position Handling Tempo Changes in Performance When you open the concert you plan to use in your performance MainStage uses the tempo for the concert you set in the Concert Inspector If the Get tempo from MIDI input checkbox is selected MainStage uses incoming MIDI beat clock to set the tempo For information about setting and changing the tempo in a concert see Using Tempo ina MainStage Concert If you select a patch or set with its own tempo setting the tempo changes to the new setting You can also change the tempo in real time while you perform using the Tap Tempo feature either by pressing Control T repeatedly at the tempo you want to use by clicking the Tap Tempo button in the toolbar repeatedly or using a screen control mapping to the Tap Tempo action Tips for Performing with Keyboard Controllers If you are using one of the Keyboards templates designed for use with a MIDI compatible keyboard controller you can play your keyboard and use MainStage as a sophisticated sound module and multi effects
182. see Setting MainStage Preferences Selecting Patches in Performance In Full Screen or Perform mode you can view and select patches using the patch selector screen control in your layout Patches and sets appear in the patch selector in the same order as in the Patch List in Edit mode Skipped items do not appear in the patch selector and cannot be selected but patches in collapsed sets do appear and can be selected For information about skipping items see Skipping Items in the Patch List When you select a patch you can start playing it instantly If you are sustaining notes from the previous patch they will continue to be sustained until you release the notes or the sustain pedal If the previous patch contains effects such as a reverb or delay effect with a release tail the effect tail continues sounding for the amount of time set in the Silence Previous Patch pop up menu in MainStage preferences For more information see Setting Mains e Preferences When performing keep in mind the difference between patch parameters and parameters controlled at the concert level When you select a patch its parameters are set to the values at which you last saved the patch If you have previously played the patch since you opened the concert they are set to the values at which you left them when you played the patch Parameters at the concert level however remain at their current value when you select new patches For example if you s
183. set in the Transpose value slider To transpose the MIDI input of a software instrument channel strip Select the channel strip in the Channel Strips area In the MIDI Input tab of the Channel Strip Inspector set the value using the Transpose value slider You can click the value and drag up or down to set the value click the up arrow or down arrow or double click the value and type a new value Filtering MIDI Messages You can filter some MIDI messages for a channel strip in the Channel Strip Inspector When you select one or more MIDI message types in the Filter section of the Channel Strip Inspector the corresponding MIDI message types are filtered out of any incoming MIDI data and are not sent to the channel strip You can filter the following types of MIDI messages Pitch Bend Sustain control message 64 Modulation control message 1 Expression control message 11 Aftertouch To filter incoming MIDI messages In the Channel Strip Inspector click the MIDI Input tab In the Filter section of the MIDI Input tab select the checkbox for the MIDI messages you want to filter Chapter 5 Working in Edit Mode If you have created a controller transform you can filter the input message type and the controller transform will still send its output message type It is also possible to filter the output message type but in this case the output of the controller transform will be filtered Setting a Channel Strip to Ignore
184. sible in plug in windows You can also map screen controls to MainStage actions and to AppleScript scripts For more information about mapping screen controls see Mapping Screen Controls Note If you change the channel strip setting for a channel strip to which you have mapped screen controls you will lose any parameter mappings You can also edit velocity sensitivity for a channel strip create controller transforms and filter various MIDI messages For information about editing channel strips see Editing Channel Strips in MainStage 72 Chapter 5 Working in Edit Mode Mapping Screen Controls to Actions In addition to mapping screen controls to channel strip and plug in parameters you can map them to MainStage actions Actions let you select patches and sets silence MIDI notes control the Tuner and the metronome tap a new tempo display information about patches MIDI messages and other information and perform other functions using screen controls For a complete table of actions including descriptions and usage notes see Using N age Actions The Actions folder which appears in the Parameter Mapping browser along with available parameters contains actions for selecting patches and sets showing the Tuner activating tap tempo Master Mute or Panic and others The Actions folder also contains an AppleScript subfolder with useful scripts You can map button screen controls to actions for selecting different patches and
