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Eventide H8000 DJ Equipment User Manual

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1. 2 48 22 Manglers gt eyo ptud4 hear pero ys at 49 23 Mastering Suite 2 lt ovii4 esheyewiess 50 24 MIDI Keyboard 51 26 Mix Tools cece eee 52 30 Multi Effects 0 0000 52 32 Multiple Machines 55 33 Panners 2 asked s hE 56 34 Percussion 0 cece cee ees 57 35 PHASELS cs cule sn a a a 59 36 Pitehtime hah bath heeds eters ies bdo 60 S8 POst SULE cos set kane eS ota as a 61 39 Re mix Tools 0 cee eee 61 40 Reverbs 2 5 1 0 0 cece eee eee 63 41 Reverbs 5 1 oo cee cee eee 65 42 Reverbs H8000 67 43 Reverbs Chambers 69 44 Reverbs Halls 00 69 45 Reverbs Plates 00 70 46 Reverbs Preverb 71 47 Reverbs Rooms 00005 71 48 Reverbs Small 0 72 49 Reverbs Surround 73 50 Reverbs Unusual 75 Release 1 2 51 Ring mods 4s305 s4asaeia ei deawkes 77 52 Sampler Large 2 Sense seaviesess castes 71 53 Sampler Small 25 enc cates 79 54 Shifters irea aa ccc ee nes 80 55 Shifters Diatonic 82 56 Shifters Ultra 0000 83 57 Shifters Unusual 84 58 Sound Effects 0 0 0c e eee 86 59 Spatialization 000 87 6l Synthesis 53 5555n5e eas vasenetenses 87 62 Test Tools sci giek 25 f
2. 5410 4_Detuners 96 4 4 GVK P A simple four channel four voice detuner Quad in quad out 5411 4 PitchShift 96 4 4 GVK PM TT Four independent shifters with master and individual params Each voice may be controlled via externals or an LFO for smooth modulation effects Quad in quad out 5412 4_ReverseShift 96 4 4 GVKS P Four independent reverse shifters with master and individual parameters Quad in quad out 5413 4_ReverseTetra 96 4 4 GVKS P TT Four channel reverse shifters with independent and master controls Quad in quad out 5414 5 1 5ths amp 8ves 48 6 6 5414 5 1 S5ths amp 8ves 96 Il 6 6 Surround version of a classic Eventide preset 5415 5 1 Detuned Arpeggio 48 6 6 5415 5 1 Detuned Arpeggio 96 Il 6 6 Play a single note and get an arpeggio around you slightly modulated 5416 5 1 MicroPitchShift 96 Il 6 6 5416 5 1 MicroPitchShift 48 6 6 Eventide legacy classic thickening detuning algorithm now in 5 1 5417 5 1 Pitch Shifters 96 Il 6 6 5417 5 1 Pitch Shifters 48 6 6 Your starting point for any 5 1 pitch shifting custom preset S PM TT Full 5 1 I O surround algorithm 5 high quality pitch shifters with tap tempo delays max 2 sec and modulation 5 1 1 0 5418 8 _Detuners 96 8 4 P A simple eight channel eight voice detuner Octal in quad out 5419 8 PitchShift 48 8 4 5419 8 _PitchShift 96 18 4 PM TT Eight independent shifters with master and individual params Each voice may be control
3. Surround Our first 4 channels reverbs ever made collection Amazing industry acclaimed room emulations very realistic church spaces and entirely imaginary environments are offered here These are very powerful and flexible structures that really deserve your attention Countless different tweaks of any of these presets are possible They just sound good 4910 AcousticRoom 96 2 4 GS RD TT Select reverb front rear both Early reflections are always front Tweaked for acoustic electric instruments Stereo in quad out 4911 Basilica 96 l 2 4 4911 Basilica 48 2 4 S RDE Surround reverb for long reverb timesreverb with separate tunable lowpass and parallel bandpass section early reflections on output 1 2 reverb tail on ouputs 3 4 lowpass rumble switch able bandpass midtune on 1113 2114 Summed in quad out 4912 Catacomb 96 2 4 S RDM TT Long ambient decay of reverb kept animated via sophisticated delay lines Note long decay time but low hicut filter frequency Output switching on verb Stereo in quad out 4913 ChoralEchoVerb 96 2 4 S RD TT RandomChorusEchos Verb At load put cycles to 0 then back to 30 to settle chorus Echoes out 1 2 verb d out 3 4 Stereo in quad out Release 1 2 Page 73 of 109 12 30 2003 The H8000 Presets Collection 4914 Cumulo nimbus 48 2 4 S R TT Using some extremely long delay times this effect is somewhere between a delay and reverb Be careful with decay feedback
4. Reflections come back from around you lt Descri pti on of theabove tweak 4140 5 1 Vox Bright Plate 48 6 6 4140 5 1 Vox Bright Plate 96 II 6 6 G id nt dth Rock vocals love to swim in such a bright verb oe Spee ls prse 4141 5 1 Vox Hall 96 6 6 4141 5 1 Vox Hall 48 6 6 Warm and large this hall sounds great on human voice VS PE Full I O surround algorithm Early reflection e r delays attempt to recreate the reflections lls floor and ceiling Diffusor e r delays help to define the reverb space Size presets e r amp diffusor terns Scaler S uggested source material ty pes Effects in prsg May also show TT for tap tampo control or Tim for central time control Release 1 2 Page 17 of 109 12 30 2003 The H8000 Presets Collection 1 Simple List of banks and also basic Mute Thru and Oscillator presets 10 H8000 Banks 96 8 8 11 Mute 96 0 0 Nothing in nothing out 12 Thru 96 8 8 The preset s input is electronically connected to the output Octal in octal out 13 Oscillator 440 96 0 8 M General purpose oscillator Lfo fm allows addition of an offset and modulation Aliasing will be audible on triangular and square waves at higher frequencies 2 Artist Bank This bank includes some of the classic presets written by and for artists using Eventide effects units 210 Amp u lation 96 2 2 EY Tube power amp speaker emulation This little guy can really do the trick of cleaning
5. 1033 4Stereo Verbs 2 48 8 8 1033 4 Stereo Verbs 2 96 Il 8 8 GVDK R Four identical stereo reverbs one on each stereo channel Use master or local controls and adjust to taste Quad stereo in quad stereo out 1034 AMSDMX 2BPMDDLS 96 4 4 GVK PDM Classic AMS Dmx 1580 emulation Inputs 1 amp 2 2 BPM delays discrete Quad in quad out 1035 AMS BPMDDLSmixed 96 4 2 GVK PDM Classic AMS Dmx 1580 emulation Inputs 1 amp 2 2 BPM delays discrete inputs 3 amp 4 include a stereo mixer Use outputs 1 amp 2 for returns Dual stereo in stereo out 11 Dynamics Fine tuned compressors expanders tremolos noisegates amplitude followers mastering quality multiband compressors 5 1 compressors all here in this bank 1110 Amplitude Follower 96 4 2 Y Modulates the amplitude of one stereo signal with another stereo signal The result is much like a triggered gate except that the level of the modulated signal is ALWAYS proportional to the level of the modulator Dual stereo in stereo out 1111 Auto V O Ducker 96 2 2 DY Smoothly fades music or sfx before voice or other priority signal No pumping unaffected by input level over threshold Includes one second delay Switch able in mono out 1112 Bigger Is Wider 96 2 2 VD REY Energy below 200 Hz bass notes and male voices triggers stereo width enhancement Completely compatible mono listeners hear original signal Stereo in stereo out 1113 FmTrem 96 2 2 GK
6. 6712 DualVoxProcess 96 2 2 V EY Great pre tape vocal processor Comp de ess EQ Dual mono in dual mono out 6713 Phased Voxverb 96 2 2 V RME Not much of a challenge to figure out what Phased Vocal Reverb does It has smooth slow sweep pattern on the phase and then a basic reverb Stereo in stereo out 6714 Proximityverb 96 Il 2 4 6714 Proximityverb 48 2 4 V PRY Vocal process and two verbs Sing louder and open the second verb Stereo comp gt diffusion gt detuners into verb1 and into stereo gates gt verb2 Processed source and detuners out 1 2 verbs out 3 4 Stereo in quad out 6715 Vocal Chorusdelays 96 2 2 V DMEY Simple stereo chorus delays with ducked feedback paths Thresh is ducker sensitivity and triggered by sum of l r Stereo in stereo out 6716 VocalverbTwo 96 2 2 V PRCEY Stereo comp EQ unreel room A complete vocal chain front to back perfect for those comp ed vocals Stereo in stereo out 6717 Voice Disguise 96 2 2 V PE Disguises voice for stool pigeon to appear on 60 Minutes Pitch shifts up and down using random lengths and random directions Mono in mono out 6718 Voice Processor 96 2 2 V DMEY Make voice tracks more compelling Accommodates wide range of mic techniques adds upward level full EQ de ess and compress WARNING adds 2 3 sec delay Switch able in mono out 6719 Vox Double Slap 96 2 2 V PRDMCE This is a doubler and a slap echo Good for vocals You
7. 8013 Doubletalk 96 2 2 V PDE Automatically turns parts of words inside out or use softkeys to do it on cue Great on comic effects obscuring lyrics campaign speeches no wait they re already full of doubletalk Use it in the foreground as a trick effect and it s also useful to keep background voices from interfering Automatic switches from normal speech to doubletalk at random Manual lets you tap lt Garble gt and lt Normal gt on cue Why two buttons So you can use two fingers and cue the effect more tightly Stereo in stereo out 8014 Fast Voice Process 96 2 2 V MEY This is a zero delay version of Voice Process Pro Because it has to react in real time you may hear clicks on sharp transients If so lower the input level Switch able in mono out 8015 Mega Dragway 96 2 2 V PRD All the screaming excitement of a SUNDAY racetrack spot Like the H3000B effect but cleaner and with an optional third voice and echo Adjust lt Pitch gt to make them more macho and press lt Classic gt or lt Mega gt to select two or three announcers Switch able in stereo out 8016 Nervous Talker 96 2 2 V PDM Put a voice in and it ll repeat itself nervously at random Great on your next aircheck The input voice is essentially unchanged except it repeats words at random Slide lt Nerves gt to make it repeat more often Switch able in mono out 8017 Triplets 96 2 2 V PM If you need just three voices this works be
8. Tweaked for lead tones 6621 One Time Rhyno 96 Il 2 2 6621 One Time Rhyno 48 2 2 Tweaked for clean dreamy chordal work G PRDMCE TT MultiShift gt st TT dly gt st chorus gt verb Set main wet dry balance to 100 wet Ext 4 5 6 7 control on off switching Delay and verb spill over switching Set TT switch in the system menu Summed in stereo out 6617 LA Studio Axe 96 2 2 G RDMY TT 2290 TT dynamic dly pan duck gt 1210 stereo chorus flanger gt Classic verb Externals 4 5 6 control midi switching Set wet dry balance to 100 wet Delay and verb spill over switching Tweaked for crunchy chords Set the TT switch in the system menu Summed in stereo out 6618 Lead Tone Poem 48 2 2 6618 Lead Tone Poem 96 I 2 2 Tweaked for rear pickup lead tones 6620 Monster RACK 96 l 2 2 6620 Monster RACK 48 2 2 Tweaked for lead tones in C Major 6622 Pentatonic Delight 96 Il 2 2 6622 Pentatonic Delight 48 2 2 Tweaked for lead tones in G min Pent 6624 Rock Vocals Rack 96 I 2 2 6624 Rock Vocals Rack 48 2 2 Tweaked for rock singers 6626 Sampled Drums Rack 96 I 2 2 6626 Sampled Drums Rack 48 2 2 Tweaked for drums samples 6628 Tale From The Bulge 96 Il 2 2 6628 Tale From The Bulge 48 2 2 Tweaked for clean and lead Landau tones GDV PRDMCEY TT H3000 dual Shift gt 2290 TT dynamic dly pan duck gt 1210 stereo chorus flanger gt PCM70 Hall Ext 4 5 6 7 control midi switching Set main wet dry balance to 100 wet Delay and
9. in a surround hall 4120 5 1 Snare Plate 48 6 6 Classic snare ambience now in 5 1 4121 5 1 Stadium 48 6 6 Around you an empty stadium reflecting sounds in the distance 4122 5 1 Theater Stage 48 6 6 Typical auditoriums environment ambience walking around the empty stage 4123 5 1 Vox Plate 48 6 6 Another classic space for any vocal track 4130 5 1 Choir Chamber 48 6 6 4130 5 1 Choir Chamber 96 16 6 Smaller than a hall fine tuned for a group of singers 4131 5 1 Classic Plate 96 16 6 4131 5 1 Classic Plate 48 6 6 Typical plate reverb now in 5 1 4132 5 1 Concert Hall 96 96 Il 6 6 Eventide concert hall for your 96KHz surround processing tasks 4133 5 1 Drums Booth 48 6 6 Tight surround ambience for percussions 4133 5 1 Drums Booth 96 16 6 Tight surround ambience for percussions 4134 5 1 Drums Room96 96 l 6 6 Nice room at 96KHz 4135 5 1 Gregorian Church 48 6 6 4135 5 1 Gregorian Church 96 Il 6 6 Surround vastity Great on sparse playing Release 1 2 Page 65 of 109 12 30 2003 DS RD 4136 5 1 Metal Tunnel 96 Il 6 6 4136 5 1 Metal Tunnel 48 6 6 What a horrible place we are in 4137 5 1 Sax Chamber 48 6 6 4137 5 1 Sax Chamber 96 l 6 6 Those bop lines feel right in this chamber 4138 5 1 Snare Chamber 96 Il 6 6 4138 5 1 Snare Chamber 48 6 6 Crafted for your snare DS RD delays You can change all e r delay values for each Size preset It will remember your settings 5 1 I
10. lt AssignI gt is volume pedal Verbs output selectable Summed in quad out 2012 EZPolyfuzzBandelay 96 2 2 G DE Ez version of PolyfuzzBandelay Summed in stereo out 2013 GobiGuitar 96 2 4 G RDCEY Polydriver gt diffussion gt delay Delay lets you choose output path Summed in quad out 2014 Horrormonics 96 2 2 G DMEY Great for harmonics Summed in stereo out 2015 Hyperstrings 96 2 2 G REY Ez polyfuzz with diffusors set to imply a bowed attack Summed in stereo out 2016 Polyonyx 48 2 4 2016 Polyonyx 96 l 2 4 G DMEY Comp gt polyfuzz gt delays With several ganged parameters this one gives a lot of flexibility while still being relatively easy to handle Gates on the fuzz as well as on the delays allow lots of enveloping possibilities Quad out lets you really fill the space Summed in quad out 2017 PolyReverse 48 2 4 2017 PolyReverse 96 l 2 4 G PRCEY Polyfuzz gt reverse shift gt verb Output switching on verb Summed in quad out 2018 PolyRingPre 96 Il 2 4 2018 PolyRingPre 48 2 4 G PEY Compression PolyFuzz and ringmods Summed in quad out 2019 QuadPolyfuzz 96 2 4 G E Polyfuzz with gates for each band Summed in quad out 2020 SlidingOnRazors 96 l 2 4 2020 SlidingOnRazors 48 2 4 G PRCEY Wammy Wa PolyFuzz detuners and Verb Pre and effects out 1 2 verb out 3 4 Stereo in quad out 2021 Surgery 48 2 4 2021 Surgery 96 I 2 4 G DMEY A four band poly proce
11. 4226 7416 3216 5215 3913 7714 1834 836 837 2016 2017 Panning Delays Panning Loops Panning Sampler PanningDelays_4 PanningDelays_8 Panped gt Quadroom 10 Panped gt Quadroom 24 Pantry Paradigm Shift Parallel Delays Parallel Delays8 Parallel Pedalboard ParticleAccelerator Patch Instruct Pcm70 Concert Hall Pcm70 Sax Hall Pedal Shift Pentatonic Delight PercussBoingverb Perfect Trem Perpetual Motion Phantom amp Reverb Phase Test Phased Voxverb PhaseRefraction1 PhaseRefraction2 Pianistick Piano amp Vocal Halls Piano sustenudo Piano Hall Pickers Paradise PillowVerb Pingchoruspong Pingcombpong Pingpong Pingringpong Pitchshifters_O Pitchshifters_Q PitchtimeSqueeze PitchtimeSqueeze4 PitchtimeSqueeze8 PitchtimeStretch PitchtimeStretch4 Plate gt BandPass Plate Reverb Plate_Inv_VintDly_Ch PlaybackOnlySampler Plex o tronica Plug Puller Pro Polychorus Polymod Chorus Polymod Delay Polyonyx PolyReverse 525 2018 6917 5440 2122 5026 526 4612 6714 6623 1118 1835 7218 2123 3914 838 839 3510 3217 333 3323 3324 324 326 652 653 3325 3518 5913 1216 1217 2124 3326 5914 6415 2418 2125 2019 4928 2126 4929 840 2319 2320 1121 5027 3519 230 7514 841 842 7219 4721 724 Polyrhythm 5 4 PolyRingPre PolySwirl Tap PolytonalRythym PolytonalSurround Pop Up Precision Delays Preverberator Proximityverb Psychedelic Vocals PsychicDuck DSP A Ptime Displacem
12. 652 Quad Delays Ambience 48 4 4 VS RDE TT Each input feeds a diffusor master which feeds a moddelay with filters and another diffusor in its fdback path Thick diffused polyrhythms are possible Pre delays diffusor s params are in the master menu Feedback diffusors are in the taps menus Reduce input trim to 6 10dB with high feedback settings Vintage sound for the connoisseur Quad 1 0 653 Quad Echoes 96 Il 4 4 653 Quad Echoes 48 4 4 GVS RDE TT Each input feeds a diffusor master which feeds a moddelay with filters and another diffusor in its fdback path Thick diffused polyrhythms are possible Pre delays diffusor s params are in the master menu Feedback diffusors are in the taps menus Reduce input trim to 6 10dB with high feedback settings Vintage sound for the connoisseur Quad I O 654 Vintage Delay 96 2 2 DME TT Two vintage sounding delay lines Some modern control features are added Stereo I O 655 Vintage St DuckDlys 96 2 2 DMEY TT Stereo Vintage Delays with ducking Stereo I O 7 Delays Loops This bank contains a number of looping presets based on the longdelay module This module is only available in DSP A the presets using it will thus only be loadable on DSP A This is a truly amazing collection really unique in the audio industry You would need an array of several looping processing and mixing units to try to achieve what some of these presets can do Others are not even possible outside of the Event
13. 6618 6620 Diffchorus Delay 2 Mercury Cloud 2 Salamanders D Salamanders V Tapdelay Plex Tapdelay Plex 2 Tapdelay Diffchor 2 Tapdelay Diffchorus Tapdelay Verb Tapring Plex Tapring Plex 2 ChromaticTuner Dither Metronome Midi Remote Cntrller Musicians Calc Quadmixer Send Return Switch 8 Universal Matrix Verb Tester White Noise 2in8out 140 EMT Plate 893 Undulator AMS DMX 1580S DynoMyPiano1380S H3000 Verby Chorus H3000BreathingCanyon Hand Flanger Omnipressor R Pcm70 Concert Hall Pcm70 Sax Hall RMX Simu Ambiance Stereo Undulator Tape Echo TC2290 TC2290 Dyn Chorus TC2290 Dyn Flanger TC2290 Dyn Long Dly Univibe 1210 Chorus Blues Heart Clean Chords Dream Strings Drums Treatment Electric Ladyland In Yer Face Vocals Fjord Guitar Metal Fatigue One Time Rhyno LA Studio Axe Lead Tone Poem Monster RACK 6622 6624 6626 6628 6623 6625 6627 6629 6710 6711 6712 6713 6714 6715 6716 6717 6718 6719 6720 6721 6722 6810 6811 6812 6814 6813 6815 6816 6910 6911 6912 6913 6914 6915 6916 6917 6918 6919 6920 7010 7011 7012 7013 7014 7015 7016 7017 7018 7019 7110 7111 7112 7113 7114 Pentatonic Delight Rock Vocals Rack Sampled Drums Rack Tale From The Bulge Psychedelic Vocals Searing Lead Tablas Baba 1980s Rack B vox Delays verb B vox Pitch verb DualVoxProcess Phased Voxverb Proximityverb Vocal Chorusdelays VocalverbTwo Voice Disguise Voice Process
14. Eight Expanders Eight Filters Eight Longdelays Eight Noisegates EightReversedelays Electric Ladyland Electronica Gtr Electronix 7612 7010 4511 216 826 827 3514 3514 S111 515 4413 1611 5432 2011 1314 2211 5112 1512 6111 1413 3611 3612 2012 3613 3614 1612 7512 5726 7613 8014 3018 2315 1714 1824 1414 319 320 1212 1213 541 651 4814 3416 1920 1227 6615 6914 1825 828 829 5812 1019 5016 3315 Elves Empty Program EMT style Plate Enhancer Envelope Flanger Envelope Flanger 8 Envelope Phaser Envelope Phaser8 Envelope Ring Mod Envelope Taps Environment 28 Eq amp Comp Timer Etherharp Eurhetemec Europa Evil Distortion Evil Ring Dist External Correct External Hats EZ Leslie EZ Ptimesqueeze EZ Ptimesqueeze8 EZPolyfuzzBandelay EZTime Delays EZTime Delays8 F Of H Multi Fake Call in Fake Pitch Shift H Fantasy Backgrounds Fast Voice Process FatFunkVocalFilter Fatten The Bass Fermilab Fifth Dominion Filter Bank Pan Filter_O Filter_Q FilterBank15 FilterBank20 Filtered Dlys Filtered Dlys FIR Glass Shower Firecracker Snare First Dominion Five Band EQ Fjord Guitar Flaedermaus Flange Verb Flange Echoes Flanged Delays Flintlock FitDlys_Rich Chamber Flutter Booth Fly by 3316 3317 6112 1113 1416 5313 5314 4936 710 3615 5727 5728 7112 4716 1826 1827 1921 1315 217 410 411 412 413 414 5017 4215 4216 4717 415 5729 1715 2
15. MY TT Fm version tremolo lt sens gt is fm sensitivity triggered by a sum of input 1 amp 2 lt polarity gt selects trem direction Stereo in stereo out 1114 Eight Compressors 96 8 8 Y Octal 8 mono compressors lt master gt params override all 8 compressors Octal in octal out 1115 Eight Noisegates 96 8 8 Octal 8 mono gates Select the sidechain trigger inputs at lt master gt menu lt master gt params override all eight gates Octal in octal out Release 1 2 Page 34 of 109 12 30 2003 The H8000 Presets Collection 1116 Omnipressor R 96 2 2 DEY This vintage emulation comes directly from the source Richard would be happy to share with you his foray into Vsig our graphics editing package His journey The Anatomy of a Preset as well as Vsig itself may be down loaded from our web site at eventide com Mono in mono out 1117 Perfect Trem 96 2 2 GVK MY TT Retrigger able fm tremolo Audio can retrigger the LFO so downbeats can set angle of waveform Audio can also modulate the LFO to allow a faster or slower rate during decay Stereo in stereo out 1118 PsychicDuck DSP A 96 4 2 DY Fades down the sub signal smoothly before the main signal starts For automated mixdowns and paging systems NOTE Runs in DSP A only Switch able in stereo out 1119 Eight Expanders 96 8 8 Y Octal 8 mono expanders lt master gt params control all channels simultaneously Individual channel controls override master
16. P Simple pitch shifters with common controls Octal in octal out 322 Pitchshifters_Q 96 4 4 P Simple pitch shifters Quad in quad out 323 Octal Compressor 96 8 8 Y Simple compressors with common control Octal in octal out 324 Quad Compressor 96 4 4 Y Simple compressors Quad in quad out Release 1 2 Page 20 of 109 12 30 2003 325 325 D 326 D 327 DM 328 DM 329 S 330 E 331 331 E 332 332 E 333 E 334 E The H8000 Presets Collection Octal Delays 48 8 8 Octal Delays 96 18 8 Simple octal delays with common controls Octal in octal out Quad Delays 96 4 4 Simple quad delays Quad in quad out Octal Moddelays 96 8 8 Eight modulating delay lines with individual delay controls Octal in octal out Simple Moddelays 96 4 4 Four modulating delay lines Quad in quad out Simple Sampler 96 2 2 Basic single take 85 second sampler Stereo in stereo out 4 10 Grafic Eq 96 4 4 Four channel ten band Choose freq bandwidth in octaves as well as levels in dB lt Mast gt is added to the boost Quad in quad out 8 10 Grafic Eq 48 8 8 8 10 Grafic Eq 96 18 8 Eight channel ten band Choose freq bandwidth in octaves as well as levels in dB lt Mast gt is added to the boost Octal in octal out O 10 Grafic Eq 48 8 8 O 10 Grafic Eq 96 II 8 8 Octal 10 Band equalizer with common controls Choose freq bandwidth in octaves as well as levels in dB lt mast gt i
17. Rotation manifold with second quad loop rotating counterclockwise Stereo pitch gt 2 quad loops gt quad verbs gt quad delays Quad in quad out 721 Panning Loops 48 4 4 GVKS DMY TT BPM quad loops 40 sec gt quad panner lt mod2 gt enables input to loops at level Stereo in quad out 722 PhaseRefraction1 48 2 4 GVKS DY TT Tim Refracts left and right timing within this multitap loop lt skew gt is added and subtracted to loop length This alternates the phase of the left and right loop as after with before with etc Rear channels add a 20 mS throw Stereo in quad out 723 PhaseRefraction2 48 2 4 GVKS DY Tim Refracts left and right timing within this multitap loop lt skew gt is a multiplier of loop length With a loop length of 4 sec and a lt skew1 gt at 125 the left loop plays back in time but the right loop plays back at 5 sec then at 3 sec then at 3 sec then at 5 sec This alternates the phase of the left and right loop as after with before with etc Rear channels with an added 40 ms throw Stereo in quad out 724 Reich Loops 1 48 4 4 GVKS DY Tim Four mono 35 sec loops delays Post loop delays 8 sec max lt loop gt chooses which loop sees input lt timer equals gt param selects how the math of the lt t_delay gt params work Summed in quad out 725 Reich Loops 2 48 4 4 GVKS DY Tim Four mono 40 sec loops delays Post loop delays 8 sec max lt loop gt chooses which loop see
18. Use with mono or stereo inputs matrixing is added to stereo to preserve the image Switch able in stereo out 7312 Easy Phaser 96 2 2 V ME Adds deep whooshing effect to any sound but it s particularly good on broadband signals full mixes voices and synthesizers Make the effect sharper with the lt Depth gt control Choose lt Spin gt mode for manual effects while you rotate the front panel knob or lt Automatic gt for continuous phasing with adjustable lt Speed gt Switch able in stereo out 7313 Long Delay W Loop 96 2 2 D Mono inputs are delayed up to five seconds Adjusting lt Delay gt while a sound is being processed adds interesting pitch effects Press lt Trap gt to record up to five seconds and have it repeat forever You can mix repeating output with live input Switch able in mono out 74 Px Echoes Each of these effects has a lt Mute Inp gt button to turn off the input suddenly so you can check the echo decay You can also use this button to end a sound while adding a smooth ringout All echoes have selectable right left mono input switch and stereo output Those with additional Stereo input selection have true stereo processing The effects in this bank should in general be used 100 percent wet as they incorporate their own mixing 7410 Basic Stereo Echo 96 2 2 RD Big rich room echo for use with mono or use Mute Inp button to test echo characteristic A tunable version of this pat
19. X Special Effects The H8000 offers the following effect types any given preset may have a combination of some or all of them eP Pitch Eventide invented the concept of the pitch shifting effect and is the leader in the field The pitch shifters offered include Diatonic shifters which shift by a musical interval within a specified key and Ultrashifter a formant corrected vocal shifter eR Reverb A reverb may range from an emulation of a spring line to a grand canyon D Delay Digital delays ranging from a few samples up to three minutes at 48kHz sampling E EQ The equalization offered by the H8000 ranges from simple high cut tone controls to 32 band multi channel parametric equalizers eM Modulation The way a parameter of the effect may be controlled or swept by a slow running oscillator or other signal source This allows a range of effects including auto panners tremolos and vibratos as well as flangers and phasers when modulation is applied to delay or filter elements eY Dynamics A general term describing a range of amplitude sensitive effects covering the field from compressors to envelope followers Release 1 2 Page 16 of 109 12 30 2003 The Eventide H8000 Preset Collection Key to Preset Entries Monolithic otherwise uses oneof thetwo machines Maximum sample Number of inputs Numba Name rate N number of outputs 4139 5 1 Surr Slap Back 48 46 6 4139 5 1 Surr Slap Back 96 Il 6 6
20. except stereo reverb in large auditorium Switch able in stereo out 3818 Scratchy 33 RPM 96 2 2 ME Bandwidth limiting stereo blend and scratches Use Quality settings or grab sliders for a custom effect Ticks have 33 1 3 RPM rhythm Stereo in stereo out 39 Re mix Tools This bank features a collection of tools for re mix and DJ applications BPM or MIDI clock synched delays sample amp hold panning filters tremolos choruses and flangers phasers and modulateable filters 3910 Drums o Tronica 96 2 2 D RDME TT A plex verb with modfilters embedded in its structure This very flexible structure is tweaked here as a polyrhythms drums mangler Feed an 85 BPM drum loop in to get the feel of it Choose TT switch in the system menu Summed in stereo out 3911 Electronix 96 2 4 GDK DME TT Modfilter gt pingpong Deep modulating filter sweeps between lt freq gt and lt fmod gt with a 2nd Ifo ramping the depth to get this synth like filter effect Control as rythmic values as well as Hz ms Rear channels get a secondary slap delay 1 10th value of pong Stereo in quad out Release 1 2 Page 61 of 109 12 30 2003 The H8000 Presets Collection 3912 GrooveSync Delay 96 2 2 GDK DE TT Cascade mode takes the output of the left delay including feedback and feeds the input of the right delay Stereo in stereo out 3913 Plex o tronica 96 2 2 GK RDME TT Plex verb with modfilters embedded in its structure A ve
21. stereo out 218 Gorgeous Delay 96 2 2 GV DE Warm echoes provided by lowpass filters Stereo in stereo out 219 Imp Wave 96 2 2 RD A short lived impulse wave Used as a thickener and imager Summed in stereo out Release 1 2 Page 18 of 109 12 30 2003 The H8000 Presets Collection 220 Jan s ResoChords 96 I 2 2 220 Jan s ResoChords 48 2 2 RDE TT Resonant Chords feeding Hall verb Door controls input level Reso sensitivity adjusts input level to resonators Watch clipping Dry level verb sends from Dry and Resonators available Each resonator has 2 4 sec delay and rhythmic subdivisions Summed in stereo out 221 JP Em 3rd 96 2 2 222 JP Em 3rd 6th 96 2 2 223 JP Em 6th 96 2 2 G P TT Two voice diatonic shift Summed in stereo out 224 Kill The Guy 96 2 2 G ME An extreme vocal wa effect Summed in stereo out 225 Little Man 96 2 2 G PRE A plex loop with reverse shifters and filters inside I think this little man is trying to say something Summed in stereo out 226 Mandel Worlds 96 2 2 PDM Series crystals and sinuous chorused delay Summed in stereo out 227 Maniac Filterpan 96 2 2 MEY Peak detection modulates an LFO gt filter panner Stereo in stereo out 228 Old Valve 96 2 2 GV DEY Valve simulation Summed in stereo out 229 Panner Delays 96 2 2 DM Subtle modulation make these panning delays rich and smooth Stereo in stereo out 230 Random Verb Long 96 2 2 P Like the ti
22. writing modes Verb 4 diffusors and 4 chan verb Quad in quad out 4921 Klaus Church 96 l 2 4 4921 Klaus Church 48 2 4 VKS RDE A surround reverb with 2 parallel separate tunable bandpass delay strings early reflections on output 1 2 reverb tail on outputs 3 4 bandpass1 mid 1 on I 3 2 14 bandpass2 mid 2 on 2114 1113 Mono in quad out 4922 Mix gt FourSidedVerb 96 4 4 S R TT Quad mixing of the four input channels into 4 diffusors and 4 channel verb Quad in quad out 4923 Mix gt Quadroom 10 48 4 4 4923 Mix gt Quadroom 10 96 ll 4 4 S R TT Like panped gt truEQuad but with four inputs to a quad mixer to place those four sources in the field Into a true quad reverb Quad in quad out 4924 Mix gt Quadroom 24 96 Il 4 4 4924 Mix gt Quadroom 24 48 4 4 S R TT Quad version of Room 24 with input mixing and placement Quad in quad out 4925 MonkRoom 96 l 2 4 4925 MonkRoom 48 2 4 S RDM TT Modulating reflections and a 24 tap surround reverb Tweaked for lots of texture Think gregorian monks in an echo cathedral Stereo in quad out 4926 Panped gt Quadroom 10 48 2 4 4926 Panped gt Quadroom 10 96 Il 2 4 4927 Panped gt Quadroom 24 96 Il 2 4 4927 Panped gt Quadroom 24 48 2 4 S RY TT Pan a single input in the four channel field into QuadRoom 24 Mono in quad out Release 1 2 Page 74 of 109 12 30 2003 The H8000 Presets Collection 4928 QuadRoom 24 48 4 4 4928 QuadRoom 24 96 Il 4 4 S R TT Qua
23. 1 Small Room E r 2_5 1 Stadium E r 2_5 1 Stage E r 2_5 1 Vox Chmbr E r 2_5 1 Ac Gtr Space 2_5 1 Bright Gym 4032 4033 4034 4035 4036 4037 4038 4039 4040 4041 4042 4043 4044 4110 4111 4112 4113 4114 4115 4116 4117 4118 4119 4120 4121 4122 4123 4130 4131 4132 4133 4134 4135 4136 4137 4138 4139 4140 4141 4150 4151 4152 4153 4154 4155 4156 4157 4158 4159 4160 4161 4210 4211 4212 2_5 1 Cathedral 2_5 1 Chamber Choir 2_5 1 Drums Room 2_5 1 Empty Arena 2_5 1 Fat Drums 2_5 1 Majestic Plate 2_5 1 Sax Plate 2_5 1 Surr Slap Back 2_5 1 Tight Booth 2_5 1 Tight Snare 2_5 1 Tunnel 2_5 1 Vocal Hall Surr Black Hole 5 1 Cathedral 5 1 Choir Hall 5 1 Concert Hall 5 1 Drums Room 5 1 Jazz Club 5 1 Lead Guitar 5 1 Percussion Room 5 1 Piano Hall 5 1 Rich Chamber 5 1 Sax Hall 5 1 Snare Plate 5 1 Stadium 5 1 Theater Stage 5 1 Vox Plate 5 1 Choir Chamber 5 1 Classic Plate 5 1 Concert Hall 5 1 Drums Booth 5 1 Drums Room96 5 1 Gregorian Church 5 1 Metal Tunnel 5 1 Sax Chamber 5 1 Snare Chamber 5 1 Surr Slap Back 5 1 Vox Bright Plate 5 1 Vox Hall 5 1 Choir Chmbr E r 5 1 Concrete Lrg E r 5 1 Drums Booth E r 5 1 Far Walls E r 5 1 Hard Walls E r 5 1 Lg Envimmnt E r 5 1 Md Envimmnt E r 5 1 Piano Room E r 5 1 Sax Stage E r 5 1 Sm Envirnmnt E r 5 1 Stage E r 5 1 Wood Walls E r Ambience Brass Plate Deep Space H8000 Presets by Number 4213 4214 4215 4216 4217 4218
24. 1938 Wideshift Unreelroom 1847 Will o the wisp Unreelroom_Q 2131 WitchesDance Up Banddelay 2132 With Warts In Vai Shift 1 1848 WonderfulBirds Vai Shift 2 4729 Wooden Mens Room Varispeed Sampler 3816 Woosh Maker Verb Tester 5036 Wormhole Vibra Pan 7018 X DSP Contr Receive Vibrato_S 7019 X DSP Contr Send Video Delay 8 733 YourHarmonyDevice Vintage Delay 5037 Zipper Up Vintage Delay Vintage St DuckDlys Vintage St DuckDlys Virtual Pedalboard Virtual Rack 1 Virtual Rack 2 Virtual Rack 3 Vocal Chamber Vocal Chorusdelays Vocal Hall Vocalflyer_M Vocalflyer_S VocalverbTwo Voder 13 Voice Disguise Voice Process Pro Voice Processor Vox Channel Strip Vox Double Slap Vox Plate Vox Pro_VintDly Vox Shimmer Voxplate Chorus VoxPro_Vdly_Chorus VoxProcess_S Walkie Talkie Wammy_s WaPolyReverse The Eventide H8000 Preset Collection Introduction The H8000 has well over a thousand presets covering the whole range of audio effects The best way to quickly find the best effect for a given application is to make use of the powerful real time database features on the PROGRAM page as described in the separate User Manual However to get an overview as well as a feel for the wide selection of effects the H8000 offers a stroll through this manual is recommended The presets are grouped by bank and placed in numerical order Any numbered preset can be quickly found by using its top two digits one digit for a 3 di
25. 2nd set of delays 2 8sec has feedback A post hicut filters the whole processing path Stereo in stereo out 4235 Vocal Hall 48 2 2 4235 Vocal Hall 96 2 2 V RDE TT Stereo diffusor gt verb 2 parallel delay lines 1sec to simulate walls reflections Post low and high shelving EQs filter the whole processing path Stereo in stereo out 4236 Vox Plate 96 2 2 V RDE TT Stereo diffusor gt verb 4 parallel delay lines Ist set of delays 1sec has no feedback 2nd set of delays 2 8sec has feedback A post hicut filters the whole processing path Stereo in stereo out 4237 Wide Hall 96 I 2 2 4237 Wide Hall 48 2 2 GVK RDE TT Stereo diffusor gt verb 2 parallel delay lines 1sec to simulate walls reflections Post low and high shelving EQs filter the whole processing path Stereo in stereo out Release 1 2 Page 68 of 109 12 30 2003 The H8000 Presets Collection 43 Reverbs Chambers Early reflection delays between diffusors and reverbs are the trick to design these relatively colored spaces Many possibilities are offered to create your own chambers including some different variations on a theme algorithms 4310 Barking Chamber 96 2 2 VDK RDE TT Severely EQ d verb with midrange bark Summed in stereo out 4311 Boston Chamber 96 2 2 VDK RD TT This is a large warm room small hall Summed in stereo out 4312 Chamber2 96 2 2 VDK RDME TT Plexverb into stereo chorus Summed in s
26. 3513 7212 615 4312 1610 5712 8012 6310 6311 6312 6313 4913 5013 814 5423 616 4510 1917 815 816 816 817 818 5014 819 820 6410 3314 Bit Desert 1 Bit Desert 2 BitDecimationPreamp Bits Cruncher Bits Smasher Black Hole Black Queen Blue Box Verb Blues Heart Bob s New Room Boom Box Boston Chamber Brain Loops Brass Plate Brightener British Smash Broadcast Delay Bubbly Freq Flange Bullhom B vox Delays verb B vox Pitch verb C3P Yo Can t Carry Tune Carsultyal Steel Catacomb CB Radio CBM Phaser Cellular Phone Centering Echoes Chamber2 Character Shift 1 gt 2 Chim Chiminee Chipmunks Choir Diffchorus Choir Diffchorus 2 Choir Verb Choir Verb 2 ChoralEchoVerb ChoralWindVerb Chordal Swell ChordConstruct nKit ChordRezonator8 Chorus amp Plate Chorus Smear Chorusdelays Chorusdelays2 Chorusdelays8 Chorused Cabinet Chorused Delays ChoruspaceO Brien Chorustaps Chorustaps 8 ChromaticTuner Circle Panner 2610 2311 7412 6611 1713 617 618 6211 7111 4811 1918 1511 2114 6314 3052 619 620 6315 621 622 1125 1126 1127 3053 2312 2313 316 7610 2115 2116 7213 6810 6811 7413 5713 5714 5715 3013 5716 5717 5718 5719 5720 5721 5722 4914 1411 7611 1817 4212 3212 510 511 512 H8000 Presets by Name Circles amp Ellipses Class A Distortion4 Classroom Clean Chords CleanPreamp Clearmntn Claps Clearmntn Delays Click Test Clock Radio Clo
27. 4219 4220 4221 4222 4223 4224 4225 4226 4227 4228 4229 4230 4231 4232 4233 4234 4235 4236 4237 4310 4311 4312 4313 4314 4315 4316 4317 4410 4411 4412 4413 4414 4415 4416 4417 4418 4419 4420 4421 4422 4510 4511 4512 4513 4514 4515 4516 4517 Drum Plate Drums Room Gated Inverse Snare Gated Plate Hall gt Bandpass Inverse Snare Inverse Inverse gt Bandpass Large Room Living In The Past Living Room L C R Mics Room Piano Hall Plate gt BandPass Rich Chamber Room gt Bandpass Sax Chamber Sax Plate Slap Plate Snare Plate Tiled Room Vocal Chamber Vocal Hall Vox Plate Wide Hall Barking Chamber Boston Chamber Chamber2 Dream Chamber Italo s Chamber Medium Chamber MetallicChamber Toonchamber Arena Soundcheck Beeg Garage Big Hall 2 Environment 28 Masterverb Hall Masterverb Hall 1 Masterverb Hall 2 Masterverb post Masterverb pre Matt s Fat Room Roomy Hall SplashVerb 3B X over Hall Chorus amp Plate EMT style Plate Metallic Plate Reverb A2 Sizzler Plate Springverb St Plate Chorus Stereo Plate 4518 4610 4611 4612 4613 4614 4615 4616 4617 4710 4711 4712 4713 4714 4715 4716 4717 4718 4719 4720 4721 4722 4723 4724 4725 4726 4727 4728 4729 4810 4811 4812 4813 4814 4815 4816 4817 4818 4819 4820 4821 4822 4823 4824 4910 4911 4912 4913 4914 4915 4916 4917 4918 4919 Swept Plate EarlyRefections LatticeArray Preverberat
28. 5718 Crystal Orbits 48 2 2 5718 Crystal Orbits 96 II 2 2 GVS PRDCE TT Crystals gt ringdelays gt reverb Huge textural bed is created Stereo in stereo out 5719 Crystal Pad 2 96 2 2 GVS PRE TT Shimmering squeaky fields Summed in stereo out 5720 Crystal Sevenths 96 2 2 GVS PRE TT Just like Crystal Octaves except some fifths are thrown in for a more organ like effect Summed in stereo out 5721 Crystal Worlds 2 96 2 2 GVS PRDMCE TT Crystals gt stereo delays gt reverb Like crystal orbits this one has the crystals in series Stereo in stereo out 5722 CrystalGyroscope 96 2 2 GVS PMY Dual shifters into a gyroscopic panner Pan makes little circles while Precess rotates them Stereo in stereo out 5723 Dinosaurs 96 2 2 GVS PRDMCE TT Look out behind you Stereo in stereo out 5724 Doppler Pass 96 2 4 GVS PY Pans and pitchshifts inputs to create a doppler pass effect Trigger makes effect happen Select direction of movement with Ist parameter on Main menu Stereo in quad out 5725 DuckedCrystals 96 2 2 GVS PEY TT Two voice ducked reverse shifters Thresh is ducking sensitivity Summed in stereo out 5726 Fake Pitch Shift IT 48 2 2 DM Pitch Shifts signal by selectively sampling modulating delay lines Not neat and tidy at all but unique It takes a minute for parameter changes to take effect Summed in mono out 5727 FreqShift W Delay 96 4 4 5728 FreqShift W Delay8 48 8
