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Yamaha MW10 User's Manual

1. d ooo Ca Sound Source CD MD DAT Cassette Video etc Ee ME SE DAN i Synthesizer Master Recorder MD CD R DAT etc Powered Monitor Speakers Microphone E EETE S LLLE Guitar E ee ee Tema Qo oo00 ma ba oo Ql See 66 6 6 6 6 6656666 2 1 666 6 6 6 eu HEIBEBEE 6 6 6 6j6 6 o d eos 00000000 USB Cable 20 MW10 Owner s Manual Troubleshooting The MW10 mixer won t turn on Is the supplied power adaptor properly plugged into both the mixer and an appropriate AC wall outlet The system doesn t work properly Are the USB cable and all necessary audio cables properly connected Are you using a USB hub USB hubs can interfere with proper operation so try connecting the MW10 directly to a USB port on the computer If the computer has multiple USB ports try a different USB port Are you using other USB devices at the same time If so try removing the other device s and connecting only the Yamaha USB device No sound Are your speaker cables connected properly or are they shorted Are the volume controls of your sources audio devices applications software computer operating
2. 2 Double click the Volume tab 3 Set Device volume to High Macintosh 1 Select System Preferences from the Apple menu and then select Sound to open the Sound dialog window 2 Click the Output tab and set the volume slider at the bottom of the window to it s maximum level Have you connected or disconnected the USB cable while Cubase LE is running Doing so can sometimes cause the Windows output level to be reset to its default level Check and raise the output level if necessary The sound is intermittent or distorted lt Is the PEAK indicator flashing red You might have to lower GAIN control or channel LEVEL control levels to avoid distortion Does the computer you are using meet the listed system requirements Refer to System Requirements on page 6 for details Are any other applications device drivers or USB devices scanners printers etc running at the same time Be sure to quit all applications you are not using Are you playing back a large number of audio tracks The number of tracks you can play at the same time will depend on the performance of the computer you are using You may experience intermittent playback if you exceed your computer s capabilities MW10 Owner s Manual 21 Troubleshooting lt Are you recording or playing long continuous sections of audio The audio data processing capabilities of your computer will depend on a number of facto
3. Stereo types are also known as TRS connectors eo Tip Ring Sleeve and are used for stereo headphone jacks insert jacks and also to carry balanced signals in many cases Unbalanced types are used for mono signals guitar cables are a common example Phone Connectors Phone connectors are RCA Pin Connectors This type of unbalanced connector is most commonly found on home audio and video equipment RCA type pin jacks are often color coded white for left audio channel and red for right audio channel for example 8 MW10 Owner s Manual GAIN Control y Step 3 Powering Up the System Turn the power to all gear that is to be connected to the MW10 off standby except the computer and set the ST Master Level Control Channel LEVEL Controls and GAIN Controls to their minimum settings mmni O QOO GO l GIS 00 99 ISS 19 oo 3 9 G 9 0 OO e YAMAHA kma mana sos MI o m Gaia Level Control ST Master LEVEL Control Lelleg EISEN e6eecec 6 o0 9 elle E e ec ee 9 ee eee SEJEN MAMI poil 2 To prevent loud pops and noises turn on the power to your sound gear starting with the sources instruments CD players etc and ending with the power amplifier or powered speakers Example Instruments microphones and CD players first then the mixer and finally the power amplifier
4. YAMAHA D s REC OUT N a USB KR epes USB MIKING STUDIO MAD OWNERS MANUAL BEDIENUNGSANLEITUNG MODE D EMPLOI MANUAL DE INSTRUCCIONES IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT The wires in this mains lead are coloured in accordance with the following code BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED Making sure that neither core is connected to the earth terminal of the three pin plug This applies only to products distributed by Yamaha Kemble Music U K Ltd 2 wires COMPLIANCE INFORMATION STATEMENT DECLARATION OF CONFORMITY PROCEDURE Responsible Party Yamaha Corporation of America Address 6600 Orangethorpe Ave Buena Park Calif 90620 Telephone 714 522 9011 Type of Equipment USB MIXING STUDIO Model Name MW10 This device complies with Part 15 of the FCC Rules Operation is subject to the following conditions 1 this device may not cause harmful interference and 2 this device must accept any interference received including interference that may cause undes
5. NI OIN HO 1s ngpos ngpor ngpop ngpot gp9 eu iuo ngppg rm ug ngppg vo eg 3NTT NI H9 n L niz eau BEER 8p9 euruoy NI INIT HO Ls wot TI rauen que ngog 1 1 res De 13 ngpoz ngpol SaNOHd In ino 934 DECH ya 01 6 8 L 15 nn NI NIZ 1929 HO Ho Is Jet ET S ESTO rum OIN NI HO ngpo ngpo reem Z N X c lt napo ngpp INO IS ngpp ONIS up N METRE Aji EE KD For 7 rend we e TROIS oer Werl uncus Po ved e z a N THO ngpoz akan aita Tene i19 lonan d 19 Trg 19161 dm q99 di NOTIS 1989 dil S NI HO ngpoz ngpog Er ngpoe RI S WM Inge am L 1 DLW e SCH ME 4amod evo D eme sni gt SE mdi WW N I auo a 3 1 A LL A Al om Te T E NG en Che E S925252 Hoop A n RI La E OF nape 2 be mar URL asn NI NZ NI NZ t L lt ms 1 ngpo K ngpo zs 3 9 OL IS OL A 3 ngpya suuopy Wut C Wenn S3N0Hd Nagy p C own t NI 24 Tngp9 J meo cS H en rend 100 4 0 SM I 4 H 4 e Yer KC A rano va naman NG ingpoz 1 K Ir L nge L 2 mun am S3NOHd u 9 rere y Dm ri 03 des YA nape H T p J eme EI t A 01 6H9 8 LHO 100 038 T WC P INdNI HO 1S 3 NYd YG eo men bi Ir Na 03 ageet lt W N ngp8 7 ngpo N ngng K ngpo ngpo a T d A Joe HO 15 y nape MIS ano 15 L ren Q paer ji ms d KE IN Ingpy ngpo 7 03 ose3s A n 8 rer lk Dani H t T ya GHD EHO 348 oe W ma NII g 4 580 t tH S AN
6. device The required voltage is printed on the name plate of the device e Use only the specified AC power adaptor PA 10 or an equivalent recommended by Yamaha e Do not place the power cord near heat sources such as heaters or radiators and do not excessively bend or otherwise damage the cord place heavy objects on it or place it in a position where anyone could walk on trip over or roll anything over it Do not open Do not open the device or attempt to disassemble the internal parts or modify them in any way The device contains no user serviceable parts If it should appear to be malfunctioning discontinue use immediately and have it inspected by qualified Yamaha service personnel N CAUTION e Do not expose the device to rain use it near water or in damp or wet conditions or place containers on it containing liquids which might spill into any openings e Never insert or remove an electric plug with wet hands If you notice any abnormality e f the power cord or plug becomes frayed or damaged or if there is a sudden loss of sound during use of the device or if any unusual smells or smoke should appear to be caused by it immediately turn off the power switch disconnect the electric plug from the outlet and have the device inspected by qualified Yamaha service personnel e this device or the AC power adaptor should be dropped or damaged immediately turn off the power switch disconnect the electric plug from th
7. e Visit the web address below for the latest information on supplied software and operating system requirements lt http www yamahasynth com gt e The screen displays as illustrated in this owner s manual are computer or instructional purposes and may appear somewhat different from the screens which appear on your e The illustrations as shown in this owner s manual are for instructional purposes only and may appear somewhat different from those on your device This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights Such copyrighted materials include without limitation all computer software style files MIDI files WAVE data musical scores and sound recordings Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws Any violation of copyright has legal consequences DON T MAKE DISTRIBUTE OR USE ILLEGAL COPIES This device is capable of using various types formats of music data by optimizing them to the proper format music data for use with the device in advance As a result this device may not play them back precisely as their producers or composers originally intended e Windows is the registered trademarks of Microsoft Corporation Apple and Macintosh are trademarks of Apple Computer Inc registered in the U S and other countries
8. indicator lights up when the mixer s power is ON Input Output Section Front amp Rear Panels LAL LLL LLL LLL LLL LL LLL LLL LLL INSERT IYO OdBu INSERT LO OdBu Q Channel Input Jacks CHs 1 2 3 4 5 6 MIC jacks These are balanced XLR type input jacks 1 Ground 2 Hot 3 Cold LINE jacks These are balanced phone type input jacks You can connect either balanced or unbalanced phone plugs to these jacks RL Where an input channel provides both a MIC jack and a LINE jack you may use either one of these jacks but you may not use both at the same time Please connect to only one of these jacks on each channel INSERT I O Jacks CHs 1 and 2 These are unbalanced phone type input output jacks Each of these jacks is positioned between the equalizer and Channel LEVEL Control of the corresponding input channel These jacks can be used to independently connect these channels to devices such as graphic equalizers compressors and noise filters These are TRS tip ring sleeve phone jacks that support bidirectional operation RL Connection to an INSERT UO jack requires a special separately sold insertion cable such as illustrated below To the input jack of the external processor To the INSERT I O jack Sleeve Ring Ti Pp To the output jack of the external processor 7m 10dBu II OQ NG sa 10dBu ZZ SN OQ NSZ e e RETURN 4dBu SEND 4dB