185. sion values are mapped to different output values on a graphic curve In addition you can transform input values for one message type to output values for another message type For example you can transform MIDI volume values from your controller to send expression values to the channel strip or transform input breath values to send modulation values The transform graph provides a very flexible way of remapping both the values and the output destination for these MIDI control messages In MainStage you can transform values for expression modulation MIDI volume and breath control messages You choose the input and output message types and graphically create transform curves in the MIDI Input tab of the Channel Strip Inspector In a transform graph the horizontal axis represents input values from your controller and the vertical axis represents output values sent to the channel strip To set the input and output message types for a controller transform 1 Inthe Channel Strips area select the channel strip for which you want to create a controller transform 2 Inthe Channel Strip Inspector select the MIDI Input tab 3 In the Controllers section choose the input message type from the Input pop up menu 4 Choose the output message type from the Output pop up menu Click the Transform button to edit the graph Software Instrument Channel Strip Inspector MIDI Input Input Controllers Keyboard K
186. slots and choose a bus from the menu ic Channel Strips i i Choose a bus from one of the Send slots mg be fi oss a TO a Drag the Send knob next to the slot to set the amount of the signal sent to the aux To add a concert wide effect to an aux In the Patch List select the concert icon The auxes in the concert appear in the Channel Strips area along with the concert level channel strips On an aux click one of the Insert slots and choose an effect from the menu After you add an effect to an aux you can edit the effect as you would any channel strip effect by double clicking it to open the plug in window and then adjusting parameters in the plug in window You can add multiple effects to an aux and adjust the level and pan of the aux using the channel strip controls on the aux Chapter 6 Working with Concerts You can also add concert wide effects to an aux at the patch level if Show Signal Flow Channel Strips is active For information about showing signal flow channel strips in the Channel Strips area see Showing Signal Flow Channel Strips Using Auxes to Control Channel Strip Output You can also send the output of multiple channel strips to an aux auxiliary channel and then use the aux to control the volume level and pan position of the channel strips Sending the output to an aux is also useful for adding EQ or compression to a
187. song lyrics performance notes and other static information Background used to group a series of controls Chapter 7 Working in Layout Mode 105 106 Shelf Controls When you add a shelf control it appears on a three dimensional shelf You can move the shelf adjust the angle of the shelf and place multiple shelf controls on the same shelf For example if you have a keyboard screen control in your layout you can add pitch bend wheel and modulation wheel screen controls to the same shelf as the keyboard screen control Shelf controls include Keyboard Modulation or pitch bend wheel e Sustain pedal Foot pedal e Foot switch Grouped Controls Grouped controls consist of individual controls that are grouped together to make them easier to work with as a single unit Grouped controls include Selector grouped with increment and decrement buttons Keyboard grouped with mod wheel pitch bend wheel and sustain pedal e Sustain and expression pedals Organ drawbars e Guitar amp controls Guitar pedal controls Arrays of knobs and faders with uniform size and spacing Effects and tone control knobs Arrays of level meters and VU meters Arrays of parameter text displays Master output fader grouped with stereo level meter Arrays of drum pads Transport controls for use with Playback plug in e Channel strip controls My Grouped Controls The first time you add a custom grouped control to the Screen
188. ssignment In the toolbar click the Layout button MainStage switches to Layout mode In the workspace select the screen control you want to learn The selected control appears highlighted in blue 3 Click the Learn button in the Screen Control Inspector or press Command L Chapter 4 Getting Started with MainStage 37 The Learn button glows red to indicate that the Learn process is active and the selected screen control is highlighted in red e808 otayoutes Edit Perform FullScreen Mode Tuner Screen Control Inspector Hardware Input tess Click the Learn button to Device a3 start learning hardware Channel Unassigned assignments Type Unassigned lt Number 1 Modulation ss MIDI thru Automatic Hardware Output Enable Device None Channel Channel 1 Appearance Color C Control Round Knob Text Labels Coor _ Display Parameter Value _ Add hardware label 4 On your MIDI device move the control you want to assign Move faders and knobs through their full range of motion and press buttons exactly three times not too quickly to enable MainStage to correctly learn the MIDI message types sent by these controls The values in the Hardware Assignment pop up menus change to reflect the type of hardware control learned by the screen control While the assignment is being learned incoming MIDI messages appear in the Activ