29. 6 Delays Effected Delays in this bank are enriched by many different effect types you ll find combinations of delays and filters Band Delays resonators combs ring modulators detuners and tremolos Panning delays and ping pong are here as well together with some Vintage style echoes and ducking delays 610 Banddelays 96 2 2 DE TT Parallel delays with filters Stereo in stereo out 611 Banddelays8 96 8 4 DE TT Parallel delays with filters and master controls Octal in each input feeds its delay line Quad in input 1 feeds voice 1 5 input 2 feeds voice 2 6 etc Stereo in input 1 feeds voice 1 3 5 7 etc Octal in quad out 612 Bandtaps 96 2 2 DE TT Series delays with filters Summed in stereo out 613 Bandtaps8 96 8 4 DE TT Series delays with filters Stereo lt input gt mutes secondary DSP inputs Switch able in 614 Bandtaps2 96 8 8 DE TT Series delays with filters Stereo lt input gt mutes secondary DSP inputs Switch able in 615 Centering Echoes 96 2 2 RDE Multitap echoes that start at edges of the stereo field and move progressively closer to center as they decay Mono in stereo out 616 ChordRezonator8 96 8 4 Four resonant delays The resonant frequency of each one is set using the Note parameters Create any chord you wish or set all resonators to the same value Transpose notes by octave using the Octave parameter to create wider chord voicings The freq parameter displays the fund
30. 7914 DMEY 7915 EY 7916 PDME Artoo Chatter 96 2 2 Tracks spoken input and turns it into swept tones Now you can sound like a famous metallic Hollywood star Use lt Smooth gt to adjust how much the tones slide and lt Deep gt to set their pitch Switch able in mono out C3P Yo 96 2 2 lt Metal gt adjusts the twanginess of the voice lt Beeps gt changes the pitch of the computer tones Artoo Chatter and C3P Yo are totally different kinds of robots well C3 s an android R2 turns a voice or rhythmic music signal into sliding tones and whistles C3 has a metallic ring and staccato beeps Mono in mono out Lasers 96 0 2 Press lt Zap gt lt Bzoop gt and lt Thhup gt for everything from an outer space war to a video game Nothing in stereo out Martian Rock Band 96 2 2 It s impossible to describe this effect Plug something rhythmic with a strong melody a rock song with a male vocalist and let it fly You ll get an unrecognizable set of instruments playing random lines based on the original melody but hey you might like it Doesn t work very well on piano or classical music it s best on basic guitar male voice drums rock Adjust lt Weird gt until you re satisfied Note that Martian Rock Band is totally different from Robot Band uh no robots Stereo in stereo out Robot Band 96 2 2 Attempts to analyze the input melody add a harmonically related bass line and a new melody based on the r
31. 96 2 4 1318 MachineLife 48 2 4 S PRD BeyondTheStars in parallel with Tapdelays Stereo in quad out Release 1 2 Page 37 of 109 12 30 2003 The H8000 Presets Collection 1319 Onirica Ritmica 96 l 2 4 1319 Onirica Ritmica 48 2 4 S PRE TT Sides bounce EQ gt Verb gt 4v reverse shifters 10 sec gt Ring Modulators Stereo in quad out 1320 Singularity 96 2 4 S PRD Eight detuners set as a continuously downward atmosphere Great for sparse source material Stereo in quad out 1321 Stratospherics 96 2 2 S DM Strange oscillating delays with modulation Unusual rhythmic effect or ambiance if used with volume swells Summed in stereo out 14 Filters This bank offers a collection of static and modulated filters was formant mouthlators harmonic enhancers sample amp hold filters sweeps and synth style filters bandpass and crossovers We have included many of our favorite effects here 1410 AllWays PanFltr 96 2 4 ME Eight filters modulated such that at any time 4 are going up and 4 are going down The effect takes a few seconds to kick in Mono in dual stereo out 1411 Cup Mute 96 2 2 DE Simulates the sound of a trumpet like bell with a cup mute A generalized mod input is accepted to modulate the input on the fly Hit parameter to get second page of parameters Mono in stereo out 1412 Dual Modfilters 96 2 2 GVDK MEY TT Dual envelope filters wa auto wa pedals l
32. 96 2 2 REY Feed it two clean voice signals one for the host and one for the guest and they ll turn into a complete call in show Includes telephone effect on the guest mic automatic ducking so the host overrides the guest and an optional studio echo overall It sounds okay if there s a little leakage between mics when you record but works best when the inputs are isolated or cleaned up in a DAW particularly if the voices interrupt each other Caller number four you re on the air Dual mono in stereo out 7513 Page Three 96 2 2 PE There s a famous syndicated radio personality who likes to speed up or slow down at random while reading the news He s on a lot of stations so it must be a good idea Feed in a voice and press lt Do It gt to change the pacing when you want to or select Automatic for totally random changes The Drag meter indicates how much memory is left for the voice to slow down into When it gets full the buffer empties and the voice speeds up Stereo in stereo out 7514 Real Call in 96 2 2 REY This preset is designed for use with a live mic on one input and a phone patch on the other The program is similar to the one in the DSP4000 but adds switch able processing and tone controls on the phone input along with the automatic ducking and adjustable reverb You can also use it to process just the phone signal to clean up telephone interviews The Eventide shouldn t be connected directly to a telephone line Y
33. 96 Il 2 4 S DMEY Preamp gt 8 parallel moddelays Use the volume pedal to swell these chorusing delays Summed in quad out 2127 RoundRobin 48 2 4 S PDCEY TT Preamp gt long diatonic shifters Summed in quad out 2128 Solid Traveller 48 2 4 GS PRCEY TT Preamp gt diffchorus gt reverseshifts Summed in quad out 2129 SurroundGuitar 96 Il 2 4 2129 SurroundGuitar 48 2 4 GS RDCEY TT Preamp gt early reflect gt verb Summed in quad out 2130 TexturalGuitar 96 2 4 GS DMEY TT Preamp gt chorustap delays Summed in quad out 2131 WitchesDance 96 2 4 S DEY TT Preamp gt combtaps Summed in quad out 2132 With Warts In 96 l 2 4 2132 With Warts In 48 2 4 S RDCEY TT Distortion preamp gt diffusion delays Summed in quad out 22 Manglers When you need something to seriously alter the audio quality and other aspects of your tracks this is the bank where you should be looking 2210 Bad Acid Jumble 96 4 4 D Messes up the input signal Delay controls how frequently Jumble changes Disjoint controls how incomprehensible the result is Try it out on spoken word for laughs Quad in quad out 2211 Evil Distortion 96 2 4 G E Distorts the holy hell out of your input by folding the negative portion of the signal to the positive side readjusting the Process gain to make part of the signal negative again and repeating the foldover process Sections determines how many times this happens Use the
34. Air GloriousChrsCanyon GloriousFingCanyon Horrors Jurassic Space Kickback Phantom amp Reverb PillowVerb Pop Up Ramp Verb Resonechos Reverse Nonlinear Reverserize Hall Sizzle Verb SplashVerb Maxsweep Square Tremolo Verb Swell Verb 9 Tremolo Reverb Wormhole Zipper Up Bell Ringer Envelope Ring Mod Evil Ring Dist Modulating Ring Mod TRUE RingMod One Way Ring Mod Digi Timesqueeze R Kick SnareReplacer MIDITrig Reverse 5213 5214 5215 5216 5217 5218 5219 5220 5221 5222 5223 5224 5225 5226 5227 5228 5229 5230 5310 5311 5312 5313 5314 5410 5411 5412 5413 5414 5415 5416 5417 5418 5419 5420 5421 5422 5423 5424 5425 5426 5427 5428 5429 5430 5431 5432 5433 5434 5435 5436 5437 5438 5439 5440 Multi Trigger Panning Sampler PlaybackOnlySampler Reverse Sampler Sample Curver SAMPLER midikeys SAMPLER multi SAMPLER single Sampler Filter Trig SAMPLER multi VERB SamplerAudioSwitch Studio Sampler_Q StudioSampler_M StudioSampler_S Triggered Reverse Varispeed Sampler Vocalflyer_M Vocalflyer_S Kick SnareReplacer2 Small Sampler Small Sampler8 Four Samplers Four Samplers_S 4 Detuners 4_PitchShift 4 ReverseShift 4 ReverseTetra 5 1 5ths amp 8ves 5 1 Detuned Arpeggio 5 1 MicroPitchShift 5 1 Pitch Shifters 8_Detuners 8_PitchShift 8_ReverseShift 8_ReverseTetra 5 1 Shifted Echoes ChordConstruct nKit 10v Arpegg Thick 5 1 Trem Detuners Dr Jekyll 1 120BPM
35. Decays and Levels The Front parameters controls the Surround ones which are offset by factory default values You can further adjust the Surround parameters yourself changing their values from the ones controlled by their Front counterparts Release 1 2 Page 109 of 109 12 30 2003
36. Man Living In The Past Living Room LMS Filter Locomotive Logan s Box Long Delay W Loop Long Distance LongDelay LongPanningDelays LongPanningDelays8 Loop_timesqueeze Low Res Digital LRMS Reverb M_4DiatonicShift MachineLife Magic Echo Mandel Worlds Maniac Filterpan Manifold Alpha 718 2317 3515 3516 7913 2318 4414 4415 4416 4720 4417 4418 4817 4419 4818 4315 8015 7215 1832 6318 628 5912 6619 4512 4316 6412 1618 2410 2411 2412 6413 2413 2414 2415 2416 5212 2417 4922 4923 4924 2612 2613 2614 2615 719 6814 720 3025 5113 1021 4925 520 6620 3026 Manifold Beta Manual Tape Flange2 ManualPhasers ManualPhasers8 Martian Rock Band Masderring Lab 22 Masterverb Hall Masterverb Hall 1 Masterverb Hall 2 Masterverb Room 2 Masterverb post Masterverb pre MasterverbRoom1 Matt s Fat Room Medium Booth Medium Chamber Mega Dragway Megaphone Mercury Cloud Mercury Cloud 2 Mess With Stereo Mess With Stereo Metal Fatigue Metallic Plate MetallicChamber Metronome MicroPitch Midi Harmony MIDI Monitor Midi Pitch Delay Midi Remote Cntrller Midi Resonance Midi Sine Ring Mod MIDI Tremolo MidiHarmonixExtract MIDITrig Reverse MidiWaveformImpose Mix gt FourSidedVerb Mix gt Quadroom 10 Mix gt Quadroom 24 Mixer s Toolbox 1 Mixer s Toolbox 2 Mixer s Toolbox 3 Mixer s Toolbox 4 Mobius Loops Mobius8translate MobiusManifold Mods comps filters Modulating Ring Mod Modulatio
37. Mod Depth controls how much it changes and Mod Rate controls how often it changes As the pan speeds up a HP filter raises its cutoff according to FilterMod and its Q according to Res Mod Summed in quad out 3327 Simple Panner 96 2 2 MY TT Simple mono to stereo panner Summed in stereo out 3328 Squish SquashPan 96 4 4 Squish and Squash controls bring the spinning circle closer to the center of the room Use Squish or Squash separately for ellipses S DMY Quad auto panner with speed control Inputs are summed to mono use lt dB gt param to trim input then panned around the room Summed in quad out 3329 Stereo Panner 96 2 2 MY TT Simple stereo panner Stereo in stereo out 3330 3D CircleDelay 48 2 2 RDME TT A pseudo 3 D circle out of just two speakers Dry signal and Delay go into circle Reverb floats in background Filters and coordinated change in signal level give illusion of circle Also signal is out of phase when it is in front Mono in stereo out 3331 Rotator 96 8 8 S M A simple eight channel panner with switch able inputs using either manual or auto sweeping Switch able in octal out 34 Percussion A large variety of now classic Eventide delays and reverbs set up for percussion These include rooms and ambience processes as well as some unusual effects that will usefully color and alter your source material Among these are a number of gated reverbs and non linear effects where t
38. Quad in quad out 50 Reverbs Unusual These presets show off some of the more creative and unusual possibilities in our modular architecture With effects combined and or embedded inside the reverbs themselves new and exciting sounds are possible This bank offers a range from the unusual to the absurd giving a number of effects not found on any other signal processing platform whether rack mounted or computer based 5010 Adaptive Reverb 96 2 2 GVS RD The delays of a reverb follow the pitch of your input Make sure you have a good strong input for the pitch detect Mono in stereo out 5011 AlienShiftVerb 96 2 2 GVS PRD You won t hear this anywhere else It is a UFO taking off from a giant canyon Might be a great effect to end a song with Summed in stereo out 5012 Black Hole 96 2 2 GVS RE An abnormally large reverb sucking everything into a bottomless chamber Try setting the diffuser to 68 and the size to 91 for a reverse hole Summed in stereo out Release 1 2 Page 75 of 109 12 30 2003 The H8000 Presets Collection 5013 ChoralWindVerb 96 2 2 RE With complex input material the preverb modulating diffusors can sound esp at 100 wet like voices Stereo in stereo out 5014 ChoruspaceO Brien 96 2 2 GVS RDME TT Huge plexverb into chorus delays Good for slow attack sounds Summed in stereo out 5015 Echospace Of God 96 2 2 GVS RDME TT Massively verbed echos that give you that awe sound
39. RD TT Dense midrangy plate A little like most plates but different Stereo in stereo out 4518 Swept Plate 96 2 2 GVDK RDE TT Plate with built in EQs Summed in stereo out Release 1 2 Page 70 of 109 12 30 2003 The H8000 Presets Collection 46 Reverbs Preverb Useful reverbs and spaces design tools are offered here Diffusors early reflections and multi tap delays are available here to show off many of the structures used in the reverb presets Use them in your personal algorithm building experiments 4610 EarlyRefections 96 2 2 D Although delays only these four parallel delays used to place source in space Stereo in stereo out 4611 LatticeArray 96 2 2 S Stereo lattice array Pos and neg outs create wide field Here set up as a tonal diffusor Stereo in stereo out 4612 Preverberator 96 2 2 RDY Input is delayed 5 to 1 2 sec while repeats grow and echo All fx fade out once input hits threshold Good pre echo for sound effects or music Switch able in stereo out 4613 SimpleDiffusor 96 2 2 RE Stereo diffusion with simple controls Stereo in stereo out 4614 Slap Nonlinear 96 2 2 RDE A slapback where the echo is really a clump of diffused echoes with EQ Mono in stereo out 4615 StereoDiffusor 96 2 2 R Diffusion is the spatter pattern prior to reverb This is a good place to experiment with room and imaging issues without the complexity of a full verb Stereo in stereo out 4616 Ultrat
40. Tape Flanger Band Flanger Chordal Swell Chorusdelays Chorusdelays2 Chorusdelays8 Chorused Cabinet Chorused Delays Chorustaps Chorustaps 8 Detune Chorus Drew sThroatflange Drunken Sailor DualChorus DualChorusDelays Envelope Flanger Envelope Flanger 8 Flange Echoes Flanged Delays Hiccup Chorus Infinite Flange Leslie Simulator Pan Chorus s Panning Delays Pingchoruspong Polymod Chorus Polymod Delay Pure Comb Flange Pure Comb Flange8 QuantizedDelays Real Chorus Real Chorus TNG S amp H Flange Hell Serial Delays Stereo Chorus Stereo Flange Stereo Flange 1968 StringPadFlanger StringPadFlanger Swirl Flanges Tri Band Chorus Undulate OctalChorusEchos OctalChorusEchos 5 1 Chorus 5 1 Circling Delays 5 1 Detuned Echoes 5 1 Flanger 5 1 Fr Sur Bounce 5 1 Vintage Delays 870 871 872 873 874 910 911 912 913 914 915 1010 1011 1012 1013 1014 1015 1016 1017 1018 1019 1020 1021 1022 1023 1024 1030 1031 1032 1033 1034 1035 1110 1111 1112 1113 1114 1115 1116 1117 1118 1119 1120 1121 1122 1123 1124 1125 1126 1127 1130 1131 1210 1211 4 T O ModDelays Dual 2taps Chorus Dual 2taps Delay Dual 2taps Echorus Stereo Chorus DesertPercussion1 DesertPercussion2 Neutralizer St BitDecimator St DistortionTwo St_Distortion 6 V Dlys amp Verb Band Dlys 4_Ambience Dly gt Phsr_Ambience Dly gt Phsr_MPitch DShif_Hall Dtune_Hall Dtune_VinDly DynoMyPianoAmbience DynoMyPiano_Vi
41. Vint DuckDlys gt Phaser gt Outs1 amp 2 Stereo I O Ins3 amp 4 gt Micropitch gt Outs3 amp 4 Stereo I O 1014 DShif_Hall 48 4 4 1014 DShif_Hall 96 Il 4 4 PRDCE TT Ins 1 2 gt 4v Diatonic Shift gt Outs 1 amp 2 Summed in stereo out Ins 3 amp 4 gt Vocal Hall gt Outs 3 amp 4 Stereo I O 1015 Dtune_Hall 48 4 4 1015 Dtune_Hall 96 Il 4 4 PRDMCE Ins 1 2 gt Detuner gt Outs 1 amp 2 Summed in stereo out Ins 3 amp 4 gt Vocal Hall gt Outs 3 amp 4 Stereo I O 1016 Dtune_VinDly 96 4 4 PDME TT Ins 1 2 gt Detuner gt Outs 1 amp 2 Summed in stereo out Ins 3 amp 4 gt Vintage Stereo Delays gt Outs 3 amp 4 Stereo I O 1017 DynoMyPiano_Ambience 48 4 4 GK RDME TT Songbird DyTronics Dyno My Piano Tri Stereo Chorus 1380 S replica in parallel to Ambience verb Ins1 2 gt TriStChorus gt Outs 1 amp 2 Summed in stereo out Ins 3 amp 4 gt Ambience gt Outs3 amp 4 Stereo I O Very popular chorus unit in early 80s The 3 L C R Ifo faders control progressive waveshaping of the modulation lt pullouts gt here are controls for the original knobs pullouts that enhance the spatial perception of each chorus line and engage feedback for flanging 1018 DynoMyPiano_VintDlys 48 4 4 GK DME TT Songbird DyTronics Dyno My Piano Tri Stereo Chorus 1380 S replica in parallel or series to Vintage Delays Ins1 2 gt TriStChorus gt Outs 1 amp 2 Summed in stereo out Ins3 amp 4 or Chorus out gt VintDlys gt Outs3 amp 4 Stereo I O Ver
42. When dynamics switch is set to on adjust peak detect and dynamics parameters to have sample playback follow input dynamics Dual mono in dual mono out 5311 Small Sampler 96 4 4 Quad in quad out 5312 Small Samplers 96 18 8 Octal in octal out 5312 Small Samplers 48 8 8 Octal in octal out S This is a simple re triggerable sampler Release 1 2 Page 79 of 109 12 30 2003 The H8000 Presets Collection 5313 Four Samplers 96 2 4 Summed in quad out 5314 Four Samplers _S 96 l 2 4 Stereo in quad out 5314 Four Samplers _S 48 2 4 Stereo in quad out S This preset contains four independent stereo mini samplers Each can record up to five seconds Samplers one and three are mixed to outs 1 2 two and four are mixed to 3 4 Stereo in quad out 54 Shifters This bank offers a large array of general purpose pitch shifting presets From mono to stereo to quad octal 10 voices and 5 1 configurations Including detuners arpeggiators multi shifters envelope controlled shifters reverse shifters wammy and vibrato fx Eventide introduced digital pitch shifting to a waiting world with the H910 Harmonizer in 1975 Since then the power of these instruments has grown significantly as you can see here All pitch shifters work best with a clean monophonic input with a clearly defined pitch they will be less successful on chords or heavily distorted signals Note that all pitch shifters introduce a small delay
43. amp guitars fit well in this room 2_5 1 Piano Room E r 96 2 6 Nice room for your piano tracks 2_5 1 Small Room E r 96 2 6 Bigger than a booth smaller than a chamber er um 2_5 1 Stadium E r 96 2 6 Replicates those hard reflections from concrete distant oddly shaped walls 2_5 1 Stage E r 96 2 6 Feels like being on stage with reflections from walls and high ceiling 2_5 1 Vox Chmbr E r 96 2 6 Classic vocal space Good for so many tracks KVDS RDE Stereo audio gets diffused in 5 1 lt Size gt pre sets early reflection patterns diffusion delays and hicuts lt Scaler gt scales diffusion delays You can change e r delays and hicuts values for each lt Size gt preset It will remember your settings Stereo in 5 1 out Release 1 2 Page 63 of 109 12 30 2003 The H8000 Presets Collection Early reflection delays attempt to recreate the reflections of walls floor and ceiling lt Size gt pre sets e r patterns diffusion delays and hicuts lt Scaler gt scales diff delays You can change all e r dlys and hicuts values for each lt Size gt preset It will remember your settings Use lt sur predly gt to create spread distance between front and rear speakers 4030 2_5 1 Ac Gtr Space 96 l 2 6 4030 2_5 1 Ac Gtr Space 48 2 6 Very nice chamber verb on acoustic guitars 4031 2_5 1 Bright Gym 96 l 2 6 4031 2_5 1 Bright Gym 48 2 6 Hard surfaces bright reflections space 4032 2_5 1 Cathedral 48 2 6 4032 2_
44. amp hicut in parallel to verb with early reflections echoes amp diffusor Verb has an additional hicut at the output stage Stereo I O 3051 6 Vox Flanger amp Verb 96 II 2 2 3051 6 Vox Flanger amp Verb 48 2 2 G RDME TT Six delay lines with pre diffusor modulation amp hicut in parallel to verb with early reflections echoes amp diffusor Verb has an additional hicut at the output stage Stereo I O 3052 Comb Room 96 2 2 3052 Comb Room 48 2 2 VD RDME TT Six delay lines with pre diffusor modulation amp hicut in parallel to verb with early reflections echoes amp diffusor Verb has an additional hicut at the output stage Stereo I O 3053 Comp Eq Micro Verb 96 2 2 3053 Comp Eq Micro Verb 48 2 2 V PRDMCEY TT Compressor gt 3 band eq gt micropitch gt diffusor early refl gt verb Complete vocal processing tools rack Summed I Stereo O 3054 Guitar Magic 96 l 2 2 3054 Guitar Magic 48 2 2 G RDME TT Six delay lines with pre diffusor modulation amp hicut in parallel to verb with early reflections echoes amp diffusor Verb has an additional hicut at the output stage Stereo I O 3055 Sax Eq_Cmpr_VintDly 96 2 2 DMEY TT Compressor gt 3 band param EQ gt Vintage ducking Delay Delays are parallel to Comp gt Egq Great to process sax leads Summed in stereo out 3056 Vox Channel Strip 96 l 2 2 3056 Vox Channel Strip 48 2 2 V RDMCEY TT Comp gt 3B Eq gt Filtered Dlys in parallel
45. an effective tool for characterization Mono in stereo out 1611 Eq amp Comp Timer 96 2 2 EY A special live preset designed for conferences with a close time schedule 2 channels of EQ and compression with an independent timer function Enter the desired amount of speech time and hit the start soft key When the time is over the back panel relays are switched see hookup SOFT KEY IMPORTANT Timer has NO effect on audio Audio chain includes two bands of parametric EQ plus sweep able locut filter and linkable soft knee compressor for each channel Switch able in stereo out 1612 FOfH Multi 96 l4 4 1612 FOfH Multi 48 4 4 GVDK PRDM Multieffects Inl gt pitch in2 gt delays in3 gt vocal reverb in4 gt percussion reverb Pitch delays stereo out 1 2 reverbs stereo out 3 4 Quad in stereo out 1613 KG s ColorHall 96 2 2 VK RE An unusual percussion reverb designed specially for live sound Most features are self descriptive There are just two specials 1 3 different earlyrefl times 2 lt diffusion colour gt and lt microdly gt can color the sound of your verb HAVE FUN Stereo in stereo out 1614 L lt gt R Long 96 2 2 DY L lt gt R tap tempo delay optional switch able to R lt gt L entered delay time max 3000 mS is the same for each channel feedback controlis located at the end of the L C R chain Optional ducker reduces the output level when input occurs when the input stops the full effect occurs Mo
46. and 4 Summed in quad out 3031 Space Station 96 2 2 GK PRDMCE Big thick echo y reverb but there s a lot more going on here Summed in stereo out Release 1 2 Page 53 of 109 12 30 2003 The H8000 Presets Collection 3032 St Delayed Flanger 96 2 2 DM TT With this preset each channel has a delay that goes into a flanger Stereo in stereo out 3033 St Phaser amp Reverb 96 2 2 K RME TT Stereo phase shifter with reverb Stereo in stereo out 3034 Texture 47 96 2 4 G PRD TT Pingpong with resonators and ringmods gt verb Rings mixed in with pedal mod1 Verb out 3 4 Summed in quad out 3035 ToneCloud 96 2 2 PRDM TT Combination of multishift dual delay and reverb Stereo in stereo out 3036 Treatment Two 96 2 4 RDME Dual band chorus gt verb tweak hi and lo chorus separate for both input channels Verb has output selection Stereo in quad out 3037 Trem RingPong 96 2 2 PDM TT Combination Trem and RingPong Summed in stereo out 3038 Tremolo Rack 96 2 2 G RDMCEY This rack has compressor EQ delay chorus reverb and tremolo Summed in stereo out 3039 Waterized 96 2 2 PRDM An underwater reverb Summed in stereo out 3040 Sth Place 48 2 2 3040 5th Place 96 2 2 GK PRDCE The perfect fifth effect in stereo with color Stereo in stereo out 3050 6 Chorusdlys amp Verb 48 2 2 3050 6 Chorusdlys amp Verb 96 2 2 G RDME TT Six delay lines with pre diffusor modulation
47. controllable multitap preset Tweaked here as a reverse effect Summed in stereo out 513 Ducked Delays 96 2 2 V DY TT Repeating echoes that get out of the way for the input Adjust Delay for rhythm and Duck for sensitivity Tunable version is Dual Ducked Delay Switch able in stereo out 514 DuellingDualDlys 96 8 8 D Inputs are summed to mono then sent to eight delays in parallel Create your own polyrhythms Summed in octal out 515 Envelope Taps 96 2 2 D TT The tap envelope is formed from an attack multitap and a decay multitap Summed in stereo out 515 Envelope Taps 48 2 2 D TT The tap envelope is formed from an attack multitap and a decay multitap Summed in stereo out 516 Eight Delays 96 8 8 DE Tim Eight delays 2 5 sec with hicut filters lt master gt params override individual channels Dual quad in dual quad out 517 Eight Longdelays 96 8 8 DE Tim Four delays 10 sec with hicut filters lt master gt params override individual channels Dual quad in dual quad out 518 EightReversedelays 96 Il 8 8 518 EightReversedelays 48 8 8 DE Tim Eight reverse delays 2 5 sec with hicutfilters lt master gt params override individual channels Dual quad in dual quad out 519 LongDelay 96 2 2 DE Tim Single 85 second delay line Summed in stereo out 520 MonoDelay 48 2 2 DE Tim Single 22 second delay line Summed in stereo out Release 1 2 Page 22 of 109 12 30 200
48. cops use when they surround a hideout There s also an adjustable big city slap echo Move the lt Dist gt slider to bring it from far away to in your face Mono in stereo out Release 1 2 Page 97 of 109 12 30 2003 The H8000 Presets Collection 7211 CB Radio 96 2 2 PEY Like the popular H3000 program only we ve also added a lt Pickup gt switch lt Direct gt gives you the sound as broadcast lt Speaker gt adds distortion and some room echo so it sounds more like a radio set The lt Bzzap gt button does exactly what you d think Mono in stereo out 7212 Cellular Phone 96 2 2 DEY Sound quality varies from almost good on the open highway to unintelligible when you press the lt Tunnel gt button Or advance the lt Random gt slider for automatic tunneling Mono in mono out 7213 Crazy Dialer 96 0 2 MEY Rapid random dialing with real phone company tones to use as a sound effect Or hook it up to your phone who knows where you ll end up calling Nothing in mono out 7214 Long Distance 96 2 2 PDCEY The filter and noise sliders do exactly what you d expect lt SideT gt controls the electronic echoes you often hear on long distance phone lines lt Crosstalk gt simulates weird foreign language jabbering in the background It s actually your own voice raised higher flipped and delayed but it sounds like crossed wires Mono in mono out 7215 Megaphone 96 2 2 PDE In contrast to Bullhorn this is a rolled car
49. decreased by up to four octaves while duration may be sped up by 400 and slowed down indefinitely Common applications are in frame rate conversion of video and film synchronizing audio delays and real time tempo modification Many other very creative applications are also available in the H8000 in the Loop Delays and Instrument Distortion banks descends Stereo in stereo out 36 Pitchtime Another Eventide first Broadcast Delay 48 2 2 Soft version of our broadcast profanity delay line This device allows you to dump a chunk of audio if someone swears on air The presence of the inherent delay line is why they ask you to turn your tv radio down if you are talking on air Stereo in stereo out EZ Ptimesqueeze 96 4 4 EZ Ptimesqueeze8 48 8 8 Load both presets ez timesqueeze for audio ezt_delay for timecode channel Set proper routing Enter the present and desired lengths and set your deck s varispeed to match the lt PCT gt or lt SPEED gt displays lt audio gt menu is optional fine tune process and will set BOTH preset s lt delay gt parameters These lt delay gt parameters are bidirectional either preset will reflect changes EZTime Delays 96 4 4 EZTime Delays8 96 18 8 EZTime Delays8 48 8 8 This preset is for the timecode channel The delay parameter is a two way connection to the ez timesqueeze or the framerate convert preset when loaded Any adjustment here or there will affect the ez timesqueeze cha
50. delayed signals tied to delay modulation into a stereo flange Stereo in stereo out 241 Wicked 96 2 2 REY Clean preamp gt reverb Summed in stereo out 3 Basics A collection of presets showing the fundamental effects capabilities of the unit Delays pitch shifters reverbs compressors filters equalizers ready for any task 310 8 Delays 48 8 8 310 8 Delays 96 18 8 D Simple discrete delays Octal in octal out 311 4 Diatonicshifts 96 Il 4 4 311 4 Diatonicshifts 48 4 4 PD Simple four channel four voice diatonic shifter Quad in quad out 312 8 Diatonicshifts 48 8 8 PD Simple eight channel eight voice diatonic shifter Octal in octal out 313 4 Pitchshifters 96 4 4 P Simple pitch shifters Quad in quad out 314 8 Pitchshifters 96 18 8 314 8 Pitchshifters 48 8 8 P Simple pitch shifters Octal in octal out 315 BasicRoom 96 2 4 R Basic 4 out reverb Diffusion out front verb out front rear or both Stereo in quad out 316 Compressor_8 96 8 8 Y Eight independent mono compressors Octal in octal out 317 Diatonicshift_O 48 8 8 PD A simple eight channel diatonic shifter with common controls Octal in octal out 318 Diatonicshift_Q 48 4 4 318 Diatonicshift_Q 96 Il 4 4 PD A simple four channel four voice diatonic shifter Quad in quad out 319 Filter_O 96 8 8 320 Filter_Q 96 4 4 E Filters with common controls 321 Pitchshifters_O 96 18 8 321 Pitchshifters_O 48 8 8
51. filters to zero in on cool sounds Summed in mono out 2212 Gerrys Mangler 96 4 4 GS M TT Four channel hard trem effect Quad in quad out 2213 Growl 96 1 2 MY An old favorite from modular synthesizer days An envelope follower modulates the speed of an LFO that is chopping the signal Mono in stereo out 2214 Low Res Digital 96 4 4 VDK M Reducing the Sample Rate introduces aliasing distortion Reducing Output Bits introduces quantization distortion Didn t we spend a couple decades trying to get rid of this stuff Quad in quad out Release 1 2 Page 49 of 109 12 30 2003 The H8000 Presets Collection 23 Mastering Suite These sophisticated dynamics programs come from the Masderring Lab Library created by the inventor of the Distressor They are designed for stereo digital I O and set for your two track mixes as well as being very useful for individual sources These presets will often allow complex mastering operations to be performed on the H8000 alone saving the expense of otherwise little used outboard equipment 2310 Bigger And Brighter 96 2 2 EY NOTE Cut low freq to prevent pumping The left two faders are separate left and right input levels First meter is compression the 2nd is limiting An output level adjust is on the right A stereo compressor is preceded by a selectable EQ followed by a limiter and 5 section EQ The compressor can be frequency conscious using expert params Ste
52. format Release 1 2 Page 107 of 109 12 30 2003 The H8000 Presets Collection Here are important details you should know Routing The correct routing of the inputs and outputs channels is very important when working with these presets When using a 5 1 I O structure please always refer to the following input and output assignments TO 5 1 standard configuration Input 1 gt Front LEFT Channel Input 2 gt Front RIGHT Channel Input 3 gt Front CENTER Channel Input 4 gt LFE sub Channel Input 5 gt Surround rear LEFT Channel Input 6 gt Surround rear RIGHT Channel Be sure that the H8000 inputs amp outputs are connected to hardware inputs and outputs in this way Input Trim A channel dedicated input level this Trim helps take control on very hot incoming signals Use the H8000 meter LEDs to monitor audio and use these trimmers accordingly Phantom Speaker Available in the full 5 1 I O algorithms only this switch enables the traditional stereo phantom speaker by removing the center channel from the center speaker redirecting it to the front left and right speakers When set to OFF you will listen to a full 5 1 mix if set to ON the resulting 4 1 is what you ll get with stereo placement of the center channel audio source in the front left amp right speakers Gain This is a very useful level gain placed at the end of the algorithm Use it to push the output level or to recover level loss caused by neces
53. goes to outputs 1 3 5 and 7 Input 2 goes to outputs 2 4 6 and 8 Stereo in octal out Release 1 2 Page 90 of 109 12 30 2003 The H8000 Presets Collection 65 Vintage Gear An amazing collection of classic analog and digital vintage units replicas showing other aspects of this open system If you know how it was made you could re build it here Look for your oldies in this bank 6510 140 EMT Plate 96 2 2 RDE A plate reverb with simple parameter layout Switch able in stereo out 6511 893 Undulator 96 2 2 GK PDMY TT Dynamic tremolo from 2 delays and 2 detuners in a mixed series parallel configuration BIAS sets how the Ifo dynamically reacts to input level An ethereal texture from H3000 days Mono in stereo out 6512 AMS DMX 1580S 96 2 2 PM AMS emulation with parameters at null settings Switch able in stereo out 6513 DynoMyPiano1380S 96 I 2 2 6513 DynoMyPiano1380S 48 2 2 GK DM Songbird DyTronics Dyno My Piano Tri Stereo Chorus 1380 S replica Very popular chorus unit in early 80s The 3 L CR Ifo faders control progressive waveshaping of the modulation lt pullouts gt here are controls for the original knobs pullouts that enhance the spatial perception of each chorus line and engage feedback for flanging Summed in stereo out 6514 H3000 Verby Chorus 96 2 2 RDM H3000 384 VERBY CHORUS patch built with SWEPT REVERB algorithm Summed in stereo out 6515 H3000BreathingCanyon 96 2 2 RDM H3000 5
54. gt pingpong Summed in stereo out 1926 Mr Hyde 96 4 4 G REY Gate gt Distortion gt Reverb Stereo in stereo out Release 1 2 Page 45 of 109 12 30 2003 The H8000 Presets Collection 1927 OverdrivePreamp 96 2 2 G EY This preamp simulation is more reactive to the dynamics of your playing than fuzzpreamp Summed in mono out 1928 Pandemonium 96 2 2 1928 Pandemonium 48 2 2 G DEY Combination of fuzzpreamp and demondelay An agressive reverse type sound Summed in stereo out 1929 Paradigm Shift 96 2 2 G PEY Fuzzpreamp gt dual shifter Summed in stereo out 1930 Pedal Shift 96 12 4 1930 Pedal Shift 48 2 4 G PRCEY Overdrive preamp gt shift gt verb Pedal crossfade between preamp and shifted signal Verb lt output gt selectable front rear or both Summed in quad out 1931 Ringworld 96 Il 2 4 1931 Ringworld 48 2 4 G PRCEY Fuzzpreamp gt simple ringmods gt verb Great for non delay ringmod sounds Summed in quad out 1932 Satellites 96 2 4 G PDCEY Fuzzpre with circle ringtaps Summed in quad out 1933 Second Dominion 48 2 4 1933 Second Dominion 96 Il 2 4 G PRDCEY Fuzzpreamp gt wammy gt 2tapdelay gt verb Summed in quad out 1934 Siderialfuzz 96 2 2 G DMEY Combination of FuzzPre and SerialDelays Summed in stereo out 1935 Squiggle Guitar 96 Il 2 2 1935 Squiggle Guitar 48 2 2 G PRCEY Fool em with your newfound dexterity forward or backwards Fuzzpreamp gt speed changer effect g
55. in mono out Release 1 2 Page 91 of 109 12 30 2003 The H8000 Presets Collection 6523 TC2290 96 2 2 Tweaked for dyn panning ducking detuning echo 6524 1TC2290 Dyn Chorus 96 2 2 Tweaked for dyn panning ducking detuning echo 6525 1TC2290 Dyn Flanger 96 2 2 Tweaked for dynamic flanging with dyn panning 6526 TC2290 Dyn Long Dly 96 2 2 Tweaked for reversed dynamic panning and chorusing of ducked long delay GVK DMEY Tim TC2290 Dynamic Delay Delay can be tapped in with an ext switch Set it in the system menu Delay modulation and level can be dynamically controlled Dly and Dry panning can be dynamically controlled too Dly dyn pan mod switches enable dynamics controlled modulations Summed in stereo out 6527 Univibe 96 2 2 GK PDM TT Update on a univibe replication Tempo based tremolo vibrato chorus effect Stereo in stereo out 6528 1210 Chorus 96 2 2 GK DM A 1210 Stereo Chorus Flanger replicant Two full stereo units in parallel one tweaked for chorus the other for flanger Stereo in stereo out 66 Virtual Racks This is a bank with massive racks 4 full blown processors are arranged in each preset including on off MIDI switching of each effect Dry and wet portions of the signals are already properly routed through run these presets with the unit in 100 wet mode Attentively crafted for guitar vocals drums percussion and general use samples we suggest you try any possible audio source through th
56. in stereo out 6913 Dynamic Worm 96 l 2 2 6913 Dynamic Worm 48 2 2 G RDME TT Mutitap and reverb swept through a filter Extreme tail and lots of motion Summed in stereo out 6914 Flaedermaus 96 2 2 PM This sequenced pitchshifter sounds like bats chasing you around in octaves and leading tones Summed in stereo out 6915 Ghosties 96 2 2 R And other things that go bump in the night Summed in stereo out Release 1 2 Page 95 of 109 12 30 2003 The H8000 Presets Collection 6916 Liquid Sky 96 2 2 DME Doppler alternating up and down without splicing What goes up must come down Free of glitches on any audio Slow LFO makes a beat fast makes a tremolo Trippy after a reverb Dual mono in stereo out 6917 PolySwirl Tap 48 2 2 RDME TT A Vanilla Rack but vanilla can be delicious too Switch able in stereo out 6918 September Canons 48 2 2 GK RDM TT Built for performance of the title Three parallel ping pong delays gt chorus flanger gt verb The first two delays are configured as a set with only delay times independently controlled Tempo monitor as well as external control of inputs and feedbacks of the two sets of delays asist in performance Stereo in stereo out 6919 SmearCoder 96 2 2 6919 SmearCoder 48 2 2 G REY Swirly clouds surround you A new twist on gated reverb A signal is Vocoded with a Smeared version of itself The Vocoder can be fed with a clean or distorted signal as can the Smea
57. stereo out 3427 Swept Band Delay 96 2 2 D DE Rhythmic up sweeping band delays Very high tech Summed in stereo out 3428 Techno Clank 96 2 2 D RE Shaky metallic resonance with vowel shaping This can be truly undefinable Kind of like you know the sound of a dropped coffee pot triggered Summed in stereo out 3429 The Ambience Kit 96 2 2 D RDE Cute little FIR type ambiance Try on snare Summed in stereo out 3430 Tight Snare Verb 96 2 2 D R IT Very ring y reverb meant for snares Summed in stereo out 3431 Vibra Pan 96 I 2 2 3431 Vibra Pan 48 2 2 D RD This uses panning delays from left to right to form an FIR panning ambiance Summed in stereo out 3432 WeKnowBeetBoxTrtMe 96 2 2 D RE TT This is something between a choir and a washing machine Summed in stereo out 3433 Wide Room 96 2 2 D RD TT Complex reverb that sounds much the size of some recording studio rooms Summed in stereo out Release 1 2 Page 58 of 109 12 30 2003 The H8000 Presets Collection 3434 4 Your Toms Only 96 2 2 D RDME TT Tom ambience with a little verb a little chorus a little EQ a little anchovy sauce Summed in stereo out 35 Phasers Any kind of phaser belongs here From vintage sounds to sample amp hold and science fiction 3510 Pure Phase Phaser 96 18 8 3510 Pure Phase Phaser 48 8 8 S DEY A phaser modulated by the level of the input Attack and Decay control res