9. level meter on the right side of the Mixer window The channel strip level meters will become active when you turn the channel strip Record Enable button off BEd When a pair of headphones are plugged into the MW10 PHONES jack you can adjust the headphone listening level via the MW10 C R PHONES control and the 2TR IN USB control 5 To save the project file select Save from the File menu and enter a file name before actually saving the file Save your project frequently to insure against losing large amounts of data if a problem occurs 6 Repeat steps 1 through 5 to record further material on the same track 7 To record additional material on a different track select a new track and repeat the same record procedure Step 6 Mixing with Cubase LE In this section we ll try mixing down multiple recorded audio tracks to stereo and creating a wave file Mixes can be stored as WAV or AIFF files which can then be recorded to audio CDs 1 Launch Cubase LE and open a project file 2 Select Mixer from the Devices menu to open the mixer window 3 Turn the Record Enable buttons for all recorded tracks off in order to display the corresponding levels via the channel strip levels meters Click the Transport panel Play button ul Drag the channel strip faders up and down while listening to playback to adjust the mix as required The master gain fader on the right side of the window can al
10. or powered speakers N Observe the following precautions when turning on phantom power Make sure that the PHANTOM switch is off when phantom power is not needed Make sure that no equipment other than phantom powered microphones is connected to the XLR type inputs when turning phantom power on Applying phantom power to equipment other than phantom powered microphones can damage the equipment The exception to this rule is balanced dynamic microphones which can safely be left connected while phantom power is applied to the XLR inputs To minimize the possibility of speaker damage turn phantom power on ONLY while your power amplifier or powered speakers are switched off It s also a good idea to turn the mixers output controls the ST Master LEVEL Control and Channel LEVEL Controls all the way down when turning phantom power on BET The first time you connect to the computer s USB connector or change the connection to a different USB port a driver installation display may appear If this occurs wait until the installation is complete before proceeding Step 4 Adjusting Level and Egualization Level Adjustment 2 e GAIN Control jejejeje Seege PEAK Indicator o Ole Ole Ole commos a The first step in adjusting levels is to set the level controls on all instruments and other sources appropriately Adjust the channel GAIN controls so that the corresponding peak indicators flash briefly on the
11. system etc set at appropriate levels Is the output of your computer operating system muted Do you have several applications running at the same time Be sure to quit all applications you are not using Is the sound output of your computer operating system assigned properly Windows 1 From the Start menu click Control Panel then double click Sounds and Audio Devices icon to open the Sounds and Audio Devices Properties dialog window 2 Click the Audio tab 3 Set Sound playback Default device and Sound recording Default device to USB Audio CODEC 4 Click OK Macintosh 1 Select System Preferences from the Apple menu and then select Sound to open the Sound dialog window Click the Input tab and under Choose a device for sound input select USB Audio CODEC Click the Output tab and under Choose a device for sound output select USB Audio CODEC GA N Is the sound output of the Cubase LE application assigned properly For setup details refer to page 10 of the Quick Guide Troubleshooting The recorded sound is too low in level s the computer s output level setting too low We recommend that you set the computer output to the maximum level Windows 1 From the Start menu click Control Panel then double click Sounds and Audio Devices icon to open the Sounds and Audio Devices Properties dialog window
12. 0 dBV 316 mV 10 dBV 3 16 V RCA pin jack Phone jack TRS C R OUT L R 150 ohms 10 k ohms line 4 dBu 1 23 V 20 dBu 7 75 V impedance balanced T hot R cold S ground PHONES 100 ohms 40 ohms phone 3mW 75 mW Stereo phone jack Where 0 dBu 0 775 Vrms and 0 dBV 1 Vrms B Digital Input Output Specifications Connector Format Data Length Connector Specification USB USB Audio 1 1 16 bit USB B type 24 MW10 Owner s Manual Dimensional Diagrams Appendix 0e0000000000000000000000000000000000000000000000000000000000000000000000 251 9 10 YAMAHA usa mrana srubio MUI CH RETURN EE Ce C R PHONES 65 Unit mm MW10 Owner s Manual 25 Appendix Block Diagram and Level Diagram LA LLL LLL LLL LLL LLL LLL a d dated ngpog rat ue KEES BACK ENER ngpos
13. 0 ohms line d CHS LYCHe R m 2 dBu 10 dBu 30 dBu anced E 0 615 V 2 45 V 24 5 V ST CH INPUT Phone jack unbal CH7 L CH8 R 10kohms 600 ohms line nar onan Geer anced CH9 L CH10 R d RCA pin jack Phone jack TRS CH INSERT IN H TT 12 dBu D dBu 20 dBu unbalanced CH 1 2 195 mV 0 775 V 7 75 V LT out R in S ground 8 dBu 4 dBu 24 dBu Phone jack unbal RETURN L R 10kohms 600 ohms line 308 mV 1 23 V 12 3 V anced 22 dBV 10 dBV 10 dBV 2TR IN L R 10kohms 600 ohms line 79 4 mV 316 mV 3 16 V RCA pin jack Where 0 dBu 0 775 Vrms and 0 dBV 1 Vrms Input sensitivity the lowest level that will produce an output of 4 dBu 1 23V or the nominal output level when the unit is set to maximum gain All level controls are maximum position R Analog Output Specifications Appropriate Max Before Lp ge Output Connectors Output Impedance Impedance Nominal Level Clipping Connector Specifications Phone jack TRS ST OUT L R 150 ohms 10 k ohms line 4 dBu 1 23 V 20 dBu 7 75 V balanced T hot R cold S ground Phone jack TRS AUX SEND 1 2 150 ohms 10 k ohms line 4 dBu 1 23 V 20 dBu 7 75 V impedance balanced T hot R cold S ground Phone jack TRS CHINSERI QUT 150 ohms 10 k ohms line 0 dBu 0 775 V 20 dBu 7 75 V unbalanced TT out R in CH 1 2 S ground REC OUT L R 600 ohms 10 k ohms line 1
14. 120 18 128 Reykjavik Iceland Tel 525 5000 OTHER EUROPEAN COUNTRIES Yamaha Music Central Europe GmbH SiemensstraBe 22 34 25462 Rellingen Germany Tel 49 4101 3030 ASIA THE PEOPLE S REPUBLIC OF CHINA Yamaha Music amp Electronics China Co Ltd 25 F United Plaza 1468 Nanjing Road West Jingan Shanghai China Tel 021 6247 2211 HONG KONG Tom Lee Music Co Ltd 11 F Silvercord Tower 1 30 Canton Road Tsimshatsui Kowloon Hong Kong Tel 2737 7688 INDONESIA PT Yamaha Music Indonesia Distributor PT Nusantik Gedung Yamaha Music Center Jalan Jend Gatot Subroto Kav 4 Jakarta 12930 Indonesia Tel 21 520 2577 KOREA Yamaha Music Korea Ltd Tong Yang Securities Bldg 16F 23 8 Yoido dong Youngdungpo ku Seoul Korea Tel 02 3770 0660 MALAYSIA Yamaha Music Malaysia Sdn Bhd Lot 8 Jalan Perbandaran 47301 Kelana Jaya Petaling Jaya Selangor Malaysia Tel 3 78030900 PHILIPPINES Yupangco Music Corporation 339 Gil J Puyat Avenue P O Box 885 MCPO Makati Metro Manila Philippines Tel 819 7551 SINGAPORE Yamaha Music Asia Pte Ltd 303 11 A Z Building 140 Paya Lebor Road Singapore 409015 Tel 747 4374 TAIWAN Yamaha KHS Music Co Ltd 3F 6 Sec 2 Nan Jing E Rd Taipei Taiwan 104 R O C Tel 02 2511 8688 THAILAND Siam Music Yamaha Co Ltd 891 1 Siam Motors Building 15 16 floor Rama 1 road Wangmai Pathumwan Bangkok 10330 Thailand Tel 02 215 2626 OTHER ASIAN
15. ANI HO 15 9 3 NYd W9 o CLH Q repo p o p9 1 09 115 uw 03 e8e1g dH Ss IK 6 0 rao x 1 meo aiy mam o d we Ho I E Y i Wad C ngpo 2 P res 0 1 pat ET ms 1 P me Xv area i T mie x 1 Lepat 09 EI LN S waj uleg y 3NI1 2 189 L t 7 WS 7 A 2t ANANI HO lt ms lt ya 03 api a 7M M Peo ta E am ciel mao Nd 1397 HO 9m wa 22 SS 26 MW10 Owner s Manual SOFTWARE LICENCING AGREEMENT ATTENTION SOFTWARE LICENCING AGREEMENT PLEASE READ THIS SOFTWARE LICENSE AGREEMENT AGREEMENT CAREFULLY BEFORE USING THIS SOFTWARE YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND CONDITIONS OF THIS AGREEMENT THIS AGREEMENT IS BETWEEN YOU AS AN INDIVIDUAL OR LEGAL ENTITY AND YAMAHA CORPORATION YAMAHA BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE IF YOU DO NOT AGREE WITH THE TERMS DO NOT INSTALL COPY OR OTHERWISE USE THIS SOFTWARE 1 GRANT OF LICENSE AND COPYRIGHT Yamaha hereby grants you the right to use one copy of the software program s and data SOFTWARE accompanying this Agreement The term SOFTWARE shall encompass any updates to the accompanying software and data The SOFTWARE is owned by Yamaha and or Yamaha s licensor s and is protected by relevant copyright laws and all applicable treaty provisions While you are entitled to claim ownership of the data created with the use of SOFT