189. t Parameter Range a A 4 Select the action you want to map Note If you map a knob screen control to an action to select a patch such as the 10 Patches Previous Patch Next Patch or 10 Patches action the screen control jumps to the value of the hardware control regardless of the setting of the Respond to Hardware Move parameter in the Screen Control Inspector Mapping a Screen Control to Multiple Parameters You can map a single screen control to multiple parameters and control how the screen control modifies each mapped parameter Mapping a screen control to multiple parameters is also referred to as multimapping You map a screen control to up to eight parameters by adding mappings in the Screen Control Inspector To add a mapping 1 Map the screen control to a parameter or action as described in Mapping Screen Controls to Channel Strip and Plug In Parameters and Mapping Screen Controls to Actions 2 With the screen control selected click the Add Mapping button at the upper right corner of the Screen Control Inspector Anew Unmapped tab appears in the Inspector showing the Parameter Mapping browser 3 Inthe Parameter Mapping browser choose the parameter to which you want to map the screen control If you add a mapping while the Learn process is active the Map Parameter button is red you can immediately learn the new mapping The Command Editor also includes key commands for selec
190. t items onscreen The Inspectors allow you to edit parameters and attributes for patches sets screen controls channel strips and the concert Most Inspectors feature tabs that make it easy to quickly access the parameters you want to edit To make working easier MainStage features four different modes each suited to a different task You audition edit and organize your sounds and map screen controls in Edit mode You customize the visual arrangement of controls onscreen and make controller assignments in Layout mode You use either Perform mode or Full Screen mode when you perform live Layout Mode Layout mode is where you customize your onscreen layout and make connections between your MIDI hardware and the screen controls in your concert You drag screen controls into the workspace and arrange them onscreen to customize your layout then create connections called controller assignments between your MIDI hardware and the screen controls In the Screen Control Inspector you can edit layout parameters to customize hardware assignments and modify the visual look of the screen controls in your concert e808 Untitled Concert itaona tan Perform Fullscreen a 4 tt Mode Tuner Reset Compare Paich Record Master Mute Channel Strips Screen Control Inspector Layout Ja Hardware Input Color C Control Directional Knob Text Labels Display Plug in Parame T ada hardware labet
191. t level Add a Playback plug in to a patch and use it to play a backing track while you play an instrument on another channel strip in the patch Add a Playback plug in at the set level and use it to play a backing track that continues while you select and play different patches in the set Add a Playback plug in at the concert level and use it to play a backing track or sound effect while you select and play different patches in the concert Add multiple instances of the Playback plug in at the set or concert level and use them to play and remix different backing tracks Recording Your Performances You can record a performance to an audio file Before you record a performance you can choose the file format of the recorded audio file If you choose AIFF as the file format for recording the maximum file size for the recorded file is 2 gigabytes If you choose WAVE as the file format the maximum file size is 4 gigabytes If you choose CAF as the file format there is no practical limit to the file size You can choose the file format in the Audio pane of MainStage preferences and also set the location of the recorded file and choose which audio outputs are recorded if you are using multiple sets of outputs in your concert For information about recording preferences see Recording You can record in Perform or Full Screen mode by mapping a screen control to the Record action You can also assign a key command to the Record action and
192. tage MainStage Website For general information and updates as well as the latest news on MainStage go to e http www apple com logicstudio mainstage Apple Service and Support Websites For software updates and answers to the most frequently asked questions for all Apple products go to the general Apple Support webpage You ll also have access to product specifications reference documentation and Apple and third party product technical articles e http www apple com support For software updates documentation discussion forums and answers to the most frequently asked questions for MainStage go to e http www apple com support mainstage For discussion forums for all Apple products from around the world where you can search for an answer post your question or answer other users questions go to e http discussions apple com Preface Welcome to MainStage Introducing MainStage 1 This chapter gives you a conceptual overview of MainStage and describes how you can use it together with your instruments and other musical equipment when you perform live This chapter covers the following e What Is MainStage p 11 Using MainStage with Keyboard Controllers p 13 e Usin Q MainStage with Electric Guitars p 13 e Using MainStage with Vocals Drums and Other Instruments p 13 e How to Use MainStage in Your Music Setup p 13 e Using MainStage in Live Performance p 16 What I