58. up harsh fuzz or to feed a P A Stereo in stereo out 211 AMS DMX Guitar 96 2 2 G PM AMS emulation with parameters set for thickening effect Stereo in stereo out 212 AMS Lucky Man 96 2 2 K PDM Vintage AMS type pitch and delay Tweaked for the vocal performance Stereo in stereo out 213 BackwardGarden3 96 I 2 2 213 BackwardGarden3 48 2 2 GK RDE Reverse type sound via multitap and verb Nice atmosphere Summed in stereo out 214 BadBadThing 96 2 2 RDMCEY Vintage preamp gt trem gt delay gt diffuse verb Summed in stereo out 215 Big Muff W Dead 9v 96 2 2 G E As used by S Vai This preset has been modified with an attenuation so that speakers and ears are safe To get the original quality of sound with all the gurgles turn down your listening amp WAY DOWN and put the atten parameter all the way up This is ADC converter overload Sounds like its time to change that 9 volt battery in your distortion pedal Distortion and EQ Mono in mono out 216 Enhancer 96 2 2 RDE As used by Mr Satriani Slow chorus like rotation and tight reverb effect Full and warm A very smooth and rich shimmer is added to your sound This will not get in your way and adds a lot Summed in stereo out 217 Garden Halo 96 2 2 G RD Reverse type sound via multitap and verb Nice atmosphere Summed in stereo out 217 Garden Halo 48 2 2 G RD Reverse type sound via multitap and verb Nice atmosphere Summed in
59. which is a function of the lt hicut gt lt lowcut gt and lt rdecay gt parameters Stereo in quad out 4915 DetuneRoom 28 48 2 4 4915 DetuneRoom 28 96 2 4 S PR TT SurroundRoom 28 with Detuners at outs If lt detune gt is positive then front and rear If negative then the opposite Stereo in quad out 4916 DiffuseRoom 24 48 2 4 4916 DiffuseRoom 24 96 Il 2 4 S R TT SurroundRoom 24 with switch able diffusion added to the structure Stereo in quad out 4917 EchoRoom 96 2 4 S RDM TT This verb has four early reflection delays into the diffusor reverb network Early reflections out 1 2 verb out 3 4 Stereo in quad out 4918 Gravity Verb 96 2 4 S RDM TT Series stereo flanger delays embedded between the diffusion and the reverb give a sheen to this preset The delays are driven off of a single LFO lt rate gt with a 90 degree lag to the second pair The reverb itself may be output to the front rear or both Stereo in quad out 4919 ImpWaveQuad 96 2 4 S RD TT Surround version of imp wave verb Dynamic impulse wave and reverb Great for image and thickening Multitap out 1 2 Verb out 3 4 Stereo in quad out 4920 Joystik gt verb 96 l 4 4 4920 Joystik gt verb 48 4 4 S RM TT Joystick panning into a true 4 chan reverb Panner Joystick controlled panning lt mod1 gt X lt mod2 gt Y lt ringl gt write channel lt ring2 gt status Activate desired chan amp toggle between locked and
60. 1 Brightener 96 2 2 V PEY Adds clean second harmonic to signals above the lt Tuning gt frequency like the popular Enhancer efx only silkier Like perfume a little goes a long way Stereo in stereo out 7812 Easy Timesqueeze 96 2 2 V P Easier and better sounding than an H3000B and with perfect pitch accuracy Enter the current length and the desired length Then set your deck s varispeed to match the PCT or SPEED display The Audio page is for fine tuning quality More delay or higher lowest sound does a smoother job lt Manual Pitch gt lets you tweak the pitch determined by the Timings page sometimes setting it a little lower than normal helps make squeezed voices more natural Switch able in stereo out 7813 Hiss Eliminator 96 2 2 DEY This is a single ended high frequency noise reducer You can use it to reduce tape hiss without having to record through an encoder and also to cut down sync whine air conditioner or computer noises and other high frequencies Bring lt Gate gt all the way down then adjust lt Highs gt until the filter opens on the desired sound but closes when the sound goes away Then advance lt Gate gt and lt Bypass gt for additional broadband reduction Stereo in stereo out Release 1 2 Page 102 of 109 12 30 2003 The H8000 Presets Collection 7814 Hum Eliminator 96 2 2 DEY Uses three different processes to fix noisy bottoms lt Notch gt gives a sharp dip every 60 Hz using a comb
61. 1 ratio between their rates Perfect fourths yield a 3 4 ratio Create your own LFO shapes for each Tremolo using the Tremolo parameters Change how MIDI notes are assigned to the Tremolo speeds using the MIDI Mode parameter Use output panners to set the quad panning of the 4 tremolos Use the Input parameter to switch from stereo to quad input Quad in quad out 2416 MidiHarmonixExtract 48 2 4 KS Extracts the harmonic content of a note played on a MIDI keyboard from the input signal Speed controls how fast the extracting note changes Mono in quad out 2417 MidiWaveformImpose 96 2 4 KS E Sets the center freqs of 24 bandpass filters to the first 24 harmonics of a note played on a MIDI keyboard Midi parameter sets channel Speed controls how fast notes change Increase PeakQ to highten note effect Mono in quad out 2418 QuadOffsetTrem 96 4 4 KS D Four tremolo modules All use the same LFO LFO Rate can be set between 0 and 20KHz Use lower settings for standard trem effects higher rates for lo fi distorted sound Change the relative phase of the 4 trems using the TimeOffset control This will give a wider effect Create your own LFO shape using the Custom Waveform designer On the In Out page you can set the output panning of each of the Tremolos and select from either Stereo or Quad input Quad in quad out Release 1 2 Page 51 of 109 12 30 2003 The H8000 Presets Collection 2419 SetNoteRezon 96 4 4 KS Four Resonant del
62. 2 GV P TT A two voice diatonic shifter Summed in stereo out 5524 Diatonic Thesaurus 96 2 2 GV P TT This is what you ve been dreaming of Set 8 steps for 2v diatonic shifters intervals keys and scales Summed in stereo out 5525 Diatonic Trio 96 Il 2 4 5525 Diatonic Trio 48 2 4 GV PRY TT Diatonic interactive shifters gt verb Choose 3 intervals for each of two shifts which are triggered by source level and randomly chosen envelope control of shifts and source to help emulate strings Verb can output front rear or both Stereo in quad out 5526 DiatonicShift_8 48 4 4 5526 DiatonicShift_8 96 Il 4 4 S P TT Simple 4 chan 8 voice diatonicshifter Each input feeds 2 consecutive voices input 1 voices1 amp 2 in 2 v3 amp 4 etc Quad in quad out 5527 Diatonic_8mod 48 2 2 5527 Diatonic_8mod 96 2 2 P TT Eight voice diatonic shifter Voice 1 4 is fed from input 1 while voice 5 8 is fed from input 2 with independent external mods for each voice Stereo in stereo out 5528 M_4DiatonicShift 96 4 4 P TT Four channel four voice diatonic shifter with master params Quad in quad out 5529 Stepped Dshifter 96 2 4 GVS P TT Four voice diatonic shift with lt step gt params These allow you to preset a sequence of values for each voice of each step value Step 0 unison Summed in quad out 56 Shifters Ultra The UltraShifter can pitch shift a vocal two octaves up or one octave down while ma
63. 212 5018 6915 3019 5019 5020 7713 2013 1828 218 1829 1316 6812 4918 1922 3912 3417 2213 1923 2316 3054 3020 3021 H8000 Presets by Name FM Panner FM Panner_S FM TimbreFactory Fm Trem Four Filters Four Samplers Four Samplers_S FourSidedVerb Fractal Vortex Framerate Convert FreqShift W Delay FreqShift W Delay8 Fries With That Funny Gated Room Fuzack Fuzz 2002 FuzzPreamp Galaxy Borders 2 Garden Halo Gaspodes Dly_2 Gaspodes Dly_M Gaspodes Dly_S Gaspodes Pndly_D Gaspodes Pndly_M Gated Gong Verb Gated Inverse Snare Gated Plate Gated Water Snare General Informations Genesis II Gerrys Bass 99 Gerrys Mangler Ghost Air Ghosties Glitterous Verb GloriousChrsCanyon GloriousFIngCanyon Go Crazy GobiGuitar GodSaveTheQueen Gorgeous Delay Gothic Gothica VROOOM GravelInMyThroat Gravity Verb Grieving Tube GrooveSync Delay Group Claps Growl Grundulator Grunge Compress Guitar Magic Guitar Mania GunnShift 4815 3319 3320 3318 6514 6515 10 4217 1020 6516 1417 1924 1830 3812 6113 711 712 1716 830 5813 7813 2014 5021 7814 2015 219 4919 4816 1717 6616 7414 831 3022 7011 7012 7013 5433 5434 4219 4220 4218 5911 4314 1317 6114 220 1831 5814 5815 2118 1718 4920 3321 221 Gym Shower Gyroscope GyroscopicField Gyro X Pattern H3000 Verby Chorus H3000BreathingCanyon H8000 Banks Hall gt Bandpass Hall_Dual 2Tap Dly Hand Flanger Harmonic Enhance H
64. 23 6524 6525 6526 3428 3525 3916 7015 7016 5822 2130 3034 3429 1723 7915 1936 7822 1223 1221 1222 12 1428 StudioSampler_M StudioSampler_S Super Punch SuperDuckedDelays Surgery Surr Black Hole SurroundGuitar SurroundRoom 28 Swamp Guitar Sweep Filter Swell Verb 9 Swept Band Delay Swept Plate Swing Pong Delay Swirl Flanges Switch 8 Synthlike Filter Tablas Baba Tale From The Bulge Talking Dashboard TankAttack 411 Tapdelay Plex Tapdelay Plex 2 Tapdelay Diffchor 2 Tapdelay Diffchorus Tapdelay Verb Tape Echo Tape Reverb Tapring Plex Tapring Plex 2 TarantulaSlap TarantulaTrem TC2290 TC2290 Dyn Chorus TC2290 Dyn Flanger TC2290 Dyn Long Dly Techno Clank Techno Phaser Techno Rave Tempo Dly_Lfo Jig Tempo_Verb Jig Tesla Generator TexturalGuitar Texture 47 The Ambience Kit The Gyre Theremin Third Dominion Three Band Compress Threeband Eq_Q Threeband Eq s Threeband Eq s Thru Tight Bandpass Mod 3430 7418 4233 6117 7017 1843 3814 1844 6920 1724 3035 4317 4933 1123 7221 3036 640 3037 1124 3038 5035 1845 235 851 1846 7916 5227 3917 3918 3919 3920 3921 8017 641 7617 5114 5916 3526 1937 7515 1725 1429 533 534 535 5823 4725 4726 4727 5611 5612 5613 5614 5615 Tight Snare Verb Tile Men s Room Tiled Room Timbre Factory TimerDly Jig Timesqueeze Gtr TimeSqueeze R Timestretch Gtr ToddsPedalShiftVerb Tom s Acoustic Gtr ToneCloud Tooncham
65. 2_5 1 Med Room E r 2_5 1 Piano Room E r 2_5 1 Sax Plate 2_5 1 Small Room E r 2_5 1 Stadium E r 2_5 1 Stage E r 2_5 1 Surr Slap Back 2_5 1 Tight Booth 2_5 1 Tight Snare 2_5 1 Tunnel 2_5 1 Vocal Hall 2_5 1 Vox Chmbr E r 20 gt 20 Audio Sweep 2in8out 3B X over Hall 3D CircleDelay 3 D Phaselnverter 4 Diatonicshifts 4 T O Delays 4 T O ModDelays 4 IntervalShifts 4 Pitchshifters 4 Reverbs FoH 4 Room 16 Verbs 4 Softknee Comps 4 Stereo Verbs 4 Stereo Verbs 2 4 Tracker 3 4 Tracker 4 4 Tracker 5 4 Your Toms Only 330 1225 5410 5510 5411 5412 5413 7516 3210 1230 5414 5511 5512 5513 4110 4130 4150 4111 860 861 4131 1131 1130 4112 4132 4151 5415 862 5514 4133 4152 4113 4134 4153 863 864 4135 4154 4114 4115 4155 5515 4156 4136 5416 5516 4116 4117 4157 5417 4118 4137 4119 4158 4 10 Grafic Eq 4 8 Grafic Eq 4 Detuners 4 DiatonicShift 4 _PitchShift 4 ReverseShift 4 ReverseTetra 45 RPM Oldie 4CompEq_2VintDuckDly 5 1 4B Param Eq 5 1 Sths amp 8ves 5 1 C Maj Key Arps 5 1 C Maj Pent Arps 5 1 C Min Clusters 5 1 Cathedral 5 1 Choir Chamber 5 1 Choir Chmbr E r 5 1 Choir Hall 5 1 Chorus 5 1 Circling Delays 5 1 Classic Plate 5 1 Compr gt 3 B ParEQ 5 1 Compression 5 1 Concert Hall 5 1 Concert Hall 5 1 Concrete Lrg E r 5 1 Detuned Arpeggio 5 1 Detuned Echoes 5 1 DiatonicShifters 5 1 Drums Booth 5 1 Drums Booth E r 5 1 Drums Room 5 1 Drums Room9
66. 3 The H8000 Presets Collection 521 Multitap Delay 96 2 2 D A single delay line with many taps each one with individual controls Summed in stereo out 522 Parallel Delays 96 2 2 D TT Parallel delays Stereo in stereo out 523 Parallel Delays8 96 8 4 D TT Parallel delays with master and channel function controls Octal in each input feeds its delay line Quad in input 1 feeds voice 1 4 input 2 feeds voice 2 5 etc Switch able in quad out 524 Pingpong 96 2 2 D TT Series delays Summed in stereo out 525 Polyrhythm 5 4 96 l 2 2 525 Polyrhythm 5 4 48 2 2 D TT Lets you play with true polyrhythmic figures Choose bpm note values and of repeats Play a note get 5 against 4 out Stereo in quad out 526 Precision Delays 96 2 2 D Allows you to adjust delay in microsecond increments One delay per channel Stereo in stereo out 527 Reverse Delay 96 2 2 DE Tim Single 20 second reverse delay line Summed in stereo out 528 Ribbon Delay 96 8 8 D Inputs are summed then sent to eight delays in series Nigel says they intertwine like a ribbon Independent control of delay times Summed in octal out 529 SimpleDelays 96 2 2 D TT Basic stereo delay line Stereo in stereo out 530 SimplePingPong 96 2 2 D TT Simple ping pong delay Summed in stereo out 531 Smear 96 2 2 D Smear Filter Acts as a complex comb filter but with no feedback to tank things up Great for widening a m
67. 48 2 4 2115 Crafty Ensemble 96 Il 2 4 S PDCEY TT Preamp gt multishift Summed in quad out 2116 Crafty Ensemble2 96 I 2 4 2116 Crafty Ensemble2 48 2 4 S PDCEY TT Preamp gt diatonicshift Summed in quad out 2117 DesertDistortion 96 2 4 2117 DesertDistortion 48 2 4 GS RDCEY TT Preamp gt diffusion delays Summed in quad out 2118 Shaniikest 96 2 4 S RDMCEY TT Preamp gt t_delay plex Summed in quad out 2119 Oobleck 96 l 2 4 2119 Oobleck 48 2 4 S PDMCEY TT Preamp gt colortap delays Summed in quad out 2120 Outer Reaches 48 2 4 S PRCEY TT Preamp gt diffchorus gt reverseshifts Summed in quad out 2121 Pianistick 96 l 2 4 2121 Pianistick 48 2 4 GS RDCEY TT Preamp gt sostenuto gt reverb Summed in quad out 2122 PolytonalSurround 48 2 4 2122 PolytonalSurround 96 Il 2 4 S PDCEY TT Preamp gt polytonal rhythm Summed in quad out 2123 Pulse Guitar 96 2 4 GS RDMCEY TT Preamp gt t_delay plex Summed in quad out Release 1 2 Page 48 of 109 12 30 2003 The H8000 Presets Collection 2124 Quadchorus 96 Il 2 4 2124 Quadchorus 48 2 4 S DMEY Preamp gt 8 parallel moddelays Summed in quad out 2125 QuadpanSlap 96 l 2 4 2125 QuadpanSlap 48 2 4 S RDMCEY TT Preamp gt delay gt quadpan gt quad verb Dual pedals or LFO s sweep the source and a delay throw in the surround field Great for stereo as well Summed in quad out 2126 Quadswell 48 2 4 2126 Quadswell
68. 5 1 Cathedral 96 2 6 When you need something majestic this is the place to be 4033 2_5 1 Chamber Choir 48 2 6 4033 2_5 1 Chamber Choir 96 12 6 A backing vocals track feels just right with this one 4034 2_5 1 Drums Room 48 2 6 4034 2_5 1 Drums Room 96 l 2 6 All time favourite drums ambiance 4035 2_5 1 Empty Arena 96 l 2 6 4035 2_5 1 Empty Arena 48 2 6 4036 2_5 1 Fat Drums 48 2 6 4036 2_5 1 Fat Drums 96 l 2 6 Make those drums head pop out of your monitors 4037 2_5 1 Majestic Plate 96 l 2 6 4037 2_5 1 Majestic Plate 48 2 6 Beauty for vocals and solo instrumental tracks 4038 2_5 1 Sax Plate 96 I 2 6 4038 2_5 1 Sax Plate 48 2 6 Horns need a plate 4039 2_5 1 Surr Slap Back 48 2 6 4039 2_5 1 Surr Slap Back 96 2 6 Reverb with reflections coming back from the rear speakers 4040 2_5 1 Tight Booth 96 II 2 6 4040 2_5 1 Tight Booth 48 2 6 Very small space for drums amp vocals 4041 2_5 1 Tight Snare 48 2 6 4041 2_5 1 Tight Snare 96 l 2 6 Try your different snare samples or tracks thru this 4042 2_5 1 Tunnel 48 2 6 4042 2_5 1 Tunnel 96 l 2 6 Dark unnatural reverb from underground spaces 4043 2_5 1 Vocal Hall 48 2 6 4043 2_5 1 Vocal Hall 96 12 6 Can t get more classic than a nice hall reverb for your vocals VS RDE Stereo in 5 1 out 4044 Surr Black Hole 96 l 2 6 4044 Surr Black Hole 48 2 6 GKS RDE An abnormally large reverb sucking everything into a bottomless chamber Grea
69. 6 5 1 Far Walls E r 5 1 Flanger 5 1 Fr Sur Bounce 5 1 Gregorian Church 5 1 Hard Walls E r 5 1 Jazz Club 5 1 Lead Guitar 5 1 Lg Envimmnt E r 5 1 Maj Key Chords 5 1 Md Envirmmnt E r 5 1 Metal Tunnel 5 1 MicroPitchShift 5 1 Min Pentatonic 5 1 Percussion Room 5 1 Piano Hall 5 1 Piano Room E r 5 1 Pitch Shifters 5 1 Rich Chamber 5 1 Sax Chamber 5 1 Sax Hall 5 1 Sax Stage E r 5422 4159 4138 4120 4121 4160 4139 4122 5425 865 4140 4141 4123 4161 3040 5428 3050 1010 3051 310 312 314 331 1226 5418 5419 5420 5421 3410 6910 6511 3010 1310 3211 1710 2110 2111 4910 5010 7110 5810 5011 811 1410 4210 2112 2113 1110 3310 210 6512 211 212 1035 H8000 Presets by Name 5 1 Shifted Echoes 5 1 Sm Envirnmnt E r 5 1 Snare Chamber 5 1 Snare Plate 5 1 Stadium 5 1 Stage E r 5 1 Surr Slap Back 5 1 Theater Stage 5 1 Trem Detuners 5 1 Vintage Delays 5 1 Vox Bright Plate 5 1 Vox Hall 5 1 Vox Plate 5 1 Wood Walls E r Sth Place Sths amp Oct Multiply 6 Chorusdlys amp Verb 6 V Dlys amp Verb 6 Vox Flanger amp Verb 8 Delays 8 Diatonicshifts 8 Pitchshifters 8 10 Grafic Eq 8 8 Grafic Eq 8_Detuners 8_PitchShift 8_ReverseShift 8_ReverseTetra 808 Rumble Tone 80s Guitar Rig 893 Undulator 8chorus 4verb A Nice Place Acoustic Gtr Mondo Acoustic Gtr Rack AcousticAmbience1 AcousticAmbience2 AcousticRoom Adaptive Reverb Airplane Background Alert 401 AlienShiftVer
70. 6 2 2 PDME Mickey Unplugged Raises the midrange an octave or more but keeps the bass in place It works best with songs that have a soloist over a low bass line Try it on Billy Joel s Still Rock n Roll or almost anything of Johnny Cash s A schmaltzy vibrato can be added if desired Stereo in stereo out 7617 Trolls 96 2 2 PME Your voice gets converted to your choice of one two or many low pitched talkers trolls can t count higher than two They get even more menacing as you advance lt Ragged gt Also neat on sfx Mono in stereo out 77 Px Gimmix The effects in this Bank should in general be used 100 percent wet as they incorporate their own mixing 7710 Backwards 96 2 2 P This is like the popular H3000 effect only it s matrixed to stay in true stereo and is more controllable Breaks the input up into little pieces and then plays each of them backwards Try it on voice mixed music and on solo instruments like violin Switch able in stereo out 7711 Can t Carry Tune 96 2 2 PE Play a song into it whenever the soloist takes a breath the whole thing changes key Funniest on well known songs or if you record the boss singing Press lt Tune gt and adjust the slider to pick out the melody Then adjust lt Key Mangle gt for any setting from Slight to Yike If you pick Tin Ear it ll shift the melody in exact half steps This program looks for the rhythm and applies pitch shifts to the whol
71. 79 BREATHING CANYON patch built with SWEPT REVERB algorithm Summed in stereo out 6516 Hand Flanger 96 44 D Through the use of fixed delays in parallel with a manual delays You can rock through zero time as happens by flanging tape reels lt mix gt is a mix of the fixed and manual delay lines For full effect no source should be mixed in Quad in quad out 6517 Omnipressor R 96 2 2 DEY This vintage emulation comes directly from the source Richard would be happy to share with you his foray into Vsig our graphics editing package His journey The Anatomy of a Preset as well as Vsig itself may be down loaded from our web site at eventide com Mono in mono out 6518 Pcm70 Concert Hall 96 l 2 2 6518 Pcm70 Concert Hall 48 2 2 6519 Pcm70 Sax Hall 48 2 2 6519 Pcm70 Sax Hall 96 II 2 2 Tweak for moody Blade Runner style sax lines RDE Pcm70 original Concert Hall algorithm Left amp right reflections available Diffusers and Verbs delays are available to shape different environments Set expert parameter to I to access them Summed in stereo out 6520 RMX Simu Ambiance 96 2 2 RD That AMS Gated room kinda sound Nice on kick drums and other percussion Summed in stereo out 6521 Stereo Undulator 96 2 2 GK PDMY TT True stereo version of H3000 undulator effect Stereo in stereo out 6522 Tape Echo 96 2 2 GVK DME Analog style tape echo with filtering tape flutter amp wear out simulations Summed
72. 8 5728 FreqShift W Delay8 96 1 8 8 PD Simple freq shifter with delay 5729 Genesis II 96 2 2 GVS PRDMCE TT Crystals gt moddelays gt reverb Like crystal orbits this one has the crystals in series and in a forward direction Stereo in stereo out 5730 Latin Cathedral 96 2 2 GVS PR TT An interesting reverb made by using reverse delays Summed in stereo out 5731 ReverseTetra 96 2 2 P Four parallel reverse shifters with independent controls Summed in stereo out 5732 Shift To Nowhere 48 2 4 5732 Shift To Nowhere 96 2 4 PE Divides input into octaves and switches them Signal is shifted but it doesn t go anywhere Decrease input gain to avoid distortion Use output gain to compensate Increase Delay and Length for more interesting effect Summed in mono out 5733 Steeplechase 96 2 2 PM TT Polyrhythmic shifted delays Modulation of the shifters will have you wondering who s chasing who Summed in stereo out Release 1 2 Page 85 of 109 12 30 2003 The H8000 Presets Collection 5734 StringTrio 48 2 4 5734 StringTrio 96 l 2 4 G PRY TT Non diatonic interactive shifter with verb Choose three intervals for each of two shifts which are triggered by source level and randomly chosen Envelope control of shifts and source helps to emulate strings Stereo in quad out 58 Sound Effects This is a collection of sound effects some based on the equally numbered presets on the 3000B others fr
73. 8000 Presets Collection 713 Levitation Alpha 48 4 4 714 Levitation Beta 48 4 4 With 10 second reverse shifter 715 Levitation Gamma 48 4 4 With 2 second diatonic shift GVKS PRDMCY TT BPM loop effects Sums 1 3 and 2 4 feed stereo shift gt loop 80 sec gt verb gt slap 2 sec Pitch has envelope shaping external modulation lt mod1 gt and is bypass able Loop volume pedal lt mod2 gt is door to loop so set lt mod2 gt to high if you do not want this performance feature Choose BPM meter and of measures for loop length Slap has source selection as well as output selection front rear both Quad in quad out 716 Loop_timesqueeze 48 2 2 GVK PRDCY TT Tim Stereo loops gt timesqueeze gt verb Loops crisscross feedback Timesqueeze allows independent duration and pitch control Stereo in stereo out 717 Manifold Alpha 48 2 2 718 Manifold Beta 48 2 2 GVK PD Non sampler looping preset This one with a reverse shifter 32 sec loop 4 sec slap lt door gt is feed level to effect lt inmix gt to Pitch O Input 100 Loop lt inmix gt to Loop 0 Input 100 Pitch Loop has a volume pedal before it set to mod2 Heel no input toe lt door gt level intloop pitch feed slap loop pitch output left slap output right Summed in stereo out 719 Mobius Loops 48 4 4 GVKS DY Tim Rotation manifold with second loop rotating counterclockwise Quad in quad out 720 MobiusManifold 48 4 4 GVKS PRDCY TT Tim
74. 96 2 2 GVDK D Rock the Knob to get the flange Old style flanger Dual mono in dual mono out 2318 Masderring Lab 22 96 2 2 2319 Radio Check 96 2 2 EY NOTE Cut low freq to prevent pumping The left two faders are separate left and right input levels First meter is compression the 2nd is limiting An output level adjust is on the right A stereo compressor is preceded by a selectable EQ followed by a limiter and 5 section EQ The compressor can be frequency conscious using expert params Stereo in stereo out Release 1 2 Page 50 of 109 12 30 2003 The H8000 Presets Collection 24 MIDI Keyboard A bank of MIDI keyboard controlled FX from harmony to resonance tremolo harmonics extraction 2410 Midi Harmony 96 2 2 K PM Four pitch shifters into a stereo mixer Can play 4 part harmony when used with midi keyboard Full ADSR Mono in stereo out 2411 MIDI Monitor 96 MIDI Note Number Translator and Display This displays the last MIDI note received in several useful ways As MIDI Note Number Cents above MIDI note 0 frequency and Period Use this module when creating presets which use MIDI note input to control Parameters Use Cents to control Pitch modules use frequency to set values for modulation effects use Period to set values for delay times useful for resonant delays In some cases you may wish to multiply the values coming from this module in order to get them into a useful range for your purposes Nothing
75. 96 2 2 PM Pitch shifts with a slight modulation Squish Summed in stereo out 3013 Crystal Morpher 96 2 4 PDME Stereo in summed to mono then fed to 1x4 auto morpher sequentially feeding four discrete parallel mono effects in the four corners of your sound stage Mono in quad out Release 1 2 Page 52 of 109 12 30 2003 The H8000 Presets Collection 3014 Dervish 96 2 2 DMY TT Smooth swirling delays via enveloped series chorus delays and stereo flanging Summed in stereo out 3015 Detune amp Reverb 96 2 2 PR Micro pitch shift into reverb Stereo in stereo out 3016 Dr Jekyll 2 96 Il 4 4 3016 Dr Jekyll 2 48 4 4 PDM Quad pitch and slap followed by 1x4DLY repeating delay effect Quad in quad out 3017 FEasternizer 96 2 2 PRDMCE Input tone control into pitch shifter reverb and delay chorus Pitch shifter also feeds the reverb amp delay Final output EQ Summed in stereo out 3018 FatFunkVocalFilter 96 2 2 V RE ITT Vocal filter after a reverb The sweep of the vocal filter is triggered by your sound The reverb makes your sound hang on while being swept by the filter Mono in mono out 3019 Glitterous Verb 48 2 2 3019 Glitterous Verb 96 II 2 2 PRDCE TT A shifted echo and your sound go through a reverb Stereo in stereo out 3020 Guitar Mania 96 2 2 G PDME TT Tone shift phaser chorus and delay The almost everything rack Summed in mono out 3021 GunnShift 96 2 2 PDM TT Pitchs
76. A dynamic reverb with headroom gate amp envelope filter built in Summed in stereo out 4718 LatticeVerb 96 2 2 R Stereo lattice array into reverb Stereo in stereo out 4719 LRMS Reverb 96 l 2 2 4719 LRMS Reverb 48 2 2 RDE The left right input is converted to sum difference Each of the four signals then go through a reverb The reverberated sum difference is converted back to left right and mixed with the reverberated left right You get echo y reverb with an interesting space quality Stereo in stereo out 4720 Masterverb Room 2 96 2 2 R TT Small wooden room Stereo in stereo out 4721 ReelRoom 96 2 2 RD TT This verb has 4 early reflection delays parallel to the diffusor reverb network This allows the room feel to be easily established Stereo in stereo out 4722 Ridiculous Room 96 2 2 R An over the top room program Huge low end Summed in stereo out 4723 Room 24 96 2 2 VDK R TT With twenty four delays this is a lush environment Stereo in stereo out 4724 Slight ChorusRoom 96 2 2 RDME TT Deep room with a dash of chorus Goes well with white meat Summed in stereo out 4725 UK Ambience 96 2 2 VD RD TT Short amp bright this gatey type reverb has input and output tone controls Summed in stereo out 4726 UK Bright 96 2 2 VD RD TT A short and bright room Watch your levels Summed in stereo out 4727 UK Nonlinear 96 2 2 VD RD TT An FIR type filter with a short gated soun
77. EY Kick drum sub harmonic generator and noise snare generators with envelopes feeding a filtered stereo chorus filtered backwards shifters and diffusion Summed in stereo out Release 1 2 Page 87 of 109 12 30 2003 The H8000 Presets Collection 6111 External Hats 96 2 2 D MEY Inputs 1 amp 2 trigger synthetic hats Use short sharp trigger sounds 2 LFOs and or envelope of sound can mod phasers The envelope of sound itself can mod the LFOs Each hat is output though a LP amp HP filter that is modulated by the envelope of the sound Tweak away 2 in 2 completely different out Stereo in stereo out 6112 FM TimbreFactory 96 0 4 E A four operator FM timbre generator suitable for sampling At fund of 55Hz A1 loops should be 1 4 samp rate number of samples Each operator can be modulated by the other three operators and itself if you re clever you can create any parallel or series combination you like Each operator is sent to the Mixer The outputs of the Mixer are filtered Nothing in quad out 6113 Heen 96 0 2 M Sample and hold effect A sequence of random notes Try playing with the sample freq and droop Nothing in mono out 6114 Jan amp Jeff 96 2 2 G RY As in Hammer and Beck Synth will follow your input guitar line sorta If you don t understand it you re too young Summed in stereo out 6115 Rise Or Fall Osc 96 0 4 DM A series of oscillators perpetually rises or falls Gives you that uplifting or
78. GunnShift Inst Process L verb R pitch Larynx Delay Mods comps filters Moon Solo Pickers Paradise Roey s Delay Shift Roey s Verb Rack SeqWah ChorVerb Space Station St Delayed Flanger St Phaser amp Reverb Texture 47 ToneCloud Treatment Two Trem RingPong Tremolo Rack Waterized Sth Place 6 Chorusdlys amp Verb 6 Vox Flanger amp Verb Comb Room Comp Eq Micro Verb Guitar Magic Sax Eq_Cmpr_VintDly Vox Channel Strip 4CompEq_2VintDuckDly Acoustic Gtr Mondo Delays Suite DShif_VDly_Hall Dtune_VDly_Hall_EQ Mpitch_Pcm70_PanDly Plate_Inv_VintDly_Ch Q Delays_Ambience Virtual Rack 1 Virtual Rack 2 Virtual Rack 3 3221 3310 3311 3312 3313 3314 3315 3316 3317 3319 3318 3320 3321 3322 3323 3324 3325 3326 3327 3328 3329 3330 3331 3410 3411 3412 3413 3414 3415 3416 3417 3418 3419 3420 3421 3422 3423 3424 3425 3426 3427 3428 3429 3430 3431 3432 3433 3434 3510 3511 3512 3513 3514 3514 VoxPro_Vdly_Chorus Amplitude Panner Auto Panner AutoFMPan_Verb AutoPanVerb Circle Panner Fly by FM Panner FM Panner_S Gyroscope Gyro X Pattern GyroscopicField JoystikPanner Octave Panner Q TriggPan Quad Circle Quad GhostCircle QuadCircleMod Simple Panner Squish SquashPan Stereo Panner 3D CircleDelay Rotator 808 Rumble Tone Beatbox Reverb Drum Chamber Drum Filter Drum Flanger Drum Flutters Firecracker Snare Group Claps Liquid Toms Nerve Drums NoizSnareBrightener N
79. LongPanningDelays8 48 8 8 627 LongPanningDelays8 96 1 8 8 DMEY Eight long delays 10 sec with separate auto panning Envelope detection can be used to modulate the LFO Output switch selects stereo or 4 channel out Will load in dsp A only 628 Mess With Stereo 96 2 2 V PDME The left right input is converted to sum difference then a number of modifiers act upon the signal finally It is converted back to left right This gives some interesting stereo enhancements Note There is a slight delay in processing Stereo in stereo out 629 PanningDelays_4 96 4 4 630 PanningDelays_8 48 8 8 630 PanningDelays_8 96 II 8 8 DMEY Four 5 second delays with separate auto panning Envelope detection can be used to modulate the LFO Output switch selects stereo or 8 channel out 631 ParticleAccelerator 96 2 2 DME TT Phaser and multitap create rapid fire delays that pan left to right Summed in stereo out 632 Pingcombpong 96 2 2 GK D TT Series delays with resonators Summed in stereo out 633 Pingringpong 96 2 2 GK PD TT Series delays with ringmods Summed in stereo out 634 Ringdelays 96 2 2 GK PD TT Parallel delays with ringmods Stereo in stereo out 635 Ringdelays8 96 Il 8 4 635 Ringdelays8 48 8 4 GKS PD TT Parallel delays with ringmods and selectable display modes Switch able in quad out 636 Ringtaps 96 2 2 GK PD TT Series delays with ringmods Summed in stereo out 637 Ringtaps2 96 4 4 638 Ring
80. MCEY TT Preamp gt loop univibe filtpan verb Summed in quad out 1824 Fifth Dominion 96 2 4 1824 Fifth Dominion 48 2 4 G PRDCEY TT Preamp gt reverse shift gt 2tapdelay gt verb Summed in quad out 1825 Flange Verb 48 2 2 1825 Flange Verb 96 I 2 2 G RDMCEY TT Preamp gt flanger gt reverb Summed in stereo out 1826 Fuzack 96 Il 2 4 1826 Fuzack 48 2 4 G RDCEY TT Preamp gt tapdelay gt reverb Tweaked for classic fusion gtr leads Summed in quad out 1827 Fuzz 2002 96 2 4 1827 Fuzz 2002 48 2 4 G RDCEY TT Preamp gt tapdelay gt reverb Summed in quad out 1828 GodSaveTheQueen 96 2 2 1828 GodSaveTheQueen 48 2 2 G PRCEY TT Distortion gt shift gt verb Summed in stereo out 1829 Gothic 96 l 2 4 1829 Gothic 48 2 4 G RDCEY TT Preamp gt tapdelay gt reverb Summed in quad out 1830 Harpshift 96 2 2 1830 Harpshift 48 2 2 G PRDCEY TT Preamp gt mutltishift gt verb Feedback from non shifted delay Summed in stereo out 1831 Jeff Thing 96 l 2 4 1831 Jeff Thing 48 2 4 G RDCEY TT Preamp gt tapdelay gt reverb Summed in quad out 1832 Mercury Cloud 96 II 2 2 1832 Mercury Cloud 48 2 2 G RDCEY TT Preamp gt multitapdelay gt ducked reverb Summed in stereo out 1833 Multishift Verb 96 2 2 1833 Multishift Verb 48 2 2 G PRCEY TT Distortion gt shift gt verb Summed in stereo out 1834 Polychorus 96 l 2 2 1834 Polychorus 48 2 2 G PEY Preamp gt polychorus emulation
81. Mono in stereo out 5016 Flutter Booth 96 2 2 RDME TT Try to find this sound elsewhere A deeply fluttering ambiance Summed in stereo out 5017 Gated Gong Verb 96 2 2 VDS REY Input l is the envelope for the filter and the trigger for the gate Input 2 gets verb d Dual mono in stereo out 5018 Ghost Air 96 2 2 RE A deep backwards breathing reverb Summed in stereo out 5019 GloriousChrsCanyon 96 2 2 5020 GloriousFlngCanyon 96 2 2 GDS RDME TT Huge canyons with flange on reverb Summed in stereo out 5021 Horrors 96 2 2 S PRDM TT Squeeking and squelching this big cave reverb is aptly named The program is actually a multi effects patch with a pitch shifter going into a delay set and finally a reverb The overall effect is a really weird reverb Summed in stereo out 5022 Jurassic Space 96 2 2 S RE It s almost a delay yet it s thick like a reverb Has EQ too Summed in stereo out 5023 Kickback 96 2 2 D RDE An early reflection type effect with a large adjustable pre delay Summed in stereo out 5024 Phantom amp Reverb 96 2 2 PRDMCE Unusual sliding harmony mixed with input and thrown into an airy reverb Try on moody vocals Never sounds same twice Summed in stereo out 5025 PillowVerb 96 2 2 5025 PillowVerb 48 2 2 RDE All this for a put reverb Well yeah but at least it s fairly flexible Mono in stereo out 5026 PopUp 96 2 2 RDE A multitude of soft delays that can be radical
82. O 4139 5 1 Surr Slap Back 48 6 6 4139 5 1 Surr Slap Back 96 l 6 6 Reflections come back from around you 4140 5 1 Vox Bright Plate 48 6 6 4140 5 1 Vox Bright Plate 96 l 6 6 Rock vocals love to swim in such a bright verb 4141 5 1 Vox Hall 96 Il 6 6 4141 5 1 Vox Hall 48 6 6 Warm and large this hall sounds great on human voice 4150 5 1 Choir Chmbr E r 96 6 6 Early reflections of a lively mid size space 4151 5 1 Concrete Lrg E r 96 6 6 Colored surround reflections from hard surfaces 4152 5 1 Drums Booth E r 96 6 6 It s around the drums still hard to tell 4153 5 1 Far Walls E r 96 6 6 Distant surround reflections 4154 5 1 Hard Walls E r 96 6 6 Distant surround reflections with high energy 4155 5 1 Lg Envirnmnt E r 96 6 6 Feels like a big place that reflects but doesn t reverberate 4156 5 1 Md Envirnmnt E r 96 6 6 Smaller space simulation than 5 1 Lg Envirnment 4157 5 1 Piano Room E r 96 6 6 Sounds like the room and the piano are one single thing 4158 5 1 Sax Stage E r 96 6 6 Colors reflected on this stage simulation 4159 5 1 Sm Envirnmnt E r 96 6 6 Even smaller space simulation than 5 1 Md Envirnment 4160 5 1 Stage E r 96 6 6 Stage reflective energy has different vibes 4161 5 1 Wood Walls E r 96 6 6 Warmer colored early reflections S RDE values for each Size preset It will remember your settings 5 1 I O Release 1 2 Page 66 of 109 The H8000 Presets Collection Full I O surround a
83. Outs 3 amp 4 Stereo I O Ins 5 amp 6 gt Vintage Duck Dlys gt Outs 5 amp 6 Stereo I O 3213 DShif_VDly_Hall 96 116 6 3213 DShif_VDly_Hall 48 6 6 GVDK PRDMCE TT Ins 1 2 gt 2v Diatonic Shift gt Outs 1 amp 2 summed in stereo out Ins 3 amp 4 gt Vintage St Delays gt Outs 3 amp 4 Stereo I O Ins 5 amp 6 gt Vocal Hall gt Outs 5 amp 6 Stereo I O 3214 Dtune_VDly_Hall_EQ 48 8 8 GVDK PRDMCE TT Ins 1 2 gt Detuner gt Outs 1 amp 2 Summed in stereo out Ins 3 amp 4 gt Vintage St Delays gt Outs 3 amp 4 Stereo I O Ins 5 amp 6 gt Vocal Hall gt Outs 5 amp 6 Stereo I O Ins 7 amp 8 gt St 3 band Eq gt Outs 7 amp 8 Stereo I O 3215 Mpitch_Pcm70_PanDly 48 6 6 GVDK PRDMCEY TT Ins 1 amp 2 gt H3000 Micropitch gt Outs 1 amp 2 Stereo I O Ins 3 4 gt Pcm70 Hall gt Outs 3 amp 4 Summed in stereo out Ins 5 amp 6 or pitch out gt pan DDL gt Outs 5 amp 6 Stereo I O 3216 Plate_Inv_VintDly_Ch 48 8 8 GVDK RDME TT Ins1 amp 2 gt e r gt diff gt drum plate verb gt outs1 amp 2 Stereo I O Ins3 4 gt inverse verb gt outs 3 amp 4 Sum I stereo out Ins5 6 gt vintage stereo delay gt outs 5 amp 6 Stereo I O Ins7 amp 8 gt stereo chorus gt outs 7 amp 8 Stereo I O 3217 QDelays_Ambience 96 l 6 6 3217 Q Delays_Ambience 48 6 6 GVDKS RDE TT Ins 1 2 3 4 gt Quad Dlys gt Outs 1 2 3 4 Each input feeds a diffusor master which feeds a moddelay with filters and another diffusor in its feedback path Thick diffused polyrhy
84. Pitch Shift I 5727 5728 5729 5730 5731 5732 5733 5734 5810 5811 5812 5813 5814 5815 5816 5817 5818 5819 5820 5821 5822 5823 5824 5910 5911 5912 5913 5914 5915 5916 5917 6110 6111 6112 6113 6114 6115 6116 6117 6210 6211 6212 6213 6214 6215 6216 6217 6310 6311 6312 6313 6314 6315 6316 FreqShift W Delay FreqShift W Delay8 Genesis II Latin Cathedral ReverseTetra Shift To Nowhere Steeplechase StringTrio Alert 401 Doorbell 403 Flintlock Himalayan Heights Jet Fly By Jettison 405 Locomotive Mortar Shells Sonar 409 Stereocopter 410 Stormwatch TankAttack 411 Tesla Generator Ufo 413 Wavelab Bass Balls Invertion LFO Mess With Stereo Quad Spatializer QuadDlyBasedPan Squish Squash TruePhase Delay 3 D Phaselnverter Eel Drums 2 External Hats FM TimbreFactory Heen Jan amp Jeff Rise Or Fall Osc Samp Hold FM Lab Timbre Factory Audio Test Set Click Test Dig Sig Gen 4 Dual Scope Phase Test SpectrumAnalyzer Oscillator 1k Ovu 20 gt 20 Audio Sweep Choir Diffchorus Choir Diffchorus 2 Choir Verb Choir Verb 2 Colortaps Verb Combtap Diffchorus Diffchorus Delay 6317 6318 6319 6320 6321 6322 6323 6324 6325 6326 6327 6410 6411 6412 6413 6414 6415 6416 6417 6418 6419 6420 6421 6510 6511 6512 6513 6514 6515 6516 6517 6518 6519 6520 6521 6522 6523 6524 6525 6526 6527 6528 6610 6611 6612 6613 6614 6616 6615 6619 6621 6617
85. Preamp gt crystals gt diffusion Summed in quad out 1813 Bejing Dragons V 96 2 4 1813 Bejing Dragons V 48 2 4 G PRCEY TT Preamp gt crystals gt reverb Summed in quad out 1814 Biomechanica Three 96 2 4 G DMEY TT Preamp gt modfilter gt pingpong Summed in quad out 1815 British Smash 96 I 2 4 1815 British Smash 48 2 4 G PRCEY TT Preamp gt crystals gt diffusion Summed in quad out 1816 Carsultyal Steel 96 2 4 1816 Carsultyal Steel 48 2 4 G PRDMCEY TT Preamp gt ringmod gt tapdelay gt diffchorus Summed in quad out 1817 Cyber Twang 96 l 2 4 1817 Cyber Twang 48 2 4 Tweaked for over the top cyber gtr crunch G PRCEY TT Preamp gt crystals gt reverb Summed in quad out 1818 Desert Oboe 96 2 4 1818 Desert Oboe 48 2 4 G RDCEY TT Preamp gt tapdelay gt diffchorus Summed in quad out 1819 DesertDemon 48 2 4 G RDCEY TT Preamp gt demondelays gt diffchorus Summed in quad out Release 1 2 Page 42 of 109 12 30 2003 The H8000 Presets Collection 1820 DesertMorpher 96 l 2 4 1820 DesertMorpher 48 2 4 G RDMCEY TT Preamp gt tapdelay gt diffchorus Summed in quad out 1821 Distortion Preamp 96 2 2 G EY Comp gt dynamic distortion gt EQ gt vol ped gt gate Summed in mono out 1822 Dunwich Distortion 96 2 4 1822 Dunwich Distortion 48 2 4 G RDCEY TT Preamp gt tapdelay gt reverb Summed in quad out 1823 Electronica Gtr 96 2 4 1823 Electronica Gtr 48 2 4 G PRD