16. COUNTRIES Yamaha Corporation Asia Pacific Music Marketing Group Nakazawa cho 10 1 Hamamatsu Japan 430 8650 Tel 8 1 53 460 2317 OCEANIA AFRICA Yamaha Corporation Asia Pacific Music Marketing Group Nakazawa cho 10 1 Hamamatsu Japan 430 8650 Tel 8 1 53 460 2312 MIDDLE EAST TURKEY CYPRUS Yamaha Music Central Europe GmbH SiemensstraBe 22 34 25462 Rellingen Germany Tel 04101 3030 OTHER COUNTRIES Yamaha Music Gulf FZE LB21 128 Jebel Ali Freezone P O Box 17328 Dubai U A E Tel 971 4 881 5868 AUSTRALIA Yamaha Music Australia Pty Ltd Level 1 99 Queensbridge Street Southbank Victoria 3006 Australia Tel 3 9693 5111 NEW ZEALAND Music Houses of N Z Ltd 146 148 Captain Springs Road Te Papapa Auckland New Zealand Tel 9 634 0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation Asia Pacific Music Marketing Group Nakazawa cho 10 1 Hamamatsu Japan 430 8650 Tel 81 53 460 2312 HEAD OFFICE Yamaha Corporation Pro Audio amp Digital Musical Instrument Division Nakazawa cho 10 1 Hamamatsu Japan 430 8650 Tel 8 1 53 460 2445 USB MIXING STUDIO Session Information Mixer Setup sg ae ell el ed el cel 1 2 3 4 5 6 7 8 9 10 UA eos are ca NE ES Aot E Je E SE E UWA UWA E c 80 OPEAK PEAK OPEAK l S UU UU KS REC OUT use Bi ege PHANTOM 48V 10 2TR IN USB A TO ST TO CR ev KE 0 LEVEL C R PHONE
17. GmbH Sp z 0 0 Oddzial w Polsce ul 17 Stycznia 56 PL 02 146 Warszawa Poland Tel 022 868 07 57 SY37 Die Einzelheiten zu Produkten sind bei Ihrer unten aufgef hrten Niederlassung und bei Yamaha Vertragsh ndlern in den jeweiligen Bestimmungsl ndern erh ltlich Para detalles sobre productos contacte su tienda Yamaha m s cercana o el distribuidor autorizado que se lista debajo THE NETHERLANDS BELGIUM LUXEMBOURG Yamaha Music Central Europe GmbH Branch Benelux Clarissenhof 5 b 4133 AB Vianen The Netherlands Tel 0347 358 040 FRANCE Yamaha Musique France BP 70 77312 Marne la Vall e Cedex 2 France Tel 01 64 61 4000 ITALY Yamaha Musica Italia S P A Combo Division Viale Italia 88 20020 Lainate Milano Italy Tel 02 935 771 SPAIN PORTUGAL Yamaha Hazen Musica S A Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 91 639 8888 GREECE Philippos Nakas S A The Music House 147 Skiathou Street 112 55 Athens Greece Tel 01 228 2160 SWEDEN Yamaha Scandinavia AB J A Wettergrens Gata 1 Box 30053 S 400 43 G teborg Sweden Tel 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 6A DK 2730 Herlev Denmark Tel 44 92 49 00 FINLAND F Musiikki Oy Kluuvikatu 6 P O Box 260 SF 00101 Helsinki Finland Tel 09 618511 NORWAY Norsk filial av Yamaha Scandinavia AB Grini Neringspark 1 N 1345 ster s Norway Tel 67 16 77 70 ICELAND Skifan HF Skeifan 17 P O Box 8
18. ICO Yamaha de M xico S A de C V Calz Javier Rojo G mez 1149 Col Guadalupe del Moral C P 09300 M xico D F M xico Tel 55 5804 0600 BRAZIL Yamaha Musical do Brasil Ltda Av Reboucas 2636 Pinheiros CEP 05402 400 Sao Paulo SP Brasil Tel 011 3085 1377 ARGENTINA Yamaha Music Latin America S A Sucursal de Argentina Viamonte 1145 Piso2 B 1053 Buenos Aires Argentina Tel 1 4371 7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES CARIBBEAN COUNTRIES Yamaha Music Latin America S A Torre Banco General Piso 7 Urbanizaci n Marbella Calle 47 y Aquilino de la Guardia Ciudad de Panam Panam Tel 4 507 269 5311 EUROPE THE UNITED KINGDOM Yamaha Kemble Music U K Ltd Sherbourne Drive Tilbrook Milton Keynes MK7 8BL England Tel 01908 366700 IRELAND Danfay Ltd 61D Sallynoggin Road Dun Laoghaire Co Dublin Tel 01 2859177 GERMANY Yamaha Music Central Europe GmbH SiemensstraBe 22 34 25462 Rellingen Germany Tel 04101 3030 SWITZERLAND LIECHTENSTEIN Yamaha Music Central Europe GmbH Branch Switzerland Seefeldstrasse 94 8008 Ziirich Switzerland Tel 01 383 3990 AUSTRIA Yamaha Music Central Europe GmbH Branch Austria Schleiergasse 20 A 1100 Wien Austria Tel 01 60203900 CZECH REPUBLIC SLOVAKIA HUNGARY SLOVENIA Yamaha Music Central Europe GmbH Branch Austria CEE Department Schleiergasse 20 A 1100 Wien Austria Tel 01 602039025 POLAND Yamaha Music Central Europe
19. ISED OF THE POSSIBILITY OF SUCH DAMAGES In no event shall Yamaha s total liability to you for all damages losses and causes of action whether in contract tort or otherwise exceed the amount paid for the SOFTWARE 7 THIRD PARTY SOFTWARE Third party software and data THIRD PARTY SOFTWARE may be attached to the SOFTWARE If in the written materials or the electronic data accompanying the Software Yamaha identifies any software and data as THIRD PARTY SOFTWARE you acknowledge and agree that you must abide by the provisions of any Agreement provided with the THIRD PARTY SOFTWARE and that the party providing the THIRD PARTY SOFTWARE is responsible for any warranty or liability related to or arising from the THIRD PARTY SOFTWARE Yamaha is not responsible in any way for the THIRD PARTY SOFTWARE or your use thereof e Yamaha provides no express warranties as to the THIRD PARTY SOFTWARE IN ADDITION YAMAHA EXPRESSLY DISCLAIMS ALL IMPLIED WARRANTIES INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE as to the THIRD PARTY SOFTWARE e Yamaha shall not provide you with any service or maintenance as to the THIRD PARTY SOFTWARE e Yamaha is not liable to you or any other person for any damages including without limitation any direct indirect incidental or consequential damages expenses lost profits lost data or other damages arising out of the use misuse or inability to use the THI
20. N Switch is in the STANDBY position If you do not plan to use the mixer again for a long while be sure to unplug the adaptor from the wall outlet Q USB Connector Connects to the computer via the supplied USB cable When connecting or disconnecting the USB cable be sure to turn the 2TR IN USB control all the way down MW10 Owner s Manual 19 Setting Up Setting Up Setup Procedure LL LLL LLL LLL LLL LLL LLL LLL 1 Before connecting to microphones and BEG Where an input channel provides both a MIC INPUT instruments be sure that all devices are jack and a LINE INPUT jack you may use either one of these jacks but you may not use both at the same turned off Also be sure that all of the channel time Please connect to only one of these jacks on controls and all of the controls in the Master each channel Control section are turned to their minimum 3 To avoid causing damage to speakers power settings up the devices in the following order 2 For each connection connect one end of the Peripheral devices mixer power amps or cable to the relevant microphone or powered speakers instrument and connect the other end to the BEG When shutting the system down turn off the power in appropriate input jack on the mixer the opposite order Power amps powered speakers mixer peripheral devices Setup Examples e00000000000000000000000000000000000000000000000000000 Sound Source CD MD DAT Cassette Video etc
21. RD PARTY SOFTWARE 8 GENERAL This Agreement shall be interpreted according to and governed by Japanese law without reference to principles of conflict of laws Any dispute or procedure shall be heard before the Tokyo District Court in Japan If for any reason a court of competent jurisdiction finds any portion of this Agreement to be unenforceable the remainder of this Agreement shall continue in full force and effect 9 COMPLETE AGREEMENT This Agreement constitutes the entire agreement between the parties with respect to use of the SOFTWARE and any accompanying written materials and supersedes all prior or contemporaneous understandings or agreements written or oral regarding the subject matter of this Agreement No amendment or revision of this Agreement will be binding unless in writing and signed by a fully authorized representative of Yamaha 28 MW10 Owner s Manual For details of products please contact your nearest Yamaha representative or the authorized distributor listed below Pour plus de d tails sur les produits veuillez vous adresser 4 Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante NORTH AMERICA CANADA Yamaha Canada Music Ltd 135 Milner Avenue Scarborough Ontario MIS 3RI Canada Tel 416 298 1311 U S A Yamaha Corporation of America 6600 Orangethorpe Ave Buena Park Calif 90620 U S A Tel 714 522 9011 CENTRAL amp SOUTH AMERICA MEX
22. S Yamaha Web Site English only http www yamahasynth com Yamaha Manual Library http www yamaha co jp manual U R G Pro Audio amp Digital Musical Instrument Division Yamaha Corporation 2005 Yamaha Corporation WG35780 511MWZC 01A0 Printed in Indonesia
23. WARE the SOFTWARE will continue to be protected under relevant copyrights You may use the SOFTWARE on a single computer You may make one copy of the SOFTWARE in machine readable form for backup purposes only if the SOFTWARE is on media where such backup copy is permitted On the backup copy you must reproduce Yamaha s copyright notice and any other proprietary legends that were on the original copy of the SOFTWARE You may permanently transfer to a third party all your rights in the SOFTWARE provided that you do not retain any copies and the recipient reads and agrees to the terms of this Agreement 2 RESTRICTIONS You may not engage in reverse engineering disassembly decompilation or otherwise deriving a source code form of the SOFTWARE by any method whatsoever You may not reproduce modify change rent lease or distribute the SOFTWARE in whole or in part or create derivative works of the SOFTWARE You may not electronically transmit the SOFTWARE from one computer to another or share the SOFTWARE in a network with other computers You may not use the SOFTWARE to distribute illegal data or data that violates public policy You may not initiate services based on the use of the SOFTWARE without permission by Yamaha Corporation Copyrighted data including but not limited to MIDI data for songs obtained by means of the SOFTWARE are subject to the following restrictions which you must observe Data received by mean