193. tch Library causes an alert to appear while the individual patches are opened from the patch file Adding a Patch You can add patches to the concert and organize them in the Patch List The number of patches is limited only by the amount of available memory in your system When you add a patch to a concert the patch is selected so you can easily audition and select a patch setting from the Patch Library To add a new patch Click the Add Patch button located in the upper right corner of the Patch List The new patch appears in the Patch List and the Patch Library is open in the Patch Inspector L m Patch Inspector l Patch Library Attributes Tuning j E 01 Keyboards oan MainStage Templates gt gt amp 60 s Organ amp 02 Software Instruments gt 02 Guitar Rigs gt El Analog Lead E 03 Guitar Rigs gt Gj 03 Vocals m amp Auto Wah Fuzz Clav G amp 04 Vocal Processing gt 04 Drums gt amp Basement Bass Go 05 Audio Effects gt G05 Mixers gt amp Blues Organ E 06 Multi instrument amp Bright Fifth Delay Pad Audio Channel Strips gt amp Chinese Guzheng Zither G Instrument Channel Strips gt amp Chinese Zither amp Synth Pad El Chorused Suitcase Mk amp Classic Hip Hop Lead 4 El Deep Funk Clav Select the patch setting you want to use from the Patch Library If you want to play the patch using your keyboard controller select a Keyboard patch If
194. te Command D Duplicate Chapter 10 Key Commands Default key command Function Command A Select all Actions Includes key commands for some MainStage actions Control P Panic Control T Tap Tempo Control M Master Mute Control R Toggle Recording Space bar Toggle Play Stop Parameter Mapping Edit Mode Includes commands for learning mappings and locating mappings in the Parameter Mappings browser Command L Map the selected parameter turn on mapping Command F Find in Parameter Mapping browser Command G Find again Channel Strips Edit Mode Includes commands for adding channel strips Command Option A Add audio channel strip Command Option Add software instrument channel strip Command Option F Show Hide signal flow channel strips Screen Controls Layout Mode Includes key commands for learning controller assignments and for grouping and ungrouping screen controls Command L Learn controller assignment turn on the Learn process Command Option G Group screen controls Command Shift Option G Ungroup screen controls Command Option H Select the next screen control select the Add hardware label checkbox and select the Add hardware label text field for entering text Chapter 10 Key Commands 145 146 Full Screen Mode Includes key commands for selecting patches and sets sending MIDI panic muting unmuting audio and exiting Full Screen mode Default key command Function
195. te that program and bank changes are sent when you edit the program change and bank change value sliders in the Channel Strip Inspector so you can be sure that the values you enter send the correct program and bank change messages For more information about using external MIDI instruments see the Logic Pro User Manual If you want the external instrument to respond to the program change but do not want it to receive note or other MIDI information from your controller click the MIDI Input tab and choose None from the Keyboard pop up menu You can also use a knob or fader mapped to the Program Change action to send program changes to an external instrument To send program changes to an external instrument using a screen control In the workspace click the screen control you want to use to send program change messages In the Screen Control Inspector click the Unmapped tab In the Mapping browser select the external instrument then select MIDI Controller folder from the submenu In the third column from the left select Program Change The screen control is mapped to the Program Change parameter By moving the hardware control assigned to the screen control you can send program changes to the external instrument Chapter 5 Working in Edit Mode Note If the MIDI Out parameter of the external instrument channel strip is set to the external instrument when you map the screen control to the Program change parameter a program chang
196. the Playback plug in you select and add the audio file you want to play using the plug in To add an audio file to the Playback plug in Do one of the following Drag the audio file to the Instrument slot with the Playback plug in Drag the audio file to the tape area of the plug in window Click the File field in the plug in window select an audio file in the Open dialog then click Open Choose Open File from the Action menu at the upper right of the Playback plug in window select an audio file in the Open dialog then click Open Chapter 8 Playing Back Audio in MainStage 127 128 The name of the audio file appears in the File field and the waveform of the audio file appears in the Waveform display You can preview an audio file in the Open dialog by selecting the file and clicking Play To hear the file after adding it to the Playback plug in click the Play button in the plug in window Setting the Sync Mode for the Playback Plug in When you add an audio file to the Playback plug in MainStage looks for tempo information in the file For audio files containing tempo information including Apple Loops and files exported from Logic Pro the file is scanned for transients short bursts of audio energy that usually occur on rhythmic beats Transient information is stored in the audio file and used to play the file with the best audio quality even when the file is played at a different tempo or pitch For these audio f