86. ShifterDelay Sths amp Oct Multiply Dual H910s 4 IntervalShifts Dubbler Etherharp IntervalicQuad IntervalicShift_S Large Poly Shift LevitationShift MultiShift_4 MultiShift_8mod Organizer PolytonalRythym H8000 Presets by Number 5441 5442 5443 5444 5510 5511 5512 5513 5514 5515 5516 5517 5518 5519 5520 5521 5522 5523 5524 5525 5526 5527 5528 5529 5610 5611 5612 5613 5614 5615 5616 5617 5618 5619 5620 5621 5622 5710 5711 5712 5713 5714 5715 5716 5717 5718 5719 5720 5721 5722 5723 5724 5725 5726 Stereo Backwards Vibrato_S Wammy_s Warm Shift 4 DiatonicShift 5 1 C Maj Key Arps 5 1 C Maj Pent Arps 5 1 C Min Clusters 5 1 DiatonicShifters 5 1 Maj Key Chords 5 1 Min Pentatonic Diatonic 3rd 5th Diatonic 3rd 7th Diatonic 4th 6th Diatonic 5th Oct Diatonic 5th 4th Diatonic 5th oct Diatonic Oct Diatonic Thesaurus Diatonic Trio DiatonicShift_8 Diatonic_8mod M_4DiatonicShift Stepped Dshifter Robot Voice Ultra AutoCorrect Ultra Cents Ultra Cents 2 Ultra Diatonic Ultra Diatonic 2 Ultra Diatonic 3 Ultra Interval Ultra Interval 2 Ultra Interval 3 Ultra UserScales Ultra UserScales 2 Ultra UserScales 3 Angelic Echos Bubbly Freq Flange Chim Chiminee Crystal 5th Caves Crystal Caves Crystal Heaven Crystal Oct amp Sths Crystal Octaves Crystal Orbits Crystal Pad 2 Crystal Sevenths Crystal Worlds 2 CrystalGyroscope Dinosaurs Doppler Pass DuckedCrystals Fake
87. Similar to Room 24 this one has 28 delays making it very smooth and dense Stereo in stereo out 4414 Masterverb Hall 96 2 2 VDK RDE TT Big warm concert hall with both input and output EQ Stereo in stereo out 4415 Masterverb Hall 1 96 2 2 VDK RDE TT Large VFW type room with input and output EQ Stereo in stereo out 4416 Masterverb Hall 2 96 2 2 VDK RDE TT Warm medium hall Larger version of Masterverb Hall 1 Stereo in stereo out Release 1 2 Page 69 of 109 12 30 2003 The H8000 Presets Collection 4417 Masterverb post 96 2 2 VDK RE TT This is the second half of MasterverbHall 1 If you connect it in series with the first half Masterverb pre it will sound the same as the original preset but allow 96KHz operation Stereo in stereo out 4418 Masterverb pre 96 2 2 VDK RDE This is the first half of Masterverb Hall 1 If you connect it is series with the second half 100 wet masterverb post it will sound the same as the original preset but allow 96KHz operation Stereo in stereo out 4419 Matt s Fat Room 96 2 2 VDK RDE Warm slightly chorus y room with input and output EQ Switch able mono stereo in stereo out 4420 Roomy Hall 96 2 2 VDK RDE Nice room with a warm hall body and a touch of chorus Stereo in stereo out 4421 SplashVerb 96 2 2 VDK R A very long tunnel like hall with gate able inputs Stereo in stereo out 4422 3B X over Hall 48 2 2 GVDK RE A three band ster
88. Summed in stereo out 1835 Ptime Displacement 96 Il 2 2 1835 Ptime Displacement 48 2 2 G PRCEY Preamp gt random pitchtime Summed in stereo out Release 1 2 Page 43 of 109 12 30 2003 The H8000 Presets Collection 1836 Rshift Displacement 96 II 2 2 1836 Rshift Displacement 48 2 2 G PRCEY TT Distortion gt random shift gt verb Summed in stereo out 1837 Splatter Guitar 96 l 2 4 1837 Splatter Guitar 48 2 4 Tweaked for over the top cyber gtr crunch G PRCEY TT Preamp gt crystals gt reverb Summed in quad out 1838 Square Tubes 96 2 4 1838 Square Tubes 48 2 4 G RDCEY TT Preamp gt tapdelay gt reverb Summed in quad out 1839 SRV 96 l 2 4 1839 SRV 48 2 4 G RDCEY TT Preamp gt tapdelay gt reverb Tweaked for those soulful front pickup blues tones Summed in quad out 1840 Swamp Guitar 96 2 4 1840 Swamp Guitar 48 2 4 G RDMCEY TT Preamp gt tapdelay gt reverb Summed in quad out 1841 TarantulaSlap 96 I 2 4 1841 TarantulaSlap 48 2 4 G RDMCEY TT Preamp gt delay gt reverb Summed in quad out 1842 TarantulaTrem 48 2 4 1842 TarantulaTrem 96 Il 2 4 G RDMCEY TT Preamp FM Trem taps diffusion slap Summed in quad out 1843 Timesqueeze Gtr 96 2 2 1843 Timesqueeze Gtr 48 2 2 1844 Timestretch Gtr 96 2 2 1844 Timestretch Gtr 48 2 2 G PRCEY TT Preamp gt pitchtime gt verb Summed in stereo out 1845 Trevor s Gtr 96 l 2 4 1845 Trevor s Gtr 48 2 4 G RDCEY TT P
89. al mono in dual mono out 2612 Mixer s Toolbox 1 96 2 2 2613 Mixer s Toolbox 2 96 2 2 2614 Mixer s Toolbox 3 96 2 2 uses a reverse pitch shifter 2615 Mixer s Toolbox 4 96 2 2 uses a reverse pitch shifter PRDMCE TT Input tone control into pitch shifter reverb and delay chorus Pitch shifter also feeds the reverb amp delay Final output EQ Summed in stereo out 2616 Simple Quadmixer 96 4 4 S Four channel mixer Quad in quad out 30 Multi Effects A set of great multi effects algorithms again showing just some of the many possibilities of our open architecture From multi voice delays choruses pitch shifters tremolos coupled with verbs to full blown mixer channels strips dedicated to vocal or instrument sources 3010 8chorus 4verb 48 4 4 3010 8chorus 4verb 96 4 4 RDM Quad Chorus with Quad Reverb Each of the four inputs has two chorus modules A and B There is individual control over the chorus speed and depth as well as a master control which effects all speed depth values Each chorus voice can be individually panned and has it s own volume control Then the signal runs into a simple reverb Quad in quad out 3011 BB Delayz 96 2 2 RDME TT Very fast and close feedback delays in the center of the stereo field with long echo repeating panning delays on the outside of the stereo field Interesting on percussives as well as tuned instruments Mono in stereo out 3012 Big Squeezolo
90. amental frequency of each of the resonators Use the Output parameters to set the quad panning position of each of the resonators Use the Input parameter to switch from stereo to quad input Quad in quad out 617 Clearmntn Claps 96 2 2 D A multitap specifically adjusted for claps Summed in stereo out 618 Clearmntn Delays 96 2 2 GVDK PDME TT More than your usual echoes Has subtle filtering and shifting going on Mono in stereo out 619 Combdelays 96 2 2 D TT Parallel delays with resonators Stereo in stereo out 620 Combdelays8 96 8 4 D TT Parallel delays with resonators Octal in each input feeds its delay line Quad in input l feeds voice 1 5 input 2 feeds voice 2 6 etc Stereo in input l feeds voice 1 3 5 7 input 2 feeds voice 2 4 6 8 Switch able in quad out 621 Combtaps 96 2 2 D TT Series delays with resonators Summed in stereo out 622 Combtaps8 96 8 4 D TT Series delays with resonators Selecting stereo or quad lt input gt mutes secondary DSP inputs Switch able in quad out 623 Detuned Band Delay 96 2 2 PE Eight bands of delay and detuner built in Stereo in stereo out 624 Down Banddelay 96 2 2 DE Twelve bands each with a delay Set for high frequencies first Stereo in stereo out Release 1 2 Page 24 of 109 12 30 2003 The H8000 Presets Collection 625 Latticework8 96 8 8 TT Eight channel version of latticework Octal in octal out 626 LongPanningDelays 96 4 4 627
91. ampler Small Sampler8 Smear SmearCoder Snare Plate Snare Plate amp Inverse 4823 2128 7716 5818 3425 234 7114 6815 3031 6215 4421 5032 1837 4515 5033 1838 1935 5915 3328 1839 913 3032 914 3033 4516 915 1218 810 3511 5733 5529 5441 845 874 3426 846 847 4824 3329 4517 7818 7819 6521 1219 5819 4615 3524 5820 1321 848 849 4931 5734 5224 Soft n Small Room Solid Traveller Solo Zapper Pro Sonar 409 Sonar Room SonicDisorderVerb Sound Truck Soundwave Space Station SpectrumAnalyzer SplashVerb SplashVerb Maxsweep Splatter Guitar Springverb Square Tremolo Verb Square Tubes Squiggle Guitar Squish Squash Squish SquashPan SRV St BitDecimator St Delayed Flanger St DistortionTwo St Phaser amp Reverb St Plate Chorus St_Distortion Stage Parametric Static Flanger Static Phaser Steeplechase Stepped Dshifter Stereo Backwards Stereo Chorus Stereo Chorus Stereo Delays Stereo Flange Stereo Flange 1968 Stereo Mic s W Room Stereo Panner Stereo Plate Stereo Simulator Stereo Spreader Stereo Undulator Stereo 32 Grafic Eq Stereocopter 410 StereoDiffusor StereoizingPhaser Stormwatch Stratospherics StringPadFlanger StringPadFlanger StringRoom StringTrio Studio Sampler_Q 5225 5226 7820 532 2021 4044 2129 4932 1840 1426 5034 3427 4518 3915 850 6417 1427 6627 6628 7115 5821 6321 6322 6323 6324 6325 6522 7417 6326 6327 1841 1842 65
92. and gangs Nothing in nothing out 7014 Patch Instruct 96 4 4 D Each Delay sets the value for each delay module lt more gt Multiply by number of delays in series to get Delay Amount Quad in quad out 7015 Tempo Dly_Lfo Jig 96 2 2 7016 Tempo_Verb Jig 96 2 1 DMR TT This patch shows the use of System Tempo Setup Notice the midiclock module and its internal settings needed to sync reverb decay time Summed in mono out 7017 TimerDly Jig 96 2 2 D Tim This patch shows the use of system Timer Setup Notice the C_LDTIMER module and its connections needed to control long delayNooping applications Summed in mono out 7018 X DSP Contr Receive 96 0 0 This program receives 4 external controllers patched to Assigns 5 6 7 8 from the other DSP via a C_BRIDGE module Load X DSP Send in the other DSP You can set controllers and see their monitors there too Here you simply need to connect the 4 globals to 4 parameters you need to control and monitor what s being sent from the other DSP So 8 controllers live in one DSP while half of them are sent to the other Nothing in out Nothing in nothing out Release 1 2 Page 96 of 109 12 30 2003 The H8000 Presets Collection 7019 X DSP Contr Send 96 0 0 This program has 8 external controllers patched to Assigns 1 8 The first 4 are resident in the DSP where you loaded this patch Nothing in nothing out 71 Px Commerce The loudspeaker and intercom effects aren t just variatio
93. ap 1 96 2 2 4617 Ultratap 2 96 2 2 S RD An extended ultratap via easytaps Summed in stereo out 47 Reverbs Rooms Larger than small spaces and yet curiously smaller than halls this bank offers rooms and some chambers These are emulations of real and imaginary environments Room reverbs are typically used when more ambience is needed than the small rooms can offer and where a natural sound is wanted without a distinct reverb effect being audible These reverbs are also useful for adding a stereo depth of field to a mono source 4710 Big Room 96 2 2 R TT Sounds pretty close to a large recording studio room Stereo in stereo out 4711 Blue Box Verb 96 2 2 PR TT Medium size and medium bright room Stereo in stereo out 4712 Bob s New Room 96 2 2 RDE Large warm hall built of discrete delays diffusors and plexes Summed in stereo out 4713 Denny s Echoroom 96 2 2 RD TT With two discrete delay lines we cause interesting reflections in this dense room Stereo in stereo out 4714 Der Verb 96 2 2 RD TT Basic designed room Stereo in stereo out 4715 Drews Dense Room 96 2 2 VDK RD TT Warm example of a straightforward stereo reverb Stereo in stereo out 4716 Funny Gated Room 96 2 2 RE A dynamic reverb with headroom gate amp envelope filter built in Summed in stereo out Release 1 2 Page 71 of 109 12 30 2003 The H8000 Presets Collection 4717 Gated Water Snare 96 2 2 D RE
94. armonicon Harpshift Headphone Filter Heen Helix Loops HelixManifold Hexentanz Hiccup Chorus Himalayan Heights Hiss Eliminator Horrormonics Horrors Hum Eliminator Hyperstrings ImpWave ImpWaveQuad ImpWaveVerb In Ovo In Yer Face Vocals Infinite Corridor Infinite Flange Inst Process Inter DSP Receive Inter DSP Send Interface Modules IntervalicQuad IntervalicShift_S Inverse Inverse gt Bandpass Inverse Snare Invertion LFO Italo s Chamber Italo s Space Jan amp Jeff Jan s ResoChords Jeff Thing Jet Fly By Jettison 405 Jhaniikest Jinn Joystik gt verb JoystikPanner JP Em 3rd 222 223 5022 1613 5211 5310 5023 224 7415 4921 4224 1616 1617 1614 3023 1615 6617 5435 4221 3024 1925 7912 5730 4611 4718 625 6618 832 713 714 715 5436 6916 3418 225 4222 4223 2611 5816 6813 7313 7214 519 626 627 716 2214 4719 5528 1318 7614 226 227 717 JP Em 3rd 6th JP Em 6th Jurassic Space KG s ColorHall Kick SnareReplacer Kick SnareReplacer2 Kickback Kill The Guy Kitchen Reverb Klaus Church L C R Mics Room L_C_R Long L_C_R Short L lt gt R Long L verb R pitch L gt detune R gt reverb LA Studio Axe Large Poly Shift Large Room Larynx Delay Larynxfuzz Lasers Latin Cathedral LatticeArray LatticeVerb Latticework8 Lead Tone Poem Leslie Simulator Levitation Alpha Levitation Beta Levitation Gamma LevitationShift Liquid Sky Liquid Toms Little
95. arpshift Jeff Thing Mercury Cloud Multishift Verb 1834 1835 1836 1837 1838 1839 1840 1841 1842 1843 1844 1845 1846 1847 1848 1910 1911 1912 1913 1914 1915 1916 1917 1918 1919 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929 1930 1931 1932 1933 1934 1935 1936 1937 1938 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 Polychorus Ptime Displacement Rshift Displacement Splatter Guitar Square Tubes SRV Swamp Guitar TarantulaSlap TarantulaTrem Timesqueeze Gtr Timestretch Gtr Trevor s Gtr Tribal Bass Will o the wisp WonderfulBirds Biomechanica Two Bit Desert 1 Bit Desert 2 BitDecimationPreamp Bits Cruncher Bits Smasher Black Queen Chorus Smear Cloudfuzz Eel Guitar First Dominion FuzzPreamp Grieving Tube Grundulator Harmonicon Larynxfuzz Mr Hyde OverdrivePreamp Pandemonium Paradigm Shift Pedal Shift Ringworld Satellites Second Dominion Siderialfuzz Squiggle Guitar Third Dominion Turbulence Wideshift DesertVoices Eurhetemec EZPolyfuzzBandelay GobiGuitar Horrormonics Hyperstrings Polyonyx PolyReverse PolyRingPre QuadPolyfuzz 2020 2021 2022 2110 2111 2112 2113 2114 2115 2116 2117 2118 2119 2120 2121 2122 2123 2124 2125 2126 2127 2128 2129 2130 2131 2132 2210 2211 2212 2213 2214 2310 2311 2312 2313 2315 2316 2320 2314 2317 2318 2319 2410 2411 2412 2413 2414 2415 2416 2417 2418 2419 2610 2611 SlidingOnRa
96. as 2 seconds delay available This is System Tempo or Midi Clock synchable for rhythmic arpeggios 5510 4_DiatonicShift 96 4 4 P TT A four channel four voice diatonic shifter Quad in quad out 5511 5 1 C Maj Key Arps 48 6 6 5511 5 1 C Maj Key Arps 96 l 6 6 Surround diatonic shifters tweaked for diatonic 11th arpeggios from the C major scale 5512 5 1 C Maj Pent Arps 48 6 6 5512 5 1 C Maj Pent Arps 96 Il 6 6 Surround diatonic shifters tweaked for C major pentatonic arpeggios 5513 5 1 C Min Clusters 48 6 6 5513 5 1 C Min Clusters 96 Il 6 6 Surround diatonic shifters tweaked for close intervals in a C minor scale 5514 5 1 DiatonicShifters 96 Il 6 6 5514 5 1 DiatonicShifters 48 6 6 Your starting point for any 5 1 diatonic shifting custom preset 5515 5 1 Maj Key Chords 48 6 6 5515 5 1 Maj Key Chords 96 Il 6 6 Surround diatonic shifters tweaked to get 11th chords in C major scale 5516 5 1 Min Pentatonic 48 6 6 5516 5 1 Min Pentatonic 96 Il 6 6 Surround diatonic shifters tweaked for C min pentatonic arpeggios S P TT Full 5 1 I O surround algorithm 5 high quality diatonic pitch shifters with tap tempo delays max 2 sec 5 1 I O Release 1 2 Page 82 of 109 12 30 2003 The H8000 Presets Collection 5517 Diatonic 3rd 5th 96 2 2 5518 Diatonic 3rd 7th 96 2 2 5519 Diatonic 4th 6th 96 2 2 5520 Diatonic 5th Oct 96 2 2 5521 Diatonic 5th 4th 96 2 2 5522 Diatonic 5th oct 96 2 2 5523 Diatonic Oct 96 2
97. ays The resonant frequency of each one is set by the incoming MIDI notes This preset requires incoming MIDI in order to function properly Use the panners to set the quad pan position of each of the resonators Use the Input parameter to switch from stereo to quad input The MIDI mode parameter changes the way in which incoming MIDI notes are assigned to the four resonators Quad in quad out 26 Mix Tools Useful mixer tools including the Mixer s Toolbox presets sophisticated structures that include multi effects arrays 2610 Circles amp Ellipses 96 4 4 S This four channel mixer is for static placement Rotation knob controls a full 360 degree rotaion for all channels Each channel is laid out as a point on a circle 90 degrees apart Note that one full turn of the Rotation knob goes through two complete audio rotations Width X and Y allow elliptical patterns by limiting the width of the field X represents the horizontal or left right field Y the vertical or front rear field The Weight X and Y params allow you to weight or offset the left right and front rear fields respectivly Positive weights force the circle right for Weight X and front for Weight Y Quad in quad out 2611 LMS Filter 96 2 2 D Adaptive filter Signal goes in left noise goes in right There is a delay for the noise input Signal minus noise comes out left Noise from signal comes out right Check out the LMS module in the manual Du
98. ays per channel whose delay times and pans are modified by 4 Sample and Hold circuits Decrease Glide for insanity increase for flange Quad in quad out 844 Serial Delays 96 2 2 DM TT Stereo serial delays Delay 1 represents a ganged stereo pair with opposing modulation directions Ditto for 2 Stereo in stereo out 845 Stereo Chorus 96 2 2 GK DM Classic stereo chorus with phase inverted sweep and TTempo mod rate Stereo I O 846 Stereo Flange 96 2 2 DM TT Two flangers with a common LFO Run your sound through this preset for the proper mix Stereo in stereo out 847 Stereo Flange 1968 96 2 2 GVDK DM TT Nice stereo flange There are separate delay controls but a common LFO Stereo in stereo out Release 1 2 Page 30 of 109 12 30 2003 The H8000 Presets Collection 848 StringPadFlanger 96 4 4 849 StringPadFlanger 96 8 8 G DM TT Flanger built from allpass modules LFO modulates predelay time Works well on midrange instruments such as string sections and synth pads 850 Swirl Flanges 96 2 2 DM TT Four flangers that also pan around you Stereo in stereo out 851 Tri Band Chorus 96 2 2 DME TT Just what the title says Gives very rich and full chorusing and image as each frequency has its own fx path Stereo in stereo out 852 Undulate 96 2 2 GVK RDME A shimmery undulating delay constructed from 6 amplitude modulated delays and a complex feedback matrix Summed in stereo out 853 OctalChorus Ec
99. b Allan s Chorus AllWays PanFltr Ambience Ambient Guitar 1 Ambient Guitar 2 Amplitude Follower Amplitude Panner Amp u lation AMS DMX 1580S AMS DMX Guitar AMS Lucky Man 1034 5710 4410 1810 7910 6911 1811 6210 3311 1510 812 1111 3312 3313 7810 213 7710 2210 214 1011 813 3512 610 611 612 614 613 4310 7410 315 4911 5910 1711 4810 3011 3411 4411 1812 1813 3810 5110 1311 7411 4412 7510 215 4710 3012 8011 2310 1112 1712 1814 AMS BPMDDLSmixed 1910 AMSDMX 2BPMDDLS Angelic Echos Arena Soundcheck Arkham Distortion Artoo Chatter Asbakwards Atavachron Audio Test Set Auto Panner Auto Pitch Correct Auto Tape Flanger Auto V O Ducker AutoFMPan_Verb AutoPanVerb Awfultones BackwardGarden3 Backwards Bad Acid Jumble BadBadThing Band Dlys 4_Ambience Band Flanger Band Phaser Banddelays Banddelays8 Bandtaps Bandtaps2 Bandtaps8 Barking Chamber Basic Stereo Echo BasicRoom Basilica Bass Balls Bass Rack Bass Space BB Delayz Beatbox Reverb Beeg Garage Bejing Dragons D Bejing Dragons V Bell Constr Kit Bell Ringer BeyondTheStars Big Church Big Hall 2 Big Movie Big Muff W Dead 9v Big Room Big Squeezolo Big Voice Pro Bigger And Brighter Bigger Is Wider Biomechanica Biomechanica Three Biomechanica Two 1911 1912 1913 1914 1915 5012 1916 4711 6610 4712 7511 4311 6912 4211 7811 1815 3610 5711 7210 6710 6711 7911 7711 1816 4912 7211
100. ber Toonchamber_Q Top 40 Compressor Traffic Report Treatment Two Trem Delay Trem RingPong Tremolo Lux Tremolo Rack Tremolo Reverb Trevor s Gtr Treys Filter Tri Band Chorus Tribal Bass Tribbles Triggered Reverse TrigLFO Filter Bank TrigLFO Flanger TrigLFO Pan Trem TrigLFO St ModFilter TrigLFO St Phaser Triplets TrippyFltrDly Trolls TRUE RingMod TruePhase Delay TrueStereoPhaser Turbulence TV In Next Room Twang Guitar Two Band Crossover Two Delays Two Longdelays Two Reversedelays Ufo 413 UK Ambience UK Bright UK Nonlinear Ultra AutoCorrect Ultra Cents Ultra Cents 2 Ultra Diatonic Ultra Diatonic 2 5616 5617 5618 5619 5620 5621 5622 4616 4617 731 732 852 7419 6418 6527 4728 4934 642 236 237 5228 6419 3431 5442 536 544 654 545 655 1726 3218 3219 3220 4234 6715 4235 5229 5230 6716 6816 6717 8018 6718 3056 6719 4236 1024 6720 6721 3221 6722 3815 5443 2022 H8000 Presets by Name Ultra Diatonic 3 5444 Warm Shift Ultra Interval 3039 Waterized Ultra Interval 2 239 Water like Ultra Interval 3 5824 Wavelab Ultra UserScales 3432 WeKnowBeetBoxTrtMe Ultra UserScales 2 8019 We re A Big Crowd Ultra UserScales 3 8020 We re A Small Crowd Ultratap 1 240 Whirly Mellow Ultratap 2 6420 White Noise Undo Manifold 1727 White Queen Undoloop 241 Wicked Undulate 4237 Wide Hall Union Station Verb 3433 Wide Room Universal Matrix 238 W I D E Solo Univibe
101. bilities found in no other reverb units Try adjusting lt fmod gt to a negative number Lower your monitor volume while carefully adjusting filter since instabilities will occur with extreme settings and low lt q gt s Envelope filter has a bypass switch at lower right Disable gate by turning thresh to 100 or ungated lvl to 100 Summed in stereo out 5035 Tremolo Reverb 96 2 2 RMY A reverb followed by a tremolo The tremolo rate is modified by the input level Stereo in stereo out 5036 Wormhole 96 2 2 S RDE Mega sized tilting reverb Summed in stereo out 5037 Zipper Up 96 2 2 RD Fast increasing diffused echos with reverb Summed in stereo out 51 Ring mods If you are looking for a ring modulator effect go no further 5110 Bell Ringer 48 2 2 5110 Bell Ringer 96 Il 2 2 GK PDE Reverse echoes build into a ring modulator Boing followed by a Bailing tail Strange but true Mono in stereo out 5111 Envelope Ring Mod 96 4 4 GKS Y Input signal is ring modded with a sine wave whose freq is controlled by the envelope of the input Sounds cool on percussion Quad in quad out 5112 Evil Ring Dist 96 4 4 GKS E A very evil ring ish sounding distortion No warm analog sounds here The effect actually takes the cosine of your input signal Higher lt distort gt values work well for sparse signals but sound rough on fuller sounds Use the filters to pick out the good stuff Quad in quad out 5113 Modulati
102. bin Rshift Displacement S amp H Flange Hell Salamanders D Salamanders V Samp amp Hold Phaser Samp amp Hold Phaser8 Samp Hold FM Lab Samp Hold Smear Sample Curver Sample hold Sample hold8 Sampled Drums Rack SAMPLER midikeys SAMPLER multi SAMPLER single Sampler Filter Trig SAMPLER multi VERB SamplerAudioS witch Satchelope Filter Satellites 232 4229 3055 4230 1619 4930 3522 3523 3818 6625 1933 233 1122 6416 6918 1424 3030 844 1721 1722 2419 7815 5732 4821 7220 1934 7816 7817 328 3327 2616 1425 329 529 4613 530 7616 1320 5031 4514 729 730 4614 4231 2020 4724 4822 3424 5311 5312 531 6919 4232 1023 H8000 Presets by Name SatelliteSax Sax Chamber Sax Eq_Cmpr_VintDly Sax Plate Saxomaniac SaxRoom Sci Fi Phaser A Sci Fi Phaser B Scratchy 33 RPM Searing Lead Second Dominion Seethy Two Reverb SemiClassic Squeeze Send Return September Canons Sequence Wa SeqWah ChorVerb Serial Delays Series Pedalboard Serpentine SetNoteRezon Sfx Filter Compress Shift To Nowhere Shifting Booth Shortwave Radio Siderialfuzz Simple Compressor Simple Equalizer Simple Moddelays Simple Panner Simple Quadmixer Simple Samp Hold Simple Sampler SimpleDelays SimpleDiffusor SimplePingPong Singing Mouse Singularity Sizzle Verb Sizzler Plate Skew Loop 1 Skew Loop 2 Slap Nonlinear Slap Plate SlidingOnRazors Slight ChorusRoom Small Ambiance Small Drumspace Small S
103. bventide he next step H8000 Presets Manual for software version 4 0 Part No 141032a Manual Release 1 2 30 December 2003 2003 Eventide Inc One Alsan Way Little Ferry NJ 07643 USA Eventide and the next step are registered trade marks of Eventide Inc Harmonizer is a registered trademark of Eventide Inc for its audio special effects devices incorporating pitch shift H8000 UltraShifter and Eve Net are trademarks of Eventide Inc this page intentionally left blank The H8000 Presets Collection Contents Introduction 0 0 0 0 eee 16 Key to Preset Entries 17 Simple c2eecreed eco tee Petes 18 2 Artist Bank 00 0 0 eee 18 SBasiCS essu da eye abe eae 20 4 Beatcounter 0 0 cece eee eee 21 3 Delays ek oe hea cates ee ale se 22 6 Delays Effected ou 2 4 0254 eieeee ees 24 7 Delays Loops lt w esce 202 sae eee 26 8 Delays Modulated 28 9 Distortion Tools 0 0 00 eee 32 10 Dual Machines 05 32 TI Dynamics fetes eee eee eel 34 12 Equalizers ocenenie tee ee kee ae 36 13 Film Atmospheres 37 TA Bilters 6 gecce Sses cara gaei en eee 38 15 Fix Tools 2 0 ee cece 39 16 Front Of House 05 40 17 Tst Cle ait bcc eae a a 41 18 Inst Distortion 0 42 19 Inst Fuzz 0 0 eee eee 45 20 Inst Polyfuzz 2 sccc eens deed eke ees 47 21 Inst Surround
104. c feel Summed in stereo out Release 1 2 Page 41 of 109 12 30 2003 The H8000 Presets Collection 1725 Twang Guitar 96 2 4 G RDMCEY Preamp gt FM Trem gt delay gt reverb Summed in quad out 1726 Virtual Pedalboard 96 2 2 G PDME Rather than lug your pedalboard and rack into the studio try this pedalboard emulation Six separate effects each with individual controls Mono in mono out 1727 White Queen 96 2 4 G PRCEY Preamp gt dual crystals gt diffusors Summed in quad out 18 Inst Distortion Our new award winning Distortion module shows its many powers in this bank By modelling analog distortion types based on a proprietary curve fitting process this module produces characteristics that are highly responsive to the input signal Here a full blown preamp is coupled to many different fx variation including modulateable filters delays choruses ring modulators reverbs diffusors shifters inverse reverbs time compression and tremolos A great collection of unique textures and distortion tones Volume Pedal is patched to Assign 1 as a default 1810 Arkham Distortion 96 l 2 4 1810 Arkham Distortion 48 2 4 G RDMCEY TT Preamp gt tapdelay gt diffchorus Summed in quad out 1811 Atavachron 48 2 4 1811 Atavachron 96 2 4 G RDCEY TT Preamp gt tapdelay gt reverb Tweaked for distorted legato lines Summed in quad out 1812 Bejing Dragons D 96 I 2 4 1812 Bejing Dragons D 48 2 4 G PRCEY TT
105. can add reverb by turning up the verb level and decay time Summed in stereo out 6720 Vox Shimmer 96 2 2 V PRDMCE A beautiful complex multi effect vocal processor This is a tweak of Voxplate Chorus featuring shift delay and verb Summed in stereo out 6721 Voxplate Chorus 96 2 2 V PRDMCE An excellent one stop vocal treatment It has EQ for left and right inputs a pitch shifter for thickening a reverb and a delay with modulation capabilities Summed in stereo out 6722 VoxProcess_S 96 2 2 V EY Stereo vocal process comp de ess EQ Stereo in stereo out Release 1 2 Page 94 of 109 12 30 2003 The H8000 Presets Collection 68 Vocoders The Predictive Vocoder creates a vocoder effect using a high resolution physical model of the human vocal tract Use these presets as they are ready to go 6810 CreamyVocoderAlpha 96 I 2 2 6810 CreamyVocoderAlpha 48 2 2 6811 CreamyVocoderBeta 96 2 2 6811 CreamyVocoderBeta 48 2 2 V EY A twenty band 20 20k vocoder Left In is Carrier often instrument Right In is Modulator often voice Switch able carrier input or noise This is not your usual vocoder as it goes well beyond the range of voice Dual mono in stereo out 6812 GravelInMyThroat 96 2 2 V ME Dual mono in mono out 6814 MobiusS8translate 96 2 2 V PDME Two LFOs noise and MIDI keys excite this vocoder The voice of Mobius 8 The inclusion of ring modulation sample hold and comb filtering gi
106. ch is Big Hall Switch able in stereo out 7411 Big Church 96 2 2 VK RDE Very large room with warm sound Use Mute Input to test or for ringouts For a tunable version see Big Hall Switch able in stereo out 7412 Classroom 96 2 2 V RDE Tight warm echo with wooden walls and floor Use Mute Inp to test This is a version of Black Hole Switch able in stereo out 7413 Crypt Echo 96 2 2 RDE Deep long echo for voice or sfx Use Mute Input to test or for ringouts Based on Boston Chamber Switch able in stereo out 7414 Infinite Corridor 96 2 2 RDE Big and bright with medium long decay Use Mute Input to test or for ringouts For a tunable version see Hallway Verb Switch able in stereo out 7415 Kitchen Reverb 96 2 2 RD Tight real room for voice or sfx Use Mute Input to test or for ringouts For a tunable version see Medium Booth Switch able in stereo out 7416 Plate Reverb 96 2 2 R Tight dense echo good for voice and music Use Mute Inp button to test character and for ringouts A tunable version is Drew s Stereo Plate Switch able in stereo out Release 1 2 Page 99 of 109 12 30 2003 The H8000 Presets Collection 7417 Tape Reverb 96 2 2 DE Back in the days when a production room meant two tape recorders and a cart machine we sometimes added echo by mixing the tape output of a deck with its input signal Sometimes this was the unintentional effec
107. counterclockwise Quad in quad out 3321 JoystikPanner 96 4 4 S M Panner Joystick controlled panning mod1 X mod2 Y Ring1 Activate Ring2 Status activate desired channel toggle between Locked and Writing Quad in quad out 3322 Octave Panner 96 2 4 3322 Octave Panner 48 2 4 S DMEY Divides signal into octaves and pans each octave in turn Lower values of XOvr overlap the octave pans Dir controls whether high bands progress to low bands or vice versa Rate controls how long it takes to cycle through all the bands Decrease the input gain to avoid distortion then use output gain to compensate Mono in quad out 3323 Q _TriggPan 96 2 4 S Y Audio triggered panner Summed in quad out Release 1 2 Page 56 of 109 12 30 2003 The H8000 Presets Collection 3324 Quad Circle 48 2 4 S DMY Inputs 1 amp 2 are panned in 2 dimensions In a quadraphonic setup stereo signal circles the listener with the two channels diametrically opposed Try sending outs 3 amp 4 into a reverb that is sent to the rear speakers Stereo in quad out 3325 Quad GhostCircle 48 1 4 S DM Somethings panning what is it It s silence Ina QUAD speaker setup silence circles the listener The result is a sort of ghost circle Hence the name Mono in quad out 3326 QuadCircleMod 48 2 4 S DME Does a circular pan with a QUAD speaker setup The base speed of the pan is controlled by Base Rate The base rate is modulated by another LFO
108. cts Each voice may be controlled via externals for choosing intervals Summed in quad out Release 1 2 Page 81 of 109 12 30 2003 The H8000 Presets Collection 5438 MultiShift_8mod 48 2 2 5438 MultiShift_8mod 96 l 2 2 P Eight voice multishifter Voice 1 4 fed from input 1 voice 5 8 fed from input 2 Independent external mods for each voice Stereo in stereo out 5439 Organizer 96 2 2 GK PM Turns any line into an organ solo Pure tones gets you a Hammond Complex tones get you a pipe Summed in stereo out 5440 PolytonalRythym 96 2 2 PD TT Polyrhythmic pitched delays Play a note and get a six note line back as well as a delaytap of the original Summed in stereo out 5441 Stereo Backwards 96 2 2 P Breaks input into little pieces and plays them backwards Adjust optional pitch shift in Expert menu Uses m s processing to maintain stereo image Stereo in stereo out 5442 Vibrato_S 96 2 2 PM TT Simple vibrato effect Stereo in stereo out 5443 Wammy_s 96 2 2 G P Simple wammy pedal Stereo in stereo out 5444 Warm Shift 96 2 2 GVK PE One pitch shifter per channel Each has a gentle lowpass in the feedback loop Dual mono in dual mono out 55 Shifters Diatonic A diatonic shifter will keep its shifted output s within a key and scale type related to a Root note and chosen intervals You define key scale and intervals you want and the algorithm does the rest Notice that each shifter voice h
109. d Summed in stereo out 4728 Unreelroom 96 2 2 PR TT Detuners early reflections parallel with diffusion gt verb Stereo in stereo out 4729 Wooden Mens Room 96 2 2 V RDME Effective emulation of one of those big old hotel bathrooms Has a slow sweep added Summed in stereo out 48 Reverbs Small This bank of reverb effects replicate tight ambience Great for enhancement when all that is needed is a little air around your source These more subtle effects are particularly useful to give a more natural sound to synths and other dry signal sources Also great to warm up drums or DI guitar and bass without adding muddiness 4810 Bass Space 96 2 2 G RDME Slight ambience with an adjustable delay initially set very small Sounds good on bass too Summed in stereo out 4811 Close Nonlinear 96 2 2 D RDE Bright small non real non linear decaying space Great on drums and all types of pitched sounds Summed in stereo out 4812 Drew s Double Closet 96 2 2 RDME A semi closed in space like a large closet with a touch of slap delay adds presence but has very short decay time Stereo in stereo out Release 1 2 Page 72 of 109 12 30 2003 The H8000 Presets Collection 4813 Drew sSmallRoom 96 2 2 RDE TT A warm small room like an old conference room with 15 foot ceilings Stereo in stereo out 4814 FIR Glass Shower 96 2 2 S RD Bright and evened this is an FIR filter Finite Impulse Res
110. d degree of correction without fear of overshooting Summed in mono out 1512 External Correct 96 2 2 V P Pitch shifter set up to enable the fix it in the mix engineer to ride flat vocals with the pitch wheel of a MIDI keyboard modulating the shifter 100 cents Summed in stereo out 1513 NemWhipper Dual 96 2 2 V P This is a pitch shifter set up to allow precise correction of out of tune notes Each of four selectable settings permits specifying of a maximum and minimum pitch shift limit so the engineer can whip the knob quickly to the desired degree of correction without fear of overshooting 1514 NemWhipper Stereo 96 2 2 V P This is a pitch shifter set up to allow precise correction of out of tune notes Each of four selectable settings permits specifying of a maximum and minimum pitch shift limit so the engineer can whip the knob quickly to the desired degree of correction without fear of overshooting Release 1 2 Page 39 of 109 12 30 2003 The H8000 Presets Collection 16 Front Of House A great group of presets crafted for Front of the House work including multi fx networks classic Eventide Micropitch thickeners reverbs delays detuners compressors all you might need on your live mixing boards 1610 Character Shift 1 gt 2 96 2 2 PM A simple two voice detuner shifter with a feedback loop feeding each voice back to the mono input Each feedback loop has an integrated slew filter as
111. d version of Room 24 Quad in quad out 4929 QuadVerb Crossfeed 96 l 4 4 4929 QuadVerb Crossfeed 48 4 4 S R TT Quad Reverb All four inputs are shared by both the front and rear Reverb Engines Control the amount of this sharing by using the X Feed control Quad in quad out 4930 SaxRoom 96 l 4 4 4930 SaxRoom 48 4 4 S R TT A Quad version of Room 24 tweaked for horns Quad in quad out 4931 StringRoom 96 2 4 GS R TT Similar to MonkRoom without the early reflections This surround room is tweaked for strings Stereo in quad out 4932 SurroundRoom 28 96 Il 2 4 4932 SurroundRoom 28 48 2 4 S R TT Similar to Room 24 this one has 28 delays making it extremely smooth and dense Stereo in quad out 4933 Toonchamber_Q 96 2 4 S PR TT Diffusion gt e r gt verb Diffusion E R front verb tail rear Stereo in quad out 4934 Unreelroom_Q 96 2 4 S PR ITT Detuners early reflections parallel with diffusion gt verb Early reflections out 1 2 verb out 3 4 Stereo in quad out 4935 4 Room 16 Verbs 48 4 4 4935 4 Room 16 Verbs 96 l 4 4 S R Four 16 delay mono I O reverbs Bpmis global for all verbs lt t_rdecay gt params go to 12 bars but lt rdecay gt params goes out to 1000 seconds Quad in quad out 4936 FourSidedVerb 48 4 4 4936 FourSidedVerb 96 4 4 S PR TT Each input has a detuned throw to its mated pair 1 gt 2 2 gt 1 3 gt 4 4 gt 3 Then into 4 diffusors and 4 chan verb
112. d versions for different clients and media Left and right inputs are de essed separately then matrixed and sent through a gentle compressor and hard limiter The result is de matrixed equalized and gated Stereo in stereo out 7821 1 KHz Oscillator 96 0 2 Lineup tone Default level is 18 dB fs for digital use If your studio uses a different standard level adjust and save anew version The lt On Off gt button does what you d expect Nothing in mono out 7822 Three Band Compress 96 2 2 V EY Call it classic 3 band mix processor with matrix stabilized stereo or just call it magic Whatever Most useful on music to make the mix fuller Set the lt Tweaks gt by ear or by watching the three meters and then adjust lt Output gt so the overall level matches when you press lt Bypass gt If you add too much high end processing you might bring up hiss from the original recording If this happens raise the lt HF Gate gt Stereo in stereo out Release 1 2 Page 103 of 109 12 30 2003 The H8000 Presets Collection 79 Px Science Fiction Artoo Chatter and C3P Yo are totally different kinds of robots well C3 s an android R2 turns a voice or rhythmic music signal into sliding tones and whistles C3 has a metallic ring and staccato beeps The effects in this bank should in general be used 100 percent wet as they incorporate their own mixing 7910 EY 7911 MEY 7912 RMEY 7913 PM
113. dboard thing with lots of resonance but no distortion It s often used by cheerleaders and old time big band singers Use it to add more Macho when you re leading a racing boat crew Mono in stereo out 7216 More s Code 96 0 2 E It s not Morse code since the beeps are totally random But it sure sounds convincing The operator sounds a little nervous maybe the Secret Police are closing in Nothing in mono out 7217 Off Hook 96 0 2 ME This is the annoying breep breep breep the phone company sends when your cat knocks over the handset Use it for production or let it play softly out of a cue speaker and watch the Operations Manager go nuts Nothing in mono out 7218 Public Address 96 2 2 RDCEY This is an enhanced version of Public Address from the DSP4000 We ve added a lt Panic gt button to kill 7219 EY 7220 PMEY 7221 MEY feedback quickly and a lt Tap Mic gt button that does just what it implies Hey is this thing on lt Feedback Disabled gt shows after you hit lt Panic gt Hit it again to re enable Mono in stereo out Real Dialer 96 0 2 Similar to the DSP4000 version but much faster and easier to use Numbers can be spun in or entered directly from the 10 key pad Use the knob or type with the keypad and then hit Enter to set the numbers Enter the first three digits then press the lt cursor to set the last four lt Tap gt to advance through the dialing sequence Try stepping though a clie