24. all the way to the left to the minimum setting MW10 Owner s Manual 15 Front amp Rear Panels Master Control Section s660 00 0000000000000000000000000000000000000000000000 6 YAMAHA uss mpana studio MMI 10 mmm PEAK emm n FT Aog T Nae as o gt 10 2TR IN USB pum A a TOST T o TOCR Y D 8 SH LEVEL C R PHONES PHANTOM 48 V Switch This switch toggles phantom power on and off If you set the switch on the mixer supplies power to all channels that provide XLR mic input jacks CHs 1 2 3 4 5 6 Set this switch on amp when using one or more condenser microphones BO When this switch is on the mixer supplies DC 48 V power to pins 2 and 3 of all XLR type MIC INPUT jacks e Be sure to leave this switch off Ii if you do not need phantom power When tuning the switch on be sure that only condenser mics are connected to the XLR input jacks CHs 1 to 5 6 Devices other than condenser mics may be damaged if connected to the phantom power supply Note however that the switch may be left on without problem when connecting to balanced dynamic microphones To avoid damage to speakers be sure to turn off amplifiers or powered speakers before turning this switch on or off We also recommend that you turn all output controls ST Master LEVEL Con trol etc to minimum settings before operating the switch to avoid risk of loud noi
25. ation TO THE FULLEST EXTENT PERMITTED BY LAW YAMAHA EXPRESSLY DISCLAIMS ANY IMPLIED WARRANTIES ON THE TANGIBLE MEDIA INCLUDING THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE 5 DISCLAIMER OF WARRANTY ON SOFTWARE You expressly acknowledge and agree that use of the SOFTWARE is at your sole risk The SOFTWARE and related documentation are provided AS IS and without warranty of any kind NOTWITHSTANDING ANY OTHER PROVISION OF THIS AGREEMENT YAMAHA EXPRESSLY DISCLAIMS ALL WARRANTIES AS TO THE SOFTWARE EXPRESS AND IMPLIED INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY FITNESS FOR A PARTICULAR PURPOSE AND NON INFRINGEMENT OF THIRD PARTY RIGHTS SPECIFICALLY BUT WITHOUT LIMITING THE FOREGOING YAMAHA DOES NOT WARRANT THAT THE SOFTWARE WILL MEET YOUR REQUIREMENTS THAT THE OPERATION OF THE SOFTWARE WILL BE UNINTERRUPTED OR ERROR FREE OR THAT DEFECTS IN THE SOFTWARE WILL BE CORRECTED MW10 Owner s Manual SOFTWARE LICENCING AGREEMENT 6 LIMITATION OF LIABILITY YAMAHA S ENTIRE OBLIGATION HEREUNDER SHALL BE TO PERMIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF IN NO EVENT SHALL YAMAHA BE LIABLE TO YOU OR ANY OTHER PERSON FOR ANY DAMAGES INCLUDING WITHOUT LIMITATION ANY DIRECT INDIRECT INCIDENTAL OR CONSEQUENTIAL DAMAGES EXPENSES LOST PROFITS LOST DATA OR OTHER DAMAGES ARISING OUT OF THE USE MISUSE OR INABILITY TO USE THE SOFTWARE EVEN IF YAMAHA OR AN AUTHORIZED DEALER HAS BEEN ADV
26. con 60 dB trols at maximum level E PUT 1 5 6 MIC to ST OUT Rs 150 ohms GAIN controls at 76 dB maximum level e PUT 1 5 6 MIC to REC OUT Rs 150 ohms GAIN controls at 64 2 dB maximum leve C PUT 1 2 MIC to AUX SEND Rs 150 ohms GAIN controls at 70 dB maximum level PRE C PUT 1 2 MIC to AUX SEND Rs 150 ohms GAIN controls at 76 dB Maximum Voltage Gain maximum level POST 1 kHz 10k ohms T ae C PUT 3 4 5 6 LINE to ST OUT Rs 150 ohms GAIN controls at PAN BAL panned hard left or hard right maximum leve 50 dB C PUT 3 4 5 6 LINE to AUX SEND Rs 150 ohms GAIN controls 41 dB at maximum level PRE C PUT 3 4 5 6 LINE to AUX SEND Rs 150 ohms GAIN controls 47 dB at maximum level POST CH INPUT 7 8 9 10 to ST OUT Rs 150 ohms GAIN controls at max 26 dB imum level RETURN to ST OUT Rs 150 ohms 12 dB 2TR IN to ST OUT Rs 600 ohms 23 8 dB Adjacent inputs 70 dB Crosstalk 1 kHz input to output 70 dB Where 0 dBu 0 775 Vrms Output impedance of signal generator 150 ohms R General Specifications Monaural Stereo CH High Pass Filter 80 Hz 12 dB octave Monaural Stereo CH Equalization Turn over roll off frequency of shelving 3 dB below maximum variable level 15 dB Max Variation HIGH 10 kHz shelving MID 2 5 kHz peaking LOW 100 Hz shelving Phantom Power Supplied when Phantom 448 V switch is ON XLR type input jacks Monaural Stereo Input PEAK Indicator On each channel re
27. d indicator lights if post EQ signal on stereo channels if either post EQ signal or post mic amp signal comes within 3 dB of the clipping level USB Audio Input Output 44 1 48 kHz Included Accessories Power adaptor PA 10 CD ROM USB cable Power Consumption 19W Dimensions W x H x D 251 mm x 65 mm x 290 5 mm Net Weight 1 8kg Temperature Range Operating temperature 0 to 40 C Storage temperature 20 to 60 C MW10 Owner s Manual 23 Appendix R Analog Input Specifications Input Appropriate aha Nominal Max Before Connector Input Connector Gain Impedance Impedance Sensitivity Level Clipping Specifications en 72 dBu 60 dBu 40 dBu 0 195 mV 0 775 mV 7 75 mV RE k MIC INPUT S S XLR type bal CH 1 2 E 28 dBu 16 dBu 4 dBu anced 30 8 mV 123 mV 1 23 V er 46 dBu 34 dBu 14 dBu Phone jack TRS SEH 10kohms 600 ohms line E E ee balanced T hot R CH 1 2 10 2 dBu 10 dBu 30 dBu cold 0 615 V 2 45 V 24 5 V S groung 72 dBu 60 dBu 40 dBu ST CH MIC INPUT 60 0 195 mV 0 775 mV 7 75 mV XLR 3 31 type bal CH3 L CH4 R 3 k ohms 50 600 ohms mic CHB L CHe R 16 28 dBu 16 dBu 10 dBu anced S 30 8 mV 123 mV 245 mV 46 dBu 34 dBu 14 dBu ST CH LINE INPUT 88mV t55mV 155mV Phone jack unbal CH3 L CHA R 10kohms_ 60
28. directly to the mixer s inputs EISE the sound is likely to be thin and possibly noisy For best lelo bahi results with these types of Se instruments use a DI box GEH direct box guitar bass 2909 preamplifier or amp simulator between the instrument and the mixer MW10 Owner s Manual 7 Balanced Cables and Unbalanced Cables Two types of cables can be used to connect microphones electronic instruments and other audio sources to the mixer s inputs as well as to connect the mixer s outputs to a power amplifier or related gear balanced or unbalanced Balanced cables are highly resistant to noise and are the best choice for low level signals such as the output from microphones as well as for long cable runs Unbalanced cables are generally used for short runs from line level sources such as synthesizers Cable Guidelines Microphone cable Balanced is best Short line level cables Unbalanced cable is fine in a relatively noise free environment Long line level cables Balanced is best Sand Connector Types XLR Connectors This 3 pin connector is resistant to externally induced noise and is used primarily for balanced P gt Connections With properly Tee designed receiving circuitry cables with this type of connector can also be used for unbalanced signals XLR type connectors are the standard for microphone connections as well as most professional audio gear available in mono and stereo versions
29. e If you want a little more presence you can turn the HIGH end up a bit Or you can boost the bass a little if you feel the low end is lacking During recording it s better to use EQ sparingly for compensation only MW10 Owner s Manual 9 Step B Recording with Cubase LE This section describes the procedure for recording via the MW10 mixer to the Cubase LE software we installed earlier BEG For details on operation of the Cubase LE software refer to the pdf format manual provided with the software Cubase LE Setup 1 To prevent the playback sound from Cubase LE from being directly re recorded press the MW10 2TR IN USB ST TO C R switch so that it s in the on TO C R position With the setting the playback sound can be monitored via the C R OUT connectors as well as the PHONES jack 2TR IN USB 1 TOST TO C R 2 Launch Cubase LE Windows Click Start gt All Programs Steinberg Cubase LE Cubase LE to launch the program If the ASIO Multimedia dialog window appears click Yes ASIO Multimedia The audio card configuration appears to have changed This test can check the sync reliability of all the currently selected audio input and output ports with their current options This test is the definitive check to see if your current configuration supports effective audio communication and therefore MIDI to audio sync If the test fails you will have to either select fewer simultaneou
30. e outlet and have the device inspected by qualified Yamaha service personnel Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the device or other property These precautions include but are not limited to the following Power supply Power cord e Remove the electric plug from the outlet when the device is not to be used for extended periods of time or during electrical storms e When removing the electric plug from the device or an outlet always hold the plug itself and not the cord Pulling by the cord can damage it To avoid generating unwanted noise make sure there is 50 cm or more between the AC power adaptor and the device e Do not cover or wrap the AC power adaptor with a cloth or blanket Before moving the device remove all connected cables Avoid setting all equalizer controls and faders to their maximum Depending on he condition of the connected devices doing so may cause feedback and may damage the speakers Do not expose the device to excessive dust or vibrations or extreme co such as in direct sunlight near a heater or in a car during the day to he possibility o Don OVer Do not use the device in the vicinity of a TV radio stereo equipment mobile phone or other electric devices Doing so may result in noise both in the device itself and in the TV or radio next to it d or heat prevent panel disfiguration or damage to th