197. through depends on the following conditions If there is no screen control in your layout assigned to receive the message type sent by the controller the messages are passed through Chapter 7 Working in Layout Mode 121 122 If a screen control for that MIDI message type exists and the MIDI Thru parameter for the screen control is set to Automatic or to the input device the messages are passed through This is the default for screen controls set to receive volume pan expression sustain modulation pitch bend and aftertouch messages If a screen control for that MIDI message type exists and the MIDI Thru parameter for the screen control is set to Do not pass through the data is not passed through This is the default for most other screen controls The reason for these exceptions is so that when you add a screen control for a modulation wheel or a sustain pedal for example it automatically responds to the appropriate MIDI message type without your having to configure it further If you want to have the screen control respond to a different type of MIDI message you can choose another MIDI message type from the Number pop up menu in the Screen Control Inspector Incoming MIDI messages that are passed through are passed to any channel strips mapped to the same device sending those messages that is to the keyboard controller you are using to play those channel strips If there is no matching device the MID
198. ti effects processor After you connect your instrument to your computer using an audio interface you send your guitar s audio signal to audio channel strips in your patches where you can add effects including the Amp Designer and Pedalboard plug ins designed specifically for use with electric guitar You can also use EQ compression reverb overdrive and other Logic Studio effects in your guitar patches You can control volume effect blend or expression with an expression pedal and use a foot switch to select patches hands free when you perform Using MainStage with Vocals Drums and Other Instruments Vocalists and acoustic musicians can use MainStage by sending the audio output from a microphone connected to their computer to audio channel strips in their patches You can use MainStage with Core Audio compatible audio devices such as audio interfaces and digital mixers for input from instruments and microphones and for audio output to speakers monitors a mixing board or a public address PA system In MainStage you can access a wide range of effects in your patches Drummers can also use MainStage by sending the audio output from microphones to audio channel strips in their patches or by using drum pads or a virtual drum kit to control the EXS24 mkll sampler Ultrabeat and percussion oriented plug ins How to Use MainStage in Your Music Setup You can add MainStage to your music equipment setup by following these steps Chapter 1 I
199. ting the previous and next tab to make mapping to multiple parameters easier For information about using key commands see Using the Command Editor Chapter 5 Working in Edit Mode If you frequently map screen controls to multiple parameters you can speed your workflow by assigning key commands to select the previous and next tab or to select a specific tab in the Screen Control Inspector For information about assigning key commands see Icing the Command Fd JSING The commana EQITOr To view all mappings for a screen control In the Screen Control Inspector select the Mappings tab The mappings appear in a list view that shows the minimum and maximum range values and patch change behavior for each mapping and includes buttons to open the Parameter graph and Invert graph values for each mapping If you create multiple mappings for a screen control you can define the relationships between the first mapping and subsequent mappings This can be especially useful when for example you are mapping the same control to filter cutoff and filter resonance and you want to ensure that resonance does not exceed a certain maximum value as you increase the cutoff value The default relationship affects all future mappings for the same and other screen controls but does not affect existing mappings The default is set to Scale the first time you open MainStage To define the default relationship between the first mapping and subsequent mappings S
200. toolbar by dragging items from the Customize Toolbar dialog to the toolbar To show the Customize dialog Do one of the following Choose View gt Customize Toolbar Control click the toolbar then choose Customize Toolbar from the shortcut menu The Customize Toolbar dialog appears and spaces between buttons in the toolbar are outlined in gray Chapter 3 The MainStage Interface 27 28 To add a button to the toolbar Drag a button from the Customize dialog to the toolbar If you drag a button between two existing buttons the buttons move to make room for the new button To move a button in the toolbar Do one of the following If the Customize Toolbar dialog is visible drag the button to move it If the Customize Toolbar dialog is not visible Command drag the button to move it You can also rearrange the toolbar using set width spaces flexible spaces and separators To add a space or a separator to the toolbar Drag a space flexible space or separator from the Customize Toolbar dialog to the toolbar To return the toolbar to the default set of buttons Drag the default button set located at the bottom of the Customize Toolbar dialog to the toolbar You can also change the toolbar so that it shows only icons or only text by Control clicking the toolbar then choosing Icon Only or Text Only from the shortcut menu To show only icons in the toolbar Do one of the following Control click the toolbar then choose Icon On