114. e 96 2 2 tweaked for snare drums 4219 Inverse 96 2 2 D D Inverse reverb Use level to tame it Sum input Stereo output 4220 Inverse gt Bandpass 96 2 2 D DE Post processed inverse reverb gt band pass filter with automatic amp manual adjustable spread in octaves Use level to tame it Sum input Stereo output 4221 Large Room 96 2 2 GVD RDE TT Stereo diffusor gt verb 4 parallel delay lines Ist set of delays 1sec has no feedback 2nd set of delays 2 8sec has feedback A post hicut filters the whole processing path Stereo in stereo out 4222 Living In The Past 96 2 2 RDE Nonlinear reverse reverb with dry delay You can delay the dry sound and anticipate its reversed reverb for special fx Panning levels and reverse EQ are available Dry sound signal path is full stereo Summed mono in stereo out Release 1 2 Page 67 of 109 12 30 2003 The H8000 Presets Collection 4223 Living Room 96 2 2 V RDE TT Stereo diffusor gt verb 4 parallel delay lines Ist set of delays I1sec has no feedback 2nd set of delays 2 8sec has feedback A post hicut filters the whole processing path Stereo in stereo out 4224 L C R Mics Room 96 Il 2 2 4224 L C R Mics Room 48 2 2 GVDK RDE TT Chamber Verb gt 4 Band Delays This preset simulates one near and two far microphones in a medium sized room Do not mix any dry signal The near microphone is panned to the center The two far microphones are panned full le
115. e band in time with the music Stereo in stereo out Release 1 2 Page 101 of 109 12 30 2003 The H8000 Presets Collection 7712 Dynamic Stereo 96 2 2 REY A manual or automatic width enhancer for stereo signals Dynamic mode lets you adjust the lt Dynam gt slider until the width pulses with the rhythm Fully compatible doesn t add flanging or artifacts for mono listeners Stereo in stereo out 7713 Go Crazy 96 2 2 PD They re coming to take you away Press the lt Go gt button to send voice to never never land press it again for sanity Think of it as Anti Zac Switch able in stereo out 7714 Plug Puller Pro 96 2 2 P Make CDs and DATs slow down stop and run up to speed again on cue Add lt Grease gt to make the turntable run longer after you pull the plug This is similar to the DSP4000 version but sounds better and is more controllable Stereo in stereo out 7715 Round amp Round 96 2 2 DM This autopanner uses volume and delay effect to rock stereo or mono signals from side to side Mono inputs and tight stereo vocals can handle more of the delay effect Precedence without obvious flanging you might have to use more lt Level gt effect on stereo inputs Stereo in stereo out 7716 Solo Zapper Pro 96 2 2 RE This enhanced version of the DSP4000 s Solo Zapper lets you automatically fade the soloist add reverb or even redo a mix The karaoke kids will love it Adjust lt locate gt for minimum soloist t
116. e vase e bos Fee 88 63 Fext tes 56 hss a Ea Eek batehs 89 4 DHSS tt a ee Se Scola ore thd Bars 90 65 Vintage Gear 2c bag san Go ees 91 66 Virtual Racks 0 000 c eee 92 OF NOCAIS fsa ice tay nod advo ad Greene s 94 68 Vocoders ccc cece ee ees 95 69 Eventide Users 00 0 eae 95 70 Programming 0 eee eee 96 71 Px Commerce 0 0000 eee 97 72 Px Communication 97 NOPE DECAYS Se naa e eae neeeur 99 JAP ECHOES faced kh Se hea beat 99 75 Px Entertainment 100 76 PX Fantasy eee sce ck ae eeey cans 101 77 Px GIMMIX 0 ee ee 101 78 Px Mix Tools 0 00 0000 ee 102 79 Px Science Fiction 104 80 PK VOX 225 cd aes ace ean ens 105 INTRODUCTION to 5 1 Reverbs 107 Page 3 of 109 12 30 2003 10 11 12 13 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 H8000 Banks Mute Thru Oscillator 440 Amp u lation AMS DMX Guitar AMS Lucky Man BackwardGarden3 BadBadThing Big Muff W Dead 9v Enhancer Garden Halo Gorgeous Delay ImpWave Jan s ResoChords JP Em 3rd JP Em 3rd 6th JP Em 6th Kill The Guy Little Man Mandel Worlds Maniac Filterpan Old Valve Panner Delays Random Verb Long Satchelope Filte
117. ent Public Address Pulse Guitar Pulsewave Pure Comb Flange Pure Comb Flange8 Pure Phase Phaser Q Delays_Ambience Q 10 Grafic Eq Q TriggPan Quad Circle Quad Compressor Quad Delays Quad Delays Ambience Quad Echoes Quad GhostCircle Quad Phaser Quad Spatializer Quad 16 Grafic Eq Quad 8 Grafic Eq Quadchorus QuadCircleMod QuadDlyBasedPan Quadmixer QuadOffsetTrem QuadpanSlap QuadPolyfuzz QuadRoom 24 Quadswell Quad Verb Crossfeed QuantizedDelays Radio Check Radio Compress Ramp Up Down 8 Ramp Verb Random Phaser Random Verb Long Real Call in Real Chorus Real Chorus TNG Real Dialer ReelRoom Reich Loops 1 725 726 5028 4513 527 5029 5216 5030 5731 528 4227 4722 3423 634 635 636 637 638 1931 6115 6520 7914 5610 6624 3028 3029 4228 4723 4420 727 728 3331 7715 2127 1836 843 6319 6320 3520 3521 6116 639 5217 1422 1423 6626 5218 5219 5220 5221 5222 5223 231 1932 Reich Loops 2 Reich Loops 3 Resonechos Reverb A2 Reverse Delay Reverse Nonlinear Reverse Sampler Reverserize Hall ReverseTetra Ribbon Delay Rich Chamber Ridiculous Room Ring Snareverb Ringdelays Ringdelays8 Ringtaps Ringtaps2 Ringtaps8 Ringworld Rise Or Fall Osc RMX Simu Ambiance Robot Band Robot Voice Rock Vocals Rack Roey s Delay Shift Roey s Verb Rack Room gt Bandpass Room 24 Roomy Hall Rotation Loop RotationManifold Rotator Round amp Round RoundRo
118. enu and switch out status to monitor and adjust the gate Dual mono in stereo out Release 1 2 Page 21 of 109 12 30 2003 The H8000 Presets Collection 414 Gaspodes Pndly_M 96 2 2 DMEY Ist input is used for trigger 2nd input feeds delay out 1 2 Mono delay with synched panner based on beat counter math see also in general descriptions Start hitting expert menu out status switches the trigger channel to right output so you can monitor and adjust the gate timing parameter on the panner page relates to counted time value Dual mono in stereo out 415 General Informations 96 0 0 General information on the Beatcounter suite of presets Nothing in nothing out 5 Delays This bank offers many useful delay based presets Whether used for imaging effects doubling or long delay and poly rhythms there s something for all applications including Eventide classic Reverse Delays Historical note the first Eventide Digital Delay Line the 1745 model appeared in 1971 offering an impressive 200 ms of delay time in its expanded version using a total of 980 shift register chips to achieve this The H8000 in contrast offers almost 260 seconds of storage at a 48KHz sampling rate 510 Delaytaps 96 2 2 D TT Series delays Summed in stereo out 511 Delaytaps 2 96 8 4 D TT Series delays Stereo lt input gt mutes secondary DSP inputs Switch able in quad out 512 Demondelay 96 2 2 D TT Very
119. eo crossover sends audio to three parallel verbs with low amp high decay scaling ratios according to mid decay These decay controls can also be fully independent Pitch modulation parameters are separate for each verb Output level for each band amp hicut on master output available Stereo in stereo out 45 Reverbs Plates This bank includes plate and spring emulations for all occasions Some are smooth others are metallic or swept plates are dense and colored great for percussion vocals and brass They are particularly popular among vocalists who want a diffuse background without recognisable reflections or placement clues 4510 Chorus amp Plate 96 2 2 GVDK RDM TT Nice tight ambience with some built in chorusing Stereo in stereo out 4511 EMT style Plate 96 2 2 GVDK RDE Warm emulation of a big plate with childproof controls Summed in stereo out 4512 Metallic Plate 96 2 2 VD RDE TT Bright dense and metallic as the name says Summed in stereo out 4513 Reverb A2 96 2 2 GVDK RDM Modulated allpass filters in front of a reverb Stereo in stereo out 4514 Sizzler Plate 96 2 2 D RDE TT Sizzly sounding plate like reverb Summed in stereo out 4515 Springverb 96 2 2 G RDME Boinky ringy cheapo spring reverb sound Summed in stereo out 4516 St Plate Chorus 96 2 2 GVDK RDM TT Stereo chorus inparallel with a platelike reverb Stereo in stereo out 4517 Stereo Plate 96 2 2 GVDK
120. eo in input l feeds voice 1 3 input 2 feeds voice 2 4 Stereo in quad out 816 Chorusdelays8 96 8 4 GKS DM TT Parallel delays with LFO s Octal in each input feeds its delay line Quad in input 1 feeds voice 1 5 input 2 feeds voice 2 6 etc Stereo in input l feeds voice 1 3 5 7 input 2 feeds voice 2 4 6 8 Switch able in quad out 817 Chorused Cabinet 96 2 2 K RDME The sound of a miked speaker cabinet with a touch of modulating chorus Summed in stereo out 818 Chorused Delays 96 2 2 GVK DM TT Simple stereo chorus delays Left and right modulation mirror each other When left mods up right mods down Stereo in stereo out 819 Chorustaps 96 2 2 820 Chorustaps 8 96 8 4 GVKS DM TT Series delays with LFOs 821 Detune Chorus 96 2 2 GVK P Similar to Real Chorus with lots of detuned echoes Summed in stereo out 822 Drew sThroatflange 96 2 2 RDME TT A deep negative resonant flange that adds a throaty quality to sounds Sounds cool on drums as well Summed in stereo out 823 Drunken Sailor 96 4 4 DM This is a deeply unpleasant effect which may strike a chord with those of a nautical inclination It may also bring back fond memories of analog tape decks There is an amusing time lag on the Wind adjustment Quad in quad out 824 DualChorus 96 2 2 Tweaked as chorus 825 DualChorusDelays 96 2 2 Tweaked as sweeping delays DM TT Simple stereo chorus Stereo in stereo out 826 Envelope Fla
121. eo samples at 48k sampling Record and playback may be controlled from the softkeys or each stereo pair may be recorded or played independently under audio control from inputs I and 3 Dual stereo in dual stereo out Release 1 2 Page 78 of 109 12 30 2003 The H8000 Presets Collection 5225 StudioSampler_M 96 2 2 Switch able in switch able out SEY Select config parameters to adjust mono stereo operation scrubmode and trigger delays Press trig EQ to make play trigger frequency conscious Pressing trig EQ again will bring up main trigger page found under main menus Use middle SELECT key to toggle controls ON OFF A MIDI keyboard can be used to emulate a keyboard sampler disabling input monitor will speed up response This preset allows one 87 second stereo sample or one 174 second mono sample at 48k Stereo in stereo out 5226 StudioSampler_S 96 2 2 Stereo in stereo out SEY Select config parameters to adjust mono stereo operation scrubmode and trigger delays Press trig EQ to make play trigger frequency conscious Pressing trig EQ again will bring up main trigger page found under main menus Use middle SELECT key to toggle controls ON OFF A MIDI keyboard can be used to emulate a keyboard sampler disabling input monitor will speed up response This preset allows one 87 second stereo sample or one 174 second mono sample at 48k Stereo in stereo out 5227 Triggered Reverse 96 2 2 S Hit trigger once to record again to pla
122. erent We re a Small Crowd adds individuals until you have eight distinct voices at different pitches and timings We re a Big Crowd flows smoothly from a small crowd party to a stadium but as an effect rather than as individual voices Switch able in stereo out 8020 We re A Small Crowd 96 2 2 8020 We re A Small Crowd 48 2 2 V PM Adjust lt Ragged gt to control how well the voices keep up with each other the more people in the crowd or faster the copy the less you should use To add or subtract people on cue I told one friend and she told two friends select lt Size gt and tap the up or down arrow keys Switch able in stereo out Release 1 2 Page 106 of 109 12 30 2003 The H8000 Presets Collection INTRODUCTION to 5 1 Reverbs These new structures introduce surround ambience to the line of Eventide effects processors A description of the algorithms and their parameters functions is your first step to learning the basic of these powerful tools We have provided slightly different versions of these algorithms to give the best results both at 48 and 96KHz sampling frequencies Stereo or Surround ambience and reverbs in digital processors are generally to be considered a combination of two main processes e Early Reflection delays and diffusers e Reverberation In depth Early Reflections are very short delays that simulate the reflections of walls floor and ceiling of a specific environment Often they are ma
123. es swept by 5 discrete LFOs Reduce input trim to 6 10dB with high feedback settings 5 1 1 0 864 5 1 Fr Sur Bounce 48 6 6 864 5 1 Fr Sur Bounce 96 Il 6 6 S DME TT Full 5 1 I O surround algorithm 5 delay lines with lowcut amp hicut filters in the feedback paths M_lowcut amp M_hicut at 100 use the delays lowcut amp hicut settings Complex filtered polyrhytms and modulations are possible TTempo sync available on all delays and Ifo rates Reduce input trim to 6 10dB with high feedback settings Do not use this algorithm for flanger type fx 5 1 I O 865 5 1 Vintage Delays 48 6 6 865 5 1 Vintage Delays 96 Il 6 6 S DME TT Full 5 1 I O surround algorithm 5 delay lines with lowcut amp hicut filters in the feedback paths M_lowcut amp M_hicut at 100 use the delays lowcut amp hicut settings Complex filtered polyrhytms and modulations are possible TTempo sync available on all delays and Ifo rates Reduce input trim to 6 10dB with high feedback settings Do not use this algorithm for flanger type fx 5 1 I O Release 1 2 Page 31 of 109 12 30 2003 The H8000 Presets Collection 870 4 I O ModDelays 96 Il 4 4 870 4 I O ModDelays 48 4 4 GVKS RDME TT Each input feeds a diffusor master which feeds a moddly with filters and another diffusor in its fdback path Thick diffused polyrhythms are possible Pre delays diffusors params are in the master menu Feedback diffusors are in the taps menus Reduce input trim to 6 10dB
124. ese masterpieces 6610 Blues Heart 96 2 2 Tweaked for crunchy blues tones 6611 Clean Chords 96 2 2 Tweaked for clean gtr chordal work G RDMCEY TT Comp gt TT dly gt st chorus gt verb with pre post compression parallel dry signal Set wet dry balance to 100 wet Ext 4 5 6 7 control on off midi switching Delay and verb spill over switching Set TT switch in the system menu Summed in stereo out 6612 Dream Strings 96 Il 2 2 6612 Dream Strings 48 2 2 Tweaked for clean dreamy chordal work G PRDMCE TT MultiShift gt st TT dly gt st chorus gt verb Set main wet dry balance to 100 wet Ext 4 5 6 7 control on off switching Delay and verb spill over switching Set TT switch in the system menu Summed in stereo out 6613 Drums Treatment 96 2 2 Tweaked for stereo drums effects 6614 Electric Ladyland 96 2 2 Tweaked for crunch lead or chordal work 6616 In Yer Face Vocals 96 2 2 Tweaked for vocals GV RDMCEY TT Comp gt TT dly gt stereo flanger gt verb with pre post compression parallel dry signal Set wet dry balance to 100 wet Ext 4 5 6 7 control on off midi switching Delay and verb spill over switching Set TT switch in the system menu Summed in stereo out Release 1 2 Page 92 of 109 12 30 2003 The H8000 Presets Collection 6615 Fjord Guitar 96 I 2 2 6615 Fjord Guitar 48 2 2 Tweaked for lonesome front pickup tones 6619 Metal Fatigue 96 II 2 2 Tweaked for lead tones 6619 Metal Fatigue 48 2 2
125. everbs with diffusion fedby each input Inl gt Verb1 Halll gt outputs 1 amp 2 In2 gt Verb2 Hall2 gt outputs 1 amp 2 In3 gt Verb3 Room1 gt outputs 3 amp 4 In4 gt Verb4 Room2 gt outputs 3 amp 4 On Off switching for each verb is provided Quad mono in dual stereo out Release 1 2 Page 40 of 109 12 30 2003 The H8000 Presets Collection 1622 4 Softknee Comps 96 4 4 Y Four soft knee compressors linkable to two stereo pairs The first menupage resets itself at a specified time after the first param change so that you don t get lost Quad in quad out 17 Inst Clean Clean Preamp simulations with effects We have used a guitar to set parameter values particularly the EQ settings feel free to adjust them to your needs Preamp compression EQ and gate form the basic structure Volume Pedal is patched to Assign I as a default 1710 Acoustic Gtr Rack 96 2 2 G PRDMCEY EQ gt Compression gt Chorus gt Delay gt Reverb followed by a stereo out mixer DLY gt VRB knob controls input to the reverb section Mono in stereo out 1711 Bass Rack 96 2 2 G PRDMCEY EQ gt Compression gt Chorus gt Delay gt Reverb followed by a stereo out mixer DLY gt VRB knob controls input to the reverb section Mono in stereo out 1712 Biomechanica 96 2 4 GVDKS RDMCEY Preamp gt sample hold filter gt delay gt verb Summed in quad out 1713 CleanPreamp 96 2 2 GV EY Clean preamp simulation comp gt EQ gt vol pedal g
126. everie textures 1310 A Nice Place 96 I 2 4 1310 A Nice Place 48 2 4 S PRME TT Matrix Scapes EQ gt Verb gt 4v reverse shifters 10 sec gt randomized ring modulators Stereo in quad out 1311 BeyondTheStars 96 2 4 S PR Ringmods gt 8detuners plexverb Unusual texture Stereo in quad out 1312 DontGoInTheCellar 96 2 4 S PD Strange atmosphere in this dank dark place Extended multitap ringmods and lattice Stereo in quad out 1313 Doom Of Matrix 96 2 4 1313 Doom Of Matrix 48 2 4 S PRE TT Lost in the lands of Matrix EQ gt Verb gt 4v reverse shifters 10 sec Galaxy Border BACKWARDS Stereo in quad out 1314 Europa 96 Il 2 4 1314 Europa 48 2 4 S PRE TT Breathing crystals EQ gt Verb gt 4 voice reverse shifters 10 sec Galaxy Border BACKWARDS Stereo in quad out 1315 Galaxy Borders 2 96 2 4 1315 Galaxy Borders 2 48 2 4 S PRE TT Starship Argon 576KWX gets out of Nebula 415 reaching the Galaxy Border EQ gt reverse shifters 10 sec gt verb Try with longer delay settings Stereo in stereo out 1316 Gothica VROOOM 96 I 2 4 1316 Gothica VROOOM 48 2 4 S PRE TT Arcanum Misterium iacet in Gothica VROOOM EQ gt Verb gt 4v reverse shifters 10 sec Stereo in quad out 1317 Italo s Space 96 2 4 1317 Italo s Space 48 2 4 S PRE TT Strange amp beautiful place EQ gt Verb gt 4v reverse shifters 10 sec Stereo in quad out 1318 MachineLife
127. filter it s useful for power line hum and dimmer noise lt DeHum gt is a sliding lo cut filter for low level noises adjust it to pass the desired signal and close on the junk lt LoCut gt is a sharp filter useful for pure waves Since low frequencies often have harmonics throughout the spectrum they re harder to remove Experiment with different combinations of the three until you get the best results and don t expect miracles on particularly noisy signals The Notch filter depends on system timing It ll work properly when the Eventide is set to a precise 44 1 kHz or 48 kHz sample rate but may have problems at other frequencies If you want to accommodate other hum or sample frequencies set CLCONSTANT Tune in the Patch editor Stereo in stereo out 7815 Sfx Filter Compress 96 2 2 EY Extremely sharp hi lo cutoff filter followed by a stereo compressor Use the Presets Table Radio Pocket Radio The Shadow as effects or as starting points for your own settings If you want just the filter set the compressors lt Threshold gt to 0 dB To use just the compressor set lt LoCut gt and lt HiCut gt to 40 Hz and 19 kHz Switch able in stereo out 7816 Simple Compressor 96 2 2 V DY Basic tight little one knob stereo compressor with compression meter and channel linking Adjust lt More gt until you ve got enough The processing takes three thousandths of a second not enough to be noticeable but it ll cause flanging if the outp
128. ft and right Stereo I O 4225 Piano Hall 48 2 2 4225 Piano Hall 96 2 2 K RDE TT Stereo diffusor gt verb 2 parallel delay lines 1sec to simulate walls reflections Post low and high shelving EQs filter the whole processing path Stereo in stereo out 4226 Plate gt BandPass 96 2 2 D RDE TT Post processed verb stereo diffusor gt verb 4 parallel delay lines Ist set of delays Isec has no feedback 2nd set of delays 2 8sec has feedback A post hicut filters the whole processingpath gt band pass filter with automatic amp manual adjustable spread in octaves Stereo in stereo out 4227 Rich Chamber 96 2 2 GVDK RDE TT Stereo diffusor gt verb 4 parallel delay lines Ist set of delays 1sec has no feedback 2nd set of delays 2 8sec has feedback A post hicut filters the whole processing path Stereo in stereo out 4228 Room gt Bandpass 96 2 2 VDS RDE TT Post processed verb stereo diffusor gt verb 4 parallel delay lines Ist set of delays 1sec has no feedback 2nd set of delays 2 8sec has feedback A post hicut filters the whole processingpath gt band pass filter with automatic amp manual adjustable spread in octaves Stereo in stereo out 4229 Sax Chamber 96 2 2 4230 Sax Plate 96 2 2 4231 Slap Plate 96 2 2 4232 Snare Plate 96 2 2 4233 Tiled Room 96 2 2 4234 Vocal Chamber 96 2 2 V RDE TT Stereo diffusor gt verb 4 parallel delay lines Ist set of delays 1sec has no feedback
129. git number as the Bank Number in the Contents section A given preset may be identified by its name or its number Many presets are supplied in several versions with the same name and number they can be further distinguished by the number of channels they process and the audio sample rates they can handle as well as whether they are monolithic meaning that they occupy both of the H8000 s two processing machines or whether they fit in one machine allowing another effect to be used simultaneously in the other machine Sometimes a number of presets may share the same basic structure or algorithm Different versions of this structure will be provided with their parameter values carefully tuned to produce a desired effect these variants are popularly known as tweaks Each preset will be labeled either 48 meaning that it can only operate up to 48kHz sampling or 96 meaning that it can operate at all the H8000 s supported sample rates In many cases with larger presets two versions are supplied a monolithic version that runs at 96kHz and a single machine version that runs at 48kHz A given preset may have from 0 to 8 inputs and from 0 to 8 outputs A preset with no inputs is typically an oscillator or other generator whereas a preset with no outputs is usually a display only device Many presets are flagged with recommended source material or application types eV vocal eG guitar D drums eS surround K keyboard
130. haser with feedback Input on DSP 3 triggers the LFO to jump to a specific point in its waveform Thresh adjusts the threshold for triggering TPhase specifies where in the waveform it will start Wave and Duty select the waveform One cycle is equal to the Note value for the given BPM Great for synching FX to a song Interesting results if the note value for your trigger does not coincide with the Note parameter The time you spend figuring out this triggered LFO will be well worth it Look for other TrigLFO FX for the same mechanism Dual mono in stereo out Release 1 2 Page 62 of 109 12 30 2003 The H8000 Presets Collection 4010 4011 4012 4013 4014 4015 4016 4017 40 Reverbs 2_ 5 1 Stereo input 5 1 output early reflection spaces and reverbs All sorts of environments are reproduced here from booths to rooms chambers halls plates tunnels stadiums churches A clever set of a few master parameters helps setting different spaces by remoting a bigger number of parameters you can freely preset You can select any of these presets in 6 different personally crafted reverbs or variations of the original type See INTRODUCTION to 5 1 Reverb Algorithms at the end of this manual for more info 2_5 1 Alley Slap E r 96 2 6 Medium space with reflections from the rear walls 2_5 1 Booth E r 96 2 6 Small intimate space good for any source 2_5 1 Med Room E r 96 2 6 Vocals drums
131. he pan will follow the amplitude envelope of the signal Use the panning menu to select panning trajectory Quad in quad out 3311 Auto Panner 96 4 4 No squish control S DMY Quad auto panner with speed control Inputs are summed to mono use lt dB gt param to trim input then panned around the room Summed in quad out 3312 AutoFMPan_Verb 96 2 4 S RM Quad panner with verb Summed in quad out 3313 AutoPanVerb 96 2 4 S RM TT X Y auto panner gt verb Summed in quad out 3314 Circle Panner 96 2 4 S DM Circular Quad Panner Takes inputs 1 and 2 and pans them in a circle around the four outputs Circle direction speed and size can be changed Stereo in quad out 3315 Fly by 96 2 4 S Push the GO button to send your stereo ins across the room Adjust the Speed control for the vintage of your jet The direction control has 6 positions Also works as a Left in Stereo out Fly by for a two channel mix Stereo in stereo out 3316 FM Panner 96 2 2 MY TT FM Modulated panner Summed in stereo out 3317 EFM Panner_S 96 2 2 MY TT Stereo version of FM Panner Stereo in stereo out 3319 Gyroscope 96 2 2 DMY Gyroscopic panning Pans to two little fields Precess rotates the big field Stereo in stereo out 3318 Gyro X Pattern 96 4 4 3320 GyroscopicField 96 44 S DMY Each of 4 inputs gets a delay throw to the clockwise channel with which it pans When precess is selected the entire circle rotates
132. he perfect formant per interval This gets added to lt formant gt which is global and displayed as lt value gt Summed in stereo out 5617 Ultra Interval 96 2 2 self adjusting formant scaling 5618 Ultra Interval 2 96 2 2 with manual formant V PD Formant corrective shift Choose shift by interval Summed in stereo out 5619 Ultra Interval 3 96 2 2 V PD Formant corrective shift selected as interval lt form gt and lt tune gt gives you a value for each possible interval click over the 3 oct range You may pre select the perfect formant and tuning for each interval global formant and tune params get added to the lt gt The final sum is then displayed as lt value gt Summed in stereo out 5620 Ultra UserScales 96 2 2 self adjusting formant scaling 5621 Ultra UserScales 2 96 2 2 with manual formant V PD Formant corrective Diatonic shifter This one is for user generated scales Summed in stereo out 5622 Ultra UserScales 3 96 2 2 V PD Formant corrective Diatonic shifter This one is for user generated scales lt form gt gives you a value for each possible interval This lets you pre select the perfect formant per interval This gets added to lt formant gt which is global and displayed as lt value gt Summed in stereo out 57 Shifters Unusual This bank offers the most creative pitch shifting applications in the industry classic Eventide crystals interactive shifters pads polyrh
133. he reverb reflections get louder as they decay 3410 808 Rumble Tone 96 2 2 D Y Adds sub harmonics to a kick drum An oscillator is gated until triggered Summed in mono out 3411 Beatbox Reverb 96 2 2 D RE TT A one of a kind talking reverb with adjustable vowels and words Stereo in stereo out 3412 Drum Chamber 96 2 2 D RDE A really bitey snare ambience with EQ Summed in stereo out 3413 Drum Filter 96 2 2 D EY Dual stereo triggered filters Has sweep rate and envelope parameters Stereo in stereo out 3414 Drum Flanger 96 2 2 D DM Another flanger tweaked for drums Stereo in stereo out 3415 Drum Flutters 96 2 2 D RDE Unusual fluttery gated sounding thing Sampled industrial dishwasher Summed in stereo out Release 1 2 Page 57 of 109 12 30 2003 The H8000 Presets Collection 3416 Firecracker Snare 96 2 2 D REY A versatile reverb with gate amp dynamic filter built in The filter is controlled by an envelope follower unlike Dynamic Reverb whose filter is controlled by a less dynamic gate envelope TURN MONITOR VOLUME DOWN WHILE ADJUSTING FILTER since instabilities amp overload may occur with low q s and wide sweepwidths Try adjusting sweep width to a negative number You can disable gate by turning thresh to 100 or ungated lvl to 100 Summed in stereo out 3417 Group Claps 96 I 2 2 3417 Group Claps 48 2 2 D P A useful clap thickener built from 8 pitch shifters with delays 1 4 from
134. hen slowly raise lt Solo Bottom gt to preserve bass lt Width gt restores stereo but is mono compatible Use lt Instant gt to switch soloists in or out without changing the stereo image Adjust lt Amount gt to control how much soloist appears in the mix The algorithm expects the solo to be centered in the stereo field and occupy the mid band Live and acoustic recordings won t zap very well but most studio pop songs will If the original mix includes a stereo echo some of it might remain but this echo is usually covered by the new vocal or song parody lyrics you add Add extra reverb to help hide these ghosts The program won t work correctly unless the input channels are balanced Make sure the pan or balance pots on your board are adjusted and check the Level screen to make sure both channels match Some original mixes may develop an artificial bass if this happens lower lt Solo Bottom gt Stereo in stereo out 78 Px Mix Tools A set of useful mix and enhancement tools The effects in this Bank should in general be used 100 percent wet as they incorporate their own mixing 7810 Awfultones 96 2 2 E Need some real world speakers for checking a mix They don t get any worse than these doggies It s also a handy production effect any time you want a quick lousy sound portable radios jukeboxes etc Distortion Honking Bandlimit and Mono Stereo are separately switch able Stereo in switch able out 781
135. hift gt moddelays Summed in stereo out 3022 Inst Process 96 2 2 PDME TT This preset gives you a pitch shift phaser chorus and delay rack Summed in mono out 3023 Lz verb R pitch 96 2 2 PR Left input feeds a reverb Right input feeds a four output multi shifter Outputs are then summed to stereo Dual mono in stereo out 3024 Larynx Delay 96 2 2 DMEY TT Throaty envelope filters and modulating ping pong delays Stereo in stereo out 3025 Mods comps filters 96 2 2 DMEY TT Moddelays gt compressors gt filters Stereo in stereo out 3026 Moon Solo 96 2 2 PDME TT Unique combination of EQ pitch shift phaser chorus and delay Summed in mono out 3027 Pickers Paradise 96 2 2 G RDMCEY This rack has compressor EQ delay chorus reverb and tremolo Summed in stereo out 3028 Roey s Delay Shift 96 2 2 GVK PDME TT The delayed left input and straight right input are summed and feed a four output multishift Dual mono in stereo out 3029 Roey s Verb Rack 96 2 2 GVK RDME Left input feeds a reverb Right input feeds a rack consisting of a delay a flanger and two filters Outputs of both chains summed to stereo Dual mono in stereo out 3030 SeqWah ChorVerb 48 2 4 3030 SeqWah ChorVerb 96 2 4 PRME TT Inputs summed to mono then fed to a sequence of eight bandpass filters Front pans routed to an EZ chorus en route to outputs I and 2 Rear panned audio goes to an E reverb before reaching outputs 3
136. hos 96 4 4 854 OctalChorusEchos 96 8 4 D TT Eight delays which are randomly modulated up another 0 30 mS Each delay pair is fed by one of the four inputs lt cycles gt is speed of the randomizer lt glide gt controls delay glide time Switch able in 860 5 1 Chorus 96 6 6 S DM TT Full 5 1 I O surround algorithm 5 delay lines swept by 5 discrete LFOs Reduce input trim to 6 10dB with high feedback settings 5 1 1 0 861 5 1 Circling Delays 96 Il 6 6 861 5 1 Circling Delays 48 6 6 S DME TT Full 5 1 I O surround algorithm 5 delay lines with lowcut amp hicut filters in the feedback paths M_lowcut amp M_hicut at 100 use the delays lowcut amp hicut settings Complex filtered polyrhytms and modulations are possible TTempo sync available on all delays and Ifo rates Reduce input trim to 6 10dB with high feedback settings Do not use this algorithm for flanger type fx 5 1 I O 862 5 1 Detuned Echoes 96 Il 6 6 862 5 1 Detuned Echoes 48 6 6 S DME TT Full 5 1 I O surround algorithm 5 delay lines with lowcut amp hicut filters in the feedback paths M_lowcut amp M_hicut at 100 use the delays lowcut amp hicut settings Complex filtered polyrhytms and modulations are possible TTempo sync available on all delays and Ifo rates Reduce input trim to 6 10dB with high feedback settings Do not use this algorithm for flanger type fx 5 1 I O 863 5 1 Flanger 96 6 6 S DM TT Full 5 1 I O surround algorithm 5 delay lin
137. hythm lt Groove gt controls how well the robots stay with the input The normal output is a mix of the input and those jamming robots Press lt Solo gt to let the bots take a few bars on their own Since the program has to analyze the melody in real time it works best with simple lines and worst with chords Try it with a variety of different inputs Stereo in stereo out Theremin 96 2 2 Leo Theremin created one of the first synthesizers in the 1920s played by waving your hands in front of an antenna For the technical it used two RF oscillators beating together to produce the heterodyne tone While a few composers put it to work as a serious instrument including the Beach Boys in Good Vibrations it received more acceptance from science fiction producers This is the classic ooh wee ooh sound of a bad flick or accompaniment to a late lamented chanteuse It works best with solo not chords Pick up a microphone and sing into it Adjust lt Shift gt to put the sound in its proper octave Theremins are much higher than most singing voices lt Mute gt keeps it from responding to background sounds Mono in mono out Tribbles 96 2 2 Breaks up input into random animal sounding squeals Easy to use no controls Just voice in thingies out Some people have trouble with these Summed in stereo out Release 1 2 Page 104 of 109 12 30 2003 The H8000 Presets Collection 80 Px Vox This is a bank of basic vocal enhancers and tool
138. ide platform Here are some examples pre and post loop pitch shifters 4 speakers panning rotating or reflecting loops multi track loopers polyrhythmic and canon style loops criss cross feedback loops real time timesqueeze processed loops reverb delay post processed loops harmony shiftable loops A note on use Loops have Assign 2 patched to loop input level volume pedal by default Make sure you have a volume pedal connected to rear panel Pedal 1 or 2 inputs or any midi real time controller patched to Assign 2 710 Fractal Vortex 96 2 2 GVK DMY Tim Cascade looper with envelope control of the looper s input mix Its output is fed into a panner which sprays the effect into a stereo glide fed also directly by dry input Envelope bias adjusts sensitivity of modulation for the input feedback mix of the looper Loud signals add new audio to loop decreasing level of old layers Soft signals keep both in the loop Echo balance when set at min the mix is all Echo 1 at max it s all Echo 2 In between settings produce echo rhythm that change over time Assign 2 door Set feedback at 90 95 Summed in stereo out 711 Helix Loops 48 4 4 GVKS DY Tim Four 20 sec stereo loops lt loop gt chooses which pair sees input Quad in quad out 712 HelixManifold 48 2 2 GVK PRDCY TT Tim Helix loops effects Pitch gt 4 loops gt verb gt delays Stereo in stereo out Release 1 2 Page 26 of 109 12 30 2003 The H
139. iffchorus Delay Diffchorus Delay 2 DiffuseRoom 24 Dig Sig Gen 4 Digi Cell Phone Digi Timesqueeze R Dinosaurs Dirty Master Box 4 Distortion Preamp Dither Dly gt Phsr_Ambience Dly gt Phsr_MPitch DontGolInTheCellar Doom Of Matrix Doorbell 403 Doppler Pass Doubletalk Down Banddelay Dr Jekyll 2 Dr Jekyll 1 Dream Chamber Dream Strings Drews Dense Room Drew s Double Closet Drew sSmallRoom Drew sThroatflange Drum Chamber 3413 3414 3415 4213 4214 6613 3910 823 1014 3213 1015 3214 1016 871 872 873 5429 1412 6213 824 825 6712 5431 513 7310 5725 514 1822 7712 6913 1017 1018 6513 4610 3017 7311 7312 7812 4917 5015 6110 1919 1210 1211 1114 516 1119 1415 517 1115 518 6614 1823 3911 Drum Filter Drum Flanger Drum Flutters Drum Plate Drums Room Drums Treatment Drums o Tronica Drunken Sailor DShif_Hall DShif_VDly_Hall Dtune_Hall Dtune_VDly_Hall_EQ Dtune_VinDly Dual 2taps Chorus Dual 2taps Delay Dual 2taps Echorus Dual H910s Dual Modfilters Dual Scope DualChorus DualChorusDelays DualVoxProcess Dubbler Ducked Delays Ducked Delays DuckedCrystals DuellingDualDlys Dunwich Distortion Dynamic Stereo Dynamic Worm DynoMyPiano_Ambience DynoMyPiano_VintDlys DynoMyPiano1380S EarlyRefections Easternizer Easy Chorus Easy Phaser Easy Timesqueeze EchoRoom Echospace Of God Eel Drums 2 Eel Guitar Eight Band EQ Eight Band EQ8 Eight Compressors Eight Delays
140. ilter Bank Pan Eight Filters Four Filters Harmonic Enhance Mouth a lator Two OctaveBandFilterPan OrganicAnimation Perpetual Motion Sample hold Sample hold8 Sequence Wa Simple Samp Hold Sweep Filter Synthlike Filter Tight Bandpass Mod Two Band Crossover Auto Pitch Correct Clrmtn s NemWhipper External Correct NemWhipper Dual NemWhipper Stereo Character Shift 1 gt 2 1611 1612 1613 1614 1615 1616 1617 1618 1619 1620 1621 1622 1710 1711 1712 1713 1714 1715 1716 1717 1718 1719 1720 1721 1722 1723 1724 1725 1726 1727 1810 1811 1812 1813 1814 1815 1816 1817 1818 1819 1820 1821 1822 1823 1824 1825 1826 1827 1828 1829 1830 1831 1832 1833 Eq amp Comp Timer F Of H Multi KG s ColorHall L lt gt R Long L gt detune R gt reverb L_C_R Long L_C_R Short MicroPitch Saxomaniac 2 Voice Vox Reverse 4 Reverbs FoH 4 Softknee Comps Acoustic Gtr Rack Bass Rack Biomechanica CleanPreamp Fermilab Gerrys Bass 99 Hexentanz In Ovo Jinn Parallel Pedalboard Piano sustenudo Series Pedalboard Serpentine The Gyre Tom s Acoustic Gtr Twang Guitar Virtual Pedalboard White Queen Arkham Distortion Atavachron Bejing Dragons D Bejing Dragons V Biomechanica Three British Smash Carsultyal Steel Cyber Twang Desert Oboe DesertDemon DesertMorpher Distortion Preamp Dunwich Distortion Electronica Gtr Fifth Dominion Flange Verb Fuzack Fuzz 2002 GodSaveTheQueen Gothic H
141. in nothing out 2412 Midi Pitch Delay 96 4 4 KS D Makes inharmonic sounds harmonic Notes controlled from a MIDI keyboard ADSR controls dynamics Speed controls how fast notes change Fb controls feedback Quad in quad out 2413 Midi Resonance 96 4 4 KS ME Play a highpass filter from a midi keyboard Depth controls the resonance Midi selects the midi channel Speed adds glide between notes If you change the Mode to Panning you can control aspects of the panning from the Panning menu page Quad in quad out 2414 Midi Sine Ring Mod 96 4 4 KS Ring mods the input signal with a sine wave controlled from a Midi keyboard Speed controls how quickly the sine wave changes freq Quad in quad out 2415 MIDI Tremolo 96 4 4 KS Four Tremolo modules The rate of each one is set by the pitch of the incoming MIDI note s This preset requires incoming MIDI notes The tremolo rate will be the same as the fundamentalfrequency of the incoming MIDI note Use the TremRate display to view the rate of the tremolos If you find that the incoming MIDI notes are setting your tremolo rates too fast use the freqMult parameter to scale the LFO rates up or down to your liking High freqMult settings and high MIDI notes yield a distorted LoFi sound while lower notes and lower settings give more typical Tremolo effects Use various MIDIintervals to to create musically interesting tremolo effects Playing an octave yields two Tremolos with a 2