31. e Steinberg and Cubase are the registered trademarks of Steinberg Media Technologies GmbH e The company names and product names in this Owner s Manual are the trademarks or registered trademarks of their respective companies Specifications and descriptions in this owner s manual are for information purposes only Yamaha Corp reserves the right to change or modify products or specifications at any time without prior notice Since specifications equipment or options may not be the same in every locale please check with your Yamaha dealer 4 MW10 Owner s Manual Foreword Foreword Thank you for choosing a Yamaha MW10 USB Mixing Studio The MW10 includes an audio mixer equipped with a USB interface for digital audio data transfer and Cubase LE DAW Digital Audio Workstation software for Windows and Macintosh computer operating systems With the MW10 USB Mixing Studio and your personal computer you have the basic elements of a high performance computer recording system that is easy to set up and operate In order to take full advantage of the many features and capabilities provided by the MW10 we urge you to read this owner s manual thoroughly before using your MW10 system and keep the manual in a safe accessible location for future reference Features ec0c000000000000000000000 Connect To Your Computer via a Single USB Cable page 7 The MW10 mixer connects to your computer via the supplied USB cable Stereo audio data is
32. e internal components 0 0 place the device in an unstable position where it might accidentally fall e Before connecting the device to other devices turn off the power for all devices Before turning the power on or off for all devices set all volume levels to minimum Handling caution Do not insert your fingers or hands in any gaps or openings on the device e Avoid inserting or dropping foreign objects paper plastic metal etc into any gaps or openings on the device If this happens turn off the power immediately and unplug the power cord from the AC outlet Then have the device inspected by qualified Yamaha service personnel e Do not use the device or headphones for a long period of time at a high or uncomfortable volume level since this can cause permanent hearing loss If you experience any hearing loss or ringing in the ears consult a physician Do not rest your weight on the device or place heavy objects on it and avoid use excessive force on the buttons switches or connectors MW10 Owner s Manual 3 XLR type connectors are wired as follows IEC60268 standard pin 1 ground pin 2 hot and pin 3 cold Insert TRS phone jacks are wired as follows sleeve ground tip send and ring return Yamaha cannot be held responsible for damage caused by improper use or modifications to device or data that is lost or destroyed Always turn the power off
33. e level of an input signal exceeds the level that can be handled by the mixer s head amp or equalizer distortion and noise will result The PEAK indicators are used to visually check the signal level to ensure no overload occurs 80 Switch High Pass Filter This switch toggles the HPF on or off To turn the HPF on press the switch in amp The HPF cuts frequencies below 80 Hz But note that regardless of the switch setting the mixer does not apply this HPF to the line inputs of stereo input channels Equalizer HIGH MID and LOW This three band equalizer adjusts the channel s high mid and low frequency bands Setting the knob to the W position produces a flat frequency response Turning the knob to the right boosts the corresponding frequency band while turning to the left attenuates the band The following table shows the EQ type base frequency and maximum cut boost for each of the three bands Band Type Base Frequency Maximum Cut Boost HIGH Shelving 10 kHz MID Peaking 2 5 kHz 15 dB LOW Shelving 100 Hz BET The equalizer can be used to boost or cut specific frequency bands allowing the tone of the sound to be shaped as required by the mix Q AUX Controls Use the AUX control to send the channel s signal to the AUX1or AUX2 bus Turn the knob to the left of the W mark to feed the signal to the AUX1 bus or to the right of the W to feed to the AUX2 bus The volu
34. g the supplied USB cable USB Connection Precautions Be sure to observe the following points when connecting to the computer s USB interface Failure to observe these rules can result in computer freezes hang ups and possibly data loss or corruption If the computer or MW10 does stop operating properly turn the power off and then on again and restart the computer Be sure to wake the computer from sleep suspended standby mode before making a connection to the computer s USB connector Connect the MW10 to the computer before turning the MW10 power on Always quit all applications running on the computer before turning the MW10 power on or off or connecting or disconnecting the USB cable Wait at least 6 seconds between turning the MW10 on or off and between connecting or disconnecting the USB cable be sure to turn the 2TR IN USB control all the way down RL Disconnect the USB cable before you use the computer without the MW10 T When connecting or disconnecting the USB cable 2 Connecting Microphones and or Instruments For details on making connections refer to the Input Output section on page 17 and the Setting up section on page 20 Be sure turn the MW10 PHANTOM switch on when using phantom powered condenser microphones Although electric guitars and basses can be connected S AES erstes
35. highest peak levels GAIN controls are not provided on the stereo channels 7 8 and 9 10 Raise the ST Master LEVEL Control to the lt position Adjust the Channel LEVEL Controls to create the desired initial balance while monitoring via headphones or monitor speakers The overall headphone level is adjusted by the C R PHONES control 9e apoo GO O90 0 E Ol oo 3 S ER el es 9 eo eo Co o o Ge ee ANANG GGeee e ee G6Geee o a Se LEVEL Control C R PHONES Control EQ Adjustment The MW10 mixer s 3 band equalizers with independent HIGH MID and LOW bands make it easy to shape the tone of independent channels to achieve the best possible mix Use the High pass Filter for Microphone Input As the name implies a high pass filter allows only signals above a certain frequency to pass Conversely signals below that cutoff frequency are attenuated When an MW 10 high pass filter is turned on signals below 80 Hz are attenuated This can be useful for minimizing low frequency breath noise from a vocalist as well as handling noise or rumble transmitted via the microphone stand It is generally a good idea to turn the high pass filter on for microphone channels Equalizer Tips The best advice that can be given regarding equalization while recording is simply to use as little equalization as possibl
36. in the Device Setup window The ASIO Multimedia Setup dialog window will appear Click Advanced Options ASIO Multimedia Setup Version 1 7 0 5 Pl Presets Custom L Dutput Ports Name Status Sync Ref Intelfr Integrated Audio Inactive No USB Audio CODEC Active Yes Input Ports Name Status Sync Ref Intel r Integrated Audio Inactive No USB Audio CODEC Active No Advanced Options 5 The ASIO Multimedia Setup Advanced Options window wili appear Check only the input port and output port USB Audio CODEC checkbox Wl ASIO Multimedia Setup Advanced Options x Sample Rate 41008 Buffer sizes in the ket below we oet separately for each sample ate OOH D S Run Simulstion Output Ports Presets Audo BulterSie Ofset Audo Bispe Syne Device Name Busters Samples Priel Charnets Sample Rolerence Castors 5 2 0 2 6 No 5 52 0 2 16 Yes Stove Post Order Move Input Pots Move down Audo Eugen y Ost Aude Bio pe ee Device Name Baen Samcles Biel Channels Samele Reterence SE 5 2 0 2 16 No Bil Seting CERS mm NN ON NNNM RN Syne Reference Semele Postion Oupa w Cond Hesse H USB Audo CODEC elected Port Check Buffen and Sync Detect Bufer Sce We JI Cancel SS 6 Click OK in the ASIO Multimedia Setup Advanced Options ASIO Multimedia Setup and Device Setup dialog windows to close the windows 7 Select VST Inputs in the Devices menu The VST Inputs wind
37. ired operation See user manual instructions if interference to radio reception is sus pected This applies only to products distributed by YAMAHA CORPORATION OF AMERICA FCC DoC FCC INFORMATION U S A 1 IMPORTANT NOTICE DO NOT MODIFY THIS UNIT not guarantee that interference will not occur in all installations If This product when installed as indicated in the instructions contained in this manual meets FCC requirements Modifica tions not expressly approved by Yamaha may void your authority granted by the FCC to use the product IMPORTANT When connecting this product to accessories and or another product use only high quality shielded cables Cable s supplied with this product MUST be used Follow all installation instructions Failure to follow instructions could void your FCC authorization to use this product in the USA NOTE This product has been tested and found to comply with the requirements listed in FCC Regulations Part 15 for Class B digital devices Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices This equipment generates uses radio frequencies and if not installed and used according to the instructions found in the users manual may cause interference harmful to the operation of other elec tronic devices Compliance with FCC regulations d