201. trument Outputs in MainStage MainStage supports the multiple output versions of the EXS24 mkll Ultrabeat and some Audio Units instruments You can insert multi output instruments and use them to route different outputs to different physical outputs apply different plug ins or processing to different outputs or for other uses Chapter 5 Working in Edit Mode 65 66 If an instrument supports multiple outputs one or more multi output versions are available in the Instrument Plug In menu for the instrument I Ptverb EVP88 Electric Piano gt No Plug in EFM1 FM Synth ES E Ensemble Synth ES M Monophonic Synth ES P Polyphonic Synth ES1 Synthesizer 1 ES2 Synthesizer 2 EVB3 Tonewheel Organ 1 EVD6 Electric Clav EVOC 20 PS Vocoder Synth EVP88 Electric Piano EXS24 Sampler Klopfgeist Playback Sculpture Modeling Synth Test Oscillator Ultrabeat Drum Synth Ae A EA OV Y h WOON ONY VW GarageBand Instruments y AU Generators AU Instruments AU MIDI controlled Effects v v Y The Plug In menu shows specific information about output configurations for example EXS24 Multi Output 5xStereo 6xMono Note Not all instruments support multiple outputs If no multi output version is available in the Plug In menu the instrument does not support multiple outputs To insert a multi output instrument On the channel strip in w
202. ttom contains the Sync Snap To and Play From pop up menus These are used to set playback and recording behavior See Using the Loopback Sync Snap To and Play From Parameters The Group pop up menu sets group membership for each Playback instance See Using the Loopback Group Functions Action menu The Action menu is accessed by clicking the button with the gear icon at the top right of the interface It provides import and export monitoring and other commands See Using the Loopback Action Menu AppendixB The Loopback Plug in Using the Loopback Waveform Display The waveform display shows the waveform of the recorded audio material The waveform display updates in real time as you record new material The vertical line in the center of the display is the playhead which shows the current playback or recording position as the waveform scrolls from right to left The ruler appears above the waveform showing bars and beats musical time Using the Loopback Transport and Function Controls This section covers the controls for recording playback fade count in metronome and undo operations Reverse button Count in button Play Stop button Fade Out button Record button Undo button Metronome button Record button Starts or stops recording Click the Record button once to start recording to the tape loop a virtual tape loop not an actual one Click a second time to set the length and start overdu
203. turn to Start Dragging in the waveform display Fade Out time and action Count In Metronome Undo e Reverse Important Editing a parameter in one member of a group does not automatically update the parameter value in other group members To change the parameter value in all group members hold down Shift while you edit the parameter in any group member You need to set Sync to the same mode for all group members or you will hear playback drift between grouped instances To assign a Loopback instance to a group Open the Group pop up menu at the lower right of the interface and choose a letter Note When a Loopback instance is added to an existing group some button states may be different from other group members If you want all group members to behave identically when a transport button is used in any group member make sure that the states of all buttons match those of other group members before you add a Loopback instance to a group To remove a Loopback instance from all groups Choose the item from the Group pop up menu Appendix B_ The Loopback Plug in Using the Loopback Action Menu The Action menu is found to the top right of the waveform display and contains the following items Export Tape Loop Shows an export dialog where you can name and choose a location to save the tape loop to an AIFF audio file Import Tape Loop Shows an import dialog where you can select and import a previously export
204. tween patches and can sustain notes from the previous patch while you start playing the newly selected one You can view feedback about your patches including names parameter values and audio output levels in real time You can also adjust concert wide effects using auxiliary channels and control other concert wide settings MainStage provides two modes optimized for performing live Perform mode and Full Screen mode In Perform mode the workspace fills the MainStage window but lets you retain access to the Finder and to other applications In Full Screen mode the workspace fills your entire screen optimizing available screen space for your onscreen layout You can use whichever mode you prefer You can use MainStage with multiple MIDI controllers microphones musical instruments and other music equipment For time based effects such as reverb and delay you can set a pre defined tempo use MIDI input for tempo changes or tap the tempo as you perform For tips and other information about using MainStage when you perform live see Performing Live with Mainstage Chapter 1 Introducing MainStage Setting Up Your System 2 You can use MainStage with a wide variety of MIDI controllers and Core Audio compliant audio devices For basic information about designing and configuring your system including information about computer requirements connecting audio and MIDI devices and configuring your audio hardware see the Setting Up Your