142. ines each panned by its own LFO Also each has another LFO modulating its delay Stereo in stereo out 835 Pingchoruspong 96 2 2 DM TT Series delays with LFOs 836 Polymod Chorus 96 2 2 GK DM Three sets of stereo delays with FM modulation of each set This allows very rich modulation while smearing the sense of sweep patterns Stereo in stereo out 837 Polymod Delay 96 2 2 DM Tweak of polymod chorus set for chorus and delays with subtle modulation patterns Stereo in stereo out 838 Pure Comb Flange 96 4 4 839 Pure Comb Flange8 96 8 8 DY A flange modulated by the level of the input Attack and Decay control response Flange controls depth The Flange is recombined with the INVERSE of the original signal All that remains are the combs 840 QuantizedDelays 96 2 2 DM These four parallel delays have user selectable bit paths These allow emulation of older style gear 24 bit all the way down to one Summed in stereo out 841 Real Chorus 96 2 2 841 Real Chorus 48 2 2 P A simulation of having eight more of the input Summed in stereo out 842 Real Chorus TNG 96 2 2 PDMCEY A simulation of additional musicians Tuning How well they are in tune Timing How tight they are Hunting How fast they find the note Best on single note instruments Note some instruments don t hunt Keyboard drums etc Summed in stereo out 843 S amp H Flange Hell 96 l 4 4 843 S amp H Flange Hell 48 4 4 DMY Four mod del
143. ing jettisoned or perhaps a spaceship blasting off lt jettison gt triggers the jet sound lt speed gt controls the speed lt whine gt adds complaints Stereo in stereo out 5816 Locomotive 96 0 2 PDME Those of us of advanced years can dimly remember the sound of a steam engine Here is a jog for the memory lt roll out gt puts it in gear and ramps between low speed and top speed Nothing in stereo out 5817 Mortar Shells 96 0 2 PDE War has broken out in the next street again Here are a few sound effects to complete the picture Nothing in stereo out 5818 Sonar 409 96 0 2 DE This simulates the sound of a submarine s sonar lt ping gt does it Nothing in stereo out 5819 Stereocopter 410 96 0 2 PDME Use this if you need an easy helicopter sound lt speed gt controls the rotors Nothing in stereo out 5820 Stormwatch 96 2 2 PDME Asymmetric modulations give this collection of nature at work an animated feel Howling wind driving rain plus distant thunder via the lt bolt gt parameter Great background effect Nothing in stereo out 5821 TankAttack 411 96 0 2 PDE This has the familiar sound of an arcade tank game lt fire gt goes boom lt rumble gt tunes the explosion lt range gt controls implied distance Nothing in stereo out Release 1 2 Page 86 of 109 12 30 2003 The H8000 Presets Collection 5822 Tesla Generator 96 0 2 MEY Tesla Power Generator Electricity generator engine from XIXcent
144. intaining a natural vocal quality It can also alter the overall formant structure of a vocal signal independently of any pitch shift UltraShifter is optimized for vocal signals although it may be suitable for other monophonic source material Real time adaptive resynthesis makes the UltraShifter the most natural sounding vocal shifter ever created The UltraShifter can modify or maintain pitch and spectral content over a four octave range 5610 Robot Voice 96 2 2 V PD Formant corrective shifter with robotic parameter Choose shift amount as cent value Summed in stereo out 5611 Ultra AutoCorrect 96 2 2 V P Chromatic AutoCorrect UltraShifter Summed in stereo out 5612 Ultra Cents 96 2 2 self adjusting formant scaling 5613 Ultra Cents 2 96 2 2 Adjust formant for a different sound V PD Formant correct pitch shifting Set source for better pitch tracking Summed in stereo out 5614 Ultra Diatonic 96 2 2 V PD Formant corrective Diatonic shifter Included is ability to use non equal tempered scales Summed in stereo out Release 1 2 Page 83 of 109 12 30 2003 The H8000 Presets Collection 5615 Ultra Diatonic 2 96 2 2 V PD Formant corrective Diatonic shifter Manual formant param Included is ability to use non equal tempered scales Summed in stereo out 5616 Ultra Diatonic 3 96 2 2 V PD Formant corrective Diatonic shifter lt form gt gives you a value for each possible interval This lets you pre select t
145. ir emphasis on bits although emphasis is rare in professional 44 1 kHz masters Future revisions will allow more flexibility Select new HELP or Parameter gt This preset is set up so the first compressor gently compresses the source while the D S part does its job limiting the high frequency in a band centered on 9 kHz Push other HELP button or Param key gt For Dat to Dat mastering Hook output of source Dat either AES or SP DIF to H8000 s Digital inputs Hit Setup to change audio mode turn knob right gt to the desired AES EBU or S P DIF in puts and outputs Connect digital output of system to destination Dat with unit in record pause System will indicate it is receiving digital input under setup audio page For Hard Disks Editors After editing it is usually more flexible to go from HD through the system back to destination Dat 44 1 or 48kHz This EQ is before compression Fader to right of De Essing gt is high freq balance Stereo in stereo out 2314 Dirty Master Box 4 96 2 2 DEY A stereo compressor is followed by a compressor that limits the high frequency response Can be used as a de esser The left two faders are separate left and right input levels First meter is compression the 2nd is H F limiting An output lvl adjust is on the right Fader to right of De Essing is gt high freq balance Use amt fader to control 2nd harmonic distortion Distortion is turned off at 96 Stereo in stereo out 2317 Manual Tape Flange2
146. le on triangular and square waves at higher frequencies Nothing in mono out 63 Textures Here you ll find some very evocative delay pitch and reverb based effects Often highly colored by chorused diffusors and imaginative plex verbs or combs and ring modulators these static or rhythmic sounds are a true delight for your ears especially if used with multi speaker setups 6310 Choir Diffchorus 96 2 2 6311 Choir Diffchorus 2 96 2 4 G PRDM TT Choir gt diffusion Stereo in quad out 6312 Choir Verb 96 2 2 6313 Choir Verb 2 96 2 4 G PRDM TT Choir gt reverb Summed in quad out 6314 Colortaps Verb 96 II 2 2 6314 Colortaps Verb 48 2 2 G PRDM TT Colortap delays reverb Stereo in stereo out 6315 Combtap Diffchorus 96 2 2 G RD TT Combtaps gt diffchorus Stereo in stereo out 6316 Diffchorus Delay 96 2 2 6317 Diffchorus Delay 2 96 2 4 G RD TT Diffchorus gt delay throws Stereo in quad out 6318 Mercury Cloud 2 96 2 2 G RDY TT A wild reversed verb into a ducked texture verb Play thru this patch with a very distorted amp loud tone without dry signal Assign I is volume pedal to the verbs Nice dynamic tricks are possible using the volume pedal while monitoring ducking on display Sum Stereo out Mono in stereo out 6319 Salamanders D 96 2 4 6320 Salamanders V 96 2 4 G PRE TT Crystals gt reverb Stereo in quad out 6321 Tapdelay Plex 96 2 2 Summed in stereo out 6322 Tapdela
147. led via externals or an LFO for smooth modulation effects Octal in quad out 5420 8_ReverseShift 96 8 4 P Eight independent reverse shifters with master and individual parameters Octal in quad out Release 1 2 Page 80 of 109 12 30 2003 The H8000 Presets Collection 5421 8 _ReverseTetra 96 8 4 P TT Eight channel reverse shifters with independent controls Octal in octal out 5422 5 1 Shifted Echoes 96 l 6 6 5422 5 1 Shifted Echoes 48 6 6 Nice detuned and modulated delays built by pitch shifters S PM TT Full 5 1 I O surround algorithm 5 high quality pitch shifters with tap tempo delays max 2 sec and modulation 5 1 I O 5423 ChordConstruct nKit 96 2 2 GV P TT Simple four voice shifter by interval Global fine tune adjust Summed in stereo out 5424 10v Arpegg Thick 48 2 2 5424 10v Arpegg Thick 96 I 2 2 GV P Two four voice multishifters each being fed by one of the ins Chanl pitch1 5 chan2 pitch6 10 Stereo in stereo out 5425 5 1 Trem Detuners 48 6 6 5425 5 1 Trem Detuners 96 Il 6 6 Surround detuners fastly modulated S PM TT Full 5 1 I O surround algorithm 5 high quality pitch shifters with tap tempo delays max 2 sec and modulation 5 1 1 0 5426 Dr Jekyll 1 96 4 4 PM Ancestor to Dr Jekyll 2 quad pitch and slap without the 1x4DLY Quad in quad out 5427 120BPM ShifterDelay 96 2 2 PM TT Play a note get a riff The output of each shifted voice is delayed 125 mS from the
148. left and 5 8 from right input Stereo in stereo out 3418 Liquid Toms 96 2 2 D PE Watery band delays Tweaked for toms Summed in stereo out 3419 Nerve Drums 96 2 2 D RDME TT _ Ringy close delay taps Summed in stereo out 3420 NoizSnareBrightener 96 2 2 D EY This effect is very useful for brightening up dull snare drums White noise is effectively gated by DSP input 1 Attack and Decay control the response time Use the EQ to modify the sound of the noise Summed in mono out 3421 Nonlinear 1 96 2 2 D RDE A little non linear ambiance Has gated effect nice on snare Summed in stereo out 3422 PercussBoingverb 96 2 2 D RDE TT Bizarre boingy verb Need a new color for that off color song Summed in stereo out 3423 Ring Snareverb 96 2 2 D RDE TT Very pitch y reverb Emphasizes ring frequencies Maybe use in conjunction with other snare reverb Summed in stereo out 3424 Small Drumspace 96 2 2 D RDE TT Nice ambience reminiscent of long unfinished basement room Stereo in stereo out 3425 Sonar Room 96 2 2 D RE A dynamic reverb with headroom gate amp envelope filter built in The dynamic envelope filter offers possibilities found in no other reverb units Try adjusting sweepwidth to a negative number You can effectively disable gate by turning thresh to 100 and holdtime to 9 seconds Summed in stereo out 3426 Stereo Delays 96 2 2 D D A stereo multitap simple to control Summed in
149. lgorithm Early reflection e r delays attempt to recreate the reflections of walls floor and ceiling Diffusor e r delays help to define the reverb space Size presets e r amp diffusor e r patterns Scaler scales diff delays You can change all e r delay values for each Size preset It will remember your settings 5 1 I O Full I O surround algorithm Early reflection e r delays attempt to recreate the reflections of walls floor and ceiling Diffusor e r delays help to define the reverb space Size presets e r amp diffusor e r patterns Scaler scales diff Full I O surround algorithm Early reflection delays attempt to recreate the reflections of walls floor and ceiling Size presets e r dlys patterns diff delays and hicuts Scaler scales diff delays You can change all e r dlys and hicuts 12 30 2003 The H8000 Presets Collection 42 Reverbs H8000 This bank offers a set of classic reverb structures enhanced by early reflection echoes with feedback paths and post reverb EQ Ambience and a nice design interaction between the actual delays and reverb tail of any space are given great attention here providing what we believe is a powerful group of presets and a great tool to design your own ones This group also includes some post processed reverbs 4210 Ambience 96 2 2 VD RE TT Ambience reverb Stereo I O 4211 Brass Plate 96 2 2 K RDE TT Stereo diffusor gt verb 4 parallel delay lines Ist set of dela
150. lightly modulates a bandpass filter to make vocals sound closer and more up front lt sens gt adds gain to the detection circuit adjust as needed Mix in only enough to feel the effect when removed Stereo in stereo out Release 1 2 Page 38 of 109 12 30 2003 The H8000 Presets Collection 1421 Perpetual Motion 96 2 4 DME Many filter lines are modulated such that you always hear rising or falling resonance Because of the mechanisms involved the program distorts upon loading sorry Summed in mono out 1422 Sample hold 96 4 4 1423 Sample hold8 96 8 8 ME TT Sample and hold filters lt masters gt override independent channels 1424 Sequence Wa 96 2 4 ME TT Input is summed to mono then routed sequentially to eight bandpass filters Use lt rate gt to control speed of sequence Note that lt rate gt is rate of one entire sequence of eight Use lt ypan gt controls for quad effects Summed in quad out 1425 Simple Samp Hold 96 2 2 ME TT Simple stereo Samp Hold filter Stereo in stereo out 1426 Sweep Filter 96 2 2 ME TT Simple stereo wa filter Stereo in stereo out 1427 Synthlike Filter 96 2 2 GVK ME This is a resonant filter much like the ones found on analog synths CUT amp Q PAGE The cutoff frequency of the filter can be adjusted as well as the resonance or Q LFO PAGE This page contains a knob to adjust the level of the LFO signal and a knob to adjust the frequency of the wave The 2nd page is used t
151. ly manipulated Try going to expert and on the taps controls page scroll to delays and hit select button while listening Summed in stereo out 5027 Ramp Verb 48 2 2 5027 Ramp Verb 96 2 2 RDE A weird little reverse reverb like thing constructed from two multi tap delays followed by a verb Not much good on percussion Summed in stereo out 5028 Resonechos 96 2 2 GVDS RDME TT Echos that blur into a verb Summed in stereo out 5029 Reverse Nonlinear 96 2 2 D RDE Another version of a nonlinear reverb with extreme pre delay Summed in stereo out 5030 Reverserize Hall 96 2 2 DS RDE Multitap with linearly increasing levels feeding a large hall reverb Gives you a backwards sound even while the words are forward Summed in stereo out 5031 Sizzle Verb 96 2 2 DE Large alternative sizzly verb Easy to control Summed in stereo out Release 1 2 Page 76 of 109 12 30 2003 The H8000 Presets Collection 5032 SplashVerb Maxsweep 96 2 2 R A unique swept reverb with some unusual gating options on the input Stereo in stereo out 5033 Square Tremolo Verb 96 2 2 S RMY This reverb has a hard edged tremolo after the verb which cuts the sound into pieces With slow source material this can give a cool shimmer on faster material you might get seasick Stereo in stereo out 5034 Swell Verb 9 96 2 2 RE A dynamic reverb with headroom gate amp envelope filter built in The dynamic envelope filter offers possi
152. n Suite MonkRoom MonoDelay Monster RACK Moon Solo 7216 7615 5817 1418 3215 1926 5213 1833 5437 5438 521 6414 11 1513 1514 3419 8016 912 4819 3813 3420 3421 332 334 323 325 327 1120 1214 1215 853 854 3322 1419 7217 7113 228 1116 6517 6621 3517 5115 1319 2119 1420 5439 13 6216 2120 1927 7513 833 1928 229 H8000 Presets by Name More s Code Morph To Magic Mortar Shells Mouth a lator Two Mr Hyde Multi Trigger Multishift Verb MultiShift_4 MultiShift_8mod Multitap Delay Musicians Calc Mute NemWhipper Dual NemWhipper Stereo Nerve Drums Nervous Talker Neutralizer New Air Noise Canceller NoizSnareBrightener Nonlinear 1 O 10 Grafic Eq O 5 Grafic Eq Octal Compressor Octal Delays Octal Moddelays Octal Trem Octal 10 Grafic Eq Octal 5 Grafic Eq OctalChorusEchos OctalChorusEchos Octave Panner OctaveBandFilterPan Off Hook Office Intercom Old Valve Omnipressor R Omnipressor R One Time Rhyno One Way Phaser One Way Ring Mod Onirica Ritmica Oobleck OrganicAnimation Organizer Oscillator 440 Oscillator 1k Ovu Outer Reaches OverdrivePreamp Page Three Pan Chorus s Pandemonium Panner Delays Mpitch_Pcm70_PanDly 834 721 5214 629 630 4926 4927 4820 1929 522 523 1719 631 7014 6518 6519 1930 6622 3422 1117 1421 5024 6214 6713 722 723 2121 1022 1720 4225 3027 5025 835 632 524 633 321 322 3616 3617 3618 3619 3620
153. nce the spatial perception of each chorus line and engage feedback for flanging The 1210 Stereo Chorus Flanger features 2 full stereo units in parallel one tweaked for chorus the other for flanger 1022 Piano amp Vocal Halls 48 4 4 VK RDE TT Ins 1 amp 2 gt Piano Hall gt Outs 1 amp 2 Stereo I O Ins 3 amp 4 gt Vocal Hall gt Outs 3 amp 4 Stereo I O Release 1 2 Page 33 of 109 12 30 2003 The H8000 Presets Collection 1023 Snare Plate amp Inverse 48 4 4 1023 Snare Plate amp Inverse 96 Il 4 4 D RDE TT Ins 1 amp 2 gt Snare Plate gt Outs 1 amp 2 Stereo I O Ins 3 amp 4 gt Inverse Snare gt Outs 3 amp 4 Summed in stereo out 1024 Vox Pro_VintDly 48 4 4 1024 Vox Pro_VintDly 96 Il 4 4 V PRDMCEY TT Ins 1 amp 2 gt compr gt eq gt micropitch verb gt outs1 amp 2 Summed in stereo out Don t mix dry in Use dry level as post compressor and eq level Ins 3 amp 4 gt vintage st delay gt outs 3 amp 4 Stereo I O 1030 2 Stereo Verbs 96 4 4 VDK R Two identical stereo reverbs one on each stereo channel Adjust to taste Dual stereo in dual stereo out 1031 2 St verbs mixed 96 4 2 VDK R Two identical stereo reverbs one on each stereo channel Adjust to taste The reverb outputs are mixed to outs 1 amp 2 Dual stereo in stereo out 1032 4 Stereo Verbs 96 Il 8 8 1032 4 Stereo Verbs 48 8 8 GVDK R Four identical stereo reverbs one on each stereo channel Adjust to taste Quad stereo in quad stereo out
154. ng Ring Mod 96 4 4 GKS M Input signal is ring modded with a modulating sine wave Quad in quad out 5114 TRUE RingMod 96 4 4 TRUE old school ring mod In MODE 1 1 modulates 2 and all 4 outputs are the result In MODE 2 1 modulates 3 and the result is at outs 1 and 3 Switch able in quad out 5115 One Way Ring Mod 96 2 2 DM Ring modulation with perpetually falling or rising sine waves Because of the mechanisms involved the program distorts upon loading sorry Stereo in stereo out 52 Sampler Large The Sampler module only available on DSP A is featured here This is a group of effects showcasing its real time editing and versatility worth exploring for your preset writing 5210 Digi Timesqueeze R 96 2 2 VI S An easy to use TimeSqueeze program Record a sample then set the desired playback time or ratio Top and tail can be trimmed and fades can be added on the edit menu After scrub editing be sure to hit lt stop gt or lt play gt Stereo in stereo out Release 1 2 Page 77 of 109 12 30 2003 5211 The H8000 Presets Collection Kick SnareReplacer 96 I 2 2 D SDCEY All the tools you need for kick amp snare replacement when mixing This one uses DLYSAMP and can be loaded in 5212 K S 5213 S 5214 S 5215 S 5216 S S 5217 S SE 5218 K S 5219 S 5220 S 5221 SEY 5222 5222 SR 5223 SDY 5224 5224 SEY either DSP engine Load your
155. nger 96 44 827 Envelope Flanger 8 96 l 8 8 827 Envelope Flanger 8 48 8 8 DY A flanger that is controlled by the level of the input lt attack gt and lt decay gt control the response time For something different try LONG lt depth gt s 828 Flange Echoes 96 2 2 VD DME TT Each of four flangers are panned and then feed a stereo echo Stereo in stereo out 829 Flanged Delays 96 2 2 DM Two delays where the echoes are flanged Stereo in stereo out 830 Hiccup Chorus 96 2 2 DM Eight chorusing delays into a stuttering tremolo effect You can engage an external control to change the trem rate Summed in stereo out Release 1 2 Page 29 of 109 12 30 2003 The H8000 Presets Collection 831 Infinite Flange 96 I 2 4 831 Infinite Flange 48 2 4 DM TT Many flange lines are modulated such that you always hear rising or falling flanges Because of the mechanisms involved the program distorts upon loading sorry 1 2 4 mono out Summed in mono out 832 Leslie Simulator 96 2 2 K RDE Basic rotating speaker effect with a little reverb There s actually two speakers high and low and you can alter each to your taste When you load this preset the settings are those we believe to be most natural Summed in stereo out 833 Pan Chorus s 96 2 2 DM Four delays are panned and swept with eight oscillators creating a rich but tight field of voices Stereo in stereo out 834 Panning Delays 96 2 2 DM Four delay l
156. nisms involved the program distorts upon loading sorry Summed in stereo out 3518 Quad Phaser 96 4 4 S DME TT A fifteen pole phase shifter Quad in quad out 3519 Random Phaser 96 2 4 MEY Randomly phases and pans input for a silky sort of psychosis Stereo in Quad out 1 4 2 3 Stereo in quad out 3520 Samp amp Hold Phaser 96 4 4 3521 Samp amp Hold Phaser8 96 8 8 ME TT Phaser modulated via Sample and Hold circuit 3522 Sci Fi Phaser A 96 2 2 3523 Sci Fi Phaser B 96 2 2 ME A twenty pole phase shifter Mono in mono out 3524 StereoizingPhaser 96 2 2 ME TT This flavor gives 9 notches out left and 12 notches out right Summed in stereo out 3525 Techno Phaser 96 2 2 ME A seventeen pole phase shifter Move the MANUAL knob for stepping effect Stereo in stereo out Release 1 2 Page 59 of 109 12 30 2003 3526 The H8000 Presets Collection TrueStereoPhaser 96 2 2 ME TT User selectable poles Sync param lets you invert the mod direction i e while left channel rises right channel 3610 P 3611 3612 P 3613 3614 3614 D 3615 P 3616 P 3617 3618 P 3619 3620 P PitchTime is a powerful new algorithm for manipulating the pitch and duration of audio in real time with very low latency Based on a multi channel Pitch Shifter and Time Scaler module it allows for up to 8 channels of phase coherent pitch shifting and time change Pitch may be increased or
157. nnels as well as these channels Framerate Convert 96 4 4 Load both presets framerate convert for audio ezt_delay for timecode channel Set proper routing Enter the present and desired lengths and set your deck s varispeed to match the lt PCT gt or lt SPEED gt displays lt audio gt menu is optional fine tune process and will set BOTH presets lt delay gt parameters These lt delay gt parameters are bidirectional either preset will reflect changes Quad in quad out PitchtimeSqueeze 48 2 2 Timesqueeze allows independent duration and pitch control Stereo in stereo out PitchtimeSqueeze4 48 4 4 PitchtimeSqueeze8 48 8 8 Timesqueeze allows independent duration and pitch control Use 2 copies of Timesqueeze4 if longer octal delays needed PitchtimeStretch 48 2 2 PitchtimeStretch4 48 4 4 Timesqueeze allows independent duration and pitch control Release 1 2 Page 60 of 109 12 30 2003 The H8000 Presets Collection 38 Post Suite Post Broadcast type effects simple to use great fun and very useful From Timesqueeze to telephone filters walkie talkie and cinema projectors replicas A wider range of this type of effects can be found in banks 71 to 80 3810 Bell Constr Kit 96 0 2 ME Create any telephone or beeper chirp with complete control lt Ring gt or an external trigger toggles the ring bounce a bunch together for ambiance Nothing in mono out 3811 Digi Cell Phone 96 2 2 SDCEY Choose
158. no in stereo out 1615 L gt detune R gt reverb 96 2 2 PRDM Left input 2 voice shifter right input tap tempo reverb size relation refers to early reflection density in relation to the reverb decay shifter is also summed to the rev input Dual mono in stereo out 1616 L_C_R Long 96 2 2 1617 L_C_R Short 96 2 2 D A typical L C R delay optionally switch able to L R Entered delay time max 660 mS is the amount for each channel a feedback control is located at the end of the L C R chain Optional gate reduces the output level when no input occurs at short delay times great to thicken up a voice e g reverb Mono in stereo out 1618 MicroPitch 96 2 2 PM Four voice micropitch grouped in sets of two plus and minus the cents value amp spread in stereo Stereo in stereo out 1619 Saxomaniac 96 l 2 2 1619 Saxomaniac 48 2 2 PME One reverse shifter and a phaser in series per channel tuned for sax A feedback loop allows you to create weird delays that can be panned as well The phaseshifter at the end of the signal chain might add even more craziness than you are looking for so switch it on Stereo in stereo out 1620 2 Voice Vox Reverse 96 2 2 V PME Two reverse shifters with a feedback loop feeding each voice back to the mono input Tuned for vocals There is also a phase shifter at the end of the signal chain modulated by two LFOs Mono in stereo out 1621 4 Reverbs FoH 48 4 4 GVDK R Four stereo r
159. ns of a single program and there s a lot of different algorithms generating them Try them all what we think is a soundtruck might be your ideal radio on the porch The effects in this bank should in general be used 100 percent wet as they incorporate their own mixing 7110 Airplane Background 96 0 2 DE This generates a complex machine hum that s great in stereo With a little extra filtering it can be just about any background from a tank interior to a starship The lt Throttle gt button makes the engines speed up and slow down while lt Bong gt gives you a realistic flight attendant call lt Accel gt controls how quickly lt Throttle gt does its thing The tourist cabin is noisier because someone left a window open back there Nothing in stereo out 7111 Clock Radio 96 2 2 ME What does your morning show really sound like to the listeners Here s an authentic sounding tiny speaker in a plastic box with some annoying alarm clock beeps so you can find out Summed in mono out 7112 Fries With That 96 2 2 PEY A typical drive through s outdoor speaker with adjustable distortion and muffle Quality and intelligibility varies with your choice of restaurant The Ritz MacBurger or Road Kill Unlimited The lt Distrt gt distortion and lt Muffle gt settings are slightly interactive so if you decide to customize one you should also adjust the other Mono in mono out 7113 Office Intercom 96 2 2 RE This i
160. ntDlys FitDlys_Rich Chamber Hall_Dual 2Tap Dly Modulation Suite Piano amp Vocal Halls Snare Plate amp Inverse Vox Pro_VintDly 2 Stereo Verbs 2 St verbs mixed 4 Stereo Verbs 4 Stereo Verbs 2 AMSDMX 2BPMDDLS AMS BPMDDLSmixed Amplitude Follower Auto V O Ducker Bigger Is Wider Fm Trem Eight Compressors Eight Noisegates Omnipressor R Perfect Trem PsychicDuck DSP A Eight Expanders Octal Trem Ramp Up Down 8 SemiClassic Squeeze Top 40 Compressor Tremolo Lux Comp 3bandFIR _S Comp 4bandFIR _S Comp SbandFIR _M 5 1 Compression 5 1 Compr gt 3 B ParEQ Eight Band EQ Eight Band EQ8 H8000 Presets by Number 1212 1213 1214 1215 1216 1217 1218 1219 1220 1221 1222 1223 1225 1226 1227 1230 1310 1311 1312 1313 1314 1315 1316 1317 1318 1319 1320 1321 1410 1411 1412 1413 1414 1415 1416 1417 1418 1419 1420 1421 1422 1423 1424 1425 1426 1427 1428 1429 1510 1511 1512 1513 1514 1610 FilterBank15 FilterBank20 Octal 10 Grafic Eq Octal 5 Grafic Eq Quad 16 Grafic Eq Quad 8 Grafic Eq Stage Parametric Stereo 32 Grafic Eq 2 32 Grafic Eq Threeband Eq s Threeband Eq s Threeband Eq_Q 4 8 Grafic Eq 8 8 Grafic Eq Five Band EQ 5 1 4B Param Eq A Nice Place BeyondTheStars DontGolnTheCellar Doom Of Matrix Europa Galaxy Borders 2 Gothica VROOOM Italo s Space MachineLife Onirica Ritmica Singularity Stratospherics AllWays PanFltr Cup Mute Dual Modfilters EZ Leslie F
161. nts number in time with their jingle Nothing in mono out Shortwave Radio 96 2 2 Bad reception Program includes the heterodyning that s typical of an SSB radio adjust it with the lt Manual gt slider You can add an automatic shift with the lt Drift gt slider The lt Gate gt slider acts like a squelch control Takes a good signal and turns it into London Calling or makes it sound like your competition Mono in dual mono out Traffic Report 96 2 2 Adds a classic helicopter warble to the input much less painfully than hitting your throat There s also a pretty good blade and engine simulation Input and engine are keyed on and off when you press the button just like the switched mic in a real chopper If you want just the shaky voice turn the engine volume down If you want only the engine sound effect uh don t talk Mono in mono out Release 1 2 Page 98 of 109 12 30 2003 The H8000 Presets Collection 73 Px Delays Production Delays The effects in this bank should in general be used 100 percent wet as they incorporate their own mixing 7310 Ducked Delays 96 2 2 V DY Repeating echoes that get out of the way for the input Adjust Delay for rhythm and Duck for sensitivity Tunable version is Dual Ducked Delay Switch able in stereo out 7311 Easy Chorus 96 2 2 V DM Classic pop music effect uses multiple vibratos to turn one sound into many Adds thickness richness and widening
162. nywhere it just sounds flangey The effect takes a few seconds to kick in The dry signal is also delayed 1 2 the value of Depth Summed in quad out 811 Allan s Chorus 96 2 2 GK DME Here s a rack with 8 digital delays with filtering modulation levels and panning for each of them Dry sound is parallel to them One of the secrets to a great chorus delay sound is the random interactivity in their sweep patterns A volume pedal is placed at the input of the structure A very flexible algorithm Summed in stereo out 812 Auto Tape Flanger 96 2 2 DM TT The real deal This pup can sound like you re rocking the reels Sweep delays parallel to fixed delays so you can go through zero Stereo in stereo out 813 Band Flanger 48 2 4 VK DME Input is divided into octaves and each octave is phased separately Decrease input gain to avoid distortion and output gain to compensate Summed in stereo out Release 1 2 Page 28 of 109 12 30 2003 The H8000 Presets Collection 814 Chordal Swell 96 2 2 G DME Use your Assign as volume pedal for chord swells thru this rack of eight digital delays with filtering modulation levels and panning for each of them Dry sound is parallel to them A very flexible algorithm Mono in stereo out 815 Chorusdelays 96 2 2 GK DM TT Parallel delays with LFO s Stereo in stereo out 816 Chorusdelays2 96 4 4 GKS DM TT Parallel delays with LFO s Quad in each input feeds its delay line Ster
163. o 100 dB cut per band Stereo in stereo out 1214 Octal 10 Grafic Eq 48 8 8 1214 Octal 10 Grafic Eq 96 II 8 8 E Octal 10 band equalizer with ganged controls for each band Choose freq bandwidth in octaves as well as levels in dB lt Mast gt is an offset added to the boost Octal in octal out 1215 Octal 5 Grafic Eq 96 8 8 E Octal 5 band equalizer with ganged controls for each band Choose freq bandwidth in octaves as well as levels in dB lt Mast gt is an offset added to the boost Octal in octal out 1216 Quad 16 Grafic Eq 48 4 4 1216 Quad 16 Grafic Eq 96 I 4 4 E Quad 16 band equalizer with ganged controls for each band Choose freq bandwidth in octaves as well as levels in dB lt Mast gt is an offset added to the boost Quad in quad out 1217 Quad 8 Grafic Eq 96 4 4 E Quad 8 band equalizer with ganged controls for each band Choose freq bandwidth in octaves as well as levels in dB lt Mast gt is an offset added to the boost Quad in quad out 1218 Stage Parametric 96 4 4 GVK E Two sets of EQ for independent stage monitor and front of house sends Inputs to the parallel EQ s are both sums of the quad field down to stereo s Dual stereo in dual stereo out 1219 Stereo 32 Grafic Eq 48 2 2 1219 Stereo 32 Grafic Eq 96 II 2 2 E Stereo 32 band equalizer with ganged controls for each band Choose freq bandwidth in octaves as well as levels in dB lt Mast gt is an offset added to
164. o adjust the waveform type and duty cycle ENVELOPE PAGE This is a simple decay envelope tied to freq cutoff Threshold sets the input level at which it begins to decay Decay sets the length of the decay and Level sets the amplitude of the env signal FLT amp GAIN PAGE Enables a choice between lowpass or highpass mode the order of the filter and control over the I O gain Stereo in stereo out 1428 Tight Bandpass Mod 48 2 4 DMEY A very tight bandpass modulated by an LFO Taps controls timbre Summed in quad out 1429 Two Band Crossover 96 2 4 E Two band crossover Stereo in stereo hi and low bands out Stereo in dual stereo out 15 Fix Tools This bank includes presets to correct out of tune vocals and Nem Whippers created for Bob Clearmountain used to precisely correct pitch in vocal tracks 1510 Auto Pitch Correct 96 2 2 V P Automatically corrects any vocal that is within half a semitone of the correct pitch Outside of this range it will pull to the next note Note that this process will quantize the pitch of the signal you do have control over the quantize factor so be careful as you may loose slides and inflection Summed in stereo out 1511 Clrmtn s NemWhipper 96 2 2 V P This is a pitch shifter set up to allow precise correction of out of tune notes Each of four selectable settings permits specifying of a maximum and minimum pitch shift limit so the engineer can whip the knob quickly to the desire
165. om the Orville In most cases they should be used 100 percent wet 5810 Alert 401 96 0 2 PDME This program produces a harsh sound lt rate gt controls the alarm sweep rate lt tone gt controls the tone of the sound Nothing in stereo out 5811 Doorbell 403 96 0 2 PDE This program generates a familiar doorbell sound when triggered lt ring gt will ring the doorbell lt tone gt adjusts the tone lt tune gt controls the pitch Nothing in stereo out 5812 Flintlock 96 0 2 PE This is a careful simulation of an antique flintlock rifle If you listen carefully you will hear the fine quality of the engraving on the beautiful rosewood handle Nothing in stereo out 5813 Himalayan Heights 96 I 0 2 5813 Himalayan Heights 48 0 2 PRME Karplus Strong synthesis This patch uses noise generators through crazy oscillating filters that can be tuned to specific notes Here they are tuned to a random pulsing A minor pentatonic arpeggio Wind is also available to design a winter Tibetan landscape Filters sound almost like gamelans Tuning menu sets on off rate and tuning for each filter Great patch for songs intros amp endings Nothing in stereo out 5814 Jet Fly By 96 2 2 PDE Hit the lt fly by gt param and the jet will do it left to right User warning the jet will fly by on loading preset Nothing in stereo out 5815 Jettison 405 96 0 2 DE Similar to jet this sound is reminiscent of rocket stages be
166. omp gt EQ gt distortion gt EQ Stereo in stereo out 915 St_Distortion 48 2 2 915 St_Distortion 96 2 2 GK EY St compressors gt distortion gt gates Stereo in stereo out 10 Dual Machines Every preset in this bank contains two full blown stereo processors ready for your tracking mixing or FoH work All effect types are available here taking advantage of four inputs and outputs to independently manage the two algorithms For 48K operation you easily can turn your H8000 into 4 stereo independent machines by loading two of these presets one into each DSP 1010 6 V Dlys amp Verb 48 4 4 1010 6 V Dlys amp Verb 96 Il 4 4 GVDK RDME TT Ins 1 amp 2 gt 6 dly lines with pre diffusor modulation amp hicut gt Outs 1 amp 2 Stereo I O Ins3 amp 4 gt verb with early reflections echoes amp diffusors gt Outs 3 amp 4 Stereo I O Release 1 2 Page 32 of 109 12 30 2003 The H8000 Presets Collection 1011 Band Dlys 4_Ambience 96 Il 4 4 1011 Band Dlys 4_Ambience 48 4 4 VK RDE TT Ins 1 amp 2 gt Band Dlys 4 gt Outs 1 amp 2 Stereo I O Ins 3 amp 4 gt Ambience gt Outs 3 amp 4 Stereo I O 1012 Dly gt Phsr_Ambience 48 4 4 1012 Dly gt Phsr_Ambience 96 Il 4 4 GVK RDMCEY TT Ins1 amp 2 gt Vint DuckDlys gt Phaser gt Outs1 amp 2 Stereo I O Ins3 amp 4 or Phaser gt Ambience gt Outs 5 amp 6 Quad I O 1013 Dly gt Phsr_MPitch 48 4 4 1013 Dly gt Phsr_MPitch 96 Il 4 4 GVDK PDMCEY TT Ins1 amp 2 gt
167. onlinear 1 PercussBoingverb Ring Snareverb Small Drumspace Sonar Room Stereo Delays Swept Band Delay Techno Clank The Ambience Kit Tight Snare Verb Vibra Pan WekKnowBeetBoxTrtMe Wide Room 4 Your Toms Only Pure Phase Phaser Static Phaser Band Phaser CBM Phaser Envelope Phaser Envelope Phaser8 3515 3516 3517 3518 3519 3520 3521 3522 3523 3524 3525 3526 3610 3611 3612 3613 3614 3615 3616 3617 3618 3619 3620 3810 3811 3812 3813 3814 3815 3816 3817 3818 3910 3911 3912 3913 3914 3915 3916 3917 3918 3919 3920 3921 4010 4011 4012 4013 4014 4015 4016 4017 4030 4031 ManualPhasers ManualPhasers8 One Way Phaser Quad Phaser Random Phaser Samp amp Hold Phaser Samp amp Hold Phaser8 Sci Fi Phaser A Sci Fi Phaser B StereoizingPhaser Techno Phaser TrueStereoPhaser Broadcast Delay EZ Ptimesqueeze EZ Ptimesqueeze8 EZTime Delays EZTime Delays8 Framerate Convert PitchtimeSqueeze PitchtimeSqueeze4 PitchtimeSqueeze8 PitchtimeStretch PitchtimeStretch4 Bell Constr Kit Digi Cell Phone Headphone Filter Noise Canceller TimeSqueeze R Walkie Talkie Woosh Maker 16mm Projector Scratchy 33 RPM Drums o Tronica Electronix GrooveSync Delay Plex o tronica Pulsewave Swing Pong Delay Techno Rave TrigLFO Filter Bank TrigLFO Flanger TrigLFO Pan Trem TrigLFO St ModFilter TrigLFO St Phaser 2_5 1 Alley Slap E r 2_5 1 Booth E r 2_5 1 Med Room E r 2_5 1 Piano Room E r 2_5
168. onnectors the digital I O can also be tested Testing analog I O is not supported Quad in quad out 6212 Dig Sig Gen4 96 0 2 M Full blown oscillator with modulation Nothing in dual mono out 6213 Dual Scope 96 8 8 This is a stereo oscilloscope display of the input signal Adjust the lt ygain gt and lt xgain gt controls for the best signal Both selected channels are summed to provide a trigger Octal in octal out 6214 Phase Test 96 4 4 This preset drives four outputs with an oscillator and then compares the assumed looped back inputs against each other This will detect any inter channel phase or gain errors as well as any clicks Due to the precision of the comparison it is unlikely to be useful with analog signals Quad in mono out Release 1 2 Page 88 of 109 12 30 2003 The H8000 Presets Collection 6215 SpectrumAnalyzer 96 4 2 This is a single channel 512 band spectrum analyzer with selectable linear or log amplitude scales The frequency scale is linear set at about 50Hz pixel when xscale is 1 The input may be selected from channels 1 4 or an oscillator Quad in stereo out 6216 Oscillator 1k Ovu 96 0 4 M General purpose oscillator Lfo fm allows addition of an offset and modulation Aliasing will be audible on triangular and square waves at higher frequencies 6217 20 gt 20 Audio Sweep 96 0 4 M A general purpose oscillator On loading it is set to a 20 gt 20 kHz sweeping sine wave Aliasing will be audib
169. ono source Eight delay lines in series Summed in stereo out 532 SuperDuckedDelays 96 2 2 DEY TT Dual ducked delays and EQ with plenty of control and visual feedback Stereo in stereo out 533 Two Delays 48 2 4 DEY Tim Two delays 10 sec with hicut filters lt master gt params override individual channels Stereo in quad out 534 Two Longdelays 96 2 4 DE Tim Two delays 40 sec with hicut filters lt master gt params override individual channels Stereo in quad out 535 Two Reversedelays 96 2 4 DE Tim Two reverse delays 10 sec with hicut filters lt master gt params override individual channels Stereo in quad out 536 Video Delay 8 96 8 8 D This program will delay the input by a fixed number of video frame times It can be used to for example compensate for the delay introduced by a Standards Converter or other video effects unit Octal in octal out 537 1x8 Delay 96 8 8 D TT Eight inputs are summed to mono then sent sequentially to the four outputs Various feedback paths are provided Summed in octal out 541 Filtered Dlys 96 2 2 VK DME TT Two delay lines with modfilters in their feedback paths Stereo I O 544 Vintage Delay 96 2 2 DME TT Two vintage sounding delay lines Some modern control features are added Stereo I O Release 1 2 Page 23 of 109 12 30 2003 The H8000 Presets Collection 545 Vintage St DuckDlys 96 2 2 DMEY TT Stereo Vintage Delays with ducking Stereo I O