38. left and right speakers 1 Ociick Save our ears tell us the sound is located in the center of the stage Judicious panning can also help to create cleaner sounding Progress of the mixdown operation will be shown in a mixes by spreading the instruments out across the sound progress window When the progress window closes stage so that they don t get in each other s way There are no the mixdown is complete hard and fast rules but the bass and kick drum are usually placed in the center of the mix as is the lead instrument or vocal Other instruments should be evenly balanced throughout the sound stage in a well balanced manner BEG Wave files created by mixdown can be directly playback back using the Windows Media Player or iTunes on a Macintosh computer 7 At this point you can begin to use EQ to refine your mix and add effects As an example let s try adding reverb Click the Edit VST channel button E 1 on the left side of the channel strip to open the VST Channel Settings window Click No Effect gt Reverb gt Reverb B BEG For further details refer to the pdf manual provided with the Cubase LE software It s a good idea to lower the channel fader a bit before adding an effect since the effect can cause an increase in the overall channel level VST Channel Settings Audio 01 os ped 2 Lu A o w a ET 8 When the final adjustments have been made to the mix go to the File menu and select E
39. ll recognize the signal as monaural and will propagate the identical signal on both L and R jacks PHONES Jack Connector for headphones This is a stereo phone type output jack BE When the 2TR IN USB switch is set to TO C R the signal input via the 2TR IN USB connector and the stereo bus signal are mixed and output via the C R OUT PHONES connector INPUT OUTPUT Pin 1 Ground MIC INPUT Pin 2 Hot Pin 3 Cold LINE INPUT monaural channels Tip Hot ST OUT C R OUT Ring Cold AUX1 AUX2 Sleeve Ground Ring Tip Output M INSERT I O Ring Input 1 LIS Sleeve Ground m N Sleeve Tip DL PHONES Ring R Sleeve Ground RETURN LINE INPUT stereo channels E EN Sleeve Ground Sleeve Tip These jacks will also accept connection to monaural phone plugs If you use monaural plugs the connection will be unbalanced 18 MW10 Owner s Manual Front 8 Hear Panels Rear Section 0e0000000000000000000000000000000000000000000000000000000 YAMAHA ANDBY Q AC ADAPTOR IN Connector Connects to the included PA 10 power adaptor see page 6 mixer Use of a different adaptor may result in fire or electric shock T Use only the PA 10 adaptor included with this POWER Switch Use this switch to set mixer power to ON or STANDBY Note that trace current continues to flow while the
40. me of the feed increases as you move the knob away from the W position If you set the knob exactly to the W position the mixer will not send the signal to either of the AUX buses Note that the signal to the AUX1 bus is a pre fader signal and is not affected by the channel LEVEL controls The signal to the AUX2 bus is a post fader signal and will always pass through the channel LEVEL controls before moving to the bus If you are using stereo channels the signals from the L odd and R even channels are mixed and sent to the AUX1 andAUX2 buses Q PAN Control CHs 1 and 2 PAN BAL Control CHs 3 4 and 5 6 BAL Control CHs 7 8 9 10 The PAN control determines the positioning of the channel s signal on the Stereo L and R buses The BAL control knob sets the balance between left and right channels Signals into the L input odd channel feed to the Stereo L bus signals into the R input even channel feed to the Stereo R bus BET On channels where this knob provides both PAN and BAL controls The knob operates as a PAN control if you are inputting through the MIC jack or into the L MONO input only and operates as a BAL control if you are inputting into both L and R inputs Channel LEVEL Control Adjusts the output level of the signal being input to the channel Use these LEVEL Controls to adjust the volume balance among the various channels DECA To reduce noise set the LEVEL Control knobs for unused channels
41. ntrols Channel LEVEL Controls and ST Master LEVEL Control so that the meter never goes above 0 0 dB BET The Cubase LE channel strip fader only affects the playback output level from Cubase LE 12 MW10 Owner s Manual 7 The maximum level encountered is displayed numerically in the peak level display at the top of the channel strip Peak level display b BEI Zaza eibi Hekei Ej Specify the point at which you want to start recording via the ruler at the top of the project window Click the black area of the ruler to move the project cursor the vertical black line to that position Open the Transport menu and turn Start Record at Left Locator off Recording and Playback CQ N Click the Transport panel Record button to begin recording When recording is started the project cursor will begin moving to the right and a box that displays the recording results will be created Transport panel 00 00 05 000 R 00 00 10 000 00 00 00 000 Record Play Forward Recording results Play the part When you have finished recording the track click the Transport panel Stop button 4 To hear playback of the track you have just recorded use either the Transport panel Rewind button or the ruler to rewind to the beginning of the recorded section then click the Transport panel Play button The playback level will be displayed via the master section
42. o use the mixer again for a long while please be sure to unplug the adaptor from the wall outlet DLA To prevent loud pops and noises turn on the power to your sound gear starting with the sources instruments CD players etc and ending with the power amplifier or powered speakers Example Instruments microphones and CD players first then the mixer and finally the power amplifier or powered speakers When turning off the power to the system reverse the order described above 6 MW10 Owner s Manual Guick Guide This guick setup and operation guide covers everything from installing the Cubase LE software to using Cubase LE for recording and mixdown While going through this section you might find it useful to also refer to the Front and Rear Panels section on page 15 as well as the pdf manual supplied with the Cubase LE software Step 1 Installing Cubase LE 1 Turn the computer on 2 Insert the supplied CD ROM into the computer s CD ROM drive Step 2 Connections 3 Follow the on screen instructions to install the Cubase LE software The serial number is printed on the sheet located inside the CD ROM envelope BIG s Please install Cubase LE while connected to the internet e Please enter all required items during installation e For Macintosh computers double click the Cubase LE pkg icon 1 Connect the MW10 to the Computer Connect the MW10 mixer to your computer usin
43. oes this product is found to be the source of interference which can be determined by turning the unit OFF and ON please try to eliminate the problem by using one of the following mea Sures Relocate either this product or the device that is being affected by the interference Utilize power outlets that are on different branch circuit breaker or fuse circuits or install AC line filter s In the case of radio or TV interference relocate reorient the antenna If the antenna lead in is 300 ohm ribbon lead change the lead in to co axial type cable If these corrective measures do not produce satisfactory results please contact the local retailer authorized to distrib ute this type of product If you can not locate the appropriate retailer please contact Yamaha Corporation of America Elec tronic Service Division 6600 Orangethorpe Ave Buena Park CA90620 This applies only to products distributed by YAMAHA CORPORATION OF AMERICA class B 2 MW10 Owner s Manual PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe place for future reference A WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock short circuiting damages fire or other hazards These precautions include but are not limited to the following Power supply Power cord e Only use the voltage specified as correct for the
44. ommended 2 Connect the power adaptor to the AC Macintosh ADAPTOR IN connector Q on the rear of Computer Macintosh computer with built in USB interface the mixer and then turn the fastening ring OS MacOS X 10 3 3 or higher clockwise to secure the connection CPU Macintosh G3 processor 300MHz or higher Memory More than 128MB Sam le Ta Cubase LE System Reguirements e00000000000000000000000 2 AC ADAPTOR IN ON STANDBY Windows OS Windows XP CPU 500 MHz or higher Pentium III or AMD K7 1GHz or more recommended Pentium III Athlon Memory More than 256MB 512MB or more recommended Hard Disk 1GB or more 3 Plug the power adaptor into a standard household power outlet Macintosh T e Be sure to unplug the adaptor from the outlet Os MacOS X 10 3 3 or higher when not using the mixer or when there are CPU Macintosh G4 processor 450MHz or higher lightning storms in the area Memory More than 256MB 512MB or more recommended e To avoid generating unwanted noise make Hard Disk 1GB or more sure there is 50 cm or more between the power adaptor and the mixer Turning the Power On OFF KEE KEKEKEKE KEE KEE Press the mixer s power switch to the ON position When you are ready to turn the power off press the power switch to the STANDBY position Note that trace current continues to flow while AN the switch is in the STANDBY position If you do not plan t