205. ug in Contents Chapter 9 Chapter 10 Appendix A Appendix B Appendix C 130 133 133 134 135 136 137 137 137 138 139 140 141 141 143 143 143 147 148 149 150 151 152 153 154 155 157 158 159 159 160 161 161 163 163 165 165 166 168 Using the Playback Plug in Performing Live with MainStage Before the Performance Starts Using Full Screen Mode and Perform Mode Selecting Patches in Performance Using Screen Controls in Performance Handling Tempo Changes in Performance Tips for Performing with Keyboard Controllers Tips for Performing with Guitars and Other Instruments Using the Tuner Using the Playback Plug in in Performance Recording Your Performances After the Performance Tips for Complex Hardware Setups Key Commands Using the Command Editor MainStage Default Key Commands The Playback Plug in Getting to Know the Playback Interface Using the Playback Waveform Display Using the Playback Transport and Function Buttons Using the Playback Information Display Using the Playback Sync Snap To and Play From Parameters Using the Playback Group Functions Using the Playback Action Menu and File Field Using the Playback Shortcut Menu The Loopback Plug in Getting to Know the Loopback Interface Using the Loopback Waveform Display Using the Loopback Transport and Function Controls Using the Loopback Information Display Using the Loopback Sync Snap To and Play From Paramet
206. uning Tuning slider Sets the tuning for all software instruments in MainStage Tuning is centered around A440 Hz in the range of 100 cents Metronome Output pop up menu Choose the audio output or output pair that the metronome sound is routed to Volume slider Drag the slider to set the relative volume for the metronome sound Startup Startup Action pop up menu Choose the startup action when you open MainStage The choices are Do Nothing Does nothing You can access the Choose Template dialog by choosing File gt New Create New Concert from Template Opens the Choose Template dialog 165 166 Open Most Recent Concert Opens the last open concert in the same mode it was in when you closed it Open Most Recent Concert in Perform Mode Opens the last open concert in Perform mode Open Most Recent Concert in Full Screen Mode Opens the last open concert in Full Screen mode Alerts Reset Warnings button Click to reset the behavior of alerts for which you have selected the Do not show again checkbox so that they appear in the future when appropriate conditions occur Parameter Values On Patch Change pop up menu Choose whether parameter values change or remain the same when you change patches By default the On Patch Change parameter for individual screen controls is set to Preference in which case they follow the preference behavior If this parameter is set to another value for a s
207. use physical buttons on your MIDI device to select patches when you perform You can also map buttons to actions for selecting different sets or selecting the concert For information about assigning buttons see Assigning Buttons To map a screen control to an action In the workspace click the screen control you want to map The Screen Control Inspector appears below the workspace showing the settings for the selected screen control If the screen control is currently mapped a tab with the name of the mapping is visible in addition to the General and Mapping tabs If the control is unmapped the tab is labeled Unmapped Click the Unmapped or name of mapping tab The Parameter Mapping browser appears below the workspace The Actions folder is available in the Parameter Mapping browser 3 In the column on the left of the Parameter Mapping browser click the Actions folder Chapter 5 Working in Edit Mode 73 The available actions appear in the second column of the browser Click the action you Click the Actions folder to want to map from see available actions the submenu Sl jm Seren Control Inspector Metronome Current Program Number i Next Patch 48 10 Patches t Prev Set amp Current Set 55 Next Set E Concert Tuner Master Tuning Master Mute EZ Tap Tempo I amp Metronome Stage Mk II Bright 1 gt Ga Send to All gt Range Max On Range Min Of Inver
208. utton to open the Audio MIDI Setup window and configure audio output Click the Audio Input Setup button to open the Audio MIDI Setup window and configure audio input I O Buffer Size pop up menu Choose the size of the buffer for audio input and output in samples Smaller buffer sizes reduce the amount of latency but also require more work from the CPU and may result in playback artifacts You may want to try different settings to find the lowest setting that does not produce any artifacts I O Safety Buffer checkbox When selected MainStage uses an additional buffer to process audio output streams providing a safeguard against crackling noises that may occur when using very low I O Buffer Size settings If turning on this preference doesn t improve things on your system disable the checkbox and select a larger I O buffer size setting Note Use of the I O Safety Buffer preference increases the output latency and therefore the round trip input plus output latency The latency for the current buffer size is displayed below the I O Safety Buffer checkbox Sample Rate pop up menu Choose the sample rate for audio input If you are using an audio interface or other audio device with MainStage the Sample Rate value should be set to the sample rate of your audio device Apply Changes button Click to apply changes to the input output sample rate and buffer size settings If you do not click the Apply Changes button changes are applied whe