170. oop 8011 Big Voice Pro Basic Stereo Echo 8012 Chipmunks Big Church 8013 Doubletalk Classroom 8014 Fast Voice Process Crypt Echo 8015 Mega Dragway Infinite Corridor 8016 Nervous Talker Kitchen Reverb 8017 Triplets Plate Reverb 8018 Voice Process Pro Tape Reverb 8019 We re A Big Crowd Tile Men s Room 8020 We re A Small Crowd Union Station Verb Big Movie Boom Box Fake Call in Page Three Real Call in TV In Next Room 45 RPM Oldie Cousin It Cussing It Elves Fantasy Backgrounds Magic Echo Morph To Magic Singing Mouse Trolls Backwards Can t Carry Tune Dynamic Stereo Go Crazy Plug Puller Pro Round amp Round Solo Zapper Pro Awfultones Brightener Easy Timesqueeze Hiss Eliminator Hum Eliminator 8010 7821 5424 5427 6528 6510 3817 6629 537 1031 1030 1620 1220 4030 4010 4011 4031 4032 4033 4034 4035 4036 4037 4012 4013 4038 4014 4015 4016 4039 4040 4041 4042 4043 4017 6217 6421 4422 3330 5917 311 650 870 5430 313 1621 4935 1622 1032 1033 734 735 736 3434 Max Stutter 1 KHz Oscillator 10v Arpegg Thick 120BPM ShifterDelay 1210 Chorus 140 EMT Plate 16mm Projector 1980s Rack 1x8 Delay 2 St verbs mixed 2 Stereo Verbs 2 Voice Vox Reverse 2 32 Grafic Eq 2_5 1 Ac Gtr Space 2_5 1 Alley Slap E r 2_5 1 Booth E r 2_5 1 Bright Gym 2_5 1 Cathedral 2_5 1 Chamber Choir 2_5 1 Drums Room 2_5 1 Empty Arena 2_5 1 Fat Drums 2_5 1 Majestic Plate
171. or SimpleDiffusor Slap Nonlinear StereoDiffusor Ultratap 1 Ultratap 2 Big Room Blue Box Verb Bob s New Room Denny s Echoroom Der Verb Drews Dense Room Funny Gated Room Gated Water Snare Lattice Verb LRMS Reverb Masterverb Room 2 ReelRoom Ridiculous Room Room 24 Slight ChorusRoom UK Ambience UK Bright UK Nonlinear Unreelroom Wooden Mens Room Bass Space Close Nonlinear Drew s Double Closet Drew sSmallRoom FIR Glass Shower Gym Shower ImpWaveVerb MasterverbRoom1 Medium Booth New Air Pantry Shifting Booth Small Ambiance Soft n Small Room Stereo Mic s W Room AcousticRoom Basilica Catacomb ChoralEchoVerb Cumulo nimbus DetuneRoom 28 DiffuseRoom 24 EchoRoom Gravity Verb ImpWaveQuad 4920 4921 4922 4923 4924 4925 4926 4927 4928 4929 4930 4931 4932 4933 4934 4935 4936 5010 5011 5012 5013 5014 5015 5016 5017 5018 5019 5020 5021 5022 5023 5024 5025 5026 5027 5028 5029 5030 5031 5032 5033 5034 5035 5036 5037 5110 5111 5112 5113 5114 5115 5210 5211 5212 Joystik gt verb Klaus Church Mix gt FourSidedVerb Mix gt Quadroom 10 Mix gt Quadroom 24 MonkRoom Panped gt Quadroom 10 Panped gt Quadroom 24 QuadRoom 24 Quad Verb Crossfeed SaxRoom StringRoom SurroundRoom 28 Toonchamber_Q Unreelroom_Q 4 Room 16 Verbs FourSidedVerb Adaptive Reverb AlienShiftVerb Black Hole ChoralWindVerb ChoruspaceO Brien Echospace Of God Flutter Booth Gated Gong Verb Ghost
172. or Vox Double Slap Vox Shimmer Voxplate Chorus VoxProcess_S Creamy VocoderAlpha Creamy VocoderBeta GravelInMyThroat Mobius8translate Logan s Box Soundwave Voder 13 80s Guitar Rig Asbakwards Brain Loops Dynamic Worm Flaedermaus Ghosties Liquid Sky PolySwirl Tap September Canons SmearCoder ToddsPedalShiftVerb Empty Program Inter DSP Receive Inter DSP Send Interface Modules Patch Instruct Tempo Dly_Lfo Jig Tempo_Verb Jig TimerDly Jig X DSP Contr Receive X DSP Contr Send Airplane Background Clock Radio Fries With That Office Intercom Sound Truck H8000 Presets by Number 7115 7210 7211 7212 7213 7214 7215 7216 7217 7218 7219 7220 7221 7310 7311 7312 7313 7410 7411 7412 7413 7414 7415 7416 7417 7418 7419 7510 7511 7512 7513 7514 7515 7516 7610 7611 7612 7613 7614 7615 7616 7617 7710 7711 7712 7713 7714 77115 7716 7810 7811 7812 7813 7814 Talking Dashboard 7815 Sfx Filter Compress Bullhorn 7816 Simple Compressor CB Radio 7817 Simple Equalizer Cellular Phone 7818 Stereo Simulator Crazy Dialer 7819 Stereo Spreader Long Distance 7820 Super Punch Megaphone 7821 1 KHz Oscillator More s Code 7822 Three Band Compress Off Hook 7910 Artoo Chatter Public Address 7911 C3P Yo Real Dialer 7912 Lasers Shortwave Radio 7913 Martian Rock Band Traffic Report 7914 Robot Band Ducked Delays 7915 Theremin Easy Chorus 7916 Tribbles Easy Phaser 8010 Max Stutter Long Delay W L
173. or time pitch level pan and EQ so that these values change as desired over the length of the playback To edit a curve select the first numeric value of each pair to position the cursor then the other value to set the curve at that point Repeat as necessary Stereo in stereo out SAMPLER midikeys 96 2 2 Multitake Sampler Panel and keyboard style record and playback Stereo in stereo out SAMPLER multi 96 2 2 A multi take Sampler Panel audio or MIDI triggering When enabled audio trig for rec and play is on left input Stereo in stereo out SAMPLER single 96 2 2 Single take Sampler Panel audio or MIDI triggering When enabled audio trigger for record and play is on left input IMPORTANT Recording with this preset will clear all previous recordings Stereo in stereo out Sampler Filter Trig 96 2 2 Sampler with filtered trigger input and level meter for sophisticated triggering control Stereo in stereo out SAMPLER multi VERB 48 2 2 SAMPLER multi VERB 96 2 2 Multi take Sampler with full reverb Panel audio or MIDI triggering When enabled audio triggered record and play is from left input Stereo in stereo out SamplerAudioSwitch 96 2 2 Sophisticated rotating playback sampler with choice of playback sample determined by input level Stereo in stereo out Studio Sampler_Q 48 4 4 Studio Sampler_Q 96 Il 4 4 This is essentially a dual stereo version of Studio Sampler_S allowing two 43 second ster
174. ou ll need a transformer phone patch hybrid or QHT coupler to provide the necessary electrical isolation Dual mono in stereo out 7515 TV In Next Room 96 2 2 PDE There s a similarly named program in the H3000B but this one sounds a lot more authentic The lt Tinniness gt knob cuts the lows and adds a slight pitch shift lt Distance gt adds house like reflections It sounds most convincing at a low volume panned to one side Mono in stereo out 7516 45 RPM Oldie 96 2 2 DMEY Sheer Torture Use the sliders to adjust how badly the record was cut Sliders adjust bandwidth overcut distortion and bad center hole placement warp Or select a preset AM includes some awful transmitter processing Amazing what we used to listen to Stereo in stereo out Release 1 2 Page 100 of 109 12 30 2003 The H8000 Presets Collection 76 Px Fantasy Cousin It and Cussing It are both monsters but the first one is friendly and the second one is angry The effects in this Bank should in general be used 100 percent wet as they incorporate their own mixing 7610 Cousin It 96 2 2 PDE Turns input voice into little chattering fellow synthetic stereo out fully mono compatible Does strange foreign things to pop music Mono in stereo out 7611 Cussing It 96 2 2 PDE This is a big guy and now he s angry Extra harmonics are added for energy and a stereo simulator to make him bigger If you rewind a voice track through C
175. pful conversions No need to run for the calculator Nothing in nothing out 6415 Quadmixer 96 4 4 Four channel mixer Quad in quad out 6416 Send Return 96 4 4 Stereo send and return preset input 1 and 2 to the dsp are the sends input 3 and 4 to the dsp are the returns Use this as a tempate to set up send return functions inside a preset to and from the second engine Quad in quad out 6417 Switch 8 96 8 8 A general purpose test program allowing an oscillator to drive selected outputs and receiving mixed inputs It is mainly used for testing phase accuracy of the channels along with a suitable oscilloscope Octal in octal out 6418 Universal Matrix 96 2 2 M S mid side recording lets you air stereo events with complete mono compatibility This setting decodes M S recordings amp controls their stereo width It also lets you fix mono and stereo routing Stereo in stereo out 6419 Verb Tester 96 2 2 M Tool for assistance in creating reverb presets Load this preset into dsp A do reverb work in dsp B routing B in series with A Select external or impulse as a source For external use a CD or other source The LFO will crossfade your source with dead air at the rate selected For impulse a pulse train of one sample width will hit the output at the selected rate Stereo in stereo out 6420 White Noise 96 0 2 A single noise source is output on both channels Nothing in mono out 6421 2in8out 96 2 4 Input I
176. ponse The phaser is recombined withthe INVERSE of the original signal All that remain are the out of phase partials Octal in octal out 3511 Static Phaser 96 2 4 VD ME TT Eight phasers modulated such that at any time 4 are going up and 4 are going down The result is a phaser that doesn t really go anywhere it just sounds phasey Positive feedback introduces bass distortion amp so it isn t offered The effect takes a few seconds to kick in Summed in mono out 3512 Band Phaser 96 l 2 4 3512 Band Phaser 48 2 4 VD DME TT Input is divided into octaves and each octave is phased separately Decrease input gain to avoid distortion and output gain to compensate Summed in stereo out 3513 CBM Phaser 96 2 2 GVK M TT This is a six stage phase shifter that has a global resonance control as well as APResonance that controls the resonance of the individual stages I m no longer sorry that I sold that Bi Phase Summed in stereo out 3514 Envelope Phaser 96 8 4 GVDK EY A phaser that is controlled by the level of the input Attack and Decay control the response time 3514 Envelope Phaser8 96 8 4 GVDKS EY A phaser that is controlled by the level of the input Attack and Decay control the response time 3515 ManualPhasers 96 4 4 E Manual sweep of phasers 3516 ManualPhasers8 96 8 8 E Manual sweep of phasers 3517 One Way Phaser 96 2 4 DME Eternal upward or downward phaser Because of the mecha
177. ponse the engineering term for a filter that uses fixed amount of delay taps Gated type reverb sound Summed in stereo out 4815 Gym Shower 96 2 2 V RDE Really big tiled shower Built from discrete delays and diffusors Summed in stereo out 4816 ImpWaveVerb 96 2 2 RD TT Dynamic impulse wave and reverb Great for image and thickening Stereo in stereo out 4817 MasterverbRoom1 96 2 2 RDE TT Sounds like someone down the hall in the living room playing Natural tight ambiance Stereo in stereo out 4818 Medium Booth 96 2 2 RDME Small and square like an old classmate of the writer Ringy reflective space Summed in stereo out 4819 New Air 96 2 2 RD Very small ambient space that stereo izes a a signal and adds a bit of air around instruments Summed in stereo out 4820 Pantry 96 2 2 RDME Muted space Cans cupboards and towels are probably deadening it Summed in stereo out 4821 Shifting Booth 96 2 2 RDME TT This little booth is not quite rectangular and one wall is on wheels slightly shifting its size Summed in stereo out 4822 Small Ambiance 96 2 2 VD RD TT Small office sized reverb ambiance Stereo in stereo out 4823 Soft n Small Room 96 2 2 VD RD TT Self descriptive Stereo in stereo out 4824 Stereo Mic s W Room 96 2 2 VD RDME Stereoizes a mono signal and adds a close miked air and ambience something sounding like a little room leakage Summed in stereo out 49 Reverbs
178. previous voice Summed in stereo out 5428 5ths amp Oct Multiply 96 2 2 PM TT Fifth and octave pitch shifts Summed in stereo out 5429 Dual H910s 96 2 2 V P Two of our classic H910 pitch shifters one for each channel Dual mono in dual mono out 5430 4 IntervalShifts 96 2 2 P TT Simple four voice shifter by interval with global fine tune adjust Stereo in stereo out 5431 Dubbler 96 2 2 GVDK PM TT Doubles up your signal with four micro pitch shifts Summed in stereo out 5432 Etherharp 48 2 2 G PR ITT Eight pitch shifters with TT delays melt into an elegant minor modal chord from an ethereal Harp Try on parallel Sths Dark tone Set TT switch in the system menu Summed in stereo out 5433 IntervalicQuad 96 2 4 P TT Quad shifter by interval All channels are phase accurate via PITCHTIME module set up as a straight ahead shifter Interval and FineTune params allow all possible values Quad in quad out 5434 IntervalicShift_S 96 2 2 P TT Stereo shifter by interval Stereo in stereo out 5435 Large Poly Shift 96 2 2 PD A kind of pitch shifter you use with chords Like Poly Shift but now you can shift up and down by octaves Summed in mono out 5436 LevitationShift 96 2 2 P TT Enveloped stereo shifter gives a distinctive string type second voice Stereo in stereo out 5437 MultiShift_4 96 4 4 P TT Four voice intervalic multishift with selectable feedback Great for arpeggiated effe
179. r SatelliteSax Seethy Two Reverb SonicDisorderVerb Treys Filter Vai Shift 1 Vai Shift 2 W I D E Solo Water like Whirly Mellow Wicked 8 Delays 4 Diatonicshifts 8 Diatonicshifts 4 Pitchshifters 8 Pitchshifters BasicRoom Compressor_8 Diatonicshift_O Diatonicshift_Q Filter_O Filter_Q Pitchshifters_O Pitchshifters_Q Octal Compressor Quad Compressor Octal Delays Quad Delays Octal Moddelays H8000 Presets by Number 328 329 330 331 332 333 334 410 411 412 413 414 415 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 541 544 545 610 611 612 613 614 615 616 617 618 619 Simple Moddelays Simple Sampler 4 10 Grafic Eq 8 10 Grafic Eq O 10 Grafic Eq Q 10 Grafic Eq O 5 Grafic Eq Gaspodes Dly_2 Gaspodes Dly_M Gaspodes Dly_S Gaspodes Pndly_D Gaspodes Pndly_M General Informations Delaytaps Delaytaps 2 Demondelay Ducked Delays DuellingDualDlys Envelope Taps Eight Delays Eight Longdelays EightReversedelays LongDelay MonoDelay Multitap Delay Parallel Delays Parallel Delays8 Pingpong Polyrhythm 5 4 Precision Delays Reverse Delay Ribbon Delay SimpleDelays SimplePingPong Smear SuperDuckedDelays Two Delays Two Longdelays Two Reversedelays Video Delay 8 1x8 Delay Filtered Dlys Vintage Delay Vintage St DuckDlys Banddelays Banddelays8 Bandtaps Bandtaps8 Bandtaps2 Centering Echoes ChordRezonato
180. r8 Clearmntn Claps Clearmntn Delays Combdelays 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 650 651 652 653 654 655 710 711 712 713 714 715 716 717 718 719 720 721 122 723 724 725 726 727 728 729 730 731 732 733 734 Combdelays8 Combtaps Combtaps8 Detuned Band Delay Down Banddelay Latticework8 LongPanningDelays LongPanningDelays8 Mess With Stereo PanningDelays_4 PanningDelays_8 ParticleAccelerator Pingcombpong Pingringpong Ringdelays Ringdelays8 Ringtaps Ringtaps2 Ringtaps8 Samp Hold Smear Trem Delay TrippyFltrDly Up Banddelay 4 T O Delays Filtered Dlys Quad Delays Ambience Quad Echoes Vintage Delay Vintage St DuckDlys Fractal Vortex Helix Loops HelixManifold Levitation Alpha Levitation Beta Levitation Gamma Loop_timesqueeze Manifold Alpha Manifold Beta Mobius Loops MobiusManifold Panning Loops PhaseRefraction1 PhaseRefraction2 Reich Loops 1 Reich Loops 2 Reich Loops 3 Rotation Loop RotationManifold Skew Loop 1 Skew Loop 2 Undo Manifold Undoloop YourHarmonyDevice 4 Tracker 3 735 736 810 811 812 813 814 815 816 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 860 861 862 863 864 865 4 Tracker 4 4 Tracker 5 Static Flanger Allan s Chorus Auto
181. reamp gt tapdelay gt reverb Summed in quad out 1846 Tribal Bass 96 l 2 2 1846 Tribal Bass 48 2 2 G PRDMCEY TT Distortion preamp gt shift gt verb Summed in stereo out 1847 Will o the wisp 96 2 41847 Will o the wisp 48 2 4 G RDCEY TT Preamp gt tapdelay gt reverb Summed in quad out 1848 WonderfulBirds 96 I 2 4 1848 WonderfulBirds 48 2 4 G PRDCEY TT Preamp gt reverse shift gt 2tapdelay gt verb Summed in quad out Release 1 2 Page 44 of 109 12 30 2003 The H8000 Presets Collection 19 Inst Fuzz Fuzz type distortion achieved with different techniques from the presets int the previous bank As with all Eventide processors you can easily generate several dozens of effects from any one of these presets Here you ll find just about any paradigm and variation of fx processed fuzz being able to project this classic sound into the future creating tones not available on any other product Volume Pedal is patched to Assign I as a default 1910 Biomechanica Two 96 2 2 G DMEY Fuzzpre gt modfilter gt pingpong Deep modulating filter sweeps between lt freq gt and lt fmod gt with a 2nd LFO ramping the depth to get this synth like filter effect Control as rhythmic values as well as Hz mS Stereo in stereo out 1911 Bit Desert 1 96 2 4 1912 Bit Desert 2 96 2 4 G RDMCEY TT Bit decimation preamp gt tdelay gt diffchorus Summed in stereo out 1913 BitDecimationPreamp 96 2 2 G EY Compressor gt bi
182. reo in stereo out 2311 Class A Distortion4 96 2 2 G EY This is a 2nd harmonic generator A Low Pass circuit must be used to limit input bandwidth to distortion cell to prevent aliasing The left two faders are separate left and right input levels The fader on right is output level Meter 1 indicates left distortion THD meter 2 the right Use amt fader to control 2nd harmonic distortion Stereo in stereo out 2312 Compress amp De ess 96 2 2 2313 Compress Highs Only 96 2 2 2315 Fatten The Bass 96 2 2 2316 Grunge Compress 96 2 2 2320 Radio Compress 96 2 2 DEY A stereo compressor is followed by a compressor that limits a band or a shelving response Use as a de esser or other versatile turn knob right frequency conscious processor The left two faders on the Main page are separate left amp right input levels First meter is compression the 2nd is H F limiting Output level adjust is on the right Duplicate controls amp meters are found on different pages for convenience They will always match 12dB of internal headroom is allowed for processing of full scale signals Often you can just adjust the input levels to drive into compression Press Parameter key for more info gt The unit must be 100 wet or in Studio no mix mode for proper comb free operation Designed for use in digital domain Analog inputs turn knob right will probably write to digital outputs with emphasis on Emphasized digital inputs will be stripped of the
183. rs this multiband compressor keeps phase coherent Master params lt m_ gt offset allbands as seen in graph Note that crossover frequencies are bound to each other Stereo in stereo out 1130 5 1 Compression 96 6 6 S 5 1 compression Notice that MASTER parameters do not control the LFE channel compressor Use its menupage parameters instead 5 1 I O 1131 5 1 Compr gt 3 B ParEQ 96 6 6 S EY 5 1 compression gt 3 band Param EQ Notice that MASTER parameters do not control the LFE channel compressor Use its menupage parameters instead 5 1 I O Release 1 2 Page 35 of 109 12 30 2003 The H8000 Presets Collection 12 Equalizers This bank offers a wide selection of parametric and graphic equalizers in mono stereo multi channel 4 or 8 and 5 1 versions These presets are particularly useful in the digital domain where pristine sonic clarity and sophisticated EQ control are often hard to achieve 1210 Eight Band EQ 96 4 4 E This is an eight band fully parametric EQ Quad in quad out 1211 Eight Band EQ8 48 8 8 1211 Eight Band EQ8 96 II 8 8 E This is an eight band fully parametric EQ with common controls Octal in octal out 1212 FilterBank15 96 2 2 1212 FilterBank15 48 2 2 E Stereo Filter Bank 15 4th order filters 24dB oct with up to 100 dB cut per band Stereo in stereo out 1213 FilterBank20 48 2 2 1213 FilterBank20 96 I 2 2 E Stereo Filter Bank 20 2nd order filters 12 dB oct with up t
184. rverb Summed in stereo out 6920 ToddsPedalShiftVerb 96 2 2 G PR ITT Shift gt verb lt assign 1 gt controls both voices lt pitch gt sets heel position lt pmod gt sets mod amount toe position lt pitch gt lt pmod gt shift at toe lt real gt shows actual value Preset tweaked for thick fifths up to thick octaves up Summed in stereo out 70 Programming Great learning tools for those willing to build their own personal algorithms 7010 Empty Program 96 0 0 An empty program to be used as a starting point when using the Patch Editor Nothing in nothing out 7011 Inter DSP Receive 96 0 0 You need to load this patch in one DSP and Inter DSP Send patch in the other DSP The SEND patch will output control information to the RECEIVE patch across DSPs using the C_BRIDGE module The RECEIVE patch will monitor the signal from the Global bridge Use VSIG to see how simple and useful this can be Nothing in nothing out 7012 Inter DSP Send 96 0 0 You need to load this patch in one DSP and Inter DSP Receive patch in the other DSP The SEND patch will output control information to the RECEIVE patch across DSPs using the C_LBRIDGE module The RECEIVE patch will monitor the signal from the Global bridge Use VSIG to see how simple and useful this can be Nothing in nothing out 7013 Interface Modules 96 0 0 Tutorial patch showing Interface modules work Learn the use of knobs faders monitors meters
185. ry flexible structure tweaked here as an interesting rhythmic TT delay evolving into distant verb Choose TT switch in the system menu Summed in stereo out 3914 Pulsewave 96 4 4 GKS M TT Four channel tremolo with independent params lt polarity gt selects direction of trem Quad in quad out 3915 Swing Pong Delay 48 2 2 DE TT Ping pong delay with swing factor Stereo in stereo out 3916 Techno Rave 96 4 4 GDKS PDME TT Bpm sample hold and trem into dual pingringpongs Ring freqs are half that of s h and trem are pos amp neg and are chosen via s h and trem values Switch able in quad out 3917 TrigLFO Filter Bank 96 3 4 MEY TT Input on channel 3 triggers the 4 LFOs to jump to a specific point in their waveforms Thresh adjusts the threshold for triggering TPhase specifies where in the waveform it will start Wave and Duty select the waveform One cycle is equal to the Note value for the given BPM Four filters are modulated DSPin1 gt Fltr1 amp 3 DSPin2 gt Fitr2 amp 4 Select the base frequency for each filter and how much it is modded Stereo in quad out 3918 TrigLFO Flanger 48 3 2 3919 TrigLFO Pan Trem 48 3 4 A synchable panner trem or circle DSPin1 is modified between DSPouts1 amp 2 and DSPin2 is modified between DSPouts3 amp 4 To use as a stereo panner trem or circle use DSPouts1 amp 4 3920 TrigLFO St ModFilter 48 3 2 3921 TrigLFO St Phaser 48 3 2 DMEY TT A stereo p
186. s It includes presets to change the pitch for effects as well as others to correct out of tune vocals In addition are a number of unusual reverbs particularly suitable for vocal use The effects in this Bank should in general be used 100 percent wet as they incorporate their own mixing 8010 Max Stutter 96 2 2 V PD lt Width gt sets length of each stutter lt Repeat gt is how long it keeps stuttering lt Pitch gt makes them rise up or down If lt Width gt and lt Repeat gt are less than half output will try to catch up after the effect Switch able in mono out 8011 Big Voice Pro 96 2 2 V PRDCY This is a downward pitch shifter with serious reverb and slap on the ends of words only Small amounts add depth to an announcer while large amounts are Oz like It s similar to Big Voice but a lot more versatile and with additional processing lt Reverb gt is the open spacious effect you get in a large hall lt Slap gt is a repeating echo echo echo Choose either or both and make them duck out of the way with the lt Sense gt slider Switch able in stereo out 8012 Chipmunks 96 2 2 V PE A small rodent of eastern North America Tasmias striatus or any of similar rodent of western N America N Asia or pop stars singing solo duo or ALVIN Turn your voice into furry little guys who like to sing harmony Go from solo to duo to trio by hitting the lt Add Munk gt button Switch able in stereo out
187. s Octal in octal out 1120 Octal Trem 96 8 8 M TT Simple tremolo effect Octal in octal out 1121 Ramp Up Down 8 96 8 8 E This preset gives you the ability to create audio fades in amp out either exponentially linearly or define your own envelope Octal in octal out 1122 SemiClassic Squeeze 96 2 2 Y A classic compressor topology is used in this algorithm Has a knee and considerable overshoot You can overload a little without harsh clipping Dual mono in dual mono out 1123 Top 40 Compressor 96 2 2 VD Y A classic compressor topology is used in this algorithm You can overload a little without harsh clipping Dual mono in dual mono out 1124 Tremolo Lux 96 2 2 GK MY Tremolo with some envelope modulation Has rate and tremolo depth Stereo in stereo out 1125 Comp 3bandFIR _S 48 2 2 1125 Comp 3bandFIR _S 96 Il 2 2 DEY Through the use of FIR filters this multiband compressor keeps phase coherent Master params lt m_ gt offset allbands as seen in graph Note that crossover frequencies are bound to each other Stereo in stereo out 1126 Comp 4bandFIR _S 48 2 2 1126 Comp 4bandFIR _S 96 II 2 2 DEY Through the use of FIR filters this multiband compressor keeps phase coherent Master params lt m_ gt offset allbands as seen in graph Note that crossover frequencies are bound to each other Stereo in stereo out 1127 Comp SbandFIR _M 96 2 2 1127 Comp SbandFIR _M 48 2 2 DEY Through the use of FIR filte
188. s a traditional squawk box it beeps when you call someone and there s some reverb thrown in to make the speaker sound natural Select the kind of office which influences the quality of the sound and also the reverb The input is muted until you hit the lt Call gt button Mono in stereo out 7114 Sound Truck 96 2 2 RDCEY Truck speakers plus realistic city echoes and the ability to pan the whole thing across the stereo image The Candidates Office knob selects how good a speaker system they could afford choose President Governor or Dogcatcher Mono in stereo out 7115 Talking Dashboard 96 2 2 DE Makes your voice sound badly digitized mixes it with warning beep and adds a stereo car interior slap just like a seat belt or burglar alarm warning The distortion band limiting and stereo diffusion also makes this great for simulating a pair of open headphones Mono in stereo out 72 Px Communication Bullhorn and Megaphone are totally different The first one simulates the distortion and metallic ring of a hand held electronic amplifier echo The second is a rolled cardboard thing with lots of resonance but no distortion It s often used by cheerleaders and old time big band singers The effects in this bank should in general be used 100 percent wet as they incorporate their own mixing 7210 Bullhorn 96 2 2 RDCEY Bullhorn simulates the distortion and metallic ring of a hand held electronic amplifier the kind the
189. s added to the boost Octal in octal out Q 10 Grafic Eq 96 4 4 Quad 10 Band Choose freq bandwidth in octaves as well as levels in dB lt mast gt is an offset added to the boost Quad in quad out O 5 Grafic Eq 96 8 8 Octal 5 Band equalizer with common controls Choose freq bandwidth in octaves as well as levels in dB lt mast gt is added to the boost Octal in octal out 4 Beatcounter These presets are based on a beat counter algorithm Feed the left channel with the source you want to delay and the right channel with the time setting source e g a snare drum The unit will calculate the timing and ignore all figures like rolls and fills played in between For panners and choruses the calculated time is converted into a frequency rate 410 411 412 DME 413 DMEY Gaspodes Dly_2 96 3 2 Gaspodes Dly_M 96 2 2 Gaspodes Dly_S 96 2 2 Delays based on beat counter math see also in general descriptions Ist input is used for trigger 2nd input feeds Ist delay outl 3rd input feeds 2nd delay out2 Start hitting expert menu out status switches the trigger channel to first output so you can monitor and adjust the gate Dual mono in stereo out Gaspodes Pndly_D 96 3 4 Ist input is used for trigger 2nd input feeds Ist dly pan1 out1 2 3rd input feeds 2nd dly pan2 out3 4 2 delays feed different panners based on beat counter math see also in general descriptions Start hitting expert m
190. s input lt timer equals gt param selects how the math of the lt t_delay gt params work lt ramp gt params set speed and direction of ramps Summed in quad out 726 Reich Loops 3 48 4 4 GVKS DY Tim A simple quad loop with lt t_skew gt parameters which add that time to their respective loop lengths Be careful as artifacts from changing lt t_skew gt will occur within the feedback path Quad in quad out 727 Rotation Loop 48 4 4 GVKS DY Tim Quadloops 40sec fback to next loop this rotates the loop clockwise over time Quad in quad out Release 1 2 Page 27 of 109 12 30 2003 The H8000 Presets Collection 728 RotationManifold 48 4 4 GVKS PRDCY TT Tim Rotation loop effects Shifts gt loops gt verbs gt slaps quad shifts 2 sec quadloops 40sec fback to next loop quadverbs quadslaps outl shiftINoopI verb1 slap4 out2 shift2Noop2 verb2 slap3 out3 shift3 loop3 verb3 slap2 out4 shift4 oop4 verb4 slap1 Quad in quad out 729 Skew Loop 1 48 2 2 Skew is measured in seconds 730 Skew Loop 2 48 2 2 Skew is expressed as a percentage of loop length GVK DY Tim Stereo loops Right loop has a lt skew gt amount parameter which adds that amount to its loop length Max delay is 80 sec on left and 90 sec on right Stereo in stereo out 731 Undo Manifold 48 2 2 GVK PRD TT Tim Undo Loop effects pitch gt loops gt verb gt delays Stereo in stereo out 732 Undoloop 48 2 2 GVK D Tim Signal feeds a
191. samples via Input 1 kick amp input 2 snare After editing your samples use trigger sources from the sync head and adjust lt predelay gt to syncronize sample playback with track adjusting to account for the difference in time between sync and repro heads Delay feeds the pre trig filter to refine the input to a noisegate which feeds the playback trigger When dynamics switch is set to on adjust peak detect and dynamics parameters to have sample playback follow input dynamics Dual mono in dual mono out MIDITrig Reverse 96 2 2 Plays back in reverse controllable via MIDI Stereo in stereo out Multi Trigger 96 2 2 A multi take sampler with the first four sounds being available on front panel soft keys play1 4 for easy triggering Editing facilties are supplied on a separate menu Note that there is no facility to save edit values or sampled sounds If loop is on it affects all samples Stereo in stereo out Panning Sampler 96 2 2 Multi sampler with adjustable pan position for each of four outputs using rotating playback Can record up to four samples Stereo in stereo out PlaybackOnlySampler 96 2 2 Record has been disabled You have your data in the Harmonizer and don t want to worry about an improper button press No input Stereo in stereo out Reverse Sampler 96 2 2 Simple sampler that plays back wards Stereo in stereo out Sample Curver 96 2 2 Single take sampler with time varying parameters Curves can be set up f
192. sary severe input trim or by low level input Up to 12dB is provided here Control Switches Each channel has an output switch Here you can set it ON or OFF for convenient testing amp monitoring tasks Size This is a very important parameter It controls a great numbers of other parameters Its main function is to scale Diffuser s delay times which are always hidden to the user We have set and tweaked their values to what we consider generally useful values You can find access to them if you desire to get into deeper programming using our VSIGFILE Windows PC Graphical Editor Release 1 2 Page 108 of 109 12 30 2003 The H8000 Presets Collection Size also controls e Karly Reflections Delays Early Reflections Hicuts Diffusion e Scaler e Post Diffusion Early Reflections Delays e Post Diffusion Early Reflections Delays Hicuts Basically by selecting different Size values Booth Small Room Med Room Alley Slap Stage Reflections you will also change all the above parameters according to our programmers tweaks We thought that the more expert or adventurous reader would want to enter their values for these Size controlled parameters and have made this possible You can type in your E R Delays Hicuts Diffusion Scaler and Post Diff delays amp Hicuts values The preset will remember them and you can then save the preset with your custom settings Scrolling Size through its values will allow
193. se Nonlinear Cloudfuzz Clrmtn s NemWhipper ColorSlapGuitar Colortaps Verb Comb Room Combdelays Combdelays8 Combtap Diffchorus Combtaps Combtaps8 Comp 3bandFIR _S Comp 4bandFIR _S Comp SbandFIR _M Comp Eq Micro Verb Compress amp De ess Compress Highs Only Compressor_8 Cousin It Crafty Ensemble Crafty Ensemble2 Crazy Dialer Creamy VocoderAlpha Creamy VocoderBeta Crypt Echo Crystal 5th Caves Crystal Caves Crystal Heaven Crystal Morpher Crystal Oct amp Sths Crystal Octaves Crystal Orbits Crystal Pad 2 Crystal Sevenths Crystal Worlds 2 CrystalGyroscope Cumulo nimbus Cup Mute Cussing It Cyber Twang Deep Space Delays Suite Delaytaps Delaytaps 2 Demondelay 4713 4714 3014 1818 1819 2117 1820 910 911 2010 3015 821 623 4915 5523 5517 5518 5519 5520 5521 5522 5524 5525 5527 5526 317 318 6316 6317 4916 6212 3811 5210 5723 2314 1821 6411 1012 1013 1312 1313 5811 5724 8013 624 3016 5426 4313 6612 4715 4812 4813 822 3412 Denny s Echoroom Der Verb Dervish Desert Oboe DesertDemon DesertDistortion DesertMorpher DesertPercussion1 DesertPercussion2 DesertVoices Detune amp Reverb Detune Chorus Detuned Band Delay DetuneRoom 28 Diatonic Oct Diatonic 3rd 5th Diatonic 3rd 7th Diatonic 4th 6th Diatonic 5th Oct Diatonic 5th 4th Diatonic 5th oct Diatonic Thesaurus Diatonic Trio Diatonic_8mod DiatonicShift_8 Diatonicshift_O Diatonicshift_Q D
194. sinking feeling Because of the mechanisms involved the program distorts upon loading sorry Nothing in mono out 6116 Samp Hold FM Lab 96 1 4 MEY A sample and hold circuit is triggered by the Ifo The output from the s h modulates an oscillator dubbed modulator according to S H mod The output from the modulator Osc then modulates a carrier Osc according to fm mod The output from the Carrier Osc is panned between two speakers by the S H circuit Finally the output from the panner is filtered The setup just described is repeated for both the front and rear speakers The LFO can be triggered to sync with music Mono in quad out 6117 Timbre Factory 48 0 4 6117 Timbre Factory 96 ll 0 4 Create a timbre with additive synthesis Useful for sampling At fund of 110Hz A2 loops should be 1 2 samp rate number of samples Try panning the harmonics Nothing in quad out 62 Test Tools Audio test tools you will always need 6210 Audio Test Set 96 4 4 MEY Audio Distortion Test Set Can be used to test the performance of the H8000 or another piece of equipment connected between i p and o p Quad in quad out 6211 Click Test 96 4 4 This preset is a test for clicks or pops in the various audio paths It works by sending a known signal to its output and then comparing the signals at its input Depending on the routing it can be used for internal paths only or with the use of external criss cross c
195. ss with filt comp fuzz filt volped gate delay mixer Allows precise tonal coloration for each band Summed in quad out 2022 WaPolyReverse 96 2 4 2022 WaPolyReverse 48 2 4 G PRCEY Polyfuzz with wa gt reverse shift gt verb Output switching on verb Summed in quad out Release 1 2 Page 47 of 109 12 30 2003 The H8000 Presets Collection 21 Inst Surround Definitely a magic guitar sounds collection that demands the use of quad speakers This bank offers different takes of our Distortion preamp coupled with classic Eventide effects spread in the listening space around you From intense rhythmic delays and shifters to ambient diffusors delays and reverbs Such is the beauty pouring out of your speakers Volume Pedal is patched to Assign I as default 2110 AcousticAmbiencel 96 2 4 2110 AcousticAmbiencel 48 2 4 GS PRDMCEY TT Preamp gt choir gt reverb Summed in quad out 2111 AcousticAmbience2 96 l 2 4 2111 AcousticAmbience2 48 2 4 GS PRDMCEY TT Preamp gt choir gt diffusion Summed in quad out 2112 Ambient Guitar 1 48 2 4 2112 Ambient Guitar 1 96 2 4 GS PRDCEY TT Preamp gt t_ring plex Summed in quad out 2113 Ambient Guitar 2 96 l 2 4 2113 Ambient Guitar 2 48 2 4 GS PRDCEY TT Preamp gt t_ring plex Summed in quad out 2114 ColorSlapGuitar 96 I 2 4 2114 ColorSlapGuitar 48 2 4 GS PDMCEY TT Preamp gt color delays Summed in quad out 2115 Crafty Ensemble
196. stereo 30 sec loop used as a buffer If you like what you hear hit lt merge gt If you don t hit lt clear gt During the event no new data can be input Event duration equal to loop length Stereo in stereo out 733 YourHarmonyDevice 96 2 2 GV PRDMCY Mono loop max 10 sec gt 3 shifters with preset able values gt autopanner gt verb Build a sequence of chords with tune 1 2 3 parameters amp step through it with triggers or ext triggers Tip 2 amp Ring 2 lt assign1I gt is volume pedal to loop lt assign2 gt is loop feedback Great 4 E BOW pads Loop a C Root tone amp step through chords while you solo on top Summed in stereo out 734 4 Tracker 3 48 2 2 735 4 Tracker 4 48 2 2 pitches for each track 736 4 Tracker 5 48 2 4 quad output mixing G DME TT Choose between the four loops by hand or via lt externall gt Summed in quad out 8 Delays Modulated A Bank offering a wide variety of modulated delays Sophisticated stereo multi channel and 5 1 manipulations are also included Here is where you ll find mono stereo and multi channel choruses flangers leslie simulators panning moddelays and many of their variations and enhancements including some clever emulations of old favorites 810 Static Flanger 48 2 4 810 Static Flanger 96 I 2 4 VK DM Eight flangers modulated such that at any time four are going up and 4 are going down The result is a flanger that doesn t really go a
197. t decimation gt EQ gt volume pedal gt gate Bit decimation down to one bit Summed in mono out 1914 Bits Cruncher 96 2 4 G RDCEY Quantizing fuzzpre gt diffusion delays Summed in quad out 1915 Bits Smasher 96 2 4 G RDCEY Quantizing fuzzpre gt diffusion delays Summed in quad out 1916 Black Queen 96 2 4 G PRCEY Fuzzpre gt dual crystals gt diffusors Summed in quad out 1917 Chorus Smear 96 2 4 1917 Chorus Smear 48 2 4 G RDMCEY Overdrive preamp gt four moddelays gt verb Summed in quad out 1918 Cloudfuzz 96 2 4 G RDCEY Fuzzpre gt pingpong gt simple diffusor Summed in quad out 1919 Eel Guitar 96 2 2 G DMEY Overdrive gt fmchorus Summed in stereo out 1920 First Dominion 96 l 2 4 1920 First Dominion 48 2 4 G RDCEY Fuzzpreamp gt 2tapdelay gt verb Summed in quad out 1921 FuzzPreamp 96 2 2 G EY Fuzz preamp simulation comp gt EQ gt fuzz gt EQ gt vol pedal gt gate Summed in dual mono out 1922 Grieving Tube 96 2 2 G DMEY Wa gt fuzzpre gt 2tapdelay lt AssignI gt is the wa pedal Summed in stereo out 1923 Grundulator 96 2 2 G PDMCEY TT Bit decimation preamp gt undulator Summed in stereo out 1924 Harmonicon 96 l 2 4 1924 Harmonicon 48 2 4 G PRDCEY Fuzzpreamp gt wammy gt 2tapdelay gt verb With its long delay settings and shorter wammy this is great for creating long washes and overlaps Summed in quad out 1925 Larynxfuzz 96 2 2 G DEY Fuzzpre gt env filter