45. on http www yamahasynth com 22 MW10 Owner s Manual Appendix Specifications 00000000000000000000000000000000000000000000000000000 B Electrical Characteristics Appendix Conditions MIN TYP MAX UNIT Total Harmonic Distortion THD N 20 Hz 20 kHz 14 dBu 10k ohms GAIN controls at 0 1 D MIC to ST OUT minimum level all level controls at nominal level g S an Sere rn a STRINto 20 HZ 20 KHz nominal output level 1 kHz 10 k ohms GAIN con B trols at mini I CH INPUT 1 5 6 all level controls at inal 1 B ST OUT AUX SEND C R OUT REC den minimum level C U 6 all level controls at nomina 3 0 d OUT Equivalent Input Noise CH INPUT 1 2 MIC 128 dBu Hum amp Noise Residual Output Noise 10 k ohms ST OUT 100 dBu Rs 150 ohms Gain Maximum CH ST master control at nominal level and all channel LEVEL controls at 87 dBu INPUT 1 2 Hum amp Noise are measured minimum level ST OUT 91 dB S N with a 6 dB octave filter 912 7 kHz m 85 equivalent to a 20 kHz filter with infinite All channel AUX controls at minimum level AUX SEND 89 dB S N dBu dB oct tt tion octaverateniaton ST master control and one channel LEVEL control at nominal level 64 dBu CH INPUT 1 2 ST OUT 68 dB S N C PUT 1 2 MIC to CH INSERT OUT Rs 150 ohms GAIN
46. ow will open Engage the Port USB Audio CODEC Active button el and close the VST Inputs window VST Inputs 8 Select New project from the File menu to create a new project file The New Project dialog window will open For this example select 24 Track Audio Recorder and click OK BEG Recorded Cubase LE data is stored as a project file for each song New Project Stereo Mastering Setup as e 9 When the directory selection dialog window appears select the folder to which the project and audio files for the project are to be stored and click OK Select directory Set Project Folder lt 2 Desktop SB My Documents iz My Music 2 My Pictures 3 My Computer mz H 3 Floppy A Local Disk C Lo Documents and Settings 2 All Users Desktop ic Favorites X 2 Shared Documents MA Start Meni OK Cancel vv Create An empty 24 audio track project window will appear Cubase LE Project Untitled Preparing to Record 1 Click in the track list the area in which the track names are displayed to select a track to record on For this example select Audio 01 The various settings for the selected track are available in the Inspector on the left side of the display BEG Ifthe Inspector is not showing click the Show Inspector button Ie in the upper left area of the project window Show Inspector button Stereo Switch button E P
47. rements 6 Cubase LE System Requirements 6 Quick Guide eeoeeon intu anon atn mzimamzima 7 1 Installing Cubase LE sse 7 2 Connections saanane aana eee 7 3 Powering Up the System sees eee ee eee eee 8 4 Adjusting Level and Equalization 9 5 Recording with Cubase LE lt 10 6 Mixing with Cubase LE sss eee eee 13 Front amp Rear Panels 15 Channel Control Section see eee eee e 15 Master Control Section wai aa 16 Input Output Section sees eee eee ena nneni 17 Rear Section Boer 19 Selling Up WE 20 Setup Procedhure sess 20 Setup Examples A 20 Troubleshooting 21 ADDODOIX E 23 ee lee 23 Dimensional Diagrams 25 Block Diagram and Level Diagram 26 SOFTWARE LICENCING AGREEMENT MW10 Owner s Manual 5 Foreword Before Turning on the Mixer Computer System Requirements 000000000000000000000008 000000000000000000000000 l s that the mixer itch is i CONS e Sure Vie E miser Speer SWHedTsdu Computer Windows based computer with built in USB the STANDBY position iliteHace T Use only the PA 10 adaptor included with this OS Windows XP mixer Use of a different adaptor may result in CPU 750MHz or higher Intel Pentium Celeron processor equipment damage overheating or fire Memory More than 96MB 128MB or more rec
48. rnal recorder BET These connectors output the same signal that sent to the computer via the USB interface MW10 Owner s Manual 17 Front amp Rear Panels Q ST OUT L R Jacks These are impedance balanced phone type output jacks These jacks output the mixed signal whose level is controlled by the ST Master LEVEL Control You use these jacks for example to connect to the power amplifier driving your main speakers C R OUT Jacks These are impedance balanced phone type output jacks These jacks output the mixed signal whose level is controlled by the C R PHONES LEVEL Control You use these jacks for example to connect to the powered speaker BRA When the 2TR IN USB switch is set to TO C R the signal input via the 2TR IN USB connector and the stereo bus signal are mixed and output via the C R OUT PHONES connector Q SEND Jacks AUX1 AUX2 These are impedance balanced phone type output jacks These jacks output the signals from AUX1 and AUX2 respectively You use these jacks for example to connect to an effector or monitor system Connector Polarities Q RETURN L MONO R Jacks These are unbalanced phone type input jacks The signal received by these jacks is sent to the Stereo bus These jacks are typically used to receive a return signal from an external effector reverb delay etc BET These jacks can also be used as an auxiliary stereo input If you connect to the L MONO jack only the mixer wi
49. roject Untitled Jaa El Audioo2 AJ Silos nudio 03 E i a TEE nudio os AJ Lx is Audio 07 Sy LS Audio 08 TEE nudio pg AJ B x1 s Audio 10 LRT mem Inspector MW10 Owner s Manual 11 2 Use the Stereo Switch buttons in the Inspector to select stereo or monaural operation for the track for stereo operation and for monaural For the example select the stereo mode You will normally use a monaural track when recording vocals or guitar and a stereo track when recording synthesizers with stereo outputs for example You might want to use a stereo track to record a guitar processed through a preamplifier or amp simulator with stereo outputs 3 Select Mixer from the Devices menu to open the mixer window Click the arrow in the upper left corner of the mixer window and select Wide to increase the width of the mixer s channel strips Leave the mixer window open until you have finished recording for easy access 2102 02 x a 5 LS 7 Record Enable button itp HORS Sada Channel strip 4 Make sure that the Record Enable button Gy on the left side of the channel strip is on If the Record Enable button is off el click it to turn it on The input signal level will be displayed on the channel strip level meter while the Record Enable button is on 5 Play the instrument to be recorded and while watching the mixer window level meter adjust the MW10 GAIN co
50. rs including CPU speed and access to external devices On Windows computers changing some settings as outlined below can improve performance 1 Click Control Panel from the Start menu and double click the Sounds and Audio Devices icon to open the Sounds and Audio Devices Properties dialog 2 Click the Volume tab and click Advanced in Speaker Settings The Advanced Audio Properties dialog will open 3 Click the Performance tab Set Hardware Acceleration to Full and Sample Rate Conversion Quality to Good Don t change these settings if you are not familiar with your computer s operating system Check that the file system is set properly and make sure that you have a plenty of free memory more than 128 MB If the wave files you are recording or playing are not too large changing the virtual memory settings can sometimes improve audio performance In some cases it might be necessary to update your hard disk controller device drivers or BIOS Refer to your computer s support center or support page on the web for more information Try adding memory Adding more RAM memory can significantly increase your computer s audio performance Refer to your computer s owner s manual for information on installing and setting up extra memory There is a delay when playing a software synthesizer via a MIDI keyboard latency Check the URL listed below for the latest informati
51. s audio input and output ports or adjust their buffer sizes or options Should this new configuration be tested Macintosh Double click the Cubase LE icon in your Applications folder or single click the Cubase LE icon in the dock if it has been placed there BOG s If you specified a file destination when installing the Cubase LE software launch the application from that location e Create a Cubase LE shortcut or Alias on your desktop so you can easily launch the program when required 10 MW10 Owner s Manual 3 Select Device Setup from the Devices menu to open the Device Setup window Windows Select VST Multitrack in the Devices field on the left side of the window Select ASIO Multimedia Driver in the ASIO Driver field on the right side of the window and click Apply Device Setup BU Macintosh Select VST Multitrack in the Device field on the left side of the window Select USB Audio CODEC 2 in the ASIO Driver field on the right side of the window and click OK Skip ahead to step 7 below DMIA Under Mac OS X you can select either USB Audio CODEC 1 or USB Audio CODEC 2 in the ASIO Driver driver field Normally you should select or USB Audio CODEC 2 but if you will only be playing back and mixing previously recorded data you can select USB Audio CODEC 1 to lighten the load on the computer s CPU On a Windows computer click Control Panel