209. uttons This section covers the buttons used for playback fade count in click and marker navigation operations Return to Start button Cycle button Fade Out button Count in button o Play Stop button Metronome button Previous Next Marker button Return to Start button Moves to the very beginning of the audio material but does not start playback If Playback is in play mode however playback will continue from the start of the audio file e Play Stop button Starts or stops playback The position playback starts from is affected by the Sync Snap To and Play From parameters See Using the Playback Sync Snap To and Play From Parameters Cycle button Cycles playback between the current marker and the next marker Audio is automatically crossfaded at the marker points to minimize clicks If the file contains no markers playback of the entire file is cycled Fade Out button Gradually lowers the volume level to silence over the number of seconds specified in the Fade Time parameter The Fade Out button turns blue until the fade out has completed and playback stops You can stop an active fade out by clicking the Fade Out button a second time This gradually restores audio playback to the full volume level over the same amount of elapsed time as the fade out Count in button Enables a one bar count in using the MainStage metronome click The count in always uses the concert tempo and meter rega
210. viewing MainStage receives all keyboard input so no other key commands including Mac OS X key commands are active You can access the Master Mute and Panic functions and the Tuner using their key commands or if you have mapped screen controls to these functions To switch to Full Screen mode Do one of the following Choose View gt Full Screen or press Command 4 Click the Full Screen button in the toolbar To leave Full Screen mode Do one of the following Press the Escape Esc key Click the circled X in the upper left corner of the screen Use the key command for one of the other modes Command 1 through Command 3 Working in Perform Mode In Perform mode the workspace fills the MainStage window but the toolbar is still visible so that you can access the Master Mute Panic Tuner and other toolbar buttons You can resize the MainStage window and can also change the size of the workspace inside the window using the zoom slider You can access the Finder and other open applications by clicking outside the MainStage window Chapter 9 Performing Live with MainStage To switch to Perform mode Do one of the following Choose View gt Perform or press Command 3 Click the Perform button in the toolbar By default when you open MainStage it opens in Edit mode You can change the default behavior in the General pane of MainStage preferences so that it opens in Perform or Full Screen mode For more information
211. ware assignments for your performance setup are imported with the layout and your mappings are maintained Chapter 9 Performing Live with MainStage 141 Key Commands 10 This chapter provides tables listing the default key commands for MainStage and describes how to open the Command Editor to customize key commands This chapter covers the following Using the Command Editor p 143 e MainStage Default Key Commands p 143 Using the Command Editor MainStage includes a Command Editor that lets you view and customize key commands You can assign key commands to functions that do not have a default key command and change the key command for other functions You can also create multiple command sets and switch between them You can assign key commands to customize the current command set You can also choose a different command set and import export duplicate and delete command sets in the Command Editor To open the Command Editor Choose MainStage gt Commands gt Customize The Command Editor opens showing the key commands for the selected command set For detailed information about working with the Command Editor including information on customizing exporting and importing command sets see Working with Key Commands in the Basic Operations chapter of the Logic Pro User Manual MainStage Default Key Commands The following sections show all of the default key commands for MainStage grouped by function
212. ware instrument channel strips To use the Playback plug in you add it to a software instrument channel strip then select an audio file to play You can add a Playback plug in to a channel strip in a patch or at the set or concert level 125 Where you add an instance of the Playback plug in depends on how you want to use it If you want to play back an audio file while you play a single patch you can add it to the patch If you add a Playback plug in at the set level you can select different patches in the set and have the audio file continue playing This can be useful for example if the set includes all the patches you ll use in a song and the Playback plug in plays an audio file with a backing track for the song If you add a Playback plug in at the concert level you can select different patches in the concert and have the audio file continue playing The ability to use the plug in at any level gives you a great deal of creative freedom in how you use it Each instance of the plug in can play one audio file You can use audio files in a variety of file formats including AIFF WAVE and CAF You can play audio files containing marker information including files exported bounced from Logic Pro and Apple Loops and shift playback to markers located at different time positions in the audio file There are two ways to add a Playback plug in by dragging an audio file to the Channel Strips area or from the Instrument slot on a channel str

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