198. t gate Summed in dual mono out 1714 Fermilab 96 2 2 DMEY Preamp gt phased multitaps Summed in stereo out 1715 Gerrys Bass 99 96 2 2 G EY Bass rig compressor into EQ feeding a thickener and a fuzz Tuner helps keeping life in tune Summed in mono out 1716 Hexentanz 96 2 4 GKS RDCEY Preamp gt combtaps gt reverb Reverb has output selection Summed in quad out 1717 In Ovo 48 2 4 1717 In Ovo 96 Il 2 4 GKS PRDCEY Preamp gt pingringpong gt verb Summed in quad out 1718 Jinn 96 2 4 GKS PRCEY Preamp gt dual crystals gt verb Summed in quad out 1719 Parallel Pedalboard 96 2 2 G PRDMCEY Parallel pedalboard Compressor gt pitch flanger echo reverb with pan controls Summed in stereo out 1720 Piano sustenudo 96 2 4 K RDCEY Preamp gt multitap gt verb Emulates the sustain pedal of a piano lt modI1 gt is the sostenuto pedal Summed in quad out 1721 Series Pedalboard 96 2 2 G PRDMCEY Series pedalboard Compressor gt pitch gt flanger gt echo gt reverb with pan control Summed in stereo out 1722 Serpentine 96 I 2 4 1722 Serpentine 48 2 4 GKS RDMCEY Preamp gt fmchorus gt verb Output selection of the reverb front rear or both Summed in quad out 1723 The Gyre 96 2 4 GKS RDCEY Preamp gt bandtaps gt verb Summed in quad out 1724 Tom s Acoustic Gtr 96 2 2 G PDMCEY Subtle enrichment effect As the name implies try it with acoustic guitar or guitar played with an acousti
199. t masters gt override individual channels Env normally lowpass Wa normally bandpass Stereo in stereo out 1413 EZ Leslie 96 2 2 K DMEY Leslie simulator with simple controls Summed in stereo out 1414 Filter Bank Pan 96 2 4 EY Divides signal into octaves and allows you to pan each octave separately Provides very nice space without being too obvious Decrease input gain to avoid distortion Use output gain to compensate If you remote any of the pan positions use Lag to ensure quick modulation does not cause distortion 1 in 1 3 2 4 Summed in quad out 1415 Eight Filters 48 8 8 1415 Eight Filters 96 18 8 1416 Four Filters 96 4 4 E lt master gt params override individual channels 1417 Harmonic Enhance 96 2 2 E Brightens up signals when missing high end Adds even harmonics above Tune frequency Tap the Tune button to hear just enhancement Dual mono in dual mono out 1418 Mouth a lator Two 96 2 2 G ME TT Enhanced and optimized version of this classic Eventide preset Select LFO or pedal as modulation source to feed this vocal wa effect Summed in stereo out 1419 OctaveBandFilterPan 96 2 4 1419 OctaveBandFilterPan 48 2 4 DMEY TT Divides signal into octaves and pans each octave separately Decrease input gain to avoid distortion then use output gain to compensate Set Mode to Phase Inverse for a more 3 dimensional effect Mono in quad out 1420 OrganicAnimation 96 2 2 EY Peak detection s
200. t of a bad power supply filter This preset emulates that effect including the cumulative high end loss and tape noise tuned for studio deck head spacing and with selectable speed Mono or stereo in each output is processed separately Truly retro man Switch able in dual mono out 7418 Tile Men s Room 96 2 2 V R Tight dense echo Use Mute Input to test echo A tunable version of this patch is Empty Swimming Pool Switch able in stereo out 7419 Union Station Verb 96 2 2 V R Big BIG warm room It s even bigger than its name but we couldn t fit Grand Central Station in the display Summed in stereo out 75 Px Entertainment The effects in this bank should in general be used 100 percent wet as they incorporate their own mixing 7510 Big Movie 96 2 2 PDE Did you ever notice how movie theaters sound like nothing else on earth Program lets you control the room size speaker quality and even add the rumbling bass notes that leak from other theaters in the cineplex The leakage is actually your input modified and delayed But it sounds real Stereo in stereo out 7511 Boom Box 96 2 2 DEY Simulates a cheap tape deck with plenty midrange distortion and a false bottom Awful gradually restricts bandwidth Pan moves entire stereo image Just listen to that bass man And that awful distortion Includes lt H Bass gt button to make it even boomier Stereo in stereo out 7512 Fake Call in
201. t on sparse playing Try setting the diffuser to 68 and the size to 91 for a reverse hole Use this patch on mono sources only Summed in 5 1 out Release 1 2 Page 64 of 109 12 30 2003 The H8000 Presets Collection 41 Reverbs 5 1 Full blown 5 1 I O surround reverbs Many spaces are reproduced here including reverbs crafted for specific sources like piano vocals brass drums A clever set of few master parameters helps setting different spaces by remoting a bigger number of parameters you can freely preset You can turn any of these effects into 6 different personally crafted reverbs or variations of the original type See INTRODUCTION to 5 1 Reverb Algorithms at the end of this manual for more info 4110 5 1 Cathedral 48 6 6 Surround church reverb wide and warm 4111 5 1 Choir Hall 48 6 6 Great for a gospel choir 4112 5 1 Concert Hall 48 6 6 Eventide surround concert hall favourite 4113 5 1 Drums Room 48 6 6 Nice surround ambience for percussive instruments 4114 5 1 Jazz Club 48 6 6 Intimate colorful warm space 4115 5 1 Lead Guitar 48 6 6 Lively and very active reverb for leads 4116 5 1 Percussion Room 48 6 6 Fine tuned for congas and tablas 4117 5 1 Piano Hall 48 6 6 If you have a nice piano now you also have a hall for it in surround 4118 5 1 Rich Chamber 48 6 6 Good for all sources particularly voice and sax 4119 5 1 Sax Hall 48 6 6 Beauty for laid back sax lines
202. t verb Summed in stereo out 1936 Third Dominion 48 2 4 G PRDCEY Fuzz preamp with wa wammy gt reverseshifter 20 sec gt slap 2 sec gt verb Select verb out to front rear or both Summed in quad out 1937 Turbulence 96 2 4 G DMEY Fuzz preamp gt fmchorus Output selection of the second set of delays front rear or both Summed in quad out 1938 Wideshift 96 2 4 G PEY Overdrive gt multishift Set as a widening detuner Summed in quad out Release 1 2 Page 46 of 109 12 30 2003 The H8000 Presets Collection 20 Inst Polyfuzz Multiband distortion manipulation yields such intriguing results that you really need to spend some time on this path Aside from sounding good by themselves the results one gets by combining these presets with auxiliary equipment can t be stressed enough As with all harmonic manipulations your ears alone can lead you The combination of playing style source material direct vs post preamp headphones vs monitors or guitar cabinets etc all play a major role in the perception of these sounds Chordal work sounds incredibly different here thanks to separated bands of distortion and multi channel panning enhancements Volume Pedal is patched to Assign I as a default 2010 DesertVoices 48 2 2 2010 DesertVoices 96 2 2 G REY Combination of GobiGuitar and ChoralWindVerb Summed in stereo out 2011 Eurhetemec 96 l 2 4 2011 Eurhetemec 48 2 4 G REY E z polyfuzz gt verb
203. taps8 96 8 4 GKS PD TT Series delays with ringmods lt input gt mutes secondary DSP inputs 639 Samp Hold Smear 96 2 2 DM Sample Hold A cool Sample Hold effect but instead of a filter we use Smear some delay lines that act as a complex comb filter Summed in stereo out 640 Trem Delay 96 2 2 GK PDM TT Combination Trem and RingPong Summed in stereo out 641 Trippy F ltrDly 96 2 4 GVK DME TT Input is summed to mono delayed then routed sequentially to eight bandpass filters Use lt rate gt to control speed of sequence and delay time Note that lt rate gt is rate of one entire sequence of eight Use lt ypan gt control for quad effects Summed in quad out 642 Up Banddelay 96 2 2 DE Twelve bands each with a delay Set for low frequencies first Stereo in stereo out Release 1 2 Page 25 of 109 12 30 2003 The H8000 Presets Collection 650 4 I O Delays 48 4 4 650 4 I O Delays 96 Il 4 4 GVS RDE TT Each input feeds a diffusor master which feeds a moddelay with filters and another diffusor in its fdback path Thick diffused polyrhythms are possible Pre delays diffusor s params are in the master menu Feedback diffusors are in the taps menus Reduce input trim to 6 10dB with high feedback settings Vintage sound for the connoisseur Quad I O 651 Filtered Dlys 96 2 2 VK DME TT Two delay lines with modfilters in their feedback paths Stereo I O 652 Quad Delays Ambience 96 Il 4 4
204. tched to filters to recreate the tonal qualities of the different materials of which these surfaces are made Diffusers are even shorter delays networks that create a dense field of repeats This cluster of small delays simulates the build up in density of the first echoes A high setting of Diffusion will result in a dense build up with smeared delays A lower setting will provide more distinct delays Diffusion directly controls all the Diffuser internal delay feedbacks This parameter is affected by the Diffusers Size parameter which scales up or down all its internal delays times A low Size and high Diffusion settings will provide nice small environments with dense diffusion while the inverse scenario would better simulate huge spaces A good starting point in creating your spaces is to first adjust Size and Diffusion as they will define the space more strongly than the other parameters Early Reflections then define the position and reflective qualities of the space and will shape it Tweaking the hicut filters will provide a further nice touch to your work Last adjust your reverb decay and filters in search of the next great verb We have created 2 different I O structures e 2 5 1 Diffusers or Reverbs e 51 Diffusers or Reverbs The difference is that version 2_5 1 creates a surround ambience from a stereo 2 inputs audio source while the 5 1 version is a full blown 6 inputs outputs structure to be used with audio sources in this
205. tereo out 4313 Dream Chamber 96 2 2 VDK RD TT Chamber effect delays between diffusion and verb Stereo in stereo out 4314 Italo s Chamber 96 2 2 VDK RDE TT Stereo diffusor gt verb 4 parallel delay lines Ist set of delays 1sec have no feedback 2nd set of delays 2 8sec have feedback A 6dB octave low pass filter attenuates the whole processing path Stereo in stereo out 4315 Medium Chamber 96 2 2 VDK RD TT This is a bright reflective room with built in pre delay Summed in stereo out 4316 MetallicChamber 96 2 2 VD PR TT Detuners a large diffusor and reverb Summed in stereo out 4317 Toonchamber 96 2 2 V PR TT Diffusion gt e r gt verb Stereo in stereo out 44 Reverbs Halls Halls being more reverberant than rooms these presets offer a wide variety of large and some unusual reverb spaces and effects A hall reverb as the name suggests usually has a more profound reverb effect often with distinct echoes and reflections These presets are ideal when a noticeable reverberant background is desired 4410 Arena Soundcheck 96 2 2 GVDK RD TT Sounds like a huge arena Testing 1 2 3 Stereo in stereo out 4411 Beeg Garage 96 2 2 GVDK RDE TT This sounds like a huge city parking garage Summed in stereo out 4412 Big Hall2 96 2 2 GVDK RDE TT A newer version of Big Hall with extra accessibility Summed in stereo out 4413 Environment 28 96 2 2 VK R TT
206. the boost Stereo in stereo out 1220 2 32 Grafic Eq 48 2 2 1220 2 32 Grafic Eq 96 l 2 2 E A dual channel 32 band equalizer lt Mode gt selects between stereo and dual mono operation Choose freq bandwidth in octaves as well as levels in dB lt Mast gt increases the overall level Dual mono in dual mono out 1221 Threeband Eq s 96 8 8 1222 Threeband Eq s 96 4 4 E Four independent EQ s 1223 Threeband Eq_Q 96 4 4 E Quad version of Three Band EQ Quad in quad out Release 1 2 Page 36 of 109 12 30 2003 The H8000 Presets Collection 1225 4 8 Grafic Eq 96 4 4 Quad 8 band equalizer 1226 8 8 Grafic Eq 48 8 8 Octal 8 band equalizer 1226 8 8 Grafic Eq 96 Il 8 8 Octal 8 band equalizer E Use lt mode gt to select common or individual level controls Choose freq bandwidth in octaves as well as levels in dB lt Mast gt adds to the boost 1227 Five Band EQ 96 8 8 E This is a five band fully parametric EQ with common controls Octal in octal out 1230 5 1 4B Param Eq 96 6 6 S E Full 5 1 surround algorithm 4 Bands Parametric Eq with master controls 5 1 I O 13 Film Atmospheres A bank of magic sounds Here s where imagination and sound design meet Great noise or musical landscapes achieved through complex networks of multi tap delays ring modulators long delays EQ reverse shifters reverbs clever multi channel panning and imaging from industrial via the space age to delicate r
207. the room you would like the sound placed in with Room x and Room y x is the L R dim and y is the F B dim Pick the location of the sound in the room with Objt x and Objt y The values of these two parameters pick a point on a coordinate grid with the point 0 0 at the center Mono in quad out 5914 QuadDlyBasedPan 96 2 4 S DM A slight delay is added to all of the outputs The delay time varies between the outputs creating the effect of panning without level change lt Delay gt controls how much the delay differs between outputs Summed in quad out 5915 Squish Squash 96 4 4 S Ganged Squish and Squash controls bring the quadrophonic inputs closer to the center of the room Use Squish or Squash separately to move the sides toward the center or the front and back toward the center Quad in quad out 5916 TruePhase Delay 96 2 2 D A variable amount of phase shift This is real phase shift in degrees and it applies to each frequency You also have precision delay and feedback Stereo in stereo out 5917 3 D Phaselnverter 96 2 4 M Inverts the phase of a input to select outputs The psycho acoustical result is a 3 D effect Don t use this effect if the outputs will be recombined You ll find the signal disappears Mono in quad out 61 Synthesis This bank shows the H8000 synthesis powers from FM to audio input driven synths and analog style oscillators 6110 Eel Drums 2 48 2 2 6110 Eel Drums 2 96 2 2 D PRDMC
208. thms are possible Pre delay s diffusor params are in the master menu Feedback diffusors are in the taps menus Reduce input trim to 6 10dB with high feedback settings Quad I O Ins 5 amp 6 gt Ambiance gt Outs 5 amp 6 Stereo I O 3218 Virtual Rack 1 96 18 8 3218 Virtual Rack 1 48 8 8 3219 Virtual Rack 2 96 l 8 8 3219 Virtual Rack 2 48 8 8 3220 Virtual Rack 3 96 l 8 8 3220 Virtual Rack 3 48 8 8 GVDK PRDMCEY TT Ins 1 2 gt H3000 dual Shift gt Outs 1 amp 2 summed in stereo out Ins 3 4 gt 2290 TT dyndly pan duck gt Outs3 amp 4 summed in stereo out Ins 5 6 gt 1210 stereo chorus flanger gt Outs 5 amp 6 summed in stereo out Ins 7 8 gt PCM70 Hall gt Outs 7 amp 8 Summed in stereo out Release 1 2 Page 55 of 109 12 30 2003 The H8000 Presets Collection 3221 VoxPro_Vdly_Chorus 48 5 6 V PRDMCEY TT Inl gt compr gt eq gt micropitchWverb gt outs 1 amp 2 Mono I Stereo O Don t mix dry in Use dry level as post compressor amp eq level Ins 3 amp 4 gt vintage st delay gt outs 3 amp 4 Stereo I O Ins 5 amp 6 gt stereo chorus gt outs 5 amp 6 Stereo I O 33 Panners A rich collection of stereo and multi channel panning tricks Look in here to move your audio source through space if not time 3310 Amplitude Panner 96 4 4 S Y Pans your input according to its amplitude For weak signals increase lt depth gt and decrease it for strong signals lt attack gt and lt decay gt select how quickly t
209. tle says This is one that you need to experience Summed in stereo out 231 Satchelope Filter 96 2 2 G EY Dual envelope following filters Summed in stereo out 232 SatelliteSax 96 2 2 DM Four delay lines each panned by its own LFO Also each has another LFO modulating its delay Stereo in stereo out 233 Seethy Two Reverb 96 2 2 REY Envelope filters into reverb Try it with bass and guitar Stereo in stereo out 234 SonicDisorderVerb 96 2 2 PRD This wild atmosphere is both unusual and extreme A must listen Summed in stereo out 235 Treys Filter 96 2 2 G EY Three parallel envelope filters and stereo mixing give a subtle effect Summed in stereo out 236 Vai Shift 1 96 2 2 G P Two independent pitch shifters one for each channel Stereo in stereo out 237 Vai Shift 2 96 2 2 G P Two independent pitch shifters one for each channel Stereo in stereo out 238 W I D E Solo 96 Il 2 2 238 W I D E Solo 48 2 2 GV P Uses a lot of very small pitch shifts to widen the stereo image Summed in stereo out 239 Water like 96 2 2 GV RDE Basic rotating speaker effect with a little reverb There s actually two speakers high and low and you can alter each to your taste When you load this preset the settings are those we believe to be most natural Summed in stereo out Release 1 2 Page 19 of 109 12 30 2003 The H8000 Presets Collection 240 Whirly Mellow 96 2 2 DMY Smooth and swirling Panning dry and
210. to Plate reverb Complete vocal channel strip Summed in stereo out Release 1 2 Page 54 of 109 12 30 2003 The H8000 Presets Collection 32 Multiple Machines This is a bank of power The presets here contain 3 or 4 stereo processors mostly run in parallel substituting for a full rack of modern or vintage units Taking advantage of the great number of inputs and outputs of the H8000 you will be able to process many sources through these virtual machines covering a great range of the most widely used effects 3210 4CompEq_2VintDuckDly 96 18 8 3210 4CompEq_2VintDuckDly 48 8 8 V DMEY TT Inl gt Compl gt 3B Eq1 gt Outl In2 gt Comp2 gt 3B Eq2 gt Out2 In3 gt Comp3 gt 3B Eq3 gt Out3 In4 gt Comp4 gt 3B Eq4 gt Out4 All mono I O Ins5 amp 6 gt Vintage St DuckDly1 gt Outs5 amp 6 Ins7 amp 8 gt Vintage St DuckDly2 gt Outs7 amp 8 Inputs to each stereo delay is selectable among each of the 4 CompEgs or the inputs 5 amp 6 or 7 amp 8 Sum mono or stereo I Stereo O 3211 Acoustic Gtr Mondo 48 6 6 G PRDMCEY TT Ins1 2 gt Shift gt Compr gt Verb gt Outs1 amp 2 Sum In Stereo Out Ins 3 amp 4 or Dry Shift 1 2 gt Chorus gt Outs3 amp 4 Stereo I O Ins 5 6 or Verb 1 2 gt Undulator gt Outs5 amp 6 Stereo I O Great with acoustic guitars 3212 Delays Suite 96 Il 6 6 3212 Delays Suite 48 6 6 GVDK DMEY TT Ins 1 amp 2 gt Band Dlys4 gt Outs 1 amp 2 Stereo I O Ins 3 amp 4 gt Filtered Dlys gt
211. tter than Were a Small Crowd All three voices speak in unison but with random variations so it doesn t sound mechanical Adjust lt Timing gt to control how well the highest voice keeps up with the others Use less lt Pitch gt on high voices Switch able in stereo out 8018 Voice Process Pro 96 2 2 V DMEY Instant mike technique with upward gain levelling compress de ess lo cut equalize and noise gate Microphone technique in a box Almost any voice will sound better through this program which includes upward gain leveling rolloff equalization compression de essing and a noise gate Tighter and more powerful than the version in the DSP4000 The lt Hold gt indicator shows when leveling is frozen during pauses so background noises aren t boosted Adjust lt Thresh gt so it responds to the voice this slider also has a locking position fully right which instantly freezes the gain WARNING this program delays the audio by two thirds of a second to catch transients and maximize level without sounding limited If you re working in video use a 20 frame offset If you need a non delay version for headphones or live broadcast use Fast Voice Process Release 1 2 Page 105 of 109 12 30 2003 The H8000 Presets Collection 8019 We re A Big Crowd 96 2 2 V PE Smooth variation from 2 to 100 people Press lt Auto gt to make the group grow or shrink on cue or dial a desired sound The Small and Big Crowd effects are totally diff
212. ury watch your speakers Nothing in mono out 5823 Ufo 413 96 0 2 PDE This is an authentic according to all local observers version of a spaceship lifting off lt Take Off gt will make it happen Press it again to land Nothing in stereo out 5824 Wavelab 96 0 2 ME An oscillator or an editable waveform oscillator thru a modfilter sweeped by an Ifo Choose filter kind or bypass it Scope amp spectrum show tweak results Nothing in mono out 59 Spatialization Some cool psycho acoustic and clever spatialization presets 5910 Bass Balls 96 2 2 G E Makes speakers seem bigger than they really are by creating second harmonic of sound below a turnover frequency you set A little goes a long way Stereo in stereo out 5911 Imvertion LFO 96 2 4 M Takes input throws it to 2 outputs and periodically inverts the phase of one of the outputs Result sound oscillates between speakers and listener s head Phase inversion makes this effect a poor choice for mono recordings Stereo in quad out 5912 Mess With Stereo 96 2 2 V PDME The left right input is converted to sum difference then a number of modifiers act upon the signal finally It is converted back to left right This gives some interesting stereo enhancements Note There is a slight delay in processing Stereo in stereo out 5913 Quad Spatializer 96 2 4 S DE Use this effect to spatialize a sound in a TRUE quad setup Pick the dimensions of
213. ussing It the results are positively freaky Adjust lt Width gt for compatible stereo out Mono in stereo out 7612 Elves 96 2 2 PME This program turns your voice into a flock of munchkins The lt Ragged gt slider appears in a number of voice multiplier presets It lets you control how much in unison the group is when it speaks think of the difference between a trained choir a group singing Happy Birthday and a bunch of drunks Mono in stereo out 7613 Fantasy Backgrounds 96 0 2 RDME Generates a rich stereo background for magic or science fiction scenes In Xanadu did Kubla Khan a stately pleasure dome decree where Alph the sacred river ran through caverns measureless to men Coleridge 1797 Nothing in stereo out 7614 Magic Echo 96 2 2 PD Tuned repeats climb up or down at various intervals and speeds Try different presets on voice or select one of the scale settings and manually adjust the speed to fit a piece of music Stereo in stereo out 7615 Morph To Magic 96 2 2 PRDCE These magicians have deep echoed voices with mysterious chanting overtones This is a true morphing not a crossfade Morph manually or use button lt Chant gt adds bell like resonances lt shift gt adjusts pitch lt echo gt adjusts you know Good on voices or music If the chant fader is very high faster morph speeds might develop a clicking sound Slow down to eliminate the clicks Mono in stereo out 7616 Singing Mouse 9
214. ut is mixed with the input Stereo in stereo out 7817 Simple Equalizer 96 2 2 E Anything but simple While it looks like a four band graphic you can change any frequency as well as the bandwidth of the two midranges The O LOAD indicator samples the level at various points and bounces if your settings drive the signal into clipping If this happens lower the input level Stereo in stereo out 7818 Stereo Simulator 96 2 2 V E Makes mono signals into stereo using allpass filters and split band processing to keep the individual outputs sounding good It avoids the doorspring and thinness you get on individual channels with other simulators and is fully mono compatible Switch able in stereo out 7819 Stereo Spreader 96 2 2 V Y Makes stereo wider with two separate processes lt Center Suppress gt adds a static widening by reducing the center it s most useful for acoustic recordings lt Dynamic Pan gt brings up the louder side good for pop music with a bass or drum on one side Of course you can mix the two effects in any proportion Extreme combinations of settings will warn you to check mono compatibility There s a lt Test gt button to make checking easier Stereo in stereo out 7820 Super Punch 96 2 2 V DEY Here s a general purpose mix maximizer with lots of tuneability for advanced production gurus The author has used it as the final processing on just about every mix for the past year and saves differently tune
215. verb spill over switching Set TT switch in the system menu Summed in stereo out 6623 Psychedelic Vocals 96 2 2 Tweaked for vocals 6625 Searing Lead 96 2 2 Tweaked for rear pick up distortion tones 6627 Tablas Baba 96 2 2 Tweaked for percussions treatment GD RDMCEY TT Comp gt TT dly gt st chorus gt verb with pre post compression parallel dry signal Set wet dry balance to 100 wet Ext 4 5 6 7 control on off midi switching Delay and verb spill over switching Set TT switch in the system menu Summed in stereo out 6629 1980s Rack 96 2 2 G RDMY TT 2290 TT dynamic dly pan duck gt 1210 stereo chorus flanger gt Classic verb Externals 4 5 6 control midi switching Set wet dry balance to 100 wet Delay and verb spill over switching Tweaked for crunchy chords Set the TT switch in the system menu Summed in stereo out Release 1 2 Page 93 of 109 12 30 2003 The H8000 Presets Collection 67 Vocals A bank dedicated to the singer Multi effect arrays complete vox channel strips cool verbs and vocal enhancers 6710 B vox Delays verb 96 2 2 V RDMCEY Ducked delays and reverb Delays ducked in feedback path triggered by sum of l r inputs Uncluttered verb for open airy atmosphere Great for backing vocal tracks Stereo in stereo out 6711 _B vox Pitch verb 96 l 2 2 6711 B vox Pitch verb 48 2 2 V PR Dual stereo shifters and verb for one pass background vocals Simple control Stereo in stereo out
216. ves this process a very strange twist Stereo in stereo out 6813 Logan s Box 96 2 2 6815 Soundwave 96 2 2 6816 Voder 13 96 2 2 V ME Vocoder Dual mono in mono out 69 Eventide Users A collections of cool presets sent us from many of our world wide friends Another example of creativity on this powerful open architecture processing platform 6910 80s Guitar Rig 48 2 2 G DMEY Classic 80 s guitar effects gt Input Trim with Gate Two channels Clean Distortion both with lots of EQ Tremolo Ring Modulator Octaver with Tremolo Chorus Phaser 12 stage Wah LFO Pedal or Envelope Modulation sources include Dedicated LFO for each effect Two external pedals Peak Envelope follower LFO modulated by Peak Filtered Noise S amp H Brought to you by Chris Fraley www FraleyMusic com Summed in mono out 6911 Asbakwards 96 2 4 S PR TT Backwards texture Full lush and well as backwards Summed in quad out 6912 Brain Loops 48 2 2 G DEY TT Tim Four 40 second mono loops lt input gt gt chooses which loop s sees input lt timer gt gt locks and activates loops to the system timer so you may tap multiple and arbitrary lenghs via the timer BE CAREFUL if you are going back to a loop previously set If lt timer gt is different go and set timer back BY HAND BEFORE you re choose that loop as it will DEFAULT loop to what ever number it sees Metronome gives visual and or sonic reference to tempo NOT TO TIMER Summed
217. with high fback settings Vintage sound for the connoisseur Quad I O 871 Dual 2taps Chorus 96 2 2 872 Dual 2taps Delay 96 2 2 873 Dual 2taps Echorus 96 2 2 GVK RDME TT Each input feeds a diffusor master which feeds 2 parallel moddelays with filters and another diffusor in their feedback paths Thick diffused polyrhythms are possible Pre delays diffusors params are in the master menu Feedback diffusors are in the taps menus Reduce input trim to 6 10dB with high fback settings Vintage sound for the connoisseur Stereo I O 874 Stereo Chorus 96 2 2 GK DM TT Classic stereo chorus with phase inverted sweep and TTempo mod rate Stereo I O 9 Distortion Tools One of a kind distortion effects for just about any program material Bit decimation distortion preamps with curve morphing capabilities multi band distortion hard filtering 910 DesertPercussionl 96 2 4 GD RDCEY Polydriver gt diffussion gt delay Delay lets you choose output path Summed in quad out 911 DesertPercussion2 48 2 2 911 DesertPercussion2 96 2 2 GD REY St distortion gt Diffchorus Stereo in stereo out 912 Neutralizer 48 2 2 G MEY Stereo compressors gt distortion gt comb filter gt gates gt post EQ gt modfilter Stereo mixes mangler Stereo in stereo out 913 St BitDecimator 96 2 2 GK E Bit decimation gt filter gt gate Stereo in stereo out 914 St DistortionTwo 96 2 2 914 St DistortionTwo 48 2 2 GK EY St c
218. y Plex 2 96 2 4 Summed in quad out G RDME TT T_delay plex 6323 Tapdelay Diffchor 2 96 2 4 6324 Tapdelay Diffchorus 96 2 2 G RDM TT Tapdelay gt diffchorus Stereo in stereo out 6325 Tapdelay Verb 96 2 2 G RDM TT Tapdelay gt reverb Stereo in stereo out Release 1 2 Page 89 of 109 12 30 2003 The H8000 Presets Collection 6326 Tapring Plex 96 2 2 6327 Tapring Plex 2 96 2 4 G PRD TT T_ring plex Summed in quad out 64 Utilities A bank of useful programs from accurate chromatic tuner to metronome MIDI real time controllers and test tools 6410 ChromaticTuner 96 2 2 GV Chromatic Tuner will pass In to out Summed in dual mono out 6411 Dither 96 4 4 This preset allows the user to change the number of output bits in the signal The user can choose between rectangular uniform or triangular distribution Triangular distribution being more common it is set by default Rectangular noise distribution can be used for audio streams that have already been processed with a rectangular dither noise Quad in quad out 6412 Metronome 96 0 2 ME Bpm metronome Pick bpm time signature and of Bars Visualt audio references Nothing in mono out 6413 Midi Remote Cntrller 96 0 0 Your EVENTIDE turns into a midi remote controller with midi 1 gt 16 cc and midi 65 70 71 amp 72 momentary controllers Connect midi out to ext units midi in Nothing in nothing out 6414 Musicians Calc 96 0 0 A few hel
219. y back in reverse Stereo in stereo out 5228 Varispeed Sampler 96 2 2 VS S This preset gives a very high quality simulation of a varispeed tape recorder with a range from 15 to 400 For those applications where tempo and duration are flexible it maybe used as a higher quality alternative to a pitch shifter Fine speed and pitch controls are provided It allows one 87 second stereo sample at 48k Stereo in stereo out 5229 Vocalflyer_M 96 2 2 Summed in mono out 5230 Vocalflyer_S 96 2 2 Stereo in stereo out V SEY Single take Sampler with post sample dynamics package Comp De ess IMPORTANT Recording with this preset will clear sample memory 53 Sampler Small The small delay based sampler module is featured here This is a small mono sampler that uses delay memory rather than sampler memory meaning that it can be used in either or both machine A or machine B 5310 Kick SnareReplacer2 96 2 2 D SDCEY All the tools you need for kick amp snare replacement when mixing This one uses DLYSAMP and can be loaded in either DSP engine Load your samples via Input 1 kick amp input 2 snare After editing your samples use trigger sources from the sync head and adjust lt predelay gt to syncronize sample playback with track adjusting to account for the difference in time between sync and repro heads Delay feeds the pre trig filter to refine the input to a noisegate which feeds the playback trigger
220. y popular chorus unit in early 80s The 3 L C R Ifo faders control progressive waveshaping of the modulation lt pullouts gt here are controls for the original knobs pullouts that enhance the spatial perception of each chorus line and engage feedback for flanging 1019 FltDlys_Rich Chamber 96 ll 4 4 1019 FltDlys_Rich Chamber 48 4 4 RDME TT Ins 1 amp 2 gt Filtered Dlys gt Outs 1 amp 2 Stereo I O Ins 3 amp 4 gt Rich Chamber gt Outs 3 amp 4 Stereo I O 1020 Hall Dual 2Tap Dly 48 4 4 1020 Hall Dual 2Tap Dly 96 4 4 RDME TT Ins 1 amp 2 gt Wide Hall gt Outs 1 amp 2 Stereo I O Ins 3 amp 4 gt Dual 2 tap dly gt Outs 3 amp 4 Each input feeds a diffusor master which feeds 2 parallel moddlys with filters and another diffusor in theirfdback paths Thick diffused polyrhythms are possible Pre delays diffusors params are in the master menu Feedback diffusors are in the taps menus Reduce input trim to 6 10dB with high fback settings Vintage sound for the connoisseur Stereo I O 1021 Modulation Suite 48 4 4 GK DM Songbird DyTronics Dyno My Piano Tri Stereo Chorus 1380 S and TC1210 Stereo Chorus replicas in parallel Ins1 2 gt TriStChorus gt Outs 1 amp 2 Summed in stereo out Ins3 amp 4 gt TC1210 gt Outs3 amp 4 Stereo I O The Dyno was a very popular chorus unitin early 80s The 3 L CR Ifo faders control progressive waveshaping of the modulation lt pullouts gt here are controls for the original knobs pullouts that enha
221. you to actually see all those parameter values whether the factory defaults or your personal choices The advantage of this approach is to provide you with a well crafted and good sounding collection of presets as well the possibility to customize them A mix of closed amp open philosophy that can be taken further with the help of VSIGFILE Do you need to use Vsig No you don t There s enough power craft tweaking and embedded freedom to use or customize all these 5 1 reverbs to meet most needs Your Size knob will switch between six different spaces It s like having six presets in one Imagine how easy it will be to remote changes within the same preset by simply controlling the Size parameter with the H8000 knob or any hardware or MIDI controller Scaler As already mentioned the Diffusers internal delays are controlled by the Size control and are always hidden to the user you don t actually see them on the display Nevertheless sometimes your ear will suggest that you further adjust those internal delays we know you are always searching for that great sound Well Scaler will help you shrink or expand those internal delays at your will Since it s also controlled by Size you ll be able to tweak and fine tune each preset to a surgical detail and store them Once recalled your custom presets will remember those six tweaks Other examples of this approach are Front amp Surround Reverb
222. your cell phone manufacturer service provider and location Dial in echo and change the type and frequency of dropouts Everything from decent cell phone connection to ridiculous Play and have fun Summed in mono out 3812 Headphone Filter 96 1 2 EY Makes left input sound like a set of headphones on the floor Mono in mono out 3813 Noise Canceller 96 2 2 Proper adjustment should allow one to subtract out noise from a signal You must put the noise source into right channel and with proper alignment that noise should be eliminated from the source to be fixed on the left input Dual mono in dual mono out 3814 TimeSqueeze R 96 2 2 P Stereo shift with a percentage pitch change Have the math done for you to repitch to a varispeed source Note the range control in the lt expert gt menu instead of the usual min max pitch limits Stereo in stereo out 3815 Walkie Talkie 96 2 2 MEY An attractive lo fi bandpassed tone with background noise and interferences ducked by the incoming signal Makes your cell phone sound good Summed in mono out 3816 Woosh Maker 96 0 2 PME Turns your Eventide into analog synth for classic woosh sound effects Fine tune the sound from the EXPERT menu while using an external trigger Nothing in stereo out 3817 16mm Projector 96 2 2 PDME Makes the sound of a school film projector remember those including gate noise loop flutter reel wow hiss and exciter lamp hum Switch able in mostly
223. ys 1sec has no feedback 2nd set of delays 2 8sec has feedback A post hicut filters the whole processing path Stereo in stereo out 4212 Deep Space 48 2 2 4212 Deep Space 96 2 2 VK RDE TT Stereo diffusor gt verb 2 parallel delay lines 1sec to simulate walls reflections Post low and high shelving EQs filter the whole processing path Stereo in stereo out 4213 Drum Plate 96 2 2 D RDE TT Stereo diffusor gt verb 4 parallel delay lines Ist set of delays 1sec has no feedback 2nd set of delays 2 8sec has feedback A post hicut filters the whole processing path Stereo in stereo out 4214 Drums Room 96 2 2 D RDE TT Stereo diffusor gt verb 4 parallel delay lines Ist set of delays 1sec has no feedback 2nd set of delays 2 8sec has feedback A post hicut filters the whole processing path Stereo in stereo out 4215 Gated Inverse Snare 96 2 2 D D Inverse gated reverb tweaked for snare drums Use level to tame it Sum input Stereo output 4216 Gated Plate 96 2 2 D RDE TT Plate verb thru gate Ungated verb level also available Stereo I O 4217 Hall gt Bandpass 48 2 2 4217 Hall gt Bandpass 96 Il 2 2 V RDE TT Post processed verb stereo diffusor gt verb 2 parallel delay lines 1sec to simulate walls reflections Post low and high shelving eqs filter the verb dlys gt band pass filter with automatic amp manual adjustable spread in octaves Stereo in stereo out 4218 Inverse Snar
224. ythmic modulateable shifters all very imaginative and offering musical tools for just about any source 5710 Angelic Echos 48 2 2 5710 Angelic Echos 96 2 2 GVS PRDMCE TT Angelic echos with chorus and reverb Delay parallel to pitch gt verb Stereo in stereo out 5711 Bubbly Freq Flange 96 4 4 PM A frequency shifter is modulated by an LFO Channels 1 amp 2 are cross fed into each other as are 3 amp 4 Sounds like psychedelic audio bubbles Quad in quad out 5712 Chim Chiminee 96 2 2 P TT Nice arpeggiated shifts with octaves and fifths Summed in stereo out 5713 Crystal 5th Caves 96 2 2 GVS PR TT Simpler pitched echoes with reverb Try different shift amounts Summed in stereo out 5714 Crystal Caves 96 II 2 2 5714 Crystal Caves 48 2 2 GVS PRE Pitch and reverb Pitch has lt level gt param and a lt mix to verb gt param Stereo in stereo out 5715 Crystal Heaven 48 2 2 5715 Crystal Heaven 96 2 2 GVS PRDMCE TT Octaves chorused and reverb ed Stereo shift delay and reverb Stereo in stereo out Release 1 2 Page 84 of 109 12 30 2003 The H8000 Presets Collection 5716 Crystal Oct amp 5ths 96 2 2 GVS PRE TT Just like Crystal Octaves except some fifths are thrown in for a more organ like effect Summed in stereo out 5717 Crystal Octaves 96 2 2 GVS PRE TT Octave echoes build upon each other to add a crystalline string sound to your instrument Summed in stereo out
225. zors Surgery WaPolyReverse AcousticAmbience1 AcousticAmbience2 Ambient Guitar 1 Ambient Guitar 2 ColorSlapGuitar Crafty Ensemble Crafty Ensemble2 DesertDistortion Jhaniikest Oobleck Outer Reaches Pianistick PolytonalSurround Pulse Guitar Quadchorus QuadpanSlap Quadswell RoundRobin Solid Traveller SurroundGuitar TexturalGuitar WitchesDance With Warts In Bad Acid Jumble Evil Distortion Gerrys Mangler Growl Low Res Digital Bigger And Brighter Class A Distortion4 Compress amp De ess Compress Highs Only Fatten The Bass Grunge Compress Radio Compress Dirty Master Box 4 Manual Tape Flange2 Masderring Lab 22 Radio Check Midi Harmony MIDI Monitor Midi Pitch Delay Midi Resonance Midi Sine Ring Mod MIDI Tremolo MidiHarmonixExtract MidiWaveformImpose QuadOffsetTrem SetNoteRezon Circles amp Ellipses LMS Filter H8000 Presets by Number 2612 2613 2614 2615 2616 3010 3011 3012 3013 3014 3015 3016 3017 3018 3019 3020 3021 3022 3023 3024 3025 3026 3027 3028 3029 3030 3031 3032 3033 3034 3035 3036 3037 3038 3039 3040 3050 3051 3052 3053 3054 3055 3056 3210 3211 3212 3213 3214 3215 3216 3217 3218 3219 3220 Mixer s Toolbox 1 Mixer s Toolbox 2 Mixer s Toolbox 3 Mixer s Toolbox 4 Simple Quadmixer 8chorus 4verb BB Delayz Big Squeezolo Crystal Morpher Dervish Detune amp Reverb Dr Jekyll 2 Easternizer FatFunk VocalFilter Glitterous Verb Guitar Mania

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