52. s of the SOFTWARE may not be used for any commercial purposes without permission of the copyright owner Data received by means of the SOFTWARE may not be duplicated transferred or distributed or played back or performed for listeners in public without permission of the copyright owner The encryption of data received by means of the SOFTWARE may not be removed nor may the electronic watermark be modified without permission of the copyright owner 3 TERMINATION This Agreement becomes effective on the day that you receive the SOFTWARE and remains effective until terminated If any copyright law or provisions of this Agreement is violated the Agreement shall terminate automatically and immediately without notice from Yamaha Upon such termination you must immediately destroy the licensed SOFTWARE any accompanying written documents and all copies thereof 4 LIMITED WARRANTY ON MEDIA As to SOFTWARE sold on tangible media Yamaha warrants that the tangible media on which the SOFTWARE is recorded will be free from defects in materials and workmanship under normal use for a period of fourteen 14 days from the date of receipt as evidenced by a copy of the receipt Yamaha s entire liability and your exclusive remedy will be replacement of the defective media if it is returned to Yamaha or an authorized Yamaha dealer within fourteen days with a copy of the receipt Yamaha is not responsible for replacing media damaged by accident abuse or misapplic
53. ses that could cause hearing loss or device damage RETURN Control Adjusts the level of the signal sent from the RETURN jacks L MONO and R to the Stereo bus BRA if you supply a signal to the RETURN L MONO jack only the mixer outputs the identical signal to both the L and R Stereo buses 16 MW10 Owner s Manual 2TR IN USB Control Adjusts the level of signals received via 2TR IN as well as the level of signals received by the MW10 from the computer via the USB interface 2TR IN USB Switch TO ST TO C R Determines whether the stereo signal received via the 2TR IN connectors or USB interface is sent to the stereo bus or the C R OUT connectors and PHONES jack level meter BET e When the 2TR IN USB switch is set to TO ST the signal input via the 2TR IN USB connector is added to the stereo bus When the 2TR IN USB switch is set to TO C R the signal input via the 2TR IN USB connector is directly sent to the C R OUT PHONES connector and is not output via the stereo bus G ST Master LEVEL Control Adjusts the signal level to the ST OUT jacks G C R PHONES LEVEL Control Controls the level of the signal output to the PHONES jack and the C R OUT L and R jacks Level Meter This LED display shows the level of the signal fed to the Stereo bus The O point corresponds to the standard output level The indicator lights up red when the output hits the clipping level POWER Indicator This
54. so be used to adjust the overall level Start with the Featured Part You can start working on a mix from almost any part but it makes the most sense to start with the main instrument or vocal Set up an initial level for the main part and then build the rest of the mix around it For example if you re mixing a piano trio with a vocalist begin by setting the level of the vocal track at around the nominal level and then gradually add the other instruments Your choices will also be influenced by the type of music you are working on If the song is a ballad you might want to add the piano to the mix after the vocal and then add the bass and drums If it s a more rhythmically oriented piece you could add the bass and drums first and then the piano Whatever best serves the music is right 6 Drag the Pan controls on the left side of the channel strips left and right to set the stereo position of each track MW10 Owner s Manual 13 Pan Effectively 9 Enter a file name and select a file type Panning creates the illusion of stereo space by changing the If you intend to use the file to create an audio CD relative levels of each track s signal sent to the left and right select the WAV file type AIFF on a Macintosh Stereo speakers If a signal is sent only to the left speaker the sound Interleaved 16 bit and 44 1 kHz will appear to come from the far left side of the stereo sound field If it sent with equal level to both
55. transferred in both directions from the mixer to the computer and vice versa via the USB connection 44 1 kHz or 48 kHz sampling frequency No Driver Installation Required page 7 The MW10 system uses the standard drivers included in your computer s operating system so there s no need to install any extra driver software Cubase LE DAW Software Supplied page 7 Cubase LE software included in the MW10 package offers versatile high performance hard disk recording capability 3 Band EQ On Each Channel page 15 Each channel of the MW10 mixer features full 3 band equalization providing broad musical response shaping capability Mixer Functions page 15 With up to four mic line inputs or up to four stereo inputs the MW10 can simultaneously connect to a wide range of devices microphones line level devices stereo synthesizers and more For example you can connect two microphones and four stereo devices or four microphones and two stereo devices 48V Phantom Power page 16 A PHANTOM switch supplies 48V phantom power to the mixer s microphone inputs so you can use high quality phantom powered condenser microphones for superior recording quality Contents 0 00000000000000000000000 For Wword M 5 FEatUrES cedia EA aa Da E 5 COMENTE ia aka kaa baa aan bak anan 5 Before Turning on the Mixer ssss 6 Turning the Power On OFF sse eee ee 6 Computer System Requi
56. u t0dBu 100 AUX PRE PHONES We E AUX B DMIA The signal output from the INSERT I O jacks is reverse phased This will not be a problem if connecting the jack to an effector If using the jack to output to an external device however please be aware of possible phase conflicts with other signals Channel Input Jacks CHs 7 8 9 10 Each of these channel pairs can be used to input a stereo source signal For each pair the odd numbered channel inputs the L signal and the even numbered channel inputs the R signal Each channel offers a choice of two jack types phone jack and RCA pin jack All of these jacks are unbalanced DMA Where a channel provides both phone jacks and RCA pin jacks you may use either one of these jacks but you may not use both at the same time Please connect to only of these jacks on each channel 2TR IN Jacks These are unbalanced RCA pin input jacks Use these jacks when you want to connect a stereo sound source CD DAT etc directly to the mixer for monitoring BET e You can adjust the signal level using the 2TR IN USB control in the Master Control section e When a signal is being received both via the 2TR IN connectors and the USB interface the received signals are mixed REC OUT L R Jacks These are unbalanced RCA pin output jacks These jacks output the mixed signal whose level is controlled by the ST Master LEVEL Control You use these jacks for example to connect to an exte
57. when the device is not in use Even when the power switch is in the STANDBY position electricity is still flowing to the device at the minimum level When you are not using the device for a long time make sure you unplug the power cord from the wall AC outlet The performance of components with moving contacts such as switches volume controls and connectors deteriorates over time Consult qualified Yamaha service personnel about replacing defective components SPECIAL NOTICES e This owner s manual is the exclusive copyrights of Yamaha Corporation e The supplied software is the exclusive copyrights of Steinberg Media Technologies GmbH e Use of the supplied software and this manual is governed by the license agreement which the purchaser fully agrees to upon breaking the seal of the software packaging Please read carefully the Software Licensing Agreement at the end of this manual before installing the application e Copying of the supplied software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer e Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software e The supplied disk is a CD ROM Do not attempt to play the disk on an audio CD player Doing so may result in irreparable damage to your audio CD player
58. xport gt Audio Mixdown Export Audio Mixdown in C Documents and SettingsW PR Look in My Music 93 Sample Music Filename Mixdown l Files of type Wave File wav Coding PCM uncompressed Waves lt Attributes z Channels Resolution Sample Rate Stereo Interleaved 16 Bit z 44 100 kHz z Include Import to Automation T Pool Iv Effects T Audio Track 14 MW10 Owner s Manual Front amp Rear Panels Channel Control Section Front amp Rear Panels LA LLL LLL LLL LLL LLL LLL LLL LLL LLL Channels Channels Channels 1 and 2 3 4 and 5 6 7 8 Monaural Stereo Stereo 7 8 PER g PEAK Oo 9 EISE a HIGH re IS SEN Yas a5 o p ns MID UY 2 Mp v E E GAIN Control Adjusts the input signal level To get the best balance between the S N ratio and the dynamic range adjust the level so that the PEAK indicator comes on only at about maximum input level The 60 to 16 scale indicates the MIC input adjustment level The 34 to 10 scale indicates the LINE input adjustment level PEAK Indicator Detects the peak level of the post EQ signal and lights up red when the level reaches 3 dB below the clipping level For XLR equipped stereo input channels 3 4 and 5 6 detects both post EQ and post mic amp peak levels and lights red if either of these levels reaches 3 dB below the clipping level BEGG When th